University of British Columbia
Type of Program and Degrees Offered
We are part of a School of Music (Conservatory) and offer the M.A. and Ph.D. in Ethnomusicology. Undergraduates can concentrate in ethnomusicology to a certain degree through a major stream we call “music scholarship.” We are affiliated with all music disciplines—performance and scholarship—as well as strongly linked to the Asian studies and anthropology departments.
The primary geographic/genre specialties and foci of our two permanent teaching faculty are Korean and Indonesian music, popular musics, and contemporary music composition. Some secondary interests are Japanese, South Indian, and sub-Saharan African musics, and jazz. More general interests have also been emerging, such as theories of the musical mind, general categorization schemes for musical time organization, the social meanings of rhythmic play, applied ethnomusicology, and music and biology. In terms of method and theory, we are oriented equally toward music analysis and ethnography. Performance is a crucial component: we have Balinese, Korean, Ghanaian, and Chinese ensembles, and there is a student-run (Brazilian) capoeira club. Dean Gage Averill’s research has ranged among Haitian popular music, American barbershop, and other popular and diasporic traditions of the Western hemisphere.
Musical instrument sets include a full Balinese gamelan semaradana, Korean p’ungmul, Ghanaian drums, and Chinese silk and bamboo orchestra. We also have a Javanese slendro gamelan, and a large collection of berimbau (Brazil). All ensembles are led by instructors or professors with extensive performance experience. There is also a second, community Balinese gamelan group, Gita Asmara. All ensembles often include long standing community members who bring extra cohesion and skill to the experience of participating. Many other kinds of music and groups (expert Indian classical musicians, a Persian music club, etc.) are active on campus if not directly affiliated with us. We have a lively scene for composers with many kinds of intercultural music-making going on in the area.
The ethnomusicology division resides in the recently renovated Old Auditorium building on campus, directly across a courtyard from the School of Music. We have a student lounge and seminar room area with computer facilities adjacent to faculty offices. Instruments and ensembles practice across the street at the Asian Centre. Part-time and/or active emeritus faculty include Alan Thrasher (Chinese Music) and Norman Stanfield (Japanese and First Nations music, popular musics, and English Morris dance). Since 2010 ethnomusicologist Gage Averill has been U.B.C.’s Dean of Arts and is appointed as Professor of Ethnomusicology. Although he does not normally teach classes, he has served on dissertation committees and done graduate advising. Special Resources include the Music Library’s books, journals, and recordings; the large Asian Library; an Anglo-Canadian folk music collection; and collections in the Museum of Anthropology (especially Northwest Coast).
Full-Time Faculty in Ethnomusicology
Nathan Hesselink. B.Mus. (Northwestern), M.A. (Mich.), Ph.D. (Lond., SOAS). Professor, Ethnomusicology.
Michael Tenzer. B.A. (Yale), Ph.D. (Calif., Berkeley). Professor, Ethnomusicology.
Gage Averill. B.A., Ph.D. (Washington, Seattle). Dean of Arts and Professor, Ethnomusicology
J.S. Kofi Gbolonyo. Dip.Ed. (Winneba, Gh.), BA (Legon, Gh.), Ph.D (Pittsburgh). Lecturer, Ethnomusicology and African Studies. Director, UBC African Music and Dance.
Norman Stanfield. M. Mus. (Br. Col.), Ph. D. (Br. Col.). Sessional Lecturer, Introduction to the Study of Ethnomusicology, and Introduction to the Study of Popular Music.
Alan Thrasher. Ph.D. (Wesleyan University, 1980). Professor Emeritus, Ethnomusicology.
General Program Statement
We are a small and scrappy ethnomusicology program located within the UBC School of Music, which is the major such school in Western Canada. The School as a whole prides itself on its excellent faculty and harmonious, supportive working environment. Out of 25 full-time faculty spread across eight divisions (Theory, Historical Musicology, Ethnomusicology, Composition, Voice/Opera, Strings, (other) Orchestral Instruments, and Keyboards) there are two full-time ethnomusicologists, Profs. Nathan Hesselink and Michael Tenzer.
The program is designed to educate scholars and performers both to teach and to engage with the shifting lines of inquiry and methodological debates that define the field. Though faculty have focused their research on Asian musics, especially those of Korea and Indonesia, the program can accommodate interests in ethnomusicology’s wide range of geographic areas and intellectual issues. We strongly encourage performance, close interaction with related disciplines (Anthropology, Area Studies, Sociology, Linguistics, etc.), as well as border crossing within music. We also have a strong focus on music theory and analysis.
We strive for balance among diverse aspects of ethnomusicology by stressing performance, music transcription, theory and analysis, social and intellectual history, and contemporary social practice equally. We collaborate regularly with music theory, historical musicology, and composition divisions in the School of Music, and are linked to Area Studies and other departments across the university. Our goal for every student is to communicate our dedication to and love for the musics of the world, and to encourage original, critical, and constructive writing on music that will enable graduates to contribute actively to scholarship, education, and the cultures of world musics around us. The ethnomusicology students and faculty comprise a small community, but our time together is intense and vibrant, and excellent work is being done.
We offer a range of undergraduate courses with titles or topics such as: World Music Cultures, Musical Rhythm and Human Experience, (various) Area Studies in Music, Indian Rhythm, Popular Music , Music Fusions, and others. Graduate classes include the core Ethnomusicology seminar, Cross-Cultural Interactions, Ethnography and Representation, Musical Periodicity, Human Musicality, Categories of Musical Thought, and others.
We often invite prominent ethnomusicologists as guests for lectures and interaction. Recent visitors include Marc Perlman, Bruno Nettl, Ellen Koskoff, Nathalie Fernando, Mark Slobin, Simha Arom, Dana Rappoport, Joshua Pilzer, Philip Yampolsky, and others.
Lastly, we are situated in Vancouver, a beautiful, sparkling city that is a gold mine of world traditions. Once here, few wish to leave.
A range of financial support is available, and for successful students, it is usually full from the second year onwards. In the first year, we provide Graduate Entrance Scholarships, which offer partial support, though full packages may be available for exceptional applicants.
Thereafter several kinds of support come into play. We have had excellent success in procuring these for our students:
SSHRC; for Canadian citizens or permanent residents only. See http://www.sshrc-crsh.gc.ca/funding-financement/programs-programmes/fellowships/doctoral-doctorat-eng.aspx
University Fellowships available to international students (Affiliated and 4-year Doctoral fellowships.) See https://www.grad.ubc.ca/awards/affiliated-fellowships and https://www.grad.ubc.ca/awards/four-year-doctoral-fellowship-4yf
Certain special nationwide awards are available to both Canadian and international students, such as the Vanier and Trudeau Fellowships (http://www.vanier.gc.ca/eng/home-accueil.html and http://www.trudeaufoundation.ca/en/programs/scholarships).
Research and teaching assistantships are also available.
For information on admissions procedures (including TOEFL), please contact Juliet O'Keefe: email@example.com
For all other inquiries related to ethnomusicology, please contact professors Hesselink or Tenzer.
Nathan Hesselink. Office 604-827-3259, Room Old Aud 206.: firstname.lastname@example.org
Michael Tenzer. Office 604-822-3405, Room Old Aud 206: email@example.com
The content for University of
British Columbia was last updated November 14, 2014.