/
Print Page   |   Contact Us   |   Report Abuse   |   Sign In   |   Join SEM
Search
Current Bibliography, Vol. 45, No. 3 (Fall 2001)
Share |

Compiled by Kevin Medows (University of Illinois at Urbana)

Editor's note: in order to aid searching, names and terms that have been coded to display diacriticals have been appended to the entry in brackets without diacriticals.

General | Africa | Americas | Asia & Oceania | Europe

General

Bar-Yosef, Amatzia. 2001. "Musical Time Organization and Space Concept: A Model of Cross-Cultural Analogy." Ethnomusicology 45 (3): 423-442.

Baumann, Max Peter, ed. 2000. "Local Musical Traditions in the Globalization Process." The World of Music 42 (3). Contents:

  • Preface / Max Peter Baumann (5)
  • A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond / Rainer Polak (7-46)
  • Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large / Kevin Dawe (47-66)
  • Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender / Deborah Wong (67-78)
  • Musical Systems and Inter-genre Relationships in Hong Kong / J. Lawrence Witzleben (79-92)
  • The Shaanzi Qinpai Erhu Tradition. Re-invention and Re-invigoration of a Folk Tradition / Colin Huehns (93-119)
  • The Local and the Global: Traditional Musical Instruments and Modernization / Max Peter Baumann (121-144)

Chambet-Werner, Oriane. 2000. "Entre jazz et 'musiques du monde.' Regards croisés sur la rencontre de l'autre." Cahiers de musiques traditionelles 13: 91-102. [ croises ]

Claus-Bachmann, Martina, ed. 2000. "Gothic, Metal, Rap, and Rave: Youth Culture and Its Educational Dimensions." The World of Music 42 (2). Contents:

  • Preface; Cultural Identity and Educational Possibilities in Humanistic Studies / Martina Claus-Bachmann (7-11; 13-24)
  • Gothic: Forms and Backgrounds / Ansgar Jerrentrup (25-50)
  • Hip Hop: Origins, Characteristics and Creative Processes / Friedrich Neumann (51-63)
  • Techno Music: Its Special Characteristics and Didactic Perspectives / Ansgar Jerrentrup (65-82)
  • Heavy Metal: Forces of Unification and Fragmentation within a Musical Subculture / Bettina Roccor (83-94)
  • "Being a Fan is Much More than That": Fan-Specific Involvement with Music / Stefanie Rhein (95-109)
  • "…the fleeing association is a flash of inspiration…": On the Dimension of Aesthetic Intensity in Music-Related Expressive Forms of Youth Culture / Gunther Diehl (111-124)
  • Youth Subcultures Are Dead!? On the Cultural Logic of "Generation Z" and the Consequences for Music Educational Concepts / Susanne Binas (125-136)
  • Der Tod und das Mädchen: Dramatic Expression of the Gothic Subculture in School Instruction / Tamara Kurz (137-147)

[ madchen ]

Dibben, Nicola. 2001. "Pulp, Pornography and Spectatorship: Subject Matter and Subject Position in Pulp's This is Hardcore." Journal of the Royal Musical Association 126 (1): 83-106.

Emoff, Ron, ed. 2000. "Spirit Practices in a Global Ecumene." The World of Music 42 (2). Contents:

  • Preface / Ron Emoff (5-8)
  • Dee Hoo! Sonic Articulations in Healing and Exorcism Practices of the Anlo-Ewe / Daniel Avorgbedor (9-24)
  • Listening Selves and Spirit Possession / Judith Becker (25-50)
  • Clinton, Bush, and Hussein in Madagascar / Ron Emoff (51-73)
  • Vietnamese Mediumship Rituals: The Musical Construction of the Spirits / Barley Norton (75-97)
  • Bringing Down the Santo: An Analysis of Possession Performance in Afro-Cuban Santería / Katherine J. Hagedorn (99-113)
  • The Canned Sardine Spirit Takes the Mic / Marina Roseman (115-136)

[ santeria ]

Filler, Susan M. 2000. "Mahler as a Jew in the Literature." Shofar 18 (4): 62-78.

Hosokawa, Shuhei. 2000. "'Salsa no tiene frontera': Orquesta de la luz and the Globilization of Popular Music." Cultural Studies 13 (3): 509-534.

Ibarra, Peter R. and Margarethe Kusenbach. 2001. "Feeling the Field: Tracking Shifts in Ethnographic Research." Studies in Symbolic Interaction 24: 195-221.

Jain, Shirish. 2000. "The Role of Musical Instruments in Shamanic Healing." East European Meetings in Ethnomusicology 7: 3-9.

Jamin, Jean, ed. 2001. "Jazz et anthropologie." Special issue of L'Homme: Revue française d'anthropologie 158/159. Contents:

Présentation

    • Jazzanthropologie / Jean Jamin and Patrick Williams (7-28)

Le jazz comme anthropologie?

    • Prélude / Lucien Malson (29-34)
    • Le jazz à a la lumière de Jean-Jacques Rousseau / Anne-Marie Mercier-Faivre and Yannick Seité (35-52)

D'un style ethnique

    • L'oreille tenue à l'œil. Portraits passionnés de quelques musiciens / Pascal Colard (53-72)
    • Pourquoi le jazz a-t-il si bien tourné? Flamenco, blues: affinités et descendances / Jean-Luc Jamard (73-95)
    • Le blues dans le texte / Claude Macherel (97-100)
    • Des "notes bleues". De la septième de dominante et de la musique an général / Jean-François Baré (101-123)

La vie à l'œuvre

    • Du sexe, des couleurs et du corps / Francis Marmande (125-138)
    • Thelonious Monk, le sculpteur de silence / Denis Laborde (139-179)
    • De la discographie et de son usage. L'œuvre ou la vie? / Patrick Williams (179-199)

Une esthétique paradoxale

    • Sur des erres de jazz / Xavier Daverat (210-216)
    • À jamais, à présent. Le champ jazzistique en son temps / Alexandre Pierrepont (217-229)
    • La drogue du jazz / Francis Hofstein (231-238)

Diffusion réception

    • Les mots du jazz. Retour sur Le Jazz d'André Schaeffner & André Cœuroy / Olivier Roueff (239-259)
    • De l'excursion à Harlem au débat sur les "Noirs". Les terrains absents de la jazzologie française / Denis-Constant Martin (261-277)
    • Jazzbandits / Michel Naepels (279-283)
    • Au-delàa du Vieux Carré. Idées du jazz en France / Jean Jamin (285-300)

Glossaire et index des musiciens--établis par Jean Jamin & Patrick Williams (301-338)

[presentation prelude seite francois bare francaise lumiere oeuvre loreille oreille oeil loeil tourne general septieme present esthetique reception andre debat dela au-dela carre idees etablis ]

Leach, Elizabeth Eva. 2001. "Vicars of 'Wannabe': Authenticity and the Spice Girls." Popular Music 20 (2): 143-167.

Leante, Laura. 2000. "Love you to. Un exemple de rencontre entre musique indienne et musique pop dans la production des Beatles." Cahiers de musiques traditionelles 13: 103-118.

McLeod, Ken. 2001. "Bohemian Rhapsodies: Operatic Influences on Rock Music." Popular Music 20 (2): 189-203.

Malnig, Julie, ed. 2001. "Dialogues: Dance Ethnography: Where Do We Go from Here?" Special section of Dance Research Journal 33 (1). Contents:

  • Introdution / Deidre Sklar (90)
  • The Study of Dance in Culture: A Retrospective for a New Perspective / Johann W. Kealiinohomoku (90)
  • Toward Cross-Cultural Conversations on Bodily Knowledge / Deidre Sklar (91-92)
  • Speaking Back / Uttara Coorlawala (93)
  • Spreading the Net / Anthony Shay (93-94)

Marian-Balasa, Marin. 2000. "Harry Brauner--Field Collector, Director, Victim, and Love." East European Meetings in Ethnomusicology 7: 183-192.

Marranci, Gabriele. 2000. "Le raï aujourd'hui: entre métissage musical et world music moderne." Cahiers de musiques traditionelles 13: 139-149. [ rai metissage ]

Martin, Denis-Constant. 2000. "Le métissage en musique: un mouvement perpétuel (Amérique due Nord et Afrique du Sud)." Cahiers de musiques traditionelles 13: 3-22.[ metissage perpetual amerique ]

Medicine, Beatrice. 2001. Learning to Be An Anthropologist and Remaining "Native": Selected Writings. Edited with Sue-Ellen Jacobs. Urbana: University of Illinois Press, xxvi, 371 p., bibliog.

Olivier, Emmanuelle and Hervé Rivière. 2001. "Reflections on Musical Categorization." Ethnomusicology 45 (3): 480-488. [ herve riviere ]

Palmer, John R. 2001. "Yes, 'Awaken', and the Progressive Rock Style." Popular Music 20 (2): 243-261.

Pendle, Karin, ed. 2001. Women & Music: A History. Bloomington: Indiana University Press, bibliog. Contents:

  • Recovering Jouissance: Feminist Aesthetics and Music / Renée Cox Lorraine (3-18)
  • Women and Music in Ancient Greece and Rome / Ann N. Michelini (21-25)
  • Women in Music to ca. 1450 / J. Michele Edwards (26-53)
  • Musical Women in Early Modern Europe / Karin Pendle (57-96)
  • Musical Women of the Seventeenth and Eighteenth Centuries / Barbara Garvey Jackson (97-144)
  • European Composers and Musicians, ca. 1800-1890 / Nancy B. Reich (147-174)
  • European Composers and Musicians, 1880-1918 / Marcia J. Citron (175-192)
  • Women in American Music, 1800-1918 / Adrienne Fried Block, assisted by Nancy Stewart (193-223)
  • Contemporary British Composers / Catherine Roma (227-251)
  • Composers of Modern Europe, Israel, Australia, and New Zealand / Karin Pendle and Robert Zierolf (252-313)
  • North America since 1920 / J. Michele Edwards, with contributions by Leslie Lassetter (314-385)
  • American Popular Music / S. Kay Hoke (387-416)
  • Women and Music around the Mediterranean / L. JaFran Jones (422-437)
  • Women in the World of Music: Latin America, Native America, and the African Diaspora / Robert Whitney Templeman (438-459)
  • American Women in Blues and Jazz / Michael J. Budds (460-478)
  • Women's Support and Encouragement of Music and Musicians / Linda Whitesitt (481-494)

[ renee ]

Pennanen, Risto Pekka. 2000. "Commercial Recordings and Music Research." East European Meetings in Ethnomusicology 7: 101-104.

Ralls-MacLeod, Karen and Graham Harvey. 2000. Indigenous Religious Musics. Aldershot: Ashgate, 1 compact disc. Contents:

  • Te Kaha o te Waiata--The Power of Music: Maori Oral Traditions / Peter Mataira (22-34)
  • From Here into Eternity: Power and Transcendence in Australian Aboriginal Music / David H. Turner (35-55)
  • Sacred and Profane: Music Korean Shaman Rituals / Keith Howard (56-83)
  • Maasai Musics, Rituals and Identities / Malcolm Floyd (84-101)
  • Appeasing the Spirits: Music, Possession, Divination and Healing in Busoga, Eastern Uganda / Peter R. Cooke (102-121)
  • Chasing Off God: Spirit Possession in a Sharing Society / Jan G. Platvoet (122-135)
  • Sounding the Sacred: Music as Sacred Site (the Search for a Universal Sacred Music) / June Boyce-Tillman (136-166)
  • Structure into Practice: A Theory of Inuit Music / Christopher G. Trott (183-197)
  • The Music of the Mescalero Apache Girls' Puberty Ceremony / Anne Dhu McLucas (198-209)

Savy, Corinne Frayssinet. 2000. "De l'hybridation à la translittéralité. Le tango: un cante Flamenco." Cahiers de musiques traditionelles 13: 119-137.[ translitteralite ]

Schneider, Albrecht. 2001. "Sound, Pitch, and Scale: From "Tone Measurements" to Sonological Analysis in Ethnomusicology." Ethnomusicology 45 (3): 489-519.

Stock, Jonathan P.J. 2001. " Toward and Ethnomusicology of the Individual, or Biographical Writing in Ethnomusicology." The World of Music 43 (1): 5-19.

Stock, Jonathan P.J. 2001. "'A Second Ethnomusicologist?! But We Don't Yet Have French Baroque': Peripheral Music, Peripheral People, Or Does Our Dis. Lack Penetrative Power?" British Forum for Ethnomusicology Newsletter 21: 20-22.

Thompson, Daniel N. 2001. "Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author." Current Musicology 64: 7-25.

Williams, Christina. 2001. "Does It Really Matter? Young People and Popular Music." Popular Music 20 (2): 223-242.

Wragg, David. 2001. "'Or Any Art at All?': Frank Zappa Meets Critical Theory." Popular Music 20 (2): 205-222.

Africa

Fowler, Dennis. 2000. "Some Old Ila Songs and Verses." Journal of African Cultural Studies 13 (2): 227-237.

Gunderson, Frank, and Gregory F. Barz, eds. 2000. Mashindano!: Competitive Music Performance in East Africa. Dar es salaam: Mkuki na Nyota Publishers, xii, 468 p., bibliog. Contents:

  • "Kifungua Kinywa," or Opening the Contest with Chai / Frank Gunderson (7-17)
  • Following in the Tracks of Beni: The Diffusion of the Tanga Taarab Tradition / Kelly M. Askew (21-38)
  • "Hot Kabisa!" The Mpasho Phenomenon and Taarab in Zanzibar / Janet Topp Fargion (39-53)
  • Malumbano or Matukano: Competition, Confrontation, and (De)Construction of Masculinity in the Taarab of Maulidi and Bhalo / Mwenda Ntarangwi (55-66)
  • Muungano and TOT: Rivals on the Urban Cultural Scene / Siri Lange (67-85)
  • Gindu Nkima: A Sukuma Heroine / Joseph L. Mbele (87-98)
  • Kizungu Rhythms: Luguru Christianity as Ngoma / Peter Pels (101-142)
  • Identity, Difference, and Dance: Female Initiation in Zanzibar, 1890 to 1930 / Laura Fair (143-174)
  • Ngoma Competitions in Traditional Bakerebe Society / E. Kezilahabi (175-197)
  • Competitive Dance and Social Identity: Converging Histories in Southwest Tanzania / James Ellison (199-231)
  • The Social Significance of Mganda-wa-Kinkachi Dance Contests Among the Matengo / Frowin Paul Nyoni (233-253)
  • Makonde Mask Dance: Performing Identity / Elise Johansen (255-270)
  • Ngoma Competitions in Northern Uganda / Peter Cooke and Okaka Opio Dokotum (271-278)
  • Ndangi ya Bongo: KiSwahili Rap Keeping it Real / Peter Jan Haas and Thomas Gesthuizen (279-294)
  • Ngoma ya Ukae: Competition Social Structure in Tanzanian Dance Music Songs / Werner Graebner (295-318)
  • Putting Colonialism into Perspective: Cultural History and the Case of Malipenga Ngoma in Malawi / Lisa Gilman (319-345)
  • Rama Maulidi: A Competitive Ritual Ngoma in Lamu / Rebecca Gearhart (347-365)
  • Mchezo Umelala ["The Dance has Slept"]: Competition, Modernity, and Economics in Umatengo, Tanzania / Stephen Hill (367-378)
  • Politics of Remembering: Performing History(-ies) in Youth Kwaya Competitions in Dar Es Salaam, Tanzania / Gregory F. Barz (379-405)
  • Witchcraft, Witcraft and Musical Warfare: The Rise of the Bagiika-Bagaalu Music Competitions in Sukumaland, Tanzania / Frank Gunderson (407-419)
  • Tamati: Music Competition and Community Formation / Gregory F. Barz (421-428)

James, Wendy. 2000. "Reforming the Circle: Fragments of the Social History of a Vernacular African Dance Form." Journal of African Cultural Studies 13 (1): 140-152.

McLaughlin, Fiona. 2000. "'In the Name of God I Will Sing Again, Mawdo Malik the Good': Popular Music and the Senegalese Sufi Tariqas." Journal of Religion in Africa 30 (2): 191-207.

Salamone, Frank A. 1998. "Nigerian and Ghanaian Popular Music: Two Varieties of Creolization." Journal of Popular Culture 32 (2): 11-25.

Americas

Angert, Erica. 2001. "The State of Dance Research in Cuba." Dance Research Journal 33 (1): 82-86.

Axtmann, Ann. 2001. "Performative Power in Native America: Powwow Dancing." Dance Research Journal 33 (1): 7-22.

Bernhardt, Jack. 2001. "Performance, Faith, and Bluegrass Gospel: An Anthropological Journey with Jerry and Tammy Sullivan." Country Music Annual 2001: 51-69.

Bickl, Gerhard. 2000. "Chorus und Linie: Zur harmonischen Flexibilität in der Bebop-Improvisation." Jazzforschung/Jazz Research 32: 11-217.[ flexibilitat ]

Bilby, Kenneth. 2001. "Aleke: New Music and New Identities in the Guianas." Latin American Music Review 22 (1): 31-47.

Black, David. 2001. "Have the Franchise: Country Music TV from the Third Coast." Country Music Annual 2001: 4-25.

Bours, Étienne. 2000. "Les Inuit ou l'impossible métissage!" Cahiers de musiques traditionelles 13: 77-90.[ etienne metissage ]

Brooks, Tim. 2000. "'Might Take One Disc of This Trash as a Novelty': Early Recordings by the Fisk Jubilee Singers and the Popularization of 'Negro Folk Music.'" American Music 18 (3): 278-316.

Butterman, Steven F. 2001. "O Charme Chique da Canção de Chico Buarque: Táticas carnavalescas de transcender a opressão da ditadura." Latin American Music Review 22 (1): 83-97. [ cancao taticas opressao ]

Carney, George O. 1998. "Western North Carolina: Culture Hearth of Bluegrass Music." In Baseball, Barns, and Bluegrass: A Geography of American Folklife, George O. Carney, ed., 139-153. Lanham, Md.: Rowman & Littlefield.

Clayton, Lawrence. 1999. "Contemporary Cowboy Music in Texas: Red Steagall, Don Edwards, and Michael Martin Murphy." Journal of Popular Culture 33 (3): 29-38.

Comeaux, Malcom L. 1998. "The Cajun Accordion." In Baseball, Barns, and Bluegrass: A Geography of American Folklife, George O. Carney, ed., 131-138. Lanham, Md.: Rowman & Littlefield.

Cusic, Don. 1999. "Latin America and Country Music." Journal of Popular Culture 33 (3): 39-47.

Daniel, Wayne W. 2001. "How a Salvation Army Hymn Became a Gospel Standard: The Story of 'The Great Judgment Morning.'" Country Music Annual 2001: 134-146.

Dechert, S. Renee. 2001. "'Oh, What a Life a Mess Can Be': Uncle Tupelo, Bahktin, and the Dialogue of Alternative Country Music." Country Music Annual 2001: 70-91.

Fontenot, Kevin S. 2001. "Country Music's Confederate Grandfather: Henry C. Gilliland." Country Music Annual 2001: 189-208.

Gabbard, Krin. 2000. "Race and Reappropriation: Spike Lee Meets Aaron Copland." American Music 18 (4): 370-390.

Galvão, Cláudio. 2000. A modinha: Norte-Rio-Grandense. Etudos e Pesquisas, 106. Recife: Fundacão Joaquim Nabuco, Editora Massangana; Natal: Universidade Federal do Rio Grande do Norte, 546 p., bibliog. [ galvao claudio fundacao ]

Henry, Murphy. 2001. "Come Prepared to Stay. Bring Fiddle: The Story of Sally Ann Forrester, the Original Bluegrass Girl." Country Music Annual 2001: 92.

John, Suki. 2001. "Modern Dance in Contemporary Cuba." Dance Research Journal 33 (1): 87-89.

Lynch, Timothy P. 2001. Strike Songs of the Depression. Jackson: University Press of Mississippi, xi, 170 p., bibliog.

Magee, Jeffrey. 2000. "Before Louis: When Fletcher Henderson Was the 'Paul Whiteman of the Race.'" American Music 18 (4): 391-425.

Pellicer, Sergio Navarrete. 2001. "El Bien y el Mal: música, alcohol y mujeres." Latin American Music Review 22 (1): 63-82. [musica]

Penedo, Ismael, and Leonardo D'Amico. 2000. "La culture musicale des Garifuna, communauté afro-amérindienne d'Amérique centrale." Cahiers de musiques traditionelles 13: 65-75.[ communaute amerindienne amerique ]

Plisson, Michel. 2000. "Systèmes rythmiques, métissages et enjeux symboliques des musiques d'Amèrique latine." Cahiers de musiques traditionelles 13: 23-54.[ systeme metissages amerique ]

Prahlad, Sw. Anand. 2001. Reggae Wisdom: Proverbs in Jamaican Music. Jackson: University of Mississippi Press, xxiv, 302 p., bibliog.

Pugh, Ronnie. 2001. "There's a Little Bit of Everything in Texas: The Texas Musical Roots of Ernest Tubb." Country Music Annual 2001: 121-133.

Reily, Suzel Ana. 2001. "To Remember Captivity: The Congadas of Southern Minas Gerais." Latin American Music Review 22 (1): 4-30.

Romero, Raúl R. 2001. Debating the Past: Music, Memory, and Identity in the Andes. New York: Oxford University Press, vii, 188 p., bibliog.[ raul ]

Romero, Raúl R. 2001. "Tragedies and Celebrations: Imagining Foreign and Local Scholarships." Latin American Music Review 22 (1): 48-62. [Raul]

Sandroni, Carlos. 2000. "Le tresillo: rythme et "métissage" dans la musique populaire latino-américaine imprimée au XIXe siècle." Cahiers de musiques traditionelles 13: 55-64.[ metissage americaine imprimee siecle ]

Tomko, Linda J. 1999. Dancing Class: Gender, Ethnicity, and Social Divides in American Dance, 1890-1920. Bloomington: Indiana University Press, 283 p., bibliog.

Townsend, Thomas Carl. 2001. "The Carter Family's Rhythmic Asymmetry." Country Music Annual 2001: 161-188.

Wade, Stephen. 2000. "The Route of 'Bonaparte's Retreat': From 'Fiddler Bill' Stepp to Aaron Copland." American Music 18 (4): 343-369.

Wilson, Joe. 2001. "Radio and the Blue Ridge." Country Music Annual 2001: 147-160.

Ziewacz, Lawrence E. 2001. "The Country Music-NASCAR Connection." Country Music Annual 2001: 26-50.

Asia & Oceania

Anived, Sheo Narayan Singh. 2000. "Performance, Patronage, and Politics." Sangeet Natak 137/138: 36-41.

Arambam, Lokendra. 2000. "The Elitist, the Commercial, and the Popular in Indian Theatre: A Voice from the Margins." Sangeet Natak 137/138: 6-15.

Basu, Dilip Kumar. 2000. "Movements and Institutions in Indian Theatre." Sangeet Natak 137/138: 22-27.

Brownrigg, Jeff. 1999. "'A Gaudy Posy for the Popular Soul': Recovering Australia's Early Popular Recording Stars." Journal of Popular Culture 33 (1): 105-113.

Chandradasan. 2000. "Dilemmas of a Contemporary Theatre Practitioner." Sangeet Natak 137/138: 16-19.

Deshpande, Sudhanva. 2000. "Theatre in the Dark Times." Sangeet Natak 137/138: 28-35.

Foley, Catherine. 2001. "Perceptions of Irish Step Dance: National, Global, and Local." Dance Research Journal 33 (1): 34-45.

Greene, Paul. 2001. "Mixed Messages: Unsettled Cosmopolitanisms in Nepali Pop." Popular Music 20 (2): 169-187.

Han, Kuo-Huang. 2001. "The Importation of Western Music to China at the Turn of the Twentieth Century." In A Compendium of American Musicology: Essays in Honor of John F. Ohl, Enrique Alberto Arias, Susan M. Filler, William V. Porter, and Jeffrey W asson, eds., 229-240. Evanston, Ill.: Northwestern University Press.

Izumi, Masumi. 2001. "Reconsidering Ethnic Culture and Community: A Case Study on Japanese Canadian Taiko Drumming." Journal of Asian American Studies 4 (2): 35-36.

Joshi, P.C. 2000. "How Mohan Upreti Found His Guru: The Rithagarh Episode." Sangeet Natak 135/136: 27-46.

Kligman, Mark. 2001. "The Bible, Prayer, and Maqam: Extra-Musical Associations of Syrian Jews." Ethnomusicology 45 (3): 443-479.[ maqam ]

Lakshmi, C.S. 2000. The Singer and the Song: Conversations with Women Musicians. Seven Seas & Seven Mountains, 1. New Delhi: Kali for Women, liii, 383 p.

Majumdar, Debasis. 2000. "Indian Theatre and Globilization." Sangeet Natak 137/138: 20-21.

Mrázek, Jan. 2000. "Javanese Wayang Kulit in the Times of Comedy: Clown Scenes, Innovation, and the Performance's Being in the Present World." Indonesia 69: 107-172.[ mrazek ]

Prakash, H.S. Shiva. 2000. "Dreaming Theatre Anew." Sangeet Natak 137/138: 4-5.

Ramaswamy, Vijaya. 2000. "K.R. Kumaraswamy and His Times." Sangeet Natak 135/136: 19-25.

Rao, Suvarnalata. 2000. "Sitar-making Today: Problems and Prospects of the Craft." Sangeet Natak 135/136: 47-62.

Sahni, Bhisham. 2000. "A Playwright's Experiences." Sangeet Natak 137/138: 39-41.

Samson, Guillaume. 2000. "Clivage social et appropriation musicale á l'île Rodrigues. Le cas du ségakordéon." Cahiers de musiques traditionelles 13: 163-178.[ ile segakordeon ]

Sandhya, S, ed. 2000. "'Pilgrimage to Rasa': Excerpts from Mallikarjun Mansur's Autobiography." Sangeet Natak 135/136: 3-17.

Sharma, H.V. 2000. "Catussruti-jati Ragas: An Amateur's Investigation." Sangeet Natak 135/136: 63-69.

Stern, Monika. 2000. "La permancence du changement, ou les métissages dans la musique du Vanuatu." Cahiers de musiques traditionelles 13: 179-202.[ metissages ]

Stock, Jonathan P.J., ed. 2001. "Ethnomusicology and the Individual." The World of Music 43 (1). Contents:

  • Toward and Ethnomusicology of the Individual, or Biographical Writing in Ethnomusicology / Jonathan P.J. Stock (5-19)
  • A Hermeneutical Arc in the Life of Balinese Musician, I Made Lebah / David Harnish (21-41)
  • He Yi'an's Ninety Musical Years: Biography, History, and Experience in Southwest China / Helen Rees (43-67)
  • Writing Music Biographies of Historical East Asian Musicians: The Case of Jiang Kui (A.D. 1155-1221) / Joseph S.C. Lam (69-95)
  • In Search of Begum Akhtar: Patriarchy, Poetry, and Twentieth-Century Indian Music / Regula Burckhardt Qureshi (97-137)
  • Stories About Selves: Selected North Indian Women's Musical (Auto)biographies / Amelia Maciszewski (139-172)

Taylor, Philip. 2000. "Music and 'Neocolonial Poison' in Postwar Southern Vietnam." Crossroads 14 (1): 99-131.

Weintraub, Andrew N. 2001. "Contest-ing Culture: Sundanese Wayang Goleck Purwa Competitions in New Order Indonesia." Asian Theatre Journal 18 (1): 87-104.

Wolf, Richard K. 2001. "Emotional Dimensions of Ritual Music Among the Kotas, a South Indian Tribe." Ethnomusicology 45 (3): 379-422.

Europe

Ascher, Gloria J. 2001. "Sephardic Songs, Proverbs, and Expressions: A Continuing Tradition." Shofar 19 (4): 25-39.

Bearman, C.J. 2000. "Who Were the Folk? The Demography of Cecil Sharp's Somerset Folk Singers." Historical Journal 43 (3): 751-775.

Beckerman, Michael. 2000. "Neuro-Nationalism: or Why Can't We All Just Get Along?" East European Meetings in Ethnomusicology 7: 91-100.

Bohlman, Philip V. 2000. "East-West: The Ancient Modernity of Jewish Music." East European Meetings in Ethnomusicology 7: 67-90.

Donaldson, William. 2000. "Manuscript Material in the University of Aberdeen for the Study of Piping." Northern Scotland 20: 167-178.

Fleischer, Robert. 2000. "Three Generations of Israeli Music." Shofar 18 (4): 102-126.

Kaufmann, Dimitrina. 2000. "The Pitch as Body-Movement and Spatial Expression." East European Meetings in Ethnomusicology 7: 10-19.

Kerovpyan, Aram. 2001. Manuel de notation musicale armenienne moderne. Tutzing: Schneider, viii, 129 p.

Mackay, Robert. 2000. "Leaving out the Black Notes: The BBC and 'Enemy Music' in the Second World War." Media History 6 (1): 75-80.

Marian-Balasa, Marin. 2000. "Romanian Traditional Identity--As Searched by The Brãiloiu Institute." East European Meetings in Ethnomusicology 7: 127-182.[ brailoiu ]

Muršic, Rajko. 2000. "Transference and Invention: Punk in a Slovene Village of Trate." East European Meetings in Ethnomusicology 7: 113-126.[ mursic ]

Neikova, Rouja. 2000. "Some Features of Anasternaria/Nestinarstvo and Its Sound in Northern Greece." East European Meetings in Ethnomusicology 7: 20-40.

Picker, John M. 1999/2000. "The Soundproof Study: Victorian Professionals, Work Space, and Urban Noise." Victorian Studies 42 (3): 427-453.

Radulescu, Speranţa. 2000. "Musique de métissage pan-balkanique en Roumanie." Cahiers de musiques traditionelles 13: 151-162.[ metissage speranta ]

Suliţeanu, Gisela. 2000. "On the 'Hascala' Movement and the Traditional Music of Jews in Romania." East European Meetings in Ethnomusicology 7: 48-66.[ suliteanu ]

Yoffe, Mark. 2000. "Back [Into the] Underground: Russian Rock'n'Roll Community in Search of New Adversaries and Identities." East European Meetings in Ethnomusicology 7: 105-112.

Zaagsma, Gerben. 2000. "The Klezmorim of Prague: About a Jewish Musicians' Guild." East European Meetings in Ethnomusicology 7: 41-47.

Zaltsberg, Ernst. 1999. "Moysey Beregovsky, Encyclopaedist of Jewish Folk Music in Russia." East European Jewish Affairs 29 (1-2): 141-145.

Acknowledgements

Marin Marian-Balasa; Daniel Boomhower.


Sign In


Forgot your password?

Haven't joined SEM yet?

Featured News