CONTENTS |
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From the Editor |
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Notes on Contributing Authors |
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Articles |
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1 |
Globalization and Japanese Creativity:
Adaptations of Japanese Language to Rap |
Noriko Manabe |
37 |
Merengue Típico in Santiago and New
York: Transnational Regionalism in a Neo-Traditional Dominican Music
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Sydney Hutchinson |
73 |
Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm
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Fernando Benadon |
99 |
O suingue baiano: Rhythmic Feeling and Micro-Rhythmic
Phenomena in Brazilian Percussion |
Christiane Gerischer |
120 |
The Baile del Tambor of the Island of La Gomera
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José Ángel López
Viera |
Book Reviews |
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141 |
Ruth Katz, "The Lachmann Problem”:
An Unsung Chapter in Comparative Musicology |
Bruno Nettl |
143 |
Michael Veal, Fela: The Life and Times of an African
Musical Icon |
John Fenn |
145 |
Shubha Chaudhuri and Anthony Seeger, editors, Archives
for the Future: Global Perspectives on Audiovisual Archives in the
21st Century; Jennifer Post, Ethnomusicology: A Research
and Information Guide; James Cowdery, Zdravko Blazekovic, and
Barry S. Brook, editors, Speaking of Music: Music Conferences
1835-1966 |
Judah Cohen |
149 |
Katherine Hagedorn, Divine Utterances: The Performance
of Afro-Cuban Santería |
Rebecca Miller |
151 |
Margaret Sarkissian, D’Albuquerque’s
Children: Performing Tradition in Malaysia’s Portuguese Settlement
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Kimberly DaCosta Holton |
154 |
Angeliki Keil and Charles Keil, Bright Balkan Morning:
Romani Lives and the Power of Music in Greek Macedonia |
Pavlos Kavouras |
159 |
Muriel C. Williamson, The Burmese Harp: Its Classical
Music, Tunings, and Modes |
Paul Greene |
162 |
Peter Dunbar-Hall and Chris Gibson, Deadly Sounds,
Deadly Places: Contemporary Aboriginal Music in Australia |
Karl Neuenfeldt |
164 |
Henry Johnson, The Koto: A Traditional Instrument
in Contemporary Japan |
Elizabeth Falconer |
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Recording Reviews |
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166 |
Rene Lacaille, Mapou |
Ron Emoff |
168 |
Jarana’s Four Aces (los cuatro ases de la
jarana): Vocal duets from the streets of Lima |
Dale Olsen |
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Film, Video, and Multi-Media Reviews
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172 |
Papá Liborio: el santo vivo
de Maguana (Papa Liborio: the Living Saint of Maguana); El Suroeste
dominicano: encrucijada de Quisqueya y ombligo del mundo and translated
version, The Dominican Southwest: Crossroads of Quisqueya and Center
of the World |
Hannah Gill |
174 |
Carol Simons and Simon Broughton, Breaking The
Silence |
Hiromi Lorraine Sakata |
176 |
David Charap and Mira Erdevicki, Sevdah: The Bridge
that Survived |
Mirjana Lausevic |
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The current bibliography, discography, filmography,
and videograpy, compiled by Randall Baier, Karen Peters, and David
Henderson, respectively, are located at: https://ethnomusicology.site-ym.com/?Pub_JournalOgraphies |