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Current Bibliography, Vol. 46, No. 3 (Fall 2002)
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Compiled by Kevin Medows (Northwestern University)

Editor's note: in order to aid searching, names and terms that have been coded to display diacriticals have been appended to the entry in brackets without diacriticals.

General | Africa | Americas | Asia & Oceania | Europe


Alper, Garth. 2002. "Making Sense Out of Postmodern Music?" Popular Music and Society 24 (4), (Winter 2000): 1-14.

Baily, John. 2001. "Learning To Perform as a Research Technique in Ethnomusicology." British Journal of Ethnomusicology 10 (2): 85-98.

Bakka, Egil. 2001. "The Polka Before and After the Polka." Yearbook for Traditional Music 33: 37-48.

Baumann, Max Peter. 2001. "Festivals, Musical Actors and Mental Constructs in the Process of Globalization." The World of Music 43 (2+3): 9-30.

Bereson, Ruth. 2002. The Operatic State: Cultural Policy and the Opera House. Routledge Harwood Studies in Cultural Policy. New York: Routledge, x, 226 p., bibliog.

Bradby, Barbara. 2002. "Oh, Boy! (Oh, Boy!): Mutual Desirability and Musical Structure in the Buddy Group." Popular Music 21 (1): 63-92.

Buckland, Theresa Jill. 2001. "Dance, Authenticity and Cultural Memory: The Politics of Embodiment." Yearbook for Traditional Music 33: 1-16.

Chenier, Chou. 2002. "Experience and Fieldwork: A Native Researcher's View." Ethnomusicology 46 (3): 456-486.

Cloonan, Martin, and Bruce Johnson. 2002. "Killing Me Softly with His Song: An Initial Investigation into the Use of Popular Music as a Tool of Oppression." Popular Music 21 (1): 27-40.

De Ferranti, Hughe. 2002. "'Japanese Music' Can Be Popular." Popular Music 21 (2): 195-208.

Giurchescu, Anca. 2001. "The Power of Dance and Its Social and Political Uses." Yearbook for Traditional Music 33: 109-122.

Hahachewsky, Andriy. 2001. "Once Again: On the Concept of 'Second Existence Folk Dance.'" Yearbook for Traditional Music 33: 17-28.

Horn, David. 2002. "European Perspectives on Black Music." Special issue of Black Music Research Journal 20 (2), (2000). Contents:

  • Voices of Hate, Sounds of Hybridity: Black Music and the Complexities of Racism / Les Back (127-150)
  • Eugene Stratton and Early Ragtime in Britain / Michael Pickering (151-180)
  • The "Zinc Fence Thing": When Will Reggae Album Covers Be Allowed Out of the Ghetto? / Hasse Huss (181-194)
  • Black British Cultural Studies and the Rap on Gangsta / Eithne Quinn (195-216)
  • Celebration or Pathology? Commodity or Art? The Dilemma of African-American Expressive Culture / Berndt Ostendorf (217-236)
  • The Sound World of Art Tatum / David Horn (237-257)

Jiménez de Báez, Yvette. 2002. "The Phototeque and Archives as Resources for the Study of Languages and Traditions." IASA Journal 19: 44-54. [ jimenez baez ]

Jones, Jill Tedford. 2002. "The Delight of Words: The Elizabethan Sonneteers and American Country Lyricists." Popular Music and Society 24 (4), (Winter 2000): 63-78.

Jones, Steve. 2002. "Music That Moves: Popular Music, Distribution and Network Technologies." Cultural Studies 16 (2): 213-232.

Kaeppler, Adrienne L. 2001. "Dance and the Concept of Style." Yearbook for Traditional Music 33: 49-64.

Loutzaki, Irene. 2001. "Folk Dance in Political Rhythms." Yearbook for Traditional Music 33: 127-138.

Middleton, Jason, and Roger Beebe. 2002. "The Racial Politics of Hybridity and 'Neo-Electism' Contemporary Popular Music." Popular Music 21 (2): 159-172.

Minks, Amanda. 2002. "From Children's Song to Expressive Practices: Old and New Directions in the Ethnomusicological Study of Children." Ethnomusicology 46 (3): 379-408.

Moore, Allan. 2002. "Authentically as Authentication." Popular Music 21 (2): 209-224.

Nattiez, Jean Jacques. 2002. "Musique, esthétique et societé." L'Homme 161: 97-110. [ esthetique societe ]

O'Connor, Alan. 2002. "Local Scenes and Dangerous Crossroads: Punk and Theories of Cultural Hybridity." Popular Music 21 (2): 225-236.

Nettl, Bruno. 2002. Encounters in Ethnomusicology: A Memoir. Detroit Monographs in Musicology/Studies in Music, 36. Warren, Mich.: Harmonie Park Press, xv, 276 p., bibliog.

Roueff, Olivier. 2002. "Faire le jazz: la coproduction de l'expérience esthétique dans un jazz-club." Revue de musicologie 88 (1): 67-93. [ experience esthetique ]

Simon, Artur, ed. 2000. Das Berliner Phonogramm-Archiv 1900-2000: Sammlungen der traditionellen Musik der Welt = The Berlin Phonogramm-Archiv 1900-2000: Collections of Traditional Music of the World. Berlin: VWB, 264 p.

Smith, Andrew. 2002. "Tex Morton and His Influence on Country Music in Australia During the 1930s and 1940s." Country Music Annual 2002: 82-103.

Spencer, Frederick J. 2002. Jazz and Death: Medical Profiles of Jazz Greats. Jackson: University Press of Mississippi, xx, 311 p., bibliog.

Whitesell, Lloyd. 2002. "Harmonic Palette in Early Joni Mitchell." Popular Music 21 (2): 173-194.


Brinkman, Inge, ed. 2001. Singing in the Bush: MPLA Songs During the War for Independence in South-east Angola (1966-1975). Köln: Köppe, 110 p., bibliog. [ koln koppe ]

Gore, Georgiana. 2001. "Present Texts, Past Voices: The Formation of Contemporary Representations of West African Dances." Yearbook for Traditional Music 33: 29-36.

Gorlin, Dan. 2000. Songs of West Africa: A Collection of Over 80 Traditional West African Folk Songs and Chants in 6 Languages with Translations, Annotations, and Performance Notes... Forest Knolls, Calif.: Alokli West African Dance, viii, 156 p.

Hagedorn, Katherine J. 2001. Divine Utterances: The Performance of Afro-Cuban Santería. Washington: Smithsonian Institution Press, xvi, 296 p., bibliog., 1 compact disc. [ santeria ]

Hoffman, Katherine. 2002. "Generational Change in Berber Women's Song of the Anti-Atlas Mountains, Morocco." Ethnomusicology 46 (3): 510-540.

Kruger, Jaco. 2001. "Playing in the Land of God: Musical Performance and the Social Resistance in South Africa." British Journal of Ethnomusicology 10 (2): 1-36.

Makubuya, Darryl. 2000. "The 'Endingidi' (Tube Fiddle) of Uganda: Its Adaptation and Significance among the Baganda." The Galpin Society Journal 53: 140-155.

Muller, Carol A. 2002. "Archiving Africanness in Sacred Song." Ethnomusicology 46 (3): 409-431.

Pfeiffer, Katrin. 2001. Sprache und Musik in Mandinka-Erzählungen. With an English summary. Köln: Rüdiger Köppe Verlag, 378 p., + 1 compact disc. [ koln rudiger koppe erzahlungen ]

Smith, David. 2002. "Colonial Encounters through the Prism of Music: A Southern African Perspective." International Review of the Aesthetics and Sociology of Music 33 (1): 31-55.


Abrahams, Roger D. 2001. Afro-Caribbean Culture and the South: Music with Movement, 97-115. Includes commentary by Kenneth Bilby, p. 115-125. In The South and the Caribbean: Essays and Commentaries. Jackson: University Press of Mississippi.

Allen, Danny W. 2002. "Postcards and the Promotion of Early Country Music Artists." Country Music Annual 2002: 117-129.

Anazagasty-Rodríguez, José. 2002. "Colonial Capitalism, Hegemony, and Youth Praxis in Puerto Rico: Fiel a la Vega's Rock en Español." Latin American Music Review 23 (1): 79-105. [ rodriguez jose espanol ]

Anderson, Iain. 2002. "Jazz Outside the Marketplace: Free Improvisation and Nonprofit Sponsorship of the Arts, 1965-1980." American Music 20 (2): 131-167.

Barron, Lee, and Ian Inglis. 2002. "(Re)Constructing the Carnival: Continuity and Change in Contemporary British Popular Music." International Review of the Aesthetics and Sociology of Music 33 (1): 95-112.

Biancardi, Emília. 2000. Raizes musicais da Bahia. Salvador, Bahia: Secretaria da Cultura e Turismo, 391 p., bibliog. [ emilia ]

Bryant, Rebecca A. 2002. "Shaking Things Up: Popularizing the Shimmy in America." American Music 20 (2): 168-187.

Carney, George. 2002. "Honky-Tonk Angels and Rockabilly Queens: Oklahoma Divas in American Country Music." Country Music Annual 2002: 186-201.

Cusic, Don. 2002. "Politics and Country Music, 1963-1974." Country Music Annual 2002: 161-185.

Dechert, S. Renee, and George H. Lewis. 2002. "The Drive-by Truckers and the Redneck Underground: A Subcultural Analysis." Country Music Annual 2002: 130-150.

Downey, Greg. 2002. "Listening to Capoeira: Phenomenology, Embodiment, and the Materiality of Music." Ethnomusicology 46 (3): 487-509.

Ellison, Mary. 2002. "Subverting Commodification: Delfeayo Marsalis and Jazz." Popular Music and Society 24 (4), (Winter 2000): 31-62.

Garst, John. 2002. "'Man of Constant Sorrow': Antecedents and Tradition." Country Music Annual 2002: 26-53.

Gonas, John, David Herrera, James I. Elliott, and Greg Faulk. 2002. "Country Music Publishing Catalog Acquisition." Country Music Annual 2002: 104-116.

González-Quiñones, Jaime. 2002. "Los exámenes profesionales de Ponce y Revueltas en el Conservatorio Nacional de México." Latin American Music Review 23 (1): 131-136. [ gonzalez quinones examenes mexico ]

Knudsen, Jan Sverre. 2001. "Dancing cueca 'With Your Coat On': The Role of Traditional Chilean Dance in an Immigrant Community." British Journal of Ethnomusicology 10 (2): 61-84.

Martin, Denis-Constant. 2002. "Le char de l'espérance. Humanisation et conscience de soi dans un negro-spiritual afro-américain." L'Homme 161: 111-122. [ esperance americain ]

Nahachewsky, Andriy. 2002. "New Ethnicity and Ukranian Canadian Social Dances." Journal of American Folklore 115.456: 175-190.

Narváez, Peter. 2002. "'I Think I Wrote a Folksong': Popularity and Regional Vernacular Anthems." Journal of American Folklore 115.456: 269-282. [ narvaez ]

Nelson, Michael. 2002. "Ol' Red, White, and Blues Eyes: Frank Sinatra and the American Presidency." Popular Music and Society 24 (4), (Winter 2000): 79-102.

Parker, Robert. 2002. "Revueltas in San Antonio and Mobile." Latin American Music Review 23 (1): 114-130.

Pecknold, Diane. 2002. "The Selling Sound of Country Music: Class, Culture, and Early Radio Marketing Strategy of the Country Music Association." Country Music Annual 2002: 54-81.

Perrone, Charles A. 2002. "Performing São Paulo: Vanguard Representations of a Brazilian Cosmopolis." Latin American Music Review 23 (1): 60-78. [ sao ]

Pignocchi, José Luis. 2002. "Los Mapuche y el trompe/The Mapuche and the Trompe." Vierundzwanzigsteljahrsschrift der International Maultrommelvirtuosengenossenschaft 10: 31-38. [ jose ]

Pruett, David B. 2002. "WPAQ Radio: The Voice of the Blue Ridge Mountains." Country Music Annual 2002: 151-160.

Quigley, Colin. 2001. "Reflections on the Hearing to 'Designate the Square Dance as the American Folk Dance of the United States.'" Yearbook for Traditional Music 33: 145-158.

Rogers, Jimmie N. 2002. "Conway Twitty: The Man and His Image." Country Music Annual 2002: 3-14.

Rosenberg, Neil V. 2002. "Repetition, Innovation, and Representation in Don Messer's Media Repertoire." Journal of American Folklore 115.456: 191-208.

Smith, Richard D. 2002. "The Bill Monroe Biography: Journalism Assisting Scholarship." Country Music Annual 2002: 15-25.

Wickwire, Wendy. 2001. "The Grizzly Gave Them the Song: James Teit and Franz Boas Interpret Twin Ritual in Aboriginal British Columbia, 1897-1920." American Indian Quarterly 25 (3): 431-452.

Wolf, Charles K. 2002. "The Bristol Syndrome: Field Recordings of Early Country Music." Country Music Annual 2002: 202-221.

Young, Alan. 2001. The Pilgrim Jubilees. Jackson: University Press of Mississippi, xi, 287 p., bibliog., discog.

Asia & Oceania

Al-Taee, Nasser. 2002. "Voices of Peace and the Legacy of Reconciliation: Popular Music, Nationalism, and the Quest for Peace in the Middle East." Popular Music 21 (1): 41-62.

Capdeville-Zeng, Catherine. 2002. "Les spectacles de musique rock en chine: Da yin et du yang." L'Homme 161: 123-148.

Corn, Aaron, with Neparrnga Gumbula. 2002. "Nurturing the Sacred through Yolngu Popular Song." Cultural Survival Quarterly 26 (2): 40-42.

Fujie, Linda. 2001. "Japanese Taiko Drumming in International Performance: Converging Musical Ideas in the Search for Success on Stage." The World of Music 43 (2+3): 93-102.

Godwin, Chou. 2001. "A New Genre of Chinese Folk Music: The Bamboo Drum Song, III." Chinese Music 24 (4): 75-79.

Grau, Andrée. 2001. "Ritual Dance and 'Modernisation': The Tiwi Example." Yearbook for Traditional Music 33: 73-82. [ andree ]

Hai, Tran Quang. 2001. "Vietnamese Music in Exile since 1975 and Musical Life in Vietnam since Perestroika." The World of Music 43 (2+3): 103-112.

Jang, Yeonok. 2001. "P'ansori (Korean Narrative Song) Performance Style: Audience Responses and Singers' Perspectives." British Journal of Ethnomusicology 10 (2): 99-122.

Jing, Fan. 2002. "The Palace of Eternal Youth." Chinese Music 25 (1): 17-20.

Killick, Andrew. 2002. "Korean Ch'angguk Opera: Its Origins and Its Origin Myth." Asian Music 33 (2): 43-82.

Kippen, James. 2002. "Wajid Revisited: A Reassessment of Robert Gottlieb's Tabla Study, and a New Transcription of the Solo of Wajid Hussain Khan of Lucknow"; "A Response to James Kippen's Assessment," by Robert Gottlieb; "A Rebuttal to Robert Gottlieb," Kippen. Asian Music 33 (2): 111-166; 167-172; 173-174.

Koizumi, Kyoko. 2002. "Popular Music, Gender and High School Pupils in Japan: Personal Music in School and Leisure Sites." Popular Music 21 (1): 107-125.

Mohd. Anis Md. Nor. 2001. "Blurring Images, Glowing Likenesses: Old and New Styles in Traditional Dances of Malaysia." Yearbook for Traditional Music 33: 65-72.

Moulin, Jane Freeman. 2002. "Kaputuhe: Exploring Word-Based Performance on Marquesan Musical Instruments." The Galpin Society Journal 55: 130-160.

Neuenfeldt, Karl. 2001. "From Silence to Celebration: Indigenous Australian Performers at the Woodford Folk Festival." The World of Music 43 (2+3): 65-92.

Rees, Helen. 2002. "'Naxi Ancient Music Rocks London': Validation, Presentation, and Observation in the First International Naxi Music Tour." Ethnomusicology 46 (3): 432-455.

Saldanha, Arun. 2002. "Music, Space, Identity: Geographies of Youth Culture in Bangalore." Cultural Studies 16 (3): 337-350.

Sestili, Daniele. 2002. "A Pioneer Work on Japanese Music: La Musique au Japon (1878) and Its Author, Alessandro Kraus the Younger." Asian Music 33 (2): 83-110.

Shen, Sin-yan. 2001. "Li Delun (1917-2001): The Founding Father of Symphony Orchestras of China." Chinese Music 24 (4): 73-74.

Shen, Sin-yan. 2002. "Days of Emancipation, Qiantang River and Spring Festival Overture: The Early Landmark Compositions for Chinese Music." Chinese Music 25 (1): 4-11.

Shen, Sin-yan. 2002. "'Mukams of Eli: The Grand Suite of Northern Xinjiang' by Jian Qihua." Chinese Music 25 (2): 37-39.

Shen, Sin-yan. 2002. "The Performing Arts of 'Wailful Wrath by the River' (Jiang He Shui)." Chinese Music 25 (2): 24-29.

Stock, Jonathan P.J. 2002. "Learning Huju in Shanghai, 1900-1950: Apprenticeship and the Acquisition of Expertise in a Chinese Local Opera Tradition." Asian Music 33 (2): 1-42.

Tarsi, Boaz. 2002. "Observations of Practices of Nusach in America." Asian Music 33 (2): 175-219.

Tokumaru, Yoshihiko. 2000. L'aspect mélodique de la musique de syamisen. Paris: Peeters, xiv, 166 p., bibliog. [ melodique ]

Xiao, Jun. 2001-2002. "Chinese Classical Orchestra and the Silk & Bamboo Ensemble of the Chinese Music Society." I., Chinese Music 24 (4): 64-72; II., Chinese Music 25 (1): 12-16; III., Chinese Music 25 (2): 32-36.


Boiko, Martin. 2001. "The Latvian Folk Music Movement in the 1980s and the 1990s: From 'Authenticity' to 'Postfolklore' and Onwards." The World of Music 43 (2+3): 113-118.

Broecker, Marianne. 2001. "A Village Dance Ritual in Lower Franconia (Bavaria)." Yearbook for Traditional Music 33: 83-98.

Dunin, Elsie Ivancich. 2001. "Continuities and Changes: Interrelationships of Ritual and Social Dance Contexts in Dubrovnik-Area Villages." Yearbook for Traditional Music 33: 99-108.

Cutsforth-Huber, Bonnie. 2002. "A Voice of Their Own: The Upper Class and the Development of the National Song in Scotland." Music Research Forum 17: 57-72.

Dallais, Philippe, Stefan Weber, Caroline Briner, Joël Liegme. 2002. "The Drymba among the Hutsul in the Ukrainian Carpathians: A Recent Ethnomusicological Survey." Vierundzwanzigsteljahrsschrift der International Maultrommelvirtuosengenossenschaft 10: 8-29. [ joel ]

Dunne, Micheal. 2002. "'Tore Down a la Rimbaud': Van Morrison's References and Allusions." Popular Music and Society 24 (4), (Winter 2000): 15-30.

Felföldi, László. "Connections Between Dance and and Dance Music: Summary of Hungarian Research." Yearbook for Traditional Music 33: 159-166. [ fefoldi laszlo ]

Francmanis, John. 2002. "National Music to National Redeemer: The Consolidation of a 'Folk-Song' Contruct in Edwardian England." Popular Music 21 (1): 1-26.

Hanneken, Bernhard. 2001. "Concepts and Contexts of the Tanz&FolkFest Rudolstadt." The World of Music 43 (2+3): 31-48.

Ilieva, Anna. 2001. "Bulgarian Folk Dance During the Socialist Era, 1944-1989." Yearbook for Traditional Music 33: 123-126.

Öztürkmen, Arzu. 2001. "Politics of National Dance in Turkey: A Historical Reappraisal." Yearbook for Traditional Music 33: 139-144. [ ozturkmen ]

Pettan, Svanibor. 2001. "Encounter with 'The Others from Within': The Case of Gypsy Musicians in Former Yugoslavia." The World of Music 43 (2+3): 119-137.

Putelis, Aldis. 2002. "Voices from the Past, Voices for the Future: The Sound Collection of the Archives of Latvian Folklore." IASA Journal 19: 34-43.

Radford, Katy. 2001. "Drum Rolls and Gender Roles in Protestant Marching Bands in Belfast." British Journal of Ethnomusicology 10 (2): 37-60.

Ronström, Owe. 2001. "Concerts and Festivals: Public Performances of Folk Music in Sweden." The World of Music 43 (2+3): 49-64. [ ronstrom ]

Tinker, Chris. 2002. "A Singer-Songwriter's View of the French Record Industry: The Case of Léo Ferré." Popular Music 21 (2): 147-158. [ leo ferre ]

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