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Journal of World Popular Music 3.1 (2016)

Wednesday, August 3, 2016   (0 Comments)
Posted by: Marysol Quevedo
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Journal of World Popular Music 3.1 (2016) table of contents View this email in your browser<http://us1.campaign-archive1.com/?u=7b079594af3b248f2afa52f65&id=5afe206ec4&e=180352b19e>

Journal of World Popular Music

Issue 3.1 (2016) table of contents

Special Issue: Gender, Popular Music and Australian Identity Guest editor: Catherine Strong

Editorial- open access

Editor's Introduction<http://equinoxpub.us1.list-manage1.com/track/click?u=7b079594af3b248f2afa52f65&id=aa751f8223&e=180352b19e>

Simone Krüger, Sarah Baker

Gender, Popular Music and Australian Identity Introduction to Special Issue<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=717bc240cc&e=180352b19e>

Catherine Strong

Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=d8ab22da87&e=180352b19e>

Liz Giuffre

She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=87048ecd7e&e=180352b19e>

Catherine Strong, Ian Rogers

 “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=3b4732c308&e=180352b19e>

Rachael Gunn

Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=3a0fac9d90&e=180352b19e>

Lauren Istvandity

We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=0a39fb9622&e=180352b19e>

Catherine Hoad

 “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=a432df861e&e=180352b19e>

Catherine Strong, Evelyn Morris

British Popular Music

Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate<http://equinoxpub.us1.list-manage1.com/track/click?u=7b079594af3b248f2afa52f65&id=d6917adce5&e=180352b19e>

Reviewed by Lawrence Davies

Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=120b0c49c4&e=180352b19e>

Reviewed by Donna Weston

Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=78c5c18128&e=180352b19e>

Reviewed by Tony Mitchell

Indigeneity and World Popular Music

Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press<http://equinoxpub.us1.list-manage1.com/track/click?u=7b079594af3b248f2afa52f65&id=755d33ae78&e=180352b19e>

 Reviewed by Carolyn Chong

Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=c53bcb5ef3&e=180352b19e>

Reviewed by Alf Arvidsson

Katelyn Barney. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press<http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=e5d628e0b1&e=180352b19e>

Reviewed by André Rottgeri


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