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Current Bibliography, Vol. 45, No. 2 (Spring/Summer 2001)
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Compiled by Kevin Medows (University of Illinois at Urbana)

General | Africa | Americas | Asia & Oceania | Europe

General

Atton, Chris. 2001. "'Living in the Past'?: Value Discourses in Progressive Rock Fanzines." Popular Music 20 (1): 29-46.

Benetollo, Anne. 1999. Rock et politique: censure, opposition, intégration. Paris: L'Harmattan, 278 p., bibliog. [integration]

Bianciotto, Jordi. 2000. La revolución sexual del rock. Valencia, España: Editorial la Máscara, 191 p. [revolucion Espana Mascara]

Bielawski, Ludwig. 2000. "Ethnomusicology on the Turn." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 .

Bilby, Kenneth. 2000. "Making Modernity in the Hinterlands: New Maroon Musics in the Black Atlantic." Popular Music 19 (3): 265-292.

Bromell, Nick. 2000. "'The Blues and the Veil': The Cultural Work of Musical Form in Blues and '60s Rock." American Music 18 (2): 193-221.

Buckland, Theresa J, ed. 1999. Dance in the Field: Theory, Methods, and Issues in Dance Ethnography. New York: St. Martin's Press, xv, 223 p.

Burns, Gary, ed. 1999. "Forum: Popular Music and the Littleton Massacre." Popular Music and Society 23 (3): 1-30. Contents:

  • Introduction to Special Forum Section (1); Marilyn Manson and the Apt Pupils of Littleton (3-8) / Gary Burns
  • Things to Do in Littleton When You're Dead: A Post Columbine Collage / George Plasketes (9-24)
  • Paying the Cost to Be the Boss / Davi d Sanjek (25-28)
  • Some Thoughts on the Columbine Shootings / Dick Weissman (29-30)

Buß, Christoph. 1998. "21st Century Blues. . . From Da 'Hood: Aspekte zum Thema Rap-Music." Jazzforschung/Jazz Research 30: 9-99. [Busz]

Collette, Buddy, with Steven Isoardi. 2000. Jazz Generations: A Life in American Music and Society. New York: Continuum, x, 214 p., discog.

Cruces, Francisco, ed. 1999. "El sonido de la cultura. Textos de antropología de la música." Antropolog’a 15-16:5-7. [antropologia musica]

Erlmann, Veit. 1999. Music, Modernity, and the Global Imagination: South Africa and the West. New York: Oxford University Press, viii, 312 p.

Etling, Laurence W. 1999. "Al Jarvis: Pioneer Disc Jockey." Popular Music and Society 23 (3): 41-52.

Giannattasio, Francesco. 2000. "L'esthétique e(s)t le marché: quelques réflexions sur le commerce de la world music." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 <http://www2.uji.es/trans/ trans5/Giannattasio.html>. [esthetique marche reflexions]

Ho, Fred. 1999. "Beyond Asian American Jazz: My Musical and Political Changes in the Asian American Movement." Leonardo Music Journal 9: 45-52.

Hughes, David W. 2000. "No Nonsense: The Logic and Power of Acoustic-Iconic Mnemonic Systems." British Journal of Ethnomusicology 9 (2): 93-120.

Hutson, Scott R. 1999. "Technoshamanism: Spiritual Healing in the Rave Subculture." Popular Music and Society 23 (3): 53-77.

Inglis, Ian. 2001. "'Nothing You Can See That Isn't Shown': The Album Covers of the Beatles." Popular Music 20 (1): 83-97.

Kaeppler, Adrienne. 2000. "Dance Ethnography and the Anthropology of Dance." Dance Research Journal 32 (1): 116-124.

Kartomi, Margaret. 2001. "The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s." Ethnomusicology 45 (2): 283-314.

Kelting, M. Whitney. 2001. Singing to the Jinas: Jain Laywomen, Mandal Singing, and the Negotiations of Jain Devotion. New York: Oxford University Press, 288 p., bibliog.

Lortat-Jacob, Bernard. 2000. "Musiques du monde: le point de vue d'un ethnomusicologue." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 <http://www2.uji.es/trans/trans5/Lortat-Jacob>.

McCarthy, Cameron, Glenn Hudak, Shawn Miklaucic, and Paula Saukko, eds. Sound Identities: Popular Music and the Cultural Politics of Education. Studies in the Postmodern Theory of Education. New York: Peter Lang, xiii, 490 p., bibliog. Contents:

  • Introduction: Anxiety and Celebration: Popular Music and Youth Identities at the End of the Century / Cameron McCarthy, Glenn Hudak, Sylvia A. Allegretto, Shawn Miklaucic, and Paula Saukko (1-16)
  • Gangsta Pedagogy and Ghettocentricity: The Hip Hop Nation as Counterpublic Sphere / Peter McLaren (19-64)
  • Rap Music: The Cultural Politics of Official Representation / Julia Eklund Koza (65-96)
  • Performing the (Black) Postmodern: Rap as Incitement for Cultural Criticism / Rinaldo Walcott (97-119 )
  • Talkin' Tupac: Speech Genres and the Mediation of Cultural Knowledge / George Kamberelis and Greg Dimitriadis (119-150)
  • Narrating Imperialism: The British Influence in Barbadian Public School Songs / Cameron McCarthy (153-174)
  • From the Bl uest Eye to Jazz: A Retrospective of Toni Morrison's Literary Schools / Robin Small-McCarthy (175-194)
  • Apache Indian's Syncretic Music and the Re-Presentation of South Asian Identities: A Case Study of a Minority Artist / Nina Asher (195-214)
  • Po stcolonial Influences in Spanish Diaspora: Christian Doctrine and the Depiction of Women in Tejano Border Songs and Calypso / Zena Moore (215-234)
  • Consuming Memories: The Record-Centered Salsa Scene in Cali / Lise Waxer (235-252)
  • Live through Th is: Music, Adolescence, and Autobiography / Chris Richards (255-288)
  • Going Public: Rock Aesthetics in the American Political Field / Jonathan Sterne (289-316)
  • The "Chicano" Dance Hall: Remapping Public Space in Post-World II Great Los Angeles / Matt Garcia (317-342)
  • The Organization of Affect: Popular Music, Youth, and Intellectual and Political Life (An Interview with Larry Grossberg) / Carrie Wilson-Brown and Cameron McCarthy (343-360)
  • "No Guarantees": Pedagogical Implications of Mus ic in the Films of Isaac Julien / Warren E. Crichlow (363-390)
  • Learning From the Blues: Beyond Essentialist Readings of Cultural Texts / Ruth Vinz (391-428)
  • Gender, Generation, Space, and Popular Music / Angharad N. Valdivia with Rhiannon S. Bet tivia (429-446)
  • The "Sound" Identity: Music-Making and Schooling / Glenn M. Hudak (447-472)

McDonald, Chris. 2000. "Exploring Modal Subversions in Alternative Music." Popular Music 19 (3): 355-363.

Metting, Fred. 2001. The Unbroken Circle: Tradition and Innovation in the Music of Ry Cooder and Taj Mahal. Lanham, Md.: Scarecrow Press, xviii, 291 p., bibliog., discog.

Morrow, Melinda. 1999. "'But Beavis, Everything Does Suck': Watching Beavis and Butt-head Watch Videos." Popular Music and Society 23 (3): 31-40.

Radano, Ronald, and Philip V. Bohlman, eds. 2000. Music and the Racial Imagination. Chicago: University of Chicago Press, xv, 703 p., bibliog. Contents:

  • Music and Race, Their Past, Their Presence / Ronald Radano and Philip V. Bohlman (1-53)
  • The Asian American Body in Performance / Deborah Wong (57-94)
  • Ethnifying Rhythms, Feminizing Cultures / Frances R. Aparicio (95-112)
  • "Ain't I Peopl e?": Voicing National Fantasy / Brian Currid (113-144)
  • "Sexual Pantomimes," the Blues Aesthetic, and Black Women in the New South / Tera W. Hunter (145-164)
  • Race Music: Bo Chatmon, "Corrine Corrina," and the Excluded Middle / Christopher A. Wate rman (167-205)
  • Mestizaje in the Mix: Chicano Identity, Cultural Politics, and Postmodern Music / Rafael Pérez-Torres (206-230)
  • Performing Decency: Ethnicity and Race in Andean "Mestizo" Ritual Dance / Ziola Mendoza (231-270)
  • Indonesi an-Chinese Oppression and the Musical Outcomes in the Netherlands East Indies / Margaret J. Kartomi (271-317)
  • Ethnic Identity, National Identity, and Music in Indo-Trinidadian Culture / Peter Manuel (318-345)
  • Presencing the Past and Remembering the Present: Social Features of Popular Music in Kenya / D. A. Masolo (349-402)
  • Béla Bartók and the Rise of Comparative Ethnomusicology: Nationalism, Race Purity, and the Legacy of the Austro-Hungarian Empire / Katie Trumpener (403-434)
  • Racial Projects and Musical Discourses in Trinidad, West Indies / Jocelyne Guilbault (435-458)
  • Hot Fantasies: American Modernism and the Idea of Black Rhythm / Ronald Radano (459-480)
  • Alban Berg, the Jews, and the Anxiety of Genius / Sande r L. Glman (483-509)
  • "Death is a Drum": Rhythm, Modernity, and the Negro Poet Laureate / Larry Scanlon (510-553)
  • Race, Class, and Musical Nationalism in Zimbabwe / Thomas Turino (554-584)
  • Duke Ellington, Black, Brown and Beige, and the Cult ural Politics of Race / Kevin Gaines (585-602)
  • Naming the Illuminati / Christopher Holmes Smith and John Fiske (605-621)
  • Music Wars: Blood and Song at the End of Yugoslavia / Tomislav Longinovíc (622-643)
  • The Remembrance of Things Pa st: Music, Race, and the End of History in Modern Europe / Philip V. Bohlman (644-676)

[Perez Bela Bartok Longinovic]

Schay, Anthony. 1999. "Parallel Traditions: State Folk Dance Ensembles and Folk Dance in 'The Field.'" Dance Research Journal 31 (1): 29-56.

Schippers, Mimi. 2000. "The Social Organization of Sexuality and Gender in Alternative Hard Rock: An Analysis of Intersectionality." Gender & Society 14 (6): 747-764.

Seroussi, Edwin. 1998. "De-gendering Jewish Music: The Survival of the Judeo-Spanish Folk Song Revisited." Music & Anthropology 3. 16 April 2001 <http://www.research.umbc.edu/eol/MA/index/number3/seroussi/ser_0.htm>.

Sklar, Deidre. 2000. "Reprise: On Dance Ethnography." Dance Research Journal 32 (1): 70-77.

Slobin, Mark. 2000. "Multicultural Metamethods: Lessons from Visby." Yearbook for Traditional Music 32: 166-173.

Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England, 230 p., bibliog.

Stock, Jonathan P. J. 1998. "New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music." Current Musicology 62: 40-68.

Summit, Jeffrey A. 2000. The Lord's Song in a Strange Land. New York: Oxford University Press, xiii, 203 p., bibliog., 1 compact disc.

Taylor, Timothy D. 2000. "World Music in Television Ads." American Music 18 (2): 162-192.

Tozzi, Wolfgang. 1999. "Kubanische Rhythmen im Jazz." Jazzforschung/Jazz Research 31: 149-183.

Trummer, Johann. 1996. "'Jazz' in der Kirche." Jazzforschung/Jazz Research 28: 93-101.

Walker, Christopher B. 2001. "'The Triumph' in England, Scotland and the United States." Folk Music Journal 8 (1): 4-40.

Washabaugh, William, ed. 1998. The Passion of Music and Dance: Body, Gender and Sexuality. Oxford: Berg, bibliog. Contents:

  • Music, Dance, and the Politics of Passion (1-26); Flamenco Song: Clean and Dirty (27-38); Fashioning Masculinity in Flamenco Dance (39-50) / William Washabaugh
  • Gendering the Authentic in Spanish Flamenco / Timothy de Waal Malefyt (51-62)
  • Car los Gardel and the Argentine Tango: The Lyric of Social Irresponsibility and Male Inadequacy / Donald Castro (63-78)
  • Tango and the Scandal of Homosocial Desire / Jeffrey Tobin (79-102)
  • From Wallflowers to Femmes Fatales: Tango and the Performanc e of Passionate Femininity / Marta E. Savigliano (103-110)
  • Rebetika: The Double-Descended Deep Songs of Greece / Gail Holst-Warhaft (111-126)
  • The Tsifte-teli Sermon: Identity, Theology, and Gender in Rebetika / Angela Shand (127-132)
  • Passio nless Dancing and Passionate Reform: Respectability, Modernism, and the Social Dancing of Irene and Vernon Castle / Susan C. Cook (133-150)
  • Social Theory and the Comparative History of Flamenco, Tango, and Rebetika / Gerhard Steingress (151-171)

Weisethaunet, Hans. 2001. "Is There Such a Thing as the 'Blue Note'?" Popular Music 20 (1): 99-116.

Wright, Robert. 2000. "'I'd Sell You and Suicide': Pop Music and Moral Panic in the Age of Marilyn Manson." Popular Music 19 (3): 365-385.

Zwerin, Mike. 2000. Swing Under the Nazis: Jazz as a Metaphor for Freedom. New York: Cooper Square Press, 197 p.

Africa

Agu, Dan Chikpezie Christian. 1999. Form and Analysis of African Music. Enugu, Nigeria: New Generation Books, ix, 85 p., bibliog.

Anku, Willie. 2000. "Circles and Time: A Theory of Structural Organization of Rhythm in African Music." Music Theory Online 6 (1). 13 April 2001 <http://www.societymusictheory.org/mto/issues/mto.00.6.1/toc.6.1.html>.

Avorgbedor, Daniel. 2001. "Competition and Conflict as a Framework for Understanding Performance Culture among the Urban Anlo-Ewe." Ethnomusicology 45 (2): 260-282.

Charry, Eric. 2000. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, xxxi, 500 p., bibliog., discog., videog.

Erlmann, Veit. 1999. Music, Modernity, and the Global Imagination: South Africa and the West. New York: Oxford University Press, 320 p., bibliog.

James, Deborah. 1999. Songs of the Women Migrants : Performance and Identity in South Africa. Johannesburg, South Africa: Witwatersrand University Press for the International African Institute, x, 238 p., bibliog.

Kubik, Gerhard. 1999. Africa and the Blues. Jackson: University of Mississippi Press, xviii, 240 p., bibliog.

Nieuwkerk, Karin van. 1998. "'An Hour for God and an Hour for the Heart': Islam, Gender, and Female Entertainment in Egypt." Music & Anthropology 3. 16 April 2001 <http://www.research.umbc.edu/eol/MA/index/number3/nieuwkerk/karin_0.htm>.

Nzewi, O'Dyke. 2000. "The Technology and Music of the Nigerian Igbo Ogene Anuka Bell Orchestra." Leonardo Music Journal 10: 25-31.

Scannell, Paddy. 2001. "Music, Radio, and the Record Business in Zimbabwe Today." Popular Music 20 (1): 13-27.

Turino, Thomas. 2000. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, x, 401 p., bibliog., discog.

Americas

Aymes, Roberto. 2000. "Dessarrollo del Jazz en México: Una Historia de Esfuerzo y Tenacidad conra todo Pronóstico." "Jazz Development in Mexico: A History of Effort and Perseverance Against All Predictions." International Jazz Archives Jo urnal 2 (2): 81-97 (Spanish); 98-113 (English translation). [Mexico Pronostico]

Barg, Lisa. 2000. "Black Voices/White Sounds: Race and Representation in Virgil Thomson's Four Saints in Three Acts." American Music 18 (2): 121-161.

Cámara de Landa, Enrique. 1999. "Aspectos de la modalidad en el cancionero tritónico." Música e Investigación (Buenos Aires) 4: 7-37. [Camara tritonico musica investigacion]

Cámara de Landa, Enrique. 1999. "Folklore Musical y Música Popular Urbana: ¿Proyecciones?" In Música Popular en América Latina, Actas del II¼ Congreso Latinoamericano I.A.S.P.M., ed by Rodrigo Torres, 329-340, San tiago, Rama Latinoamericana IASPM. [Camara musica America]

Cirio, Norberto Pablo. 2000. "Antecedents históricos del culto a San Baltazar en la Argentina: La Cofradía de San Baltazar y Animas (1772-1856)." Latin American Music Review 21 (2): 190-214. [historicos Cofradia]

Codina, Maria. 2001. "Prehispanic Music Instruments: A Surviving Tradition." Sonus 21 (2): 39-60.

Conyers, James L., Jr., ed. 2001. African American Jazz and Rap: Social and Philosophical Examinations of Black Expressive Behavior. Jefferson, N.C.: McFarland and Company, viii, 256 p. Contents:

  • Metatheory and Methodology: Appraising the Black Experience / James L. Conyers, Jr. (11-19)
  • The Role of Criticism in Black Popular culture / Warren C. Swindell (20-32)
  • "And All That Jazz" Has African Roots! / Learthen Dorsey (35-54)
  • Ja zz Antecedents / Eddie S. Meadows (55-61)
  • The Life and Jazz Style of Blue Mitchell / Charles I. Miller (62-76)
  • Jazz Guitar: Ain't No Jazz / George Walker and Mondo Eyen we Langa (77-82)
  • The Social Roots of African American Music: 1950-1970 / Thomas J. Porter (83-89)
  • Jazz Musicians in Postwar Europe and Japan / Larry Ross (90-114)
  • African American Dance and Music / Samuel A. Floyd, Jr. (117-130)
  • Lady Sings the Blues: Toni Morrison and the Jazz/Blues Aesthetic / Gloria T. Randl e (131-144)
  • Al Young: Jazz Griot / Michael Carroll (145-159)
  • The Rhythm of Rhyme: A Look at Rap Music as an Art Form from a Jazz Perspective / Reginald Thomas (163-169)
  • At the Vanguard: African American Life as Seen Through the Music of Sel ected Rap and Jazz Artists / Andrew P. Smallwood (170-179)
  • African Cosmology, Ethos, and Rap: A Social Study of Black Popular Culture / James L. Conyers, Jr. (180-197)
  • Can You Sing Jazz? Perception and Appreciation of Jazz Music Among African Am erican Young Adults / Nancy J. Dawson (201-210)
  • Hip-Hop and the Rap Music Industry / Tshombe Walker (211-223)
  • Ethnomusicology and the African American Tradition / George L. Starks, Jr. (224-238)
  • Reflections on Sterling Stuckey's Slave Cultu re: Understanding Pan Afrikan Nationalism as a Cultural Force / Ahati N. N. Touré (239-248)

[Toure]

Cooper, B. Lee, ed. 1999. "American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches." Special Issue of Popular Music and Society 23 (4). Contents:

  • Introduction / B. Lee Cooper (1-2)
  • Cowabunga! Surfer Rock and the Five Themes of Geography / (3-30)
  • Women's Studies and Popular Music Stereotypes / (31-44)
  • "Some Things Never Go out of Style": Recorded Music and the Rhetorical Analysi s / S. Renee Dechert (45-60)
  • Traps, Troubles, and Social Issues: Country Music in the Social Science Classroom / George H. Lewis (61-82)
  • Poetry, Pedagogy, and Popular Music: Renegade Reflections / David R. Pichaske (83-104)
  • The Sixties betw een the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973 / Jerome L. Rodnitzky (105-122)
  • Bibliography of Popular Music Teaching Resources / B. Lee Cooper (123-129)

Doucet, Michael J. 1998. "A City '...Waiting for the Sunrise': Toronto in Song and Sound." Canadian Journal for Traditional Music/Revue de musique folklorique canadienne 26: 17-34.

Faria, Antonio Guerreiro de. 2000. "Guerra-Peixe e a Estilização do folclore." Latin American Music Review 21 (2): 169-189. [Estilizacao]

Gregory, E. David. 1999-2000. "Starting Over: A. L. Lloyd and the Search for a New Folk Music, 1945-49." Canadian Journal for Traditional Music/Revue de musique folklorique canadienne 27: 20-43.

Guerra, Ramiro. 1998. Calibán danzante: procesos socioculturales de la danza en América Latina y en la zona del Caribe. Caracas, Venezuela: Monte Avila Editores Latinoamericana: Dirección de la Danza, Consejo Nacional de la Cul tura, 389 p., bibliog. [Caliban America Direccion]

Gussow, Adam. 2001. "'Make My Getaway': The Blues Lives of Black Minstrels in W. C. Handy's Father of the Blues." African American Review 35 (1): 5-28.

Harker, Brian. 1999. "'Telling a Story': Louis Armstrong and Coherence in Early Jazz." Current Musicology 63: 46-83.

Herold, Conrad. 2001. "Economic Restructuring and Cultural Production in Latin America: An Introduction." Sonus 21 (2): 1-18.

Johnson, Sherry. 1999-2000. "'If You Want to Win, You've Got to Play It Like a Man': Music, Gender, and Value in Ontario Fiddle Contests." Canadian Journal for Traditional Music/Revue de musique folklorique canadienne 27: 10-19.

Kennedy, T. Frank. 2001. "Latin America[n] Colonial Music: The Case for Mission Music as a New Genre." Sonus 21 (2): 27-38.

Kirby, Allan. 1998. "'What Ordinary People Do Is Important': Edith Fowke's Life and Publications." Canadian Journal for Traditional Music/Revue de musique folklorique canadienne 26: 1-16.

Lassiter, Luk Eric. 2001. "From Here On, I Will Be Praying to You": Indian Churches, Kiowa Hymns, and Native American Christianity in Southwestern Oklahoma." Ethnomusicology 45 (2): 338-352.

Lima, Paulo Costa. 2001. "Composition and Cultural Identity in Bahia, [Brazil]." Sonus 21 (2): 61-84.

McGee, Marty. 2000. Traditional Musicians of the Central Blue Ridge: Old Time, Early Country, Folk and Bluegrass Label Recordings Artists, with Discographies. Jefferson, N.C.: McFarland & Company, 235 p., bibliog., photos.

McLeod, Kembrew. 2001. "'*[star]1/2': A Critique of Rock Criticism in North America." Popular Music 20 (1): 47-60.

McNally, Michael. 2000. Ojibwe Singers: Hymns, Grief, and a Native Culture in Motion. Religion in America Series. New York: Oxford University Press, xiv, 248 p., bibliog.

Muszkalska, Bozena. 2000. "Voz desafinada: The "Out-of-Tune Voice" in Portuguese Polyvocal Songs." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 <http://www2.uji.es/trans/trans5/Muszkalska.html>.

Panetta, Vincent J. 2000. "'For Godsake Stop!': Improvised Music in the Streets of New Orleans, ca. 1890." Musical Quarterly 84 (1): 5-29.

Pickney, Warren R. 2000. "Toward a History of Jazz in Bermuda." Musical Quarterly 84 (3): 333-371.

Reily, Suzel Ana, ed. 2000. "Brazilian Musics, Brazilian Identities." British Journal of Ethnomusicology 9 (1): 1-142. Contents:

  • Introduction: Brazilian Musics, Brazilian Identities / Suzel Ana Reily (1-10)
  • Música romântica in Montes Claros: Inter-Gender Relations in Brazilian Popular Song / Martha Tupinambá de Ulhôa (11-40)
  • Gaucho Musical R egionalism / Maria Elizabeth Lucas (41-60)
  • Ethics in the Sung Duels of North-Eastern Brazil: Collective Memory and Contemporary Practice / Elizabeth Travassos (61-94)
  • Singing Contests in the Ethnic Enclosure of the Postwar Japanese-Brazilian Com munity / Shuhei Hosokawa (95-118)
  • The Experimental Music of Hermeto Paschoal e Grupo (1981-93): A Musical System in the Making / Luiz Costa Lima Neto (119-142)

[musica romantica tupinamba ulhoa]

Romero, Raúl R. 2001. Debating the Past: Music, Memory, and Identity in the Andes. New York: Oxford University Press, 192 p., bibliog. [Raul]

Simonett, Helena. 2001. "Narcocorridos: An Emerging Micromusic of Nuevo L. A." Ethnomusicology 45 (2): 315-337.

Sparling, Heather. 1999-2000. "Mitigating or Marketing Culture?: Promoting Mouth Music in Cape Breton, Nova Scotia." Canadian Journal for Traditional Music/Revue de musique folklorique canadienne 27: 1-9.

Savigliano, Marta E. 2000. "Nocturnal Ethnographies: Following Cortázar in the Milongas of Buenos Aires." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 <http://www2.uji.es/trans/trans5/Savigliano.html> . [Cortazar]

Spottswood, Dick. 2000. "We Ain't 'Fraid Nobody: Decca Calypsos in the 1930s." ARSC Journal 31 (2): 224-243.

Stewart, Alexander. 2000. "'Funky Drummer': New Orleans, James Brown and the Rhythmic Transformation of American Popular Music." Popular Music 19 (3): 293-318.

Stobart, Henry, and Ian Cross. 2000. "The Andean Anacrusis? Rhythmic Structure and Perception in Easter Songs of Northern Potosí, Bolivia." British Journal of Ethnomusicology 9 (2): 63-91. [Potosi]

Stroud, Sean. 2000. "'Música é para o povo cantar': Culture, Politics, and the Brazilian Song Festivals, 1965-1972." Latin American Music Review 21 (2): 87-117. Musica e]

Urtubey, Pola Suarez. 2001. "Musicians and Writers of Argentine Opera." Sonus 21 (2): 19-26.

Vennum, Thomas, Jr. 2000. "Locating the Seri on the Musical Map of Indian North America." Journal of the Southwest 42 (3): 635-760, 200.

Waxer, Lise. 2000. "En Congo, Bonga, y Campana: The Rise of Colombian Salsa." Latin American Music Review 21 (2): 118-168.

Waxer, Lise. 2001. "Las Caleñas Son Como Las Flores: The Rise of All-Women Salsa Bands in Cali, Colombia." Ethnomusicology 45 (2): 228-259. [Calenas]

Waxer. Lise. 2001. "Record Grooves and Salsa Dance Moves: The Viejoteca Phenomenon in Cali, Colombia." Popular Music 20 (1): 61-81.

Asia & Oceania

Bapat, Guru Rao. 1999. "Tradition and Innovation in Yaksagana: Kota Shivarama Karanth and Keremane Shambhu Hedge." Sangeet Natak 133/134: 3-15.

Brown, Katherine. 2000. "Reading Indian Music: The Interpretation of Seventeenth-Century European Travel-Writing in the (Re)construction of Indian Music History." British Journal of Ethnomusicology 9 (2): 1-34.

Bruin, Hanne M. de. 1999. Kattaikkuttu: The Flexibility of a South Indian Theatre Tradition. Groningen: Egbert Forsten, xix, 410 p., bibliog.

Chakravorty, Pallabi. 1998. "Dance Hegemony and Nation: The Construction of Classical Indian Dance." South Asia 21: 107-120.

Chakravorty, Pallabi. 2000-2001. "From Interculturalism to Historicism: Reflections on Classical Indian Dance." Dance Research Journal 32 (2): 108-119.

Chandorkar, Vijaya. 1999. "The Abhoga and Its Signature." Sangeet Natak 133/134: 57-60.

Chatterjee, Minoti. 1999. "The Swadeshi Movement and Bengali Theatre." Sangeet Natak 133/134: 33-56.

Clayton, Martin. 2000. Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. New York: Oxford University Press, xx, 230 p., bibliog., discog., 1 compact disc.

Fuchs, Stephen. 2000. "Thirty Korku Dancing Songs." Asian Folklore Studies 59 (1): 109-140.

Gen'ichi, Tsuge. 2000. "Tôyô Ongaku Gakkai and Music Research in Japan." Yearbook for Traditional Music 32: 157-165. [toyo]

Groemer, Gerald. 2000. "Biographies of Florenese Musical Instruments and Their Collectors." Asian Folklore Studies 59 (1): 169-171.

Hansen, Kathryn. 1998. "The Migration of a Text: The Indar Sabha in Print and Performance." Sangeet Natak 127/128: 3-34.

Ho, Wai-Chung. 2000. "The Political Meaning of Hong Kong Popular Music: A Review of Sociopolitical Relations Between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19 (3): 341-353.

Huang, Hao. 2001. "Yaogun Yinyue: Rethinking Mainland Chinese Rock 'n' Roll." Popular Music 20 (1): 1-12.

Lee, Byongwon. 2000. "The Current State of Research on Korean Music." Yearbook for Traditional Music 32: 143-149.

Harnish, David. 2000. "The World of Music Composition in Bali." Journal of Musicological Research 20 (1): 1-40.

Martinez, José Luis. 2000. "Semiotics and the Art Music of India." Music Theory Online 6 (1). 13 April 2001 <http://www.societymusictheory.org/mto/issues/mto.00.6.1/mto.00.6.1.martinez_frames.html>. [Jose]

O-Connell, John Morgan. 2000. "Fine Art, Fine Music: Controlling Turkish Taste at the Fine Arts Academy in 1926." Yearbook for Traditional Music 32: 117-142.

Patnaik, D. N. 1998. "The Chhau Dance of Mayurbhanj: II." Sangeet Natak 127/128: 59-74.

Patnaik, D. N. 1999. "The Chhau Dance of Mayurbhanj: III." Sangeet Natak 131/132: 21-43.

Penyeh, Tsao, and Xue Yibing. 2000. "Research Activities in China: A Country Report." Yearbook for Traditional Music 32: 150-156.

Provine, Robert. 2000. "Investigating a Musical Biography in Korea: The Theorist/Musicologist Pak Yoùn (1378-1458)." Yearbook for Traditional Music 32: 1-16.

Qureshi, Regula. 2000. "How Does Music Mean?: Embodied Memories and the Politics of Affect in the Indian Sarangi." American Ethnologist 27 (4): 805-838.

Ramanathan, N. 1998. "Commentaries in the Sanskrit Textual Tradition in Music." Sangeet Natak 129/130: 26-33.

Ramanathan, Hema, and N. Ramanathan. 1999. "Etymological and Technical Definitions of Musical Terms." Sangeet Natak 133/134: 25-32.

Ranade, Ashok D. 1998. "The Guru-Shishya Parampara: A Broader View." Sangeet Natak 129/130: 39-54.

Ranade, Ashok Da. 1999. "Some Thoughts on Riaz." Sangeet Natak 131/132: 15-20.

Ranade, Ashok Da. 2000. "Reflections on Musicology & History: With Reference to Hindustani Music." Special Issue. Journal of the Indian Musicological Society 31: 3-120.

Rees, Helen. 2000. Echoes of History: Naxi Music in Modern China. New York: Oxford University Press, xv, 278 p., bibliog., discog., videog.

Roseman, Marina. 2000. "Shifting Landscapes: Musical Mediations of Modernity in the Malaysian Rainforest." Yearbook for Traditional Music 32: 31-65.

Rowell, Lewis. 2000. "Scale and Mode in the Music of the Early Tamils of South India." Music Theory Spectrum 22 (2): 135-156.

Sarkissian, Margaret. 2000. D'Albuquerque's Children: Performing Tradition in Malaysia's Portuguese Settlement. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, xiii, 219 p., bibliog.

Saxena, S.K. 1998. "Hindustani Rhythm and an Aesthetical Issue." Sangeet Natak 129/130: 34-38.

Saxena, S.K. 1999. "The Spiritual and Hindustani Music." Sangeet Natak 131/132: 3-14.

Srinivasan, Amrit. 1998. "Culture, Community, Cosmos: Two Temple Orchestras of Tamil Nadu." Sangeet Natak 129/130: 3-15.

Subramaniam, V. 1998. "Religion and the Performing Arts: A Critique of Ananda K. Coomaraswamy." Sangeet Natak 129/130: 16-25.

Subramanian, M. 1999. "Sythesizing Carnatic Music with a Computer." Sangeet Natak 133/134: 16-24.

Sumrongthong, Bussakorn, and Neil Sorrell. 2000. "Melodic Paradoxes in the Music of the Thai Pi-phat and Javanese Gamelan." Yearbook for Traditional Music 32: 67-80.

Tenzer, Michael S. 2000. "Theory and Analysis of Melody in Balinese Gamelan." Music Theory Online 6 (2). 17 April 2001 <http://www.societymusictheory.org/mto/issues/mto.00.6.2/mto.6.2.tenzer_frames.html>.

Thielemann, Selina, ed. 1999. Essays on Indian Music: Articles by the Late Prof. Dr. Josef Kuckertz. Mumbai: Indian Musicological Society, iv, 198 p., bibliog.

Um, Hae-Kyung. 2000. "Listening Patterns and Identity of the Korean Diaspora in the Former USSR." British Journal of Ethnomusicology 9 (2): 121-142.

Verma, Jijay. 1998. "Group-singing Traditions of Rajasthan's Braj: A Preliminary Survey." Sangeet Natak 127/128: 48-58.

Weintraub, Andrew N. 2001. "Instruments of Power: Sundanese 'Multi-Laras' Gamelan in New Order Indonesia." Ethnomusicology 45 (2): 197-227.

Williams, Sean. 1999. "Competition in the Sundanese Performing Arts of West Java, Indonesia." Current Musicology 63: 27-45.

Willoughby, Heather. 2000. "The Sound of Han: P'ansori, Timbre, and a Korean Ethos of Pain and Suffering." Yearbook for Traditional Music 32: 17-30.

Wolf, Richard K. 2000. "Embodiment and Ambivalence: Emotion in South Asian Muharram Drumming." Yearbook for Traditional Music 32: 81-116.

Wong, Deborah. 2001. Sounding the Center: History and Aesthetics in Thai Buddhist Performance. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 336 p., bibliog.

Woodfield, Ian. 2000. Music of the Raj: A Social and Economic History of Music in Late Eighteenth Century Anglo-Indian Society. New York: Oxford University Press, 296 p., bibliog.

Youssefzadeh, Ameneh. 2000. "The Situation of Music in Iran Since the Revolution: The Role of Official Organizations." British Journal of Ethnomusicology 9 (2): 35-61.

Europe

Asensio, Susana. 1999. "Etnomusicologia i emigració: marroquins a Barcelona". Revista d'Etnologia de Catalunya 14: 132-139. [emigracio]

Atkinson, David. 2001. "Resources in the Vaughan Williams Library: The Maud Karpeles Collection." Folk Music Journal 8 (1): 90-101.

Beissinger, Margaret H. 2001. "Occupation and Ethnicity: Constructing Identity among Professional Romani (Gypsy) Musicians in Romania." Slavic Review 60 (1): 24-49.

Cámara de Landa, Enrique. 1997. "Textos sobre música de tradición oral española mencionados en Ethnomusicology." Revista de Musicolog’a 20 (1): 903-935. [Camara musica tradicion espanola]

Cámara de Landa, Enrique. 1998. "Axóuxere: Gaitas y danzas de Galicia en Valladolid." A grileira [Buenos Aires] 1: 27-37. [Camara Axouxere]

Cámara de Landa, Enrique. 1998. "Preservación y conservación de las espresiones de folklore: algunas experiencias de Europa Occidental." In: Miscelanea Martorell, ed by Xose Aviñoa, 149-170, Barcelona, Universidad Aut&oa cute;noma de Barcelona. [Camara preservacion conservacion avinoa autonoma]

Cámara de Landa, Enrique. 1998. "Rasgos musicales de los tangos italianos de entreguerras." In Actas del II Congreso de la SIBE, ed by Luis Costa, 179-190. Santiago de Compostela, Sociedad Ibérica de Etnomusicología. [Camara ib erica etnomusicologia]

Cooper, David. 2001. "On the Twelfth of July in the Morning...Or the Man Who Mistook His Sash for a Hat." Folk Music Journal 8 (1): 67-89.

Costa, Luis. 1998. "As bases do nacionalismo musical galego no entorno da música relixiosa." In Galicia fai dous mil anos. O feito diferencial galego. Música, ed. by Carlos Villanueva, Vol. 2:49-63. Santiago de Compostela: Museo do Po bo Galego. [musica]

Costa, Luis. 1998. "Coralismo, etnicidad y nacionalismo en Galicia." Cuadernos de Música Iberoamericana 6:49-63. [musica]

Costa, Luis. 1998. "La danza y el baile." In Galicia-Antropolog’a, XXV:433-465. A Coruña: Ed. Hércules. [Coruna Hercules]

Costa, Luis. 1998. "Práctica pedagógica y música tradicional." In Actas del III Congreso de la Sociedad Ibérica de Etnomusicología, ed. by Ramón Pelinski and Vicent Torrent, 231-240. Sabadell: SIbE. [practi ca pedagogica musica iberica etnomusicologia ramon]

Dahlig, Piotr. 2000. "On Continuity in Ethnomusicology in Poland." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 <http://www2.uji.es/trans/trans5/Dahlig.html>.

Francmanis, John. 2001. "The Roving Artist: Frank Kidson, Pioneer Song Collector." Folk Music Journal 8 (1): 41-66.

Harer, Ingeborg. 1998. "'Lustige Neger': Verbreitung und Nachahmung der Musik der Afro-Amerikaner in Österreich um 1900." Jazzforschung/Jazz Research 30: 181-196. [Osterreich]

Ibarretxe, Gotzon. 1999. "Movimiento coral y nacionalismo vasco." Euskonews&Media 47. 11 April 2001 <http://suse00.su.ehu.es/euskonews/0047zbk/gaia4704es.html>.

Ibarretxe, Gotzon. 1998. "Tropos, sinestesia y música." Mœsica oral del Sur 3: 113-125. [musica]

Llewellyn, Meic. 2000. "Popular Music in the Welsh Language and the Affirmation of Youth Identities." Popular Music 19 (3): 319-339.

Labajo, Joaquina. 1998. "El controvertido significado de la educación musical femenina." In Música y mujeres: género y poder, ed. by Marisa Manchado, 85-102. Madrid: Horas y Horas la Editorial. [musica genero educacion]

Magrini, Tullia. 1998. "Women's "Work of Pain" in Christian Mediterranean Europe." Music & Anthropology 3. 16 April 2001 <http://www.research.umbc.edu/eol/MA/index/number3/magrini/magr0.htm>.

Marian-Balasa, Marin. 1999. "Old Sounds in the Transition Town." In Music im Umbruch. Culturelle Identität und gesellschaftlicher Wandel in Südosteuropa = [New Countries, Old Sounds? Cultural Identity and Social Change in Southeastern Europe] . Beiträge des Internationalen Symposiums in Berlin, 22-27 April 1997, ed. Bruno B. Reuer, 293-306. Munchen: Südostdeutsche Kulturwerk. [Identitat Sudosteuropa beitrage sudostdeutsche]

Marian-Balasa, Marin. 2000. "Arta de stradaù süi revalorificarea ambientului urban" = [Street Art, and the Re-evaluation of the Urban Environment]. Muzica [11] (2): 81-111.

Marian-Balasa, Marin. 2000. Colinda Ð epifanie süi sacrament = [Winter-Solstice-Song Ð Epiphany and Sacrament]. Bucuresüti: Editura Minerva, 2000, 238 p., music, bibliog.

Marian-Balasa, Marin. 2000. "Festivalurile: moduri de laùrgire a sensibilitaùtüii artistice süi caùi de celebrare publicaù modernaù" = [Festivals: Tools for Enlarging the Artistic Sensitivity, and Ways for Modern, Public Celebration]. Muzica [11] ( 1): 84-94.

Marian-Balasa, Marin. 2000. "Unconventional Settings for Formerly Traditional Musics." In Mosaics of Change: The First Decade of Life in the New Eastern Europe, Gdansk: University of Gdansk, 235-252, photos.

Martí, Josep. 1998. "Culturas en Contacto en nuestra sociedad actual. Algunas reflexiones sobre la pluriculturalidad a través del fenómeno musical." Música Oral del Sur 3: 127-146. [Marti traves fenomeno musica]

Martí, Josep. 1998. "Música i multiculturalisme a la Catalunya d'avui.", Aven 226: 51-54. [marti musica]

Martí, Josep. 1999. "Ser hombre o ser mujer a través de la música: Una encuesta a jóvenes de Barcelona." Horizontes Antropológicos 11: 29-51. [Marti traves musica jovenes antropologicos]

Martínez García, Siacute;lvia. 1999. Enganxats al heavy. Música, cultura i trangressió. Lleida: Pagès. [Martinez Garcia Silva musica transgressio pages]

Nercessian, Andy. 2000. "A Look at the Emergence of the Concept of National Culture in Armenia: The Former Soviet Folk Ensemble." International Review of the Aesthetics and Sociology of Music 31 (1): 79-94.

Pintér, István. 1999. "Computer Aided Transcription of Folk Music." Studia Musicologica 40 (1-3): 189-209. [Pinter Istvan]

Przerembski, Zbigniew Jerzy. 2000. "The Melodic Form of Polish Folk Ballads." TRANS: Transcultural music review/Revista transcultural de musica 5. 1 May 2001 <http://www2.uji.es/trans/trans5/Przerembski.html>.

Rouse, Andrew C. 1999. "The Forgotten Professional Popular Singer in England." Studia Musicologica 40 (1-3): 145-158.

Tari, Lujza. 1999. "Women, Musical Instruments and Instrumental Music." Studia Musicologica 40 (1-3): 95-143.

Wagner, Manfred. 1996. "Multikulturalität in unserer Gesellschaft." Jazzforschung/Jazz Research 28: 151-157. [multikulturalitat]

Acknowledgements

Marin Marian-Balasa.


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