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Jaap Kunst Prize
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Purpose: To recognize the most significant article in ethnomusicology written by a member of the Society for Ethnomusicology and published within the previous year (whether in the journal Ethnomusicology or in another journal or edited collection). The Society will make every effort to draw upon the language expertise of the membership to evaluate submissions in languages other than English.

Prize:  $200 cash prize.

Regularity: Annually.

Administration: The Jaap Kunst Prize Committee consists of a Chair and three other members appointed by the SEM President. The committee will make a good faith effort to locate worthy articles but it also relies on self-nominations, as well as on nominations from individual members and from sections, special interest groups and other groups within SEM. When needed, the committee Chair will recruit language specialists to assist with the evaluation of non-English submissions. The prize may be withheld by decision of the committee.

Application Process: Applicants may submit only one article during an application cycle.

Application Deadline: The deadline for nominations or submissions is April 1.

Send Application To: Send email with the article as an attachment to sem@indiana.edu. Address email to Chair, Jaap Kunst Prize, Society for Ethnomusicology.




McDonald, David A. "Imaginaries of Exile and Emergence in Israeli Jewish and Palestinian Hip Hop.” The Drama Review. 57.3: 69-97. 2013.

Sum, Maisie. "Music for the Unseen: Interaction between Two Realms during a Gnawa Lila." African Music: Journal of the International Library of African Music 9.3: 151–182. 2013.


Bohlman, Philip. "Analyzing Aporia." Twentieth-Century Music 8.2: 133-151, 2011.

(Honorable Mention) Solis, Gabriel. "Artisanship, Innovation and Indigenous Modernity in the Eastern Highlands of Papua New Guinea: Ataizo Mutahe’s Vessel Flutes." MUSICultures 39.1, 2012.


Gray, Ellen.  "Fado’s City.” Anthropology and Humanism 36.2: 141-163, 2011.

(Honorable Mention) Novak, David. "The Sublime Frequencies of New Old Media,” Public Culture 23.3: 603-634, 2011. 


Szego, K.C. "The Sound of Rocks Aquiver? Composing Racial Ambivalence in Territorial Hawai‘i." The Journal of American Folklore 122(487): 31-62, 2010.


Shelemay, Kay Kaufman. "The Power of Silent Voices: Women in the Syrian Jewish Musical Tradition."                In Music and the Play of Power in the Middle East, North Africa and Central Asia Laudan Nooshin, Ed., 2009.  


Miller, Kiri. (Honorable Mention). "Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity.” Journal of the Society for American Music 3(4): 395-429, 2009.


Moehn, Frederick. "Music, mixing and modernity in Rio de Janeiro." Ethnomusicology Forum 17(2):165-202, 2008.


Taylor, Timothy D. "The Commodification of Music at the Dawn of the Era of 'Mechanical Music'." Ethnomusicology 51(2):281-305. 2007.


(Co-recipient) Benadon, Fernando. "Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm." Ethnomusicology 50(1):73-98, 2006.

(Co-recipient) Gerischer, Christiane. "O Suingue Baiano: Rhythmic Feeling and Microrhythmic Phenomena in Brazilian Percussion." Ethnomusicology 50(1):99-119, 2006.


Scruggs,T.M. "(Re)Indigenization?: Post-Vatican II Catholic Ritual and 'Folk Masses' in Nicaragua." The World of Music 47(1):91-124, 2005.


(Co-recipient) Meintjes, Louise. "Shoot the Sergeant, Shatter the Mountain: The Production of Masculinity in Zulu Ngoma Song and dance in post-Apartheid South Africa." Ethnomusicology Forum 13(2): 173-201, 2004.   

(Co-recipient) Stokes, Martin. "Music and the Global Order." Annual Review of Anthropology 33: 47-72, 2004.


Sugarman, Jane. "Those Other Women: Dance and Femininity among Prespa Albanians." In Music and Gender: Perspectives from the Mediterranean, 2003.


Diamond, Beverley. "Native American Contemporary Music: The Women." The World of Music Volume 44(1):11-39, 2002.


Rasmussen, Anne K. "The Qur'an in Indonesian Daily Life: The Public Project of Musical Oratory." Ethnomusicology 45(1): 30-57, 2001.


Terada, Yoshitaka. "T. N. Rajarattinam Pillai and Caste Rivalry in South Indian Classical Music." Ethnomusicology 44(3): 460-490, 2000.


Doubleday, Veronica. "The Frame Drum in the Middle East: Women, Musical Instruments, and Power." Ethnomusicology 43(1): 101-34, 1999.


Yang, Mu. "Erotic Musical Activity in Multiethnic China." Ethnomusicology 42(2): 199-264, 1998.


Zemtsovsky, Izaly. "An Attempt at a Synthetic Paradigm." Ethnomusicology 41(2): 185-205,1997.


Summit, Jeffrey. "I'm a Yankee Doodle Dandy?: Identity and Melody at an American Simh at Torah Celebration." Ethnomusicology 37(1):41-62, 1993.


Lysloff, René. "Non-Puppets and Non-Gamelan: Wayan Parody in Banyumas." Ethnomusicology 34(1):19-35, 1988.


Sooi-beng Tan. "From Popular to 'Traditional' Theater: The Dynamics of Change in Bangsawan of Malaysia"


Robbins, James. "Practical and Abstract Taxonomy in Cuban Music." Ethnomusicology 33(3):379-90, 1989.


Witzleben, J.Lawrence. "Jiangnan Sizhu Music Clubs in Shanghai: Context, Concept and Identity." Ethnomusicology 31(2):240-60, 1987.


Hatton, Orin T. "In the Tradition: Grass Dance Musical Style and Female Powow Singers." Ethnomusicology 30(2):197-219, 1986.


Roseman, Marina. "The Social Structuring of Sound: The Temiar of Peninsular Malaysia." Ethnomusicology 27(3): 411-45, 1984.


Cadar, Usopay. "The Role of Kulintang Music in Maranao Society." Ethnomusicology 17(2): 234-249, 1973.


Brown, Donald N. "The Distribution of Sound Instruments in the Prehistoric United States." Ethnomusicology 11(1): 71-90. 1967.

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