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Current Bibliography, Vol. 41, No. 3 (Fall 1997)
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Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Adler, Israel. 1995. The Study of Jewish Music: A Bibliographical Guide. Yuval monograph series, 10. Jerusalem: Magnes Press, the Hebrew University, 87 pp.

Albèra, Philippe. 1996. "Les leçons de l'exotisme [The lessons of exoticism]." Cahiers de musiques traditionnelles 9 : 53-84. Bibliog., photos. Eng. summary.

Arpin, Jacques. 1996. "La valise entrouverte. Musiciens en migration et urgence de la transmission [The unfastened suitcase. Musicians in migration and the urgency of transmission]." Cahiers de musiques traditionnelles 9 : 85-114. Illus., table. En g. summary.

Aubert, Laurent. 1996. "La vie d'artiste ou le défi de la représentation [An artist's life or the challenge of the performance]." Cahiers de musiques traditionnelles 9 : 23-52. Bibliog., photos. Eng. summary.

Bakan, Michael B. 1993. "Lessons from a World: Balinese Methods of Applied Music Instruction and the Teaching of Western 'Art' Music." College Music Symposium 34 : 1-22. Photos.

Barz, Gregory F. 1997. "Chasing Shadows in the Field: An Epilogue." In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 205-9.

Barz, Gregory F., and Timothy J. Cooley, ed. 1997. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York; Oxford: Oxford University Press, xii, 243 pp., bibliog., facsims., photos.

Bennighof, James. 1993. "Fluidity in Paul Simon's _Graceland_." College Music Symposium 34 : 212-36. Music, tables.

Borel, François. 1996. "De l'anthropologie de la musique à l'ethnomusicologie visuelle: Entretien avec Hugo Zemp." Cahiers de musiques traditionnelles 9 : 289-304. Bibliog., discog., filmog., photos.

Brown, Mary Ellen. 1995. "Thoughts on the Genre: Ballad." In Ballads and Boundaries, edited by J. Porter, 130-32. Bibliog.

Cohen, Judith R. 1995. "Romancing the _Romance_: Perceptions (and Boundaries) of the Judeo-Spanish Ballad." In Ballads and Boundaries, edited by J. Porter, 209-17. Bibliog.

Cooley, Timothy J. 1997. "Casting Shadows in the Field: An Introduction." In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 3-19.

Cornelius, Steven. 1995. "Issues Regarding the Teaching of Non- Western Performance Traditions within the College Music Curriculum." College Music Symposium 35 : 22-32.

Dahlig, Ewa. 1994. "Man-Instrument-Music and the Levels of Temporality." European Seminar in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/research/conferences/esem/ adah.html. Bibliog., table. Electronic publication of ESEM 1994 pr oceedings.

De France, Yves. 1994. "Suggestions for a Classification of Musical Instruments from the Perception of the Player's Body." European Seminar in Ethnomusicology, Oxford : Available http:// www.music.ed.ac.uk/research/conferences/esem/def.html. Biblio g. Electronic publication of ESEM 1994 proceedings.

Dehoux, Vincent. 1996. "Feuilles de route [Travel notes]." Cahiers de musiques traditionnelles 9 : 131-46. Bibliog., photos. Eng. summary.

Dilling, Margaret. 1995. "Living the Life We Sing About: A Gospel Choir Challenges Academe." College Music Symposium 35 : 61-75.

Donatelli, Joseph M. P. 1995. "'To Hear With Eyes': Orality, Print Culture, and the Textuality of Ballads." In Ballads and Boundaries, edited by J. Porter, 347-57. Bibliog., facsims.

Durga, S. A. K. 1991. Research Methodology for Music. Monograph Series, no. 1. Madras: Center for Ethnomusicology, 82 pp., bibliog.

Engle, David. 1995. "Boundaries of the Ballad Genre." In Ballads and Boundaries, edited by J. Porter, 3-6. Bibliog.

Erdener, Yildiray. 1993. "What is Ethnomusicology?" Turk Kulturu Arastirmalari : 65-72.

Everett, Walter. 1992. "Voice Leading and Harmony as Expressive Devices in the Early Music of the Beatles: _She Loves You_." College Music Symposium 32 : 19-37. Music.

Fagg, Catherine. 1994. "What is a Lithophone -- and What is a Rock Gong?" The Galpin Society Journal 47 : 154-55. Bibliog.

Feld, Steven. 1996. "pygmy POP: A Genealogy of Schizophonic Mimesis." Yearbook for Traditional Music 28 : 1-35. Bibliog., discog., music.

Finnegan, Ruth. 1992. Oral Traditions and the Verbal Arts: A Guide to Research Practices. ASA Research Methods in Social Anthropology, London; New York: Routledge, xviii, 284 pp., bibliog.

Friedlander, Paul. 1996. Rock and Roll: A Social History. Boulder: Westview Press, ix, 356 pp.

Girodo, Annie, and Janine Payoe. 1993. "Simply the Best? Tina Turner and the Winfield Cup." Perfect Beat 1 (3): 8-22.

Giuriata, Giovanni. 1994. "Research on Sound. The Performer/ Instrument Relationship in an Example of Sonic Analysis." European Seminar in Ethnomusicology : Available http:// www.music.ed.ac.uk/research/conferences/esem/giu.html. Bibliog., graphs. Electronic publication of ESEM 1994 proceedings.

Gourlay, Kenneth A. 1993. "Blanks on the Cognitive Map: Unpredictable Aspects of Musical Performance." British Journal of Ethnomusicology 2 : 1-30. Bibliog., tables.

Grund, Françoise, and Chérif Khaznadar. 1996. Atlas de l'imaginaire. Paris: Maison des Cultures du Monde, 206 pp., illus.

Hanna, Judith Lynne. 1990. "Dance and Semiotics." In Semiotics in the Individual Sciences, edited by Walter A. Koch, 352-76. Bochum: Studienverlag Brockmeyer. Hanna, Judith Lynne. 1995. "The Power of Dance: Health and Healing." Journal of Altern ative and Complementary Medicine 1 (4): 323-27.

Hanna, Judith Lynne. 1996. "Rhythm and Choreography." Degrés 87 : 65-80.

Harrington, E. Michael. 1991. "Rock Music as a Resource in Harmonic, Melodic and Metric Dictation." College Music Symposium 31 : 27-33. Music.

Hayward, Philip. 1992. "Cash, Chords, Chaos and Hype Writing Rock History: Accounts of the Sex Pistols and Their Role in the Seventies New Wave." Perfect Beat 1 (1): 84.

Ives, Sandy. 1995. "'The Bonny Early of Murray': The Intersections of Folklore and History." In Ballads and Boundaries, edited by J. Porter, 135-41. Bibliog.

Jarosiewicz, Diane. 1992. "Music Power: Kylie, Bowie and _The Delinquents_." Perfect Beat 1 (1): 17-24.

Juan, Maria Antonia. 1994. "The Castenets: Terminology and Symbolism." European Seminar in Ethnomusicology : Available http: //www.music.ed.ac.uk/research/conferences/esem/juan.html. Bibliog. Electronic publication of ESEM 1994 proceedings.

Kaminsky, Peter. 1992. "The Popular Album as Song Cycle: Paul Simon's _Still Crazy After All These Years_." College Music Symposium 32 : 38-54. Music.

Levin, Theodore C. 1996. The Hundred Thousand Fools of God: Musical Travels in Central Asia (and Queens, New York). Bloomington: Indiana University Press, xvi, 318 pp., bibliog., discog., illus., maps, music + 1 sound disc.

Martin, Denis-Constant. 1996. "Who's Afraid of the Big Bad World Music? (Qui a peur des grandes méchantes musiques du monde?)." Cahiers de musiques traditionnelles 9 : 3-21. Bibliog. Eng. summary.

McDonald, Barry. 1996. "The Idea of Tradition Examined in the Light of Two Australian Musical Studies." Yearbook for Traditional Music 28 : 106-30. Bibliog.

Montagu, Jeremy. 1994. "Instruments as Voices and Voices as Instruments." European Seminar in Ethnomusicology : Available http://www.music.ed.ac.uk/research/conferences/esem/mon.html. Electronic publication of ESEM 1994 proceedings.

Neuenfeldt, Karl. 1995. "The Essentialistic, the Exotic, the Equivocal and the Absurd: The Cultural Production and Use of the Didjeridu in World Music." Perfect Beat 2 (1)Bibliog., discog. Available: http://www.mcs.mq.edu.au/content/pbeat/Didj.htm.

Olsen, Dale. 1995. "Multicultural Music Education, Cultural Sensitivity, and the Ethnographic Truth: A Response to Cornelius." College Music Symposium 35 : 33-34. See Cornelius, Steven in this section.

Poché, Christian. 1995. La musique arabo-andalouse. Musique du monde, Paris: Cité de la Musique; Arles: Actes Sud, 155 pp., bibliog., discog., gloss. + 1 sound disc.

Porter, Gerald. 1995. "'Wee'l keepe our fingers playing': Women's Work Songs and the Appropriation of Tradition." In Ballads and Boundaries, edited by J. Porter, 276-88. Bibliog.

Porter, James. 1995. "Toward a Theory and Method for Ballad Performance." In Ballads and Boundaries, edited by J. Porter, 225-30. Bibliog.

Porter, James, ed. 1995. Ballads and Boundaries: Narrative Singing in an Intercultural Context. Proceedings of the 23rd International Ballad Conference of the Commission for Folk Poetry (Société Internationale d'Ethnologie et de Folklore) , University of California, Los Angeles, June 21-24, 1993. Los Angeles: Department of Ethnomusicology and Systematic Musicology, UCLA, xiii, 382 pp., bibliogs., discogs., music.

Potter, Gary. 1992. "Analyzing Improvised Jazz." College Music Symposium 32 : 143-60. Music. Reprint from v. 30.

Rice, Timothy. 1997. "Toward a Mediation of Field Methods and Field Experience in Ethnomusicology." In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 101-20.

Rieuwerts, Sigrid. 1995. "Boundaries of Cultural Experience: Singer and Scholar." In Ballads and Boundaries, edited by J. Porter, 374-76. Bibliog.

Rieuwerts, Sigrid. 1995. "From Percy to Child: The 'Popular Ballad' and 'A distinct and very important species of poetry'." In Ballads and Boundaries, edited by J. Porter, 13-20. Bibliog.

Roehmann, Franz L. 1995. "Technology, Culture, and Music." College Music Symposium 35 : 124-31.

Rose, Nathan. 1995. "Unacknowledged Legislation: Dialect, Ballads, and the Question of Transmission." In Ballads and Boundaries, edited by J. Porter, 358-66. Bibliog.

Ruyter, Nancy Lee Chalfa. 1995. "Some Musings on Folk Dance." Dance Chronicle 18 (2): 269-79. Illus.

Seeger, Anthony. 1996. "Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property." Yearbook for Traditional Music 28 : 87- 105. Bibliog.

Shelemay, Kay Kaufman. 1996. "The Ethnomusicologist and the Transmission of Tradition." The Journal of Musicology 14 (1): 35- 51. Facsims.

Shelemay, Kay Kaufman. 1997. "The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition." In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 189-204. Facsims.

Smith, Christopher. 1995. "'Broadway the Hard Way': Techniques of Allusion in the Music of Frank Zappa." College Music Symposium 35 : 33-60. Bibliog., music. Swanick, Keith. 1992. "Music Education and Ethnomusicology." British Journal of Ethnomu sicology 1 : 127-44. Bibliog.

Titon, Jeff Todd. 1997. "Knowing Fieldwork." In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 87-100.

Turkka, S. A. K. 1996. Ethnomusicology: A Study of Intercultural Musicology. Monograph Series, Center for Ethnomusicology, no. 2. Madras: Center for Ethnomusicology, viii, 123 pp.

Valenciano, Ana. 1995. "System and Change in the Pan-Hispanic Ballad." In Ballads and Boundaries, edited by J. Porter, 188-96. Bibliog.

Walser, Robert. 1991. "The Body in the Music: Epistemology and Musical Semiotics." College Music Symposium 31 : 117-26.

Wark, McKenzie. 1992. "Ornament and Crime: The Hip Hop Avant Garde of the Late 80s." Perfect Beat 1 (1): 48-62.

Würzbach, Natascha. 1995. "Motifs in the Child Corpus." In Ballads and Boundaries, edited by J. Porter, 84-86.

Zemp, Hugo. 1996. "The/An Ethnomusicologist and the Record Business." Yearbook for Traditional Music 28 : 36-56. Biliog., discog.

Africa

Barz, Gregory F. 1997. "Confronting the Field(Note) In and Out of the Field: Music, Voices, Text, and Experiences in Dialogue." See General section. In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 45-6. Diagr., photos. East African _kwayas_.

Belaskri, Yahia. 1995. Khaled. Paris: Sogecom, 198 pp., illus.

Charry, Eric. 1996. "Plucked Lutes in West Africa: An Historical Overview." The Galpin Society Journal 49 : 3-37. Bibliog., discog., photos., tables, videog.

Collins, John. 1996. E. T. Mensah, the King of Highlife. Ghana: Anansesem Publications, 60 pp., illus.

Daoudi, Bouziane, and Hadj Miliani. 1996. L'adventure du raï: Musique et société. Paris: Le Seuil, Serie Point Inédit Virgule, 284 pp., bibliog., gloss.

Duran, Lucy. 1995. "Birds of Wasulu: Freedom of Expression and Expression of Freedom in Popular Music of Southern Mali." British Journal of Ethnomusicology 4 : 101-33. Bibliog., discog., photos, table.

Gray, Catherine. 1995. "Compositional Techniques in Roman Catholic Church Music in Uganda." British Journal of Ethnomusicology 4 : 135-54. Bibliog., music.

Gray, Catherine. 1993. "The Ugandan Lyre _endongo_ and Its Music." British Journal of Ethnomusicology 2 : 117-42. Bibliog., diagr., illus., music, photos.

Kasule, Sam, and Peter Cooke. 1996. "Regards croisés sur la vie musicale en Ouganda: _Bwemba nnyimba saagala anyumya_ - Activité et diversité dans l'Ouganda contemporain [The musical scene in Uganda. Views from without and within]." < I>Cahiers de musiques traditionnelles 9 : 147-66. Bibliog., discog. photos. Eng. summary.

Kisliuk, Michelle. 1997. "(Un)doing Fieldwork: Sharing Songs, Sharing Lives." See General section. In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 23-44. Photos. BaAka pygmies in the Central African Republic.

Lagrange, Frédéric. 1996. Musiques d'Egypte. Musique du Monde, Paris: Cité de la Musique; Arles: Actes Sud, 175 pp., bibliog., discog., gloss. + 1 sound disc.

Le Bomin, Sylvie. 1994. "Interpretation and Techniques of Performance in Banda Gbambiya Music for Two Xylophones in the Central African Republic." European Seminar in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/research/ conferenc es/esem/bom.html. Bibliog. Electronic publication of ESEM 1994 proceedings.

Mecheri-Saada, Nadia. 1994. Musique tourègue de l'Ahaggar (Sud algérien). Paris: L'Harmattan - Awal, 255 pp., bibliog., discog.

Panzacchi, Cornelia. 1996. Mbalax Mi: Muzikszene Senegal. Wuppertal: Edition Trickster im Peter Hammer Verlag, 280 pp., bibliog., discog., illus.

Poché, Christian. 1996. "La musique arabe et l'éclatement des formes." In Encylopaedia Universalis 1996, 38081. Paris: Encyclopedia Universalis. On Nass el Ghiwan, the Algerian _raï_ and the Egyptian _jil_.

Poché, Christian. 1995. "La rayonnement de la musique africaine." In Larousse Annuel 94: Le livre de l'année, 356-58. Paris: Larousse.

Poché, Christian. 1997. "Le griot, l'arbre et le luth." Qantara 22 : 39-41.

Rouget, Gilbert. 1996. Un roi africain et sa musique de cour. Chants et danses du palais à Porto-Novo soud les règne de Gbèefa (1948-1976). Paris: CNRS Éditions, 391 pp., bibliog., photos + 2 sound discs.

Tchimou, Famedji-Koto. 1996. L'art de danser en Côte-d'Ivoire. Paris; Montréal: L'Harmattan, 301 pp., charts.

Virolle, Marie. 1995. La chanson raï: De l'Algérie profonde à la scène internationale. Paris: Karthala, 218 pp., bibliog.

Wiggins, Trevor. 1996. "Globalisation: L'Afrique occidentale dans le monde ou le monde en Afrique occidentale [Globalization: Western Africa in the world or the world in Western Africa]." Cahiers de musiques traditionnelles 9 : 189-200. Bibliog., m usic, photos. Eng. summary.

Yacine, Tassadit. 1995. Chérif Kheddam ou l'amour de l'art. Paris: Le Découverte/Awal, 246 pp., music.

Zanetti, Vincent. 1996. "De la place du village au scènes internationales: L'evolution de _jembe_ et de son répertoire [From the village square to the international stage: the development of _jembe_ and its repertoire]." Cahiers de musiqu es traditionnelles 9 : 167-88. Bibliog., photos. Eng. summary.

Americas

Abbott, Lynn, and Doug Seroff. 1996. "'They Cert'ly Sound Good to Me': Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues." American Music 14 (4): 402-54. Facsims.

Aharonián, Coriún. 1995. "Humilde aporte a una fiesta de celebración." Revista Musical Chilena 49 (183): 65-66.

Allen, Bob. 1996. "Jimmy Bowen Is the Most (check one): Reviled Respected Man on Music Row." In The Country Reader, edited by P. Kingsbury, 174-99. Photos.

Baud, Pierre Alain. 1995. Le danse au Mexique art et pouvoir. Paris: L'Harmattan, 217 pp., bibliog., illus. Blérald-Ndagamo, Monique. 1996. Musiques et danses Créoles au tambour de la Guyane Française. Cayenne: Ibis Rogu e Editions, 228 pp., bibliog., discog., illus., music.

Charles-Dominique, Luc. 1996. "La dimension culturelle et identitaire dans l'ethnomusicologie actuelle de domaine francais [Dimensions of culture and identity in current French ethnomusicology]." Cahiers de musiques traditionnelles 9 : 275- 88. Bib liog., photos. Eng. summary.

Cockrell, Dale. 1996. "Jim Crow, Demon of Disorder." American Music 14 (2): 161-84. Facsim.

Coffey, Kevin. 1996. "Steel Colossus: The Bob Dunn Story." In The Country Reader, edited by P. Kingsbury, 90-109. Photos.

Cogswell, Robert. 1996. "Colia Streeter: Black Country Musician." Tennessee Folklore Society Bulletin 57 (3): 124.

Cohen, Andrew M. 1996. "The Hands of the Blues Guitarists." American Music 14 (4): 455-79. Bibliog., discog., music, photos, tables.

Cooper, Danie. 1996. "Tanya Tucker: Almost Grown." In The Country Reader, edited by P. Kingsbury, 200-39. Photo.

Daniel, Wayne W. 1996. "J. M. Henson: Gospel Music Entrepreneur." Tennessee Folklore Society Bulletin 57 (4): 147-53.

Desroches, Moniques. 1996. Tambours des dieux: Musique et sacrifice d'origine tamoule en Martinique. Paris; Montréal: L'Harmattan, 180 pp., bibliog., photos.

Estival, Jean-Pierre. 1996. "Nouveaux enjeux ou continuité historique? La _rumba_ un exemple afrocubain [New directions or historical continuity? An Afro-Cuban example]." Cahiers de musiques traditionnelles 9 : 201-23. Bibliog., photo.

Filene Benjamin. 1991. "'Our Singing Country': John and Alan Lomax, Leadbelly, and the Construction of an American Past." American Quarterly 43 (4): 602-24.

Forrest, John. 1996. "The Structure and Notation of Traditional Dance Music: A New Mexican Example." Folk Music Journal 7 (2): 167-87. Music, photos.

Gabbard, Krin. 1996. Jammin' at the Margins: Jazz and the American Cinema. Chicago: Chicago University Press, xi, 350 pp., bibliog.

García, Sara S. 1995. "The Transmutation of a Cultural Constant: The Mexican Political _Corrido_ as Personal Legacy." See General section. In Ballads and Boundaries, edited by J. Porter, 47-60. Bibliog.

Garrido, Pablo. 1995. "Margot Loyola y el folclor migratorio." Revista Musical Chilena 49 (183): 61-64.

Giuriati, Giovanni. 1996. "La musique comme nécessité, la musique comme indentité culturelle. Les réfugiés khmers à Washington, D.C. [Music as necessity, music and cultural identity. The Khmer refugees in Washinto n, D.C.]." Cahiers de musiques traditionnelles 89 : 242-58. Bibliog., photos. Eng. summary.

Goertzen, Chris. 1996. "Balancing Local and National Approaches at American Fiddle Contests." American Music 14 (3): 352-81. Music, tables.

Goldsmith, Thomas. 1996. "Fifty Years and Counting: Bill Monroe Drives On." In The Country Reader, edited by P. Kingsbury, 111- 19. Photos.

González, Juan Pablo. 1996. "Ecocación, modernización y revindicación del folclore en la música popular chilena: el papel de la _performance_." Revista Musical Chilena 50 (185): 25-37. Bibliog., music, photo.

Green, Douglas B. 1996. "The Singing Cowboy: An American Dream." In The Country Reader, edited by P. Kingsbury, 20-73. Bibliog., photos.

Guralnick, Peter. 1996. "Elvis Emerging: A Year of Innocence and Experience." In The Country Reader, edited by P. Kingsbury, 120- 37. Photo.

Hansen, Gregory. 1996. "The Relevance of 'Authentic Tradition' in Studying an Oldtime Florida Fiddler." Southern Folklore 53 (2): 67-89. Bibliog.

Herman, Janet. 1995. "Ballads with an Edge." See General section. In Ballads and Boundaries, edited by J. Porter, 302-06. Bibliog.

Hernández, Guillermo E. 1995. "New Perspectives on the _Corrido_." See General section. In Ballads and Boundaries, edited by J. Porter, 28-36. Bibliog.

Herrera-Sobek, Maria. 1995. "From _Adelitas_ to Farmworkers: The Representation of Chicanas in Painting and Folksong." See General section. In Ballads and Boundaries, edited by J. Porter, 119-29. Bibliog.

1995. "Juicios sobre Margot Loyola." Revista Musical Chilena 49 (183): 67-70.

Kahn, Ed. 1996. "The Carter Family on Border Radio." American Music 14 (2): 205-17. Table.

Kingsbury, Paul, ed. 1996. The Country Reader: Twenty-five Years of the _Journal of Country Music_. Nashville; London: The Country Music Foundation Press & Vanderbilt University Press, xviii, 333 pp., bibliog., photos.

Lamadrid, Enrique R. 1995. "'La indita de San Luis Gonzaga': History, Faith, and Intercultural Relations in a New Mexican Sacred Ballad." See General section. In Ballads and Boundaries, edited by J. Porter, 76-83. Bibliog.

Leymarie, Isabelle. 1996. Du tango au reggae Musiques noires d'Amérique latine et des Caraïbes. Paris: Flammarion, 330 pp., bibliog., discog., illus.

Leymarie, Isabelle. 1996. Musiques caraïbes. Musique de Monde, Paris: Cité de la Musique; Arles: Actes Sud, 175 pp., bibliog., discog., gloss. + 1 sound disc.

Lum, Casey Man Kong. 1996. In Search of a Voice: Karaoke and the Construction of Identity in Chinese America. Mahwah, NJ: Lawrence Erlbaum, xiv, 128 pp., bibliog.

Martínez, Jesús. 1995. "Tigers in a Gold Cage: Binationalism and Politics in the Songs of Mexican Immigrants in Silicon Valley." See General section. In Ballads and Boundaries, edited by J. Porter, 325-38. Bibliog.

Martínez, Rosalia. 1996. "Flûtes de pan et modernité dans les Andes: l'exemple Jalq'a [Pan pipes and modernity in the Andes. A Jalq'a example]." Cahiers de musiques traditionnelles 9 : 225-39. Bibliog., music, photos. Eng. summa ry.

McCall, Michael. 1996. "Alan Jackson: Who He Is." In The Country Reader, edited by P. Kingsbury, 230-40. Photo.

Minton, John. 1996. "Houston Creoles and Zydeco: The Emergence of an African American Popular Style." American Music 14 (4): 480- 526. Map, photos.

Minton, John. 1995. "'That Amazing Texas Version of Child 84, "Boberick Allen"'." See General section. In Ballads and Boundaries, edited by J. Porter, 61-75. Bibliog.

Molinari, Olivia Concha. 1995. "Violeta Parra, compositora." Revista Musical Chilena 49 (183): 71-106. Bibliog.

Nguyen Sa. 1993. Nghê si Viêt nam o hai ngoai. Irvine, CA: Doi, 331 pp., photos.

Oermann, Robert K., and Mary A. Bufwack. 1996. "Patsy Montana and the Development of the Cowgirl Image." In The Country Reader, edited by P. Kingsbury, 74-89. Photos.

Pérez de Arce, José. 1996. "Polifonía en fiestas rituales de Chile central." Revista Musical Chilena 50 (185): 38-59. Bibliog., illus., map, photos.

Ramírez-Pimienta, Juan Carlos. 1995. "_Corrido_ and Literature: Techniques and Intertextuality." See General section. In Ballads and Boundaries, edited by J. Porter, 37-46. Bibliog.

Reily, Suzel Ana. 1994. "Musical Performance at a Braziliam Festival." British Journal of Ethnomusicology 3 : 1-34. Bibliog., music, photos.

Renwick, Roger deV. 1995. "Ballad Finds and the New Sensibility." See General section. In Ballads and Boundaries, edited by J. Porter, 339-46. Bibliog.

Ruiz, Ahustín. 1995. "Hegemonía y marginalidad en la religiosidad popular chilena: los bailes ceremoniales de la región de Valparaíso y su relación con la Iglesia Católica." Revista Musical Chilena 49 (184) : 65-83. Bibliog., photos.

Savaglio, Paula. 1996. "Polka Bands and Choral Groups: The Musical Self-Representation of Polish-Americans in Detroit." Ethnomusicology 40 (1): 35-47. Biblio.

Seeger, Judith. 1995. "Just How Bounded Is the Ballad? Two Brazilian Examples." See General section. In Ballads and Boundaries, edited by J. Porter, 265-75. Bibliog., music.

Sheaffer, John C. 1996. "The Thompsonville Strike: An Event and a Ballad." Tennessee Folklore Society Bulletin 57 (3): 109-23. Bibliog.

Stebbins, Robert A. 1996. The Barbershop Singer: Inside the Social World of a Musical Hobby. Buffalo: University of Toronto Press, xiii, 134 pp., bibliog.

Stillman, Amy Ku'uleialoha. 1996. "Beyond Bibliography: Interpreting Hawaiian-Language Protestant Hymn Imprints." Ethnomusicology 40 (3): 469-88. Bibliog., discog.

Stillman, Amy Ku'uleialoha. 1996. "Sound Evidence: Conceptual Stability, Social Maintenance and Changing Performance Practices in Modern Hawaiian Hula Songs." The World of Music 38 (2): 5-21. Bibliog., music.

Stobart, Henry. 1994. "Flourishing Horns and Enchanted Tubers: Music and Potatoes in Highland Bolivia." British Journal of Ethnomusicology 3 : 35-48. Bibliog., photos.

1994. Tong danh muc nhac Viêt 1994: Comprehensive Vietnamese Catalog 1994. Westminster, CA: VN Communication & Distribution, 541 pp., discog.

Tosches, Nick. 1996. "George Jones: The Grand Tour." In The Country Reader, edited by P. Kingsbury, 138-73. Photo.

Truong Ky. 1995. Tuyen tâp nghê si, 1995. Westminster, CA: Truong Ky, 335 pp., photos.

Vân Dông. 1995. Môt tên goi môt cuôc dòi và tình yêu âm nhac: Hôi ky. Hà nôi: Nhà xuát bán Am nhac, 152 pp., music, photos.

Wolfe, Charles. 1996. "The Legend that Peer Built: Reappraising the Bristol Sessions." In The Country Reader, edited by P. Kingsbury, 2-19. Photos. Yellin, Victor Fell. 1996. "Mrs. Belmont, Matthew Perry, and the 'Japanese Minstrels'." American Music 14 (3): 257-75. Facsims., photos.

Zamora, Agustín Ruiz. 1995. "Conversando con Margot Loyola." Revista Musical Chilena 49 (183): 11-41. Photos.

Zamora, Agustín Ruiz. 1995. "Discografia de Margot Loyola." Revista Musical Chilena 49 (183): 42-58.

Zamora, Bernice. 1995. "_La Prieta_ in the Chicano _Corrido_." See General section. In Ballads and Boundaries, edited by J. Porter, 109-18. Bibliog.

Zarate, Dora P. de. 1996. Sobre nuestra musical tipica. Panama: Editorial Universitaria, vii, 96 pp., bibliog., illus.

Asia & Oceania

al-Isfahâni. 1995. Musiques sur le fleuve: Les plus belles pages du Kitâb al-Aghânî. Paris: Albin Michel, 445 pp. Translation of the Book of Songs by Jacques Berque al-Isfahâni.

Aragon, Lorraine V. 1996. "Suppressed and Revised Performances: _Raego'_ Songs of Centra Sulawesi." Ethnomusicology 40 (3): 413- 39. Bibliog., music, photos.

Babiracki, Carol M. 1997. "What's the Difference? Reflections on Gender and Research in Village India." See General section. In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 121-36.

Baily, John. 1996. "Using Tests of Sound Perception in Fieldwork." Yearbook for Traditional Music 28 : 147-73. Bibliog., tables. Afghanistan.

Bannister, Roland. 1996. "Soldier-Musicians in an Australian Army Band: Understanding the Lived Experience of Gender." Yearbook for Traditional Music 28 : 131-46. Bibliog.

Barwick, Linda, and Allen Marett. 1996. "Selected Audiography of Traditional Music of Aboriginal Australia." Yearbook for Traditional Music 28 : 174-88. Bibliog., discog., filmog., videog.

Battersby, Melissa, and Meret Valtwies. 1992. "Music Video, Marketing and Misadventure: A Career Study of the Hummingbirds." Perfect Beat 1 (1): 25-41.

Baud, Pierre-Alain. 1996. "Nusrat Fateh Ali Khan: le _qawwali_ au risque de la modernitée [Nusrat Fateh Ali Khan: The Qawwali and the risks of modernity]." Cahiers de musiques traditionnelles 9 : 259-74. Bibliog., photo. Eng. summary.

Benn, Vicki. 1993. "Kiri-uu: Samples, Synthesis and Cultural Heritage." Perfect Beat 1 (3): 1-7. Bibliog., discog. Available: http://www.mcs.mq.edu.au/content/pbeat/kiri.htm.

Breen, Marcus. 1992. "The Music Industry and Pop Culture: The Case for an Australian Study." Perfect Beat 1 (1): 63-74.

Chang Tse-lun. 1993. Chung-kuo hsi chu yin yueh kai lun. Chang- chou shih: Ho-nan jen min chu pan she: Hsin-hua shu tien ching hsiao, 457 pp., bibliog., illus.

Clayton, Martin. 1993. "Two _gat_ Forms for the _sitar_: A Case Study in the Rhythmic Analysis of North Indian Music." British Journal of Ethnomusicology 2 : 75-98. Bibliog., discog., tables.

Cox, Peter. 1996. "The Ambonese Connection: Lou Casch, Johnny O'Keefe and the Development of Early Australian Rock and Roll." Perfect Beat 2 (4): 1-17.

Crowe, Peter. 1994. "'Pulling' and 'Straightening' the Song. Posture and Intent in Oceanic Singing." European Seminar in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/ research/conferences/esem/cro.html. Bibliog. Electronic publicat ion of ESEM 1994 proceedings.

Davies, Chris Lawe. 1993. "Black Rock and Broome." Perfect Beat 1 (2): 48-59.

Devos, Claire. 1995. Qawwali, la musique des maîtres du soufisme. Paris: Editions du Makar, 156 pp., bibliog., photos. Pakistan.

Du Yaxiong. 1995. "The Fundamentals of Chinese and Western Music Theory: A Comparative Study." Chinese Music 18 (4): 64-67. Bibliog.

Ellis, Catherine J. 1994. "The 'Two Women' Series from Central Australia." European Seminar in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/research/conferences/esem/ ell.html. Graphs. Electronic publication of ESEM 1994 proceeding s.

Erdener, Yildiray. 1993. "Turkish Minstrels in Song Duel." International Folklore Review 9 : 65-72.

Farrell, Gerry. 1993. "The Early Days of the Gramophone Industry in India: Historical, Society and Musical Perspectives." British Journal of Ethnomusicology 2 : 31-53. Bibliog., photos., table.

Fitzgerald, Jon. 1996. "Down Into the Fire: A Case Study of a Recording Session." Perfect Beat 2 (4): 63-77.

Gorham, Rachael, and Arielle Nakache. 1993. "Star Moves: Choreography, Choreographers and the Australian Music Video." Perfect Beat 1 (3): 23-37.

Gray N. 1992. "'Sulendra': An Example of _Petegak_ in the Balinese _gendér wayang_ Repertory." British Journal of Ethnomusicology 1 : 1-16. Bibliog., music.

Groemer, Gerald. 1995. "Edo's 'Tin Pan Alley': Authors and Publishers of Japanese Popular Song during the Tokugawa Period." Asian Music 27 (1): 1-36. Bibliog., illus.

Hajime Fukui. 1994. "The _Hora_ (Conch Trumpet) of Japan." The Galpin Society Journal 47 : 47-62. Bibliog., illus., photos.

Hayward, Philip, and Rachael Privett. 1992. "Spectacular Signification: Noisework's _Freedom_ Video." Perfect Beat 1 (1): 42-47.

Hayward, Philip. 1993. "After the Record: _Tabaran_, Television and the Politics of Collaboration." Perfect Beat 1 (3): 75-85.

Hayward, Philip. 1995. "A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea." Perfect Beat 2 (2)Bibiiog., discog., videog. Available: http:// www.mcs.mq.edu.au/content/pbeat/PNG.HTM.

Hayward, Philip. 1993. "Safe, Exotic and Somewhere Else." Perfect Beat 1 (2): 33-42.

Hemsi Alberto. 1995. Cancionero sefardi. Yuval music series, 4. Jerusalem: The Jewish Music Research Centre, the Hebrew University of Jerusalem, 462 pp., bibliog., illus., music.

Henderson, David. 1996. "Emotion and Devotion, Lingering and Longing in Some Nepali Songs." Ethnomusicology 40 (3): 440-68. Bibliog., tables.

Henni-Chebra, Djmila, and Christian Poche. 1996. Les danses dans le monde arabe ou l'heritage des almees. Paris: L'Harmattan, 169 pp., bibliog.

Hesselink, Nathan. 1994. "Kouta and Karaoke in Modern Japan: Blurring between _Ungangsmusik_ and _Darbietungsmusik_." British Journal of Ethnomusicology 3 : 49-61. Bibliog.

Hirschberg, Jehoash. 1994. "Reconstruction and Self-Inspection in a Displaced Community." European Seminary in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/research/ conferences/esem/hir.html. Bibliog., music. Israel. Electronic pu blication of ESEM 1994 proceedings.

Ho, Edward and Xu Pingxin. 1995. "Su Wu Herding Sheep: Scores of Xu Ying and Wang Yifu." Chinese Music 18 (4): 70-73.

Ho, Edward, and Xu Pingxin. 1996. "The Manchurian Yangqin." Chinese Music 18 (3): 50-55; 19 (1): 9-15. Bibliog., gloss., music.

Hughes, David W. 1992. "Thai Music in Java, Javanese Music in Thailand: Two Case Studies." British Journal of Ethnomusicology 1 : 17-30. Bibliog., music.

Hutton, Tiffany. 1993. "Uncertain Identities: Marketing _Tabaran_." Perfect Beat 1 (2): 16-22.

Johnson, Henry M. 1996. "_Koto_ Manufacture: The Instrument, Construction Process and Aesthetic Considerations." The Galpin Society Journal 49 : 38-64. Bibliog., photos, tables.

Johnson, Rob. 1993. "Looking Out: Interview with Kevin Carmody." Perfect Beat 1 (2): 43-47.

Kamatani, Takeshi. 1996. "The Early Bureau of Music (Yueh-fu)." Acta Asiatica 70 : 37-53.

Kiêu Tân. 1993. "Tim hiêu diêu thúc trong âm nhac tài tu Nam Bô." In Thang âm diêu thúc trong âm nhac truyên thông môt sô dân tôc miên nam Viêt nam, 303-99. Music.

Kouwenhoven, Frank. 1994. "Singing Dialogue Songs in Jiangsu (China): Towards an Evolutionary Approach to Music." European Seminar in Ethnomusicology, Oxford : Available http:// www.music.ed.ac.uk/research/conferences/esem/sko.html. Electronic publ ication of ESEM 1994 proceedings.

Kwan Chun-Ming, Kenneth. 1995. "Chou Wen Chung's Echoes from the Gorge (1989): Chinese Wine in a Western Bottle, or What?" Chinese Music 18 (3): 56-58; 18 (4): 74-78. Bibliog., table.

Lam, Joseph S. C. 1996. "Transnational Understanding of Historical Music: State Sacrificial Music from the Southern Song, China (A.D. 1127-1279)." The World of Music 38 (2): 69-83. Bibliog., map, music.

Langman, Diane. 1993. "Australian Women's Contemporary Music Inc." Perfect Beat 1 (2): 90-94.

Lau, Frederick. 1995. "Individuality and Political Discourse in Solo _Dizi_ Compositions." Asian Music 27 (1): 133-52. Bibliog., music.

Lawrance, Raelene, and Kerryn Welsh. 1996. "Apple House Music: Copyright, Performance and Legal Bootlegging." Perfect Beat 2 (4): 43-62.

Lecomte, Henri. 1996. "A la recherche de l'authenticité perdue [In search of lost authenticity]." Cahiers de musiques traditionnelles 9 : 115-29. Bibliog., photos. Central Asia and Siberia. Eng. summary.

Lee, Elsa. 1996. "Performance Settings of Chuanju." Chinese Music 19 (1): 16-20; 19 (2): 30-35. Bibliog.

Lee, Gregory. 1996. Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism, and Hybridity in China and Its Others. London: Hurst, xvii, 278 pp., bibliog. Lê Huy, and Minh Hiên. 1994. Nhac khí truyên thông Viêt nam. Hà nôi: Nhà xuât ban Thê giói, 147 pp., photos.

Lê Yên. 1994. Nhung vân dê co ban trong âm nhac tuông. Hà nôi: Nhà xuât bán Thê giói, 183 pp., music.

Li Zixian. 1996. "Vibrato Techniques on the Erhu Fiddle." Chinese Music 19 (2): 35-37. Bibliog., gloss.

Lisha Li. 1993. "Mystical Numbers and Manchu Traditional Music: Relationship between Shamanic Thought and musical Ideas." British Journal of Ethnomusicology 2 : 99-115. Bibliog., music, photos.

Lu Nhât Vu. 1993. "Ván dê thang âm diêu thúc trong dân ca nguòi Viêt o Nam Bô." In Thang âm diêu thúc trong âm nhac truyên thông môt sô d&ac irc;n tôc miên nam Viêt nam, 31-199. Bibliog., music.

Lu Nhât Vu, and Nguyên Van Hoa. 1993. "Nhung phát hiên vê thang âm diêu thúc trong dân ca Khmer Nam Bô." In Thang âm diêu thúc trong âm nhac truyên thông môt sô dân tôc miên nam Viêt nam, 223- 301. Bibliog., music.

Manet, Nadir. 1995. Les Bayadères: danseuses sacrées du temple de Villenour. Pondicherry: Editions Tala Sruti, 145 pp., illus.

Marshall-Dean, Deidre. 1996. "Cross-Cultural Connections: Transitions in Yapese Music." Perfect Beat 2 (4): 89-97.

McLean, Mervyn. 1995. Diffusion of Musical Instruments and their Relation to Language Migrations in New Guinea. Occasional Papers on Pacific Music and Dance, 1. Boroko, Papua New Guinea: Cultural Studies Division, The National Research Institute, x iv, 123 pp., bibliog., maps.

McManus, Katrina. 1992. "Teeth Gritted Harmonies: Music Policy on Australian Public Radio." Perfect Beat 1 (1): 75-83.

Meñez, Herminia. 1995. "'The Woman Split at the Well': Female Victimization in Philippine Balladry." See General section. In Ballads and Boundaries, edited by J. Porter, 101-08. Bibliog.

Mitchell, Tony. 1992. "World Music, Indigenous Music and Music Television in Australia." Perfect Beat 1 (1): 1-16.

Murphie, Andrew. 1996. "Sound at the End of the World As We Know It: Nick Cave, Wim Wenders' _Wings of Desire_ and a Deleuze and Guattarian Ecology of Popular Music." Perfect Beat 2 (4): 18-42.

Neuenfeldt, Karl. 1993. "The Didgeridu and the Overdub." Perfect Beat 1 (2): 60-77.

Ngô Bích Vuong, and Dinh Thi Nôi. 1994. Sách hoc dàn tranh. Hà nôi: Nhac viên Hà nôi; Nhà xuât bán Am nhac, 124 pp., music, photos.

Nguyên Van Nguu. 1995. Co nhac to truyên nguyên ly. Thành phâ Hâ Chí Minh: Nhà xuát bán Van Nghê, 122 pp., music.

Nicol, Lisa. 1993. "Culture, Custom and Collaboration: Yothy Yindi's _Treaty_." Perfect Beat 1 (2): 23-32.

Nooshin, Laudan. 1994. "Instrument Logic, Body Logic: The Aesthetics of Motivic Structure in Dastgah Segah." European Seminar in Ethnomusicology, Oxford : Available http:// www.music.ed.ac.uk/research/conferences/esem/lau.html. Bibliog., gloss., il lus., tables. Electronic publication of ESEM 1994 proceedings.

Pacholczyk, Josef M. 1996. Sp-sufyp-sana Mp-susp-siqp-si: The Classical Music of Kashmir. Intercultural Music Studies, 9. Berlin: VWB, Verlg für Wissenschaft und Bildung, 261 pp., bibliog., illus., music + 1 sound disc.

Pegg, Carole. 1992. "Mongolian Conceptualisations of Overtone Singing (_xöömii_)." British Journal of Ethnomusicology 1 : 31- 54. Bibliog., discog., filmog.

Pegg, Carole. 1995. "Ritual, Religion and Magic in West Mongolian (Oirad) Heroic Epic Performance." British Journal of Ethnomusicology 4 : 77-99. Bibliog., photos.

Pham Phúc Minh. 1994. Tim hiêu dân ca Viêt nam. Hà nôi: Nhà xuât bán Am nhac, 328 pp., bibliog., music.

Poché, Christian. 1996. "La musique arabo-andalouse." In Le Livre de l'année 1996 Larousse, 377-79. Paris: Larousse.

Poché, Christian. 1996. "Les archives de la musique arabe." Revue d'études palestiniennes 8 : 79-93.

Qian Kangning. 1995. "Dynamic Aspect of Music As a Complement to Static Analysis in Music Research." Chinese Music 18 (2): 24-27.

Qureshi, Regula Burckhardt. 1994. "Exploring Time Cross- Culturally: Ideology and Performance of Time in the Sufi _Qawwali_." The Journal of Musicology 12 (4): 491-528. Music.

Rees, Helen. 1995. "The Many Musics of a Chinese County Town: A Case-Study of Co-existence in Lijiang, Yunnan Province." Asian Music 27 (1): 63-102. Bibliog., gloss, map, photos.

Ryan, Robin. 1995. "Gnarnayarrahe Waitairie, _Claim_ and _Pundulumura_." Perfect Beat 2 (2)Bibliog., discog. Available: http://www.mcs.mq.edu.au/content/pbeat/gnarn.htm.

Sarkissian, Margaret. 1995. "'Sinhalese Girl' Meets 'Aunty Annie': Competing Expressions of Ethnic Identity in the Portuguese Settlement, Melaka, Malaysia." Asian Music 27 (1): 37- 62. Bibliog., map, music.

Schmitz, Heinz-Eberhard. 1994. Satsumabiwa: die Laute der Samurai und ihre instrumentalen Spielstücke danpo: Untersuchen zur Musikkultur Japans. 2 v. Studien zur traditionellen Musik Japans, Bd. 7. Kassel; New York: Bärenreiter, Bibliog., discog., illus., music. English and Japanese summaries.

Shen Sin-yan. 1996. "Chinese Music's First Cover Personality: Liu Ming-Yuan." Chinese Music 19 (1): 7-8.

Shen Sin-yan. 1995. "Hu Dengtiao." Chinese Music 18 (4): 68-70. Bibliog.

Shen Sin-yan. 1995. "Li Yuangqing." Chinese Music 18 (1): 11-12. Bibliog., photo.

Shen Sin-yan. 1996. "Making Chinese Music Totally Accessible: Our Contribution to Creating the World-Class Music of the 21st Century." Chinese Music 19 (1): 4-7.

Shen Sin-yan. 1995. "On the Disappearing Archaeological Finds." Chinese Music 18 (2): 39-40. Bibliog.

Shen Sin-yan. 1996. "Pan Gu Creates the Universe: Mao Yuan and the Dance of Yao." Chinese Music 19 (2): 24-29. Bibliog., music.

Spiller, Henry. 1996. "Continuity in Sundanese Dance Drumming: Clues from the 1893 Chicago Exposition." The World of Music 38 (2): 23-40. Bibliog., diagr., music. photos.

Stock, Jonathan P. J. 1996. "Musical Narrative, Ideology, and the Life of Abing." Ethnomusicology 40 (1): 49-73. Bibliog., music.

Stokes, Martin H. 1992. "The Media and Reform: The _saz_ and _elektosaz_ in Urban Turkish Folk Music." British Journal of Ethnomusicology 1 : 89-102. Bibliog., music.

Streit-Warburton, Jilli. 1993. "The 'With Open Eyes' Aboriginal Women's Music Festival." Perfect Beat 1 (3): 86-90.

Tamba, Akira. 1995. Musiques traditionnelles du Japon: Des origines au XVI e siecle. Musique du Monde, Paris: Cité de la Musique; Arles: Actes Sud, 158 pp., bibliog., discog. + 1 sound disc.

1993. Thang âm diêu thúc trong âm nhac truyên thông môt sô dân tôc miên nam Viêt nam. Thành phâ Hâ Chí Minh: Nhà xuát bán Van Ng hê, 435 pp., bibliog., music.

Thanh Hà. 1995. Am nhac hát van. Hà nôi: Nhà xuát bán Am nhac, 291 pp., bibliog., music.

Thê Bao, and Nguyên Van Hoa. 1993. "Buóc dâu tìm hiêu thang âm diêu thúc dân ca Cham cuc Nam Trung Bô." In Thang âm diêu thúc trong âm nhac truyên th&oc irc;ng môt sô dân tôc miên nam Viêt nam, 201- 22. Music.

Thuy Loan. 1993. Luoc su âm nhac Viêt nam: giáo trình cho bâc dai hoc. Hà nôi: Nhac viên Hâ nôi, Nhà xuát ban Am nhac, 124 pp., bibliog., music.

Tian Quing. 1994. "Recent Trends in Buddhist Music Research in China." British Journal of Ethnomusicology 3 : 63-72. Bibliog.

Tingey, Carol. 1993. "Auspicious Women, Auspicious Songs: _mangalini_ and Their Music at the Court of Kathmandu." British Journal of Ethnomusicology 2 : 55-74. Bibliog., music, photos, tables.

Tingey, Carol. 1992. "Musical Instrument or Ritual Object? Status of the Kettledrum in the Temples of Central Nepal." British Journal of Ethnomusicology 1 : 89-102. Bibliog., music.

Tokita, Alison McQueen. 1996. "Mode and Scale, Modulation and Tuning in Japanese Shamisen Music: The Case of _Kiyomoto_ Narrative." Ethnomusicology 40 (1): 1-33. Bibliog., music, tables.

Tô Vu. 1993. "Dân luân." In Thang âm diêu thúc trong âm nhac truyên thông môt sô dân tôc miên nam Viêt nam, 11-29. Music.

Tô Vu. 1993. "Tù dàn dá Tuy An, thu tìm hiêu vê thang âm diêu thúc nhung bô dàn dá da duoc phát hiên." In Thang âm diêu thúc trong &aci rc;m nhac truyên thông môt sô dân tôc miên nam Viêt nam, 413- 28. Music.

Trotter, Robert M. 1995. "_Raga Puriya Kalyan_: Opening the Door to a Treasure." College Music Symposium 35 : 109-123. Music, table.

Tú Ngoc. 1994. Dân ca nguròi Viêt. Hà nôi: Nhà xuât ban Am nhac, 300 pp., bibliog., music.

Valtwies, Meret. 1993. "Success is in the Air: The Soundtrack, Music and Marketing of _Strictly Ballroom_." Perfect Beat 1 (3): 38-49.

Vu Hông Thinh, and Bùi Lâm. 1993. "Thang âm trong các bô công chiêng cúa dân tôc Xtiêng Sông Bé." In Thang âm diêu thúc trong âm nhac truy& ecirc;n thông môt sô dân tôc miên nam Viêt nam, 401-12. Music.

Vui-Talitu, Sara. 1996. "AEIOU: Music Video and Polynesian Communication." Perfect Beat 2 (4): 78-88.

Wade, Bonnie C. 1996. "Performing the Drone in Hindustani Classical Music: What Mughal Paintings Show Us to Hear." The World of Music 38 (2): 41-67. Bibliog., illus. Wang Cheng-chiang. 1994. Chin chiang yin yueh hsin shang man tan. Pei-ching : Jen min yin yueh chu pan she: Hsin hua shu tien Pei- ching fa hsing so ching hsiao, iv, 266 pp., music.

Wang Xianzheng, and Kevin Stuart. 1995. "'Blue Skies and Emoluments': Minhe Mongruor Sing." Chinese Music 18 (1): 13-18; 18 (2): 28-33. Bibliog.

Webb, Michael. 1993. "Tabaran: Intercultural Connections." Perfect Beat 1 (2): 1-15.

Weich-Shahak, Susana. 1994. "The Judeo-Spanish Vocal Repertory: Context and Functionality in Sephardic Society." European Seminary in Ethnomusicology, Oxford : Available http:// www.music.ed.ac.uk/research/conferences/esem/wei.html. Electronic publ ication of ESEM 1994 proceedings.

Weintraub, Andrew. 1993. "Jawaiian Music." Perfect Beat 1 (2): 78-89.

Whiteoak, John. 1993. "From Jim Crow to Jazz: Imitation African- American Improvisatory Musical Practices in Pre-Jazz Australia." Perfect Beat 1 (3): 50-74.

Widdess, Richard. 1994. "Festivals of _dhrupad_ in Northern India: New Contexts for an Ancient Art." British Journal of Ethnomusicology 3 : 89-109. Bibliog., illus., photos.

Will, Udo. 1994. "Structures of Frequency Organisation in Central Australian Aboriginal Music." European Seminar in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/ research/conferences/esem/wil.html. Bibliog., tables. Electronic publ ication of ESEM 1994 proceedings.

Woodfield, Ian. 1994. "Collecting Indian Songs in 18th Century Lucknow: Problems of Transcription." British Journal of Ethnomusicology 3 : 73-88. Bibliog., music.

Xuân Khái. 1995. Sách hoc dàn nguyêt. Hà nôi: Nhac viên Hà nôi, Nhà xuát bán Am nhac, 102 pp., music, photos.

Yang Mu. 1993. Chinese Musical Instruments: An Introduction. Canberra: Coralie Rockwell Foundation, Australian National University, viii, 85 pp., gloss., illus., music, photos + 2 sound cassettes.

Yang Mu. 1995. "Music Loss among Ethnic Minorities in China: A Comparison of the Li and Hui Peoples." Asian Music 27 (1): 103- 31. Bibliog., gloss, map.

Ye Gan-lin. 1995. "A Preliminary Study of the Numerical Characteristics of Chinese Folk Songs." Chinese Music 18 (2): 34- 38; 18 (3): 44-49. Bibliog., diagrs., graphs, tables.

Europe

Aubert, Laurent. 1996. "Échos du soufisme Bosniaque: Entretien avec l'ensemble Nesidu-l-Huda de Sarajevo." Cahiers de musiques traditionnelles 9 : 305-12. Photos.

Bailey, James. 1995. "On Analyzing the Verbal Rhythm of a Russian Lyric Folk Song." Poetics Today 16 (3): 471-91.

Barwick, Linda. 1994. "'Sculpting the Words': Context Sensitivity in Vocal and Movement Performance Style of the Tuscan Maggio." European Seminar in Ethnomusicology, Oxford : Available http:// www.music.ed.ac.uk/research/conferences/esem/bar.html. Bibliog. Electronic publication of ESEM 1994 proceedings.

Becker, Laurent, and Laure Le Gurun. 1994. La musique bretonne. Spézet: Coop Breizh, 120 pp., bibliog., illus.

Bohlman, Philip V. 1997. "Fieldwork in the Ethnomusicological Past." See General section. In Shadows in the Field, edited by G. F. Barz and T. J. Cooley, 139-62.

Bohlman, Philip V. 1996. "Pilgrimage, Politics, and the Musical Remapping of the New Europe." Ethnomusicology 40 (3): 375-412. Bibliog., discog., facsims., music.

Bradtke, Elaine. 1996. "Resources in the Vaughan Williams Memorial Library Collection: The H. Hurlbutt Albino Folk Music Collection (1913-38)." Folk Music Journal 7 (2): 205-15.

Buisman, Frans. 1995. "Melodic Relationships in Piobroch." British Journal of Ethnomusicology 4 : 17-39. Bibliog., music.

Cannon, Roderick. 1995. "What Can We Learn about Piobaireachd?" British Journal of Ethnomusicology 4 : 1-15. Bibliog.

Caufriez, Anne. 1995. "The Ballad in Northeastern Portugal." See General section. In Ballads and Boundaries, edited by J. Porter, 251-64. Bibliog., music.

Cheesman, Tom. 1995. "Intersubcultural Dialogue on Husband- Killing: 'Elise,' a Popular Ballad in Nineteenth Century Germany." See General section. In Ballads and Boundaries, edited by J. Porter, 87-100. Bibliog.

Cortes Garcia, Manuela. 1996. Pasado y Presente de la música andalusi. Sevilla: Fundación El Monte, 161 pp., bibliog.

Dahlig, Ewa. 1994. "A Sixteenth-century Polish Folk Fiddle from Plock." The Galpin Society Journal 47 : 111-22. Bibliog., facsims., photos.

De France, Yves. 1996. Musiques traditionnelles de Bretagne: Sonnoux et Sonerien. Morlaix: Skol Vreizh, 84 pp., illus.

de Zayas, Rodrigo. 1995. La música en el vocabulista granadino de Fray Pedro de Alcalá 1492-1505. Sevilla: Fundación El Monte, 127 pp., bibliog.

Demas, Elias S. 1996. "The Functions of Folk Dances in Epeiros and Their Relation to Contemporary Social Conditions in Hellas (Greece)." Dance Chronicle 19 (1): 1-15. Illus., map.

Despringre, Andre-Marie. 1994. "The Professionalisation of Traditional Musicians from Two French Provinces and Instrumental Constructions of Vocal Music." European Seminar in Ethnomusicology, Oxford : Available http://www.music.ed.ac.uk/ research/c onferences/esem/des.html. Bibliog. Electronic publication of ESEM 1994 proceedings.

Douglas, Sheila. 1995. "Ballad Singing and Boundaries." See General section. In Ballads and Boundaries, edited by J. Porter, 289-95. Bibliog. Scotland.

Eydmann, Stuart. 1995. "The Concertina as an Emblem of the Folk Music Revival in the British Isles." British Journal of Ethnomusicology 4 : 41-49. Bibliog.

Falcher-Poyroux, Erick, and Alain Monnier. 1995. La musique irlandaise. Spézet: Coop Breizh, 116 pp., bibliog., illus.

Fontes, Manuel da Costa. 1995. "Between Oral and Written Transmission: 'O Sacrificio de Isaac' in Portuguese Oral Tradition." See General section. In Ballads and Boundaries, edited by J. Porter, 197-208. Bibliog.

Galateanu-Farnoaga, Georgina. 1995. "Boundary Breaking in Romanian Heroic Epic Songs." See General section. In Ballads and Boundaries, edited by J. Porter, 147-55. Bibliog., table.

Georgescu, Corneliu Dan. 1995. Improvisation in der traditionellen rumäischen Tanzmusik. Beiträge zur Ethnomusicologie, Bd. 31. Eisenach: Verlag der Musikalienhandlung K. D. Wagner, 370 pp., music.

Geraci, Mauro. 1996. La ragioni dei cantastorie. Poesia e realtà nella cultura popolare del Sud. Rome: Il Trovatore, 380 pp., bibliog., discog.

Giurchescu, Anca, and Sunni Bloland. 1995. Romanian Traditional Dance: A Contextual and Structural Approach. Mill Valley, CA: Wild Flower Press, 428 pp., bibliog., gloss., music, photos.

Grazioli, Riccardo. 1995. "Verbal Concision in Piedmontese Ballad Texts: The Use of the Vocative." See General section. In Ballads and Boundaries, edited by J. Porter, 174-87. Bibliog.

Grünthal, Satu. 1995. "Borders of the Ballad Genre: The Changing and Preserving Ballad." See General section. In Ballads and Boundaries, edited by J. Porter, 7-12. Bibliog. Finland.

Guilcher, Jean-Michel. 1995. La tradition populaire de danse en Basse-Bretagne. Rev. ed. Spezet-Douarnenez: Coop Breizh-Marée/Ar Men, xxxviii, 617 pp., bibliog., illus., music, photos.

Hakelberg, Dietrich. 1995. "Some Recent Archaeo-organological Finds in Germany." The Galpin Society Journal 48 : 3-12. Bibliog., illus.

Holzapfel, Otto. 1995. "Beyond the Boundaries: The Concept of European Folk Ballads Today." See General section. In Ballads and Boundaries, edited by J. Porter, 367-73. Bibliog.

Johnson, Bruce. 1995. "Australian Jazz in Post-War Europe: A Case Study in Musical Displacement." Perfect Beat 2 (3)Bibliog. Available: http://www.mcs.mq.edu.au/content/pbeat/belline.htm.

Kertesz-Wilkinson, I. 1992. "Genuine and Adopted Songs in the Vlach Gypsy Repertoire: Controversy Re-examined." British Journal of Ethnomusicology 1 : 111-36. Music, table.

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Webber, Ruth House. 1995. "Ballad Language: Repetition and the Formula." See General section. In Ballads and Boundaries, edited by J. Porter, 156-64. Bibliog.

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Acknowledgements

Laurent Aubert, Jason Gibbs, Judith Lynne Hanna, Philip Hayward, Joseph C. Hickerson, Christian Poché.

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