recognize the most distinguished student paper about Latin American or
Caribbean music presented at the SEM annual meeting.
Prize: A cash prize in an amount decided annually by the
LACSEM chair; the amount will not exceed $200.
prize may be withheld by the decision of the committee. Any student who
presents, in person, a formal paper about Latin American or Caribbean music at
the SEM annual meeting. A student shall
be defined as a person pursuing an active course of studies in a degree program. This will include persons who are engaged in
writing the doctoral dissertation but not those who are teaching full-time
while doing so. Please note: The LACSEM prize competition is separate from
other prize competitions. Papers
submitted for other prizes (such as the Seeger Prize) are also eligible for the
selection committee shall be made up of three or four members of LACSEM, with
members chosen for the next year’s competition by the section at its annual
business meeting or by mail-in vote. The current winner of the Student Paper Prize will serve on the next year’s Prize Selection Committee. Entries will be judged solely on the content
of the papers, including the use of video and audio examples submitted. In general, the LACSEM Prize selection
committee will decide upon a winner by 15 March each year.
Application Process: To apply for the LACSEM prize, each prize candidate must submit his/her paper electronically to the prize committee chair by the end of the annual SEM conference (Sunday, 11:59 p.m.). The name and email address of the committee chair will be announced in the LACSEM business meeting and LACSEM listserv. The paper submitted is to be the version read at the conference and may not exceed twelve double-spaced pages (roughly 3900 words). Candidates are encouraged to submit electronic copies of audio or visual examples that will be used in the presentation with a brief explanation of how the examples are used in the presentation.
Last day of the annual SEM Conference (Sunday, 11:59 p.m.).
LACSEM Prize Selection Committee Chair
Holly Holmes (University of Illinois)
“With a Voice Like a Gun’: Brazilian Popular Music, Censorship, and Strategies of Resistance during the Military Dictatorship, 1964-85.”
James Butterworth (Royal Holloway, University of London)
“Divas and Entrepreneurs: Blurring the Boundaries between Art and Business in Peruvian Commercial Huayno Music.”
Patricia Vergara (University of Maryland), Winner
“‘It Arrived by Train!’ From Carrilera to Corridos Prohibidos: Mexicanness, Mass Media, and Musical Identities in Colombia.”
Sarah Town (Princeton University), Winner
“Leading Ladies: Gender, Aesthetics, and ‘Tradition’ in Cuban Salsa.”
Jessica C. J. Hajek (University of Illinois, Urbana-Champaign), Honorable Mention “¡Y Ahora! ¿Y Ahora?”: Alibabá in Santo Domingo Carnival and the Emergence of a Performance Genre.”
LACSEM Web page