Note: This schedule has been updated from the version published in the SEM Newsletter, September 2000. Most sessions have two numbers: the number that will appear in the Toronto program book, and (in parentheses) the preliminary number as given in the Newsletter. The program book will not contain the errors in diacritics that may have turned up in this web site version.
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THURSDAY (11/2)
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FRIDAY (11/3)
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SATURDAY (11/4)
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SUNDAY (11/5)
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| WEDNESDAY, NOVEMBER 1 | |||
| 6:00 - 10:00 p.m. | Board of Directors Meeting | ||
| THURSDAY, NOVEMBER 2 | |||
| 8:00 a.m. - 12 noon | Board of Directors Meeting | ||
| 8:30 - 10:30 a.m. Sessions 2-15 through 2-20 | |||
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2-15 (1A) Dynamics of Performance |
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| 8:30 Buloo! Buloo! Buloo! ("Clap Your Hands!"):
the Moment Where "I" Becomes "Us" in a Gambian Performance Todd Caschetta (University of California-Santa Barbara) 9:00 Music and Teleological Judgment: an Example on the Korean DMZ 9:30 "Simply Imitating the Words": Gendered Interpretations
of Song Poetry in an Egalitarian Society 10:00 Performing Liminality: Disc-Jockeys and the Construction of Ritual
in Toronto's Rave and Club Subcultures |
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2-16 (1B) Cultural Politics of Broadcasting and Funding |
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8:30 The Interaction of Politics and Performance at WFHB 9:00 Preserving Cultural Identity: WPAQ Radio and the Dissemination of
Mountain Music 9:30 The State as Guarantor of Artistic Freedom? How Different Funding
Sources Affect Artistic Decision Making: a Case Study of German State-funded
Opera Houses 10:00 Playing to Survive: a Year in the Life of the Toledo Symphony |
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2-17 (1C) Diasporic Musical Practices in Canada and the United States
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8:30 The Bandura on the Wall: the Taras Shevchenko Ukrainian Bandurist
Chorus in the American Diaspora 9:00 Identity Politics and Western Canadian Ukrainian Musics: Globalizing
the Local or Localizing the Global? 10:00 The Search for Korean Identity through Korean Farmers' Band Music
in Hawai'i 10:30 Discussion |
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2-18 (1D) Appropriations, Adaptations, Responses |
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8:30 Urban Appropriation of Rural and Coastal Musical Folklore in Caracas,
Venezuela 9:00 Reconstructing Identity: Appropriation and Representation of Kulintang
in the United States 9:30 Music and Dance in the Orthodox Jewish Community in NY 10:00 Possessing the Unpossessable: How a Song, a Splash, a Plant, and
a Patent Could Alter the Definition and Protection of the Third World's
Intellectual Properties |
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2-19 (1E) Cultural Constructions of Time in South Asian Musical Cultures
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8:30 Time and Meaning in Kota Ritual and Musical Culture 8:50 Folk Grooves and Tabla Tals 9:10 Modernity, Ideology, and Performance Time in Hindustani Classical
Music 9:30 Time and Raga in the Music of Modern India 9:50 Response by Lewis Rowell |
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2-20 (1F) Recontextualizations and Revivals |
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8:30 Tradition, Rebellion, and Celebrity: Hindustani Music as Transcultural
Narrative 9:00 Confucianism and Western Classical Music in Korea 9:30 Land Beyond the Wave: The Revival of Irish Music and Dance in Milwaukee 10:00 "Laissez les Bons Temps Rouler!": Cajun Music Festivals
and Cultural Revival |
| 9:00 a.m. - 12:00 noon. Session 2-1. | |||
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Joint Session with CMS and SAM: Music and Society in Twentieth-Century
Cuba |
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"The History and Social Meanings of Jazz Band Performance in Cuba,
1930-1959" "Discourse about Music in the Writings of Fernando Ortiz, 1906-1955" "Music, Technology, and Folklore in Post-Revolutionary Cuba" "From the Negrito to the Negro Tragico: Black Masculinity in the
Cuban Zarzuela"
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| 11:00 a.m. - 1:00 p.m. Sessions 2-21 through 2-26 | |||
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2-21 (2A) Ethnomusicology as Genre and Practice, I. Interrogating
Music Histories |
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11:00 A Lesson in Histories: Turkish Vocal Instruction at the Turn of
the Centuries 11:30 Devis, Dasas, and Devi Dasas: One of the (Many?) Missing Musical
Links in Indian Ethnomusicology 12:00 500 Years of Music in Brazil: Com-Memoration or Brainwashing? 12:30 Interpreting Musical Hybridity in South African Townships Fifty
Years On |
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2-22 (2B) Guitar Cultures |
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11:00 Plug It In and Play!: U.K. "Indie-Guitar" Culture 11:30 Unplugged: Blues Guitarists and the Myth of Acousticity 12:00 Handmade in Spain: the Culture of Guitar Making 12:30 The Tinkering Virtuoso: Les Paul, Eddie Van Halen, and the Technology
of the Electric Guitar |
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2-23 (2C) Old Music and Dance for New Needs: Local Performative Responses
to New African Realities |
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11:00 "I Am a Farmer, I Carry a Hoe, I Am a Dancer, I Twirl a Hoe":
the 11:30 The Death of Mganda?: Continuity and Transformation in Matengo
Music 12:00 Dancing in the Votes: Politics and Tradition in the 1999 Political
Campaign in Malawi 12:30 Pop Goes the Sacred: Dan Mask Performers and Popular Culture in
Post-Colonial Côte d'Ivoire |
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2-24 (2D) Musical Hybridization, I. Varieties of Inter-cultural Composition
and Musicking |
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11:00 Pentatonic Sonority and Serialism: a Study of Hybridization in
Chinese Contemporary Concert Music 11:30 Composing Interculturalism: Jin Hi Kim, National Musics and Imagined
Traditions 12:00 Tribes Unlimited: Crossing Cultures with Adam and the Ants 12:30 "Jewsapalooza": Postmodern Jazz Meets New York's "Jewish
Alternative Movement" |
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2-25 (2E) Politics, Poetics, and Strategies of Teaching Chinese Music
at and beyond its National Borders |
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11:00 Chinese Music, American College Students, and Ethnomusicology Professors
11:30 Familiar Themes in Unfamiliar Territory: Diversity in Contemporary
Chinese Music and Culture 12:00 Re-mystifying the Mundane: Teaching Chinese Music in Hong Kong
12:30 Can't Learning Chinese Music Be Fun?: the Role of Creativity and
Participation |
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2-26 (2F) Grounds for Singing |
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11:00 Zenne sarkilar: Songs about Women and for Women 11:30 Chanting the Songs of Our Mothers: Empowering Filipino Women through
the Pasyon 12:00 Vodou Singing and Ethics for a New Century 12:30 From Ethnomusicology to Symbolic Anthropology: the Case of Mande
Praise-Singing |
| 12:30-1:45 p.m. | Concert of South Indian Classical Music T. Viswanathan, flute and vocal; Trichy Sankaran, mrdangam |
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| 1:00 - 2:30 p.m. | SEM Committee on the Status of Women SEM Long Range Planning Committee SEM Publications Advisory Committee SEM Development Committee |
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| 2:00 - 5:00 p.m. Session 2-59. | |||
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Posters |
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| First Peoples' Music and Dance in Canada: a Resource Guide
on CD-ROM Elaine Keillor (Carleton University) Music Learning among Black Creole Accordion Players in Southwest Louisiana |
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| 2:00 - 5:00 p.m. Session 2-29 (3A) | |||
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Joint session with IASPM |
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2:00 If Ethnography's the Answer, What Was the Question? 2:30 Ethnographic Misadventures in Local "Musicking" 3:00 Response to Stahl and Everett 3:30 Big Sounds from Big People: the Global Economy of Pop Music Production
Aesthetics 4:00 Global or Local: Finding a Middle Ground for Malaysian Advertisement
Music 4:30 Response to Moehn and Ng |
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| 2:30 - 5:00 p.m. Sessions 2-60 and 2-61 | |||
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2-60 (3B) A Three-Dimensional Model of Postmodern Musical Experience |
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| 2:30 Metaphor, Space, and Time: a Postmodern View of Music
in General and Bulgarian Traditional Music in Particular Timothy Rice (University of California-Los Angeles) 3:00 The Heritage of Portuguese Rural Expressive Culture in the Twentieth
Century 3:30 Road Test for a New Model: the Postmodern, the Postcolonial, and
Korean Ch'anggûk Opera 4:00 Making the New Old: Performing the Past in Lubavitcher Music |
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2-61 (3C) Musical Hybridization, I. Reconfigurations |
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2:30 From Difference to Fusion: Constructions of "Indian" and
"Western" Music 3:30 Tropical Discourses: Latino Unity and Ruben Blades's Music(s) 4:00 "Choques" (Culture Clashes): the Effects of Music Commercialization
and World Travel on an Indigenous Community in the Northern Andes 4:30 Reggae on the Silk Road (On Globalisation and Survival) |
| 2:30 - 4:30 p.m. Session 2-62 through 2-64 | |||
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2-62 (3D) Transmission and Transformation |
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2:30 Changing and Not Changing: Inuit Drum Songs and their Transmission 3:00 Transmittable and Transmutable Aspects of Improvisation in Balinese
Music 3:30 The Development of a Sanjo School: a Case Study of the Kim Yun-duk
Kayagum Sanjo 4:00 It's All in the Raga: the Musical Basis of a Gharana's Identity |
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2-63 (3E) Musical Practices as Signifiers of Identity |
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2:30 The Vanishing Pia Reappears 3:00 Drum Talk: Sweet and Tasty Rhythms for the Orichas in Havana and
Matanzas 3:30 Powwows and Identity on the Piedmont and Coastal Plains of North
Carolina 4:00 Music as a Signifier of Hybrid Cultural Identity: A Comparative
Study of the North American and European Rainbow Gatherings |
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2-64 (3F) Issues in the Study of Performance Practice |
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2:30 "Hit That Drum, Girl" (Dale, nina, al pandero): Performance
Practice Changes in Iberian Drumming 3:00 The "Amateur" Performer: Chinese Street Opera, Confucianism
and Cultural Ideology in Singapore 3:30 When an Opera Tradition Modernizes: Vietnamese Cai Lu'o'ng Opera
in Video 4:00 Ornamentation in the Commercial Klezmer Recordings of Jewish-American
Immigrant Clarinetists in the 1920s |
| 4:30-6:30 p.m. Session 2-65. | |||
| Films | |||
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4:30 Tan-Singing of Trinidad and Guyana: Indo-Caribbean "Local-Classical
Music" 5:30 "Our Stories, Our Songs": Musical Autobiographies of North
Indian Women |
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| 6:00 - 7:30 p.m. | Committee on Applied Ethnomusicology Society for Asian Music Board Meeting |
| 7:30-8:30 p.m. | The Body Meets the Board. | ||
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Chaired by Bonnie C. Wade, President of the Society for Ethnomusicology, with Kay Kaufman Shelemay, Past-President; Carol M. Babiracki, First Vice-President; Stephen M. Slawek, Second Vice-President; Deborah A. Wong, Secretary; Terry E. Miller, Treasurer; Ingrid Monson and R. Anderson Sutton, Members-at-Large |
| 8:00 - 11:00 p.m. | Association for Chinese Music Research |
| 8:00 p.m. | Concert of Bhutanese Music |
| 8:00 p.m. | Concert of Sixteenth- and Seventeenth-Century Turkish Art and Folk Music |
| 7:00 - 8:30 a.m. | Local Arrangements and Program Committees: SEM 2000 and 2001 |
| 8:30 - 10:30 a.m. Sessions 3-29 through 3-34 | |||
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3-29 (4A) Ethnomusicology as Genre and Practice, III. Presenting and
Documenting |
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8:30 Why Pack the Camera? Microethnographic Analysis of Videotape in
the Practice of Ethnomusicology 9:00 Presenting Musical Lives: the Senior Musician Project of Santa Cruz
County, California 9:30 Virtual Fluency: an Experiment in "Thick" Translation
of Songs 10:00 Discussion |
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3-30 (4B) Keeping It Real: Ethnomusicology in, as, and for Multicultural
Music Education |
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8:30 Teaching the Intangibles: Creating Balinese Time and Groove in the
Multicultural Classroom 9:00 A Light Touch, Please: Mastering Native American Improvisation and
Ornamentation in the Multicultural Classroom 9:30 Batá Drumming Cuban Style: the Beat Goes On 10:00 Music, Transmission, and Education: Contemporary Theoretical and
Methodological Issues in the Forging of the Field of Comparative Music
Education |
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3-31 (4C) Ethnomusicology of the Body |
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8:30 "Como se toca se baila, como se baila se toca": Syncopation
and Spatio-Motor Movement in Changüí 9:00 H'an and Shin-myông: an Aesthetic of Affect and the Body in
Korean Folk Music 9:30 Hearing their Voices: Embodiment, Role Modeling, and Native Women
Performers 10:00 Constructing the "Natural" Hegemonies of the Body |
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3-32 (4D) Theorizing Popular Music and the Nation-State |
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8:30 Representing Cuban and Afrocuban Identities 9:00 The Case of the Deviant Diva: Singer Misora Hibari as Symbol of
Postwar Japan 9:30 Kadongokamu: Popular Music Style of Uganda 10:00 Countering Unity, Singing Diversity: Popular Music in Multicultural
Taiwan |
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3-33 (4E) Aboriginal, First Nations, and Native American Popular Music
on Stage and in the Studio: Producing the Ideology and Imagery of Expressive
Alliances |
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8:30 Empty Tipi Blues: Native Blues Expression in Southwest Oklahoma 9:00 First Nations, Inuit, and Métis Women Singers in the Recording
Studio 9:30 "Our Home, Our Land…Something to Sing About": an
Indigenous Music Recording as Identity Narrative 10:00 Sounding Native: a Comparison of Powwow and Contemporary Native
Music Production Aesthetics |
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3-34 (4F) Music Makers and Audiences in the Internet Age |
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8:30 Indian Pop and the Internet Music Market 9:00 Web Jefes: Performing la Mujer in Mariachi 9:30 Osborne vs. the Vienna Philharmonic: Grassroots Activism in Cyberspace 10:00 Discussion |
| 11:00 a.m. - 1:00 p.m. Sessions 3-35 through 3-40 | |||
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11:00 Practice, Product, Philosophy, and the Proto-Public Ethnomusicology
of Laura Boulton 11:30 A Sidi CD? Media, Tourism, and Development among African-Indians 12:00 Walking a Fine Line: Addressing Multiple Audiences in the Presentation
of Filipino-American Transnational Culture 12:30 The World According to PTA Enrichment Committees: Supply and Demand
in Multicultural Arts Programs |
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3-36 (5B) Musical Hybridization, II. The Black Atlantic |
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11:00 Hybridity in Ghanaian Reggae-Highlife 11:30 Nigerian Rap: Reinterpretation of an African American Musical Tradition 12:00 Cross-Cultural Experimentalism: Grupo Afro-Cuba de Matanzas and
Steve Coleman's Mystic Rhythm Society 12:30 Popular Music and Créolité in Martinique |
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3-37 (5C) Performing the Deep Past |
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11:00 Chinggis Khan and the Construction of Modern Mythologies in Mongolian
Rock and Pop Music 11:30 The Re-Africanization of Afro-Cuban Religion: Yoruba Reversionism
and Cuban Orisha Worship 12:00 The Arab Musical Aesthetic in Indonesian Islam 12:30 A Musical Representation of Colonial Mexico: SAVAE's Guadalupe
Recordings |
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3-38 (5D) National Canons and Traditions |
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11:00 The Standardization of Burmese Traditional Music: Creating Legitimacy
and Enforcing Authority 12:00 Growing In and Out of Tradition: the Development of the National
Arts in Modern Ghana 12:30 The Showcase of Korean Music and Dance at Chôngdong Theater:
its Effect and Meaning. |
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3-39 (5E) Native American and First Nation Cultural Resurgence in
the Late Twentieth Century |
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11:00 Proselytizing and Resurgence: Two Sides of a Coin? 11:30 Revitalizing, Celebrating and Healing a Native Community: the Kettle
and Stoney Point Powwow 12:30 The Authority of Invention and the Invention of Authority: the
Social Construction of Tradition |
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3-40 (5F) Trends in Contemporary Japanese Music |
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11:00 Japanese R&B Meets Japanese Hip-Hop: Black Music and Gender
in Japan 11:30 Tokyo Flashback: the Psychedelic Legacy of Japanese Noise 12:00 Trance Dance: the Tokyo Rave Scene 12:30 The Development of Okinawan Traditional Music into a Popular Music
Form |
| 12:15-1:30 p.m. | Concert-Demonstration. Lila Muni (Eastman School of Music Gamelan Angklung) |
| 1:00-2:30 p.m. |
Ethics Committee |
| 2:30-4:30 p.m. Sessions 3-71, 3-73 and 3-75 | |||
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3-71 (6A) Questioning Received Wisdoms: Rethinking the Ethnomusicology
of Hindustani Music |
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2:30 Rethinking Gharanas 3:30 Perceptions in History |
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3-73 (6C) Technologies of Remembering |
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2:30 Auditions of the Past in Nepali Film 3:00 Theorizing an Ecology of Musical Memory 3:30 Direct Current Recall in Madagascar 4:00 Engineering the Terrain of Memory in Nepali Popular Music |
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3-75 (6E) Positioning the Local and (Inter)National in Indonesian
Popular Music |
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2:30 Indonesianizing Music Television: MTV Goes Local? 3:00 Gombloh: Social Criticism in the Songs of a 1980s Indonesian "Pop
Country" Singer 3:30 Navigating the Regional and National in Two Versions of a Toba Batak
Song 4:00 Indonesian Film and Popular Music: Identifying National Identity |
| 2:30 - 5:00 p.m. Sessions 3-72 and 3-74 | |||
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3-72 (6B) Repatriation in Native American and Canadian First Nation
Communities: Whither Ethnomusicologists? |
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2:30 NAGPRA and Ethnomusicologists: an Overview 2:55 Beyond "The Spirit Sings": Repatriation, Museums, and
First Peoples in Canada 3:20 Dissemination to Whom? For What Purposes? 4:10 Indigenous Cultures: Accessibility and Representation in a Global
Environment 4:35 Response by Anthony Seeger |
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3-74 (6D) Contested Categories and Narratives |
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2:30 "You're Roman?" Musical Practice and the Creation of Social
Categories among Roman (Gypsy) Communities of Western Turkey 3:00 The Tamil Music Movement: a Challenge to Brahmanical Music Culture
in South India 3:30 In the Tradition: Race, Culture, History, and Memory in 1990s Jazz |
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4:30 - 5:30 p.m. Session 3-76 (7A) Ritual |
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4:30 Chinese Ritual Music in a Global Village 5:00 Chasing Saint Nicholas: a Mid-Winter Noise Ritual in Central Switzerland
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4:30 - 6:00 p.m. Session 3-77 (7B) Nonference. |
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| Studying the Relation between Music and Islam: into the
Twenty-first Century Organizer and Chair: Michael Frishkopf (University of Alberta) |
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Other Participants: |
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| 5:00 - 6:00 p.m. | Popular Music Interest Group |
| 6:00 - 7:00 p.m. | Society for Asian Music Membership Meeting |
| 6:30 - 8:00 p.m. | Association for Korean Music Research |
| 8:00 p.m. | Concert: Arabic Music Ensemble |
| 7:00 - 8:30 a.m. |
Archive Committee |
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8:30 - 10:30 a.m. Session 4-29. |
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Open Meeting of the Education Committee: Musics of the World: Outreach.
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8:30 - 10:00 a.m. Session 4-30 (8A) |
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| The Dynamics of Musical Change and Exchange in Caribbean
Popular Music Sponsored by the Popular Music Section of the Society for Ethnomusicology Organizer and Chair: Hope Munro Smith (University of Texas at Austin) |
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8:30 Innovation and Gendered Identity in Trinidadian Calypso and Soca 9:30 Politics, Economics, and Religion in Ska: the Formation of Jamaican
Identity |
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8:30 - 10:30 a.m. Sessions 4-31 through 4-34 |
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| 4-31 (8B) Music and Identity in the Tatras and Balkans
Chair: Svanibor Pettan (University of Ljubljana) |
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8:30 Music and Identity Politics in the Polish Tatras: Changing Meanings
of Musical Symbols 9:00 Sharing Songs with the Enemy: Albanian Epic Singers and Ethnic Identity
in the Balkans 10:00 Belgrade, Spring 1999: Songs That Sustained the Nation |
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| 4-32 (8C) Musical Hybridization, IV. Instrumental
Resources Chair: Terry E. Miller (Kent State University) |
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8:30 "Like Hens' Teeth": Sleepy Brown, Country Trumpet,
and the Hybrid Culture of Western Swing 9:30 From "No-Name Waltz" to "We Like to Party":
Musik Bambu and the Performance of Minahasan History in North
Sulawesi, Indonesia 10:00 Music, Measurements, and Pitch Survivals in Korea |
| 4-33 (8D) Collaboration and Negotiation Chair: Daniel K. Avorgbedor (The Ohio State University) |
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8:30 Hahorlu: a Forum for Collaborative Creativity and the
Perpetuation of Social and Artistic Values and Goals in New
Anlo Ewe Songs 9:00 Negotiating West Indian and African-American Styles
of Musical Worship in a Brooklyn Pentecostal Church 9:30 Negotiated Harmonies: Reflections on Simunye: Music
for a Harmonious World 10:00 Musical Hybrids in Zimbabwe: Improvisation as the Link
between Musical Cultures |
| 4-34 (8E) Whose Ragas Are We Playing and How
Are We Playing Them? The Sound of South Indian Ethnomusicology
at the Turn of the Twenty-first Century Organizers and Co-Chairs: Zoe Sherinian (Franklin and Marshall College) and Matthew Allen (Wheaton College) |
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8:30 Claiming a Space for Tamil Music: the "Tamil Isai"
Movement Seen through the Career of T.N. Swaminatha Pillai,
Karnataka Flutist 9:00 Recasting Raga: Change and Continuity in South Indian
Performance Practice in the Twentieth Century 9:30 Recasting the Classical: Karnataka Music and Female Musicians
in the Twentieth Century 10:00 Tamil Christian Strategies of Musical Identity Reconstruction:
Recasting the Discourse of South Indian Ethnomusicology |
| 10:30 a.m. - 1:00 p.m. Session 4-7. | |||
| Joint Session with the Society for Music Theory:
Translating Norwegian Organizer: David Loberg Code (Western Michigan University) Chair: Deborah Stein (New England Conservatory of Music) |
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10:30 Polishing the Jagged Rocks: Edvard Grieg's SlDttar, Op.
72 11:15 Quest for the Pure Voice: Eivind Groven's Renstemt Organ 12:00 New Traditionalism: the Chateau Neuf Spelemannslag and
World Music |
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10:30 a.m. - 12:30 p.m. Sessions 4-35 and 4-36. Two Nonferences |
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| 4-35 (9A) Rocking in the Free World: Global Perspectives
on Heavy Metal Organizer and Chair: Jeremy Wallach (University of Pennsylvania) Other Participants: Harris M. Berger (Texas A and M University) Cynthia P. Wong (Columbia University) Keith Harris (Goldsmiths' College, University of London) Deena Weinstein (DePaul University) |
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4-36 (9B) Internet for Scholars: New and Old Uses |
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11:00 a.m. - 12:30 p.m. Sessions 4-37 through 4-40 |
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| 4-37 (9C) Music for Children Chair: Kari K. Veblen (University of Toronto) |
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11:00 Call and Response and/or Leader and Chorus: the Function and
Aesthetic of Music for and by Children in Kenya 11:30 The Donkey's Ears Go Flop, Flop: Miyagi Michio's Koto Works
for Children 12:00 Ice Cream Truck Music, the Sound of Frozen Novelties |
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| 4-38 (9D) Ethnomusicology as Genre and Practice, III.
Interrogating Disciplinary Boundaries Chair: Deborah Wong (University of California-Riverside) |
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11:00 It's NOT Not Music!: Ethnomusicology and Film Sound Design 11:30 An Alternative to Ethnomusicology in the Twenty-first Century 12:00 A Model for a Reintegrated Musicology |
| 4-39 (9E) Restudies and Revaluations Chair: Lorraine Sakata (University of California, Los Angeles) |
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11:00 Korean Shaman's Ritual Music Revisited 11:30 Music Research and Japanese Imperial Colonialism: Putting Tanabe's
and Kurosawa's Research Activities on Taiwan in Context 12:00 Retrospective and Update: the Music of the Shipibo People of
the Amazon Basin |
| 4-40 (9F) Constructing Classics and Traditions
Chair: Judith Gray (American Folklife Center, Library of Congress) |
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11:00 Nostalgia and the Construction of a Cowboy "Classic"
11:30 Pasts and Presence: Tradition and Community in an Appalachian
Dance Style |
| 12:30-1:30 p.m. | Concert. Music for the Kayagum. Hee-sun Kim, kayagum |
| 12:45 - 2:15 p.m. | SEM Council Constitution Committee Student Concerns Committee |
| 2:30 - 3:30 p.m. |
SEM Business Meeting |
| 3:45 - 5:00 p.m. Session 4-74. | |||
| Charles Seeger Lecture. | |||
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Remake, Recall, Remix: Globalization and the Aesthetics of Repetition |
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| 8:00-midnight |
Dance Party with Grooveyard |
| 7:00 - 9:00 a.m. |
SEM Council (with continental breakfast) |
| 8:30 a.m. - 3:00 p.m. |
Board of Directors Meeting |
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9:00 - 11:00 a.m. Session 5-19 (10A) |
| Musicking in the Culture and Experience of Children Organizer and Chair: Patricia Shehan Campbell (University of Washington) |
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9:00 Because We Like It: How Middle School Students Identify through
and with Music 9:30 Out of the Mouths of Babes: Incipient Musicking of Young Children 10:00 Dancing-Drumming-Singing in the Culture and Experience of Children 10:30 Documenting Children's Musical Culture: Past Achievements,
Future Directions |
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9:00 - 11:30 a.m. Sessions 5-20 through 5-22 |
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| 5-20 (10B) Ethnomusicology as Genre and Practice, IV.
Making It Happen Chair: Anthony Seeger (University of California-Los Angeles) |
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9:00 Grooving at the Nexus: the Intersection of African Music and
Euro-American Ethnomusicology at UCLA 9:30 The Inside Story: Intersections between Music and Tradition
in the Academy 10:00 The Usefulness of Applied Ethnomusicology at the Turn of the
Century: the Case of the Chicago Symphony Orchestra and the Yollocalli
(Mexican-American) Youth Museum 10:30 Toward a Greater Sense of Purpose: a Social Worker's Perspective
on Applied Ethnomusicology 11:00 Soundscapes and Cultural Representation at the Mashantucket
Pequot Museum and Research Center |
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| 5-21 (10C) Conceiving Tradition and Performing Memory:
Women, Music, and the Expression of Identity Organizer and Chair: Wendy S. DeBano (University of California-Santa Barbara) |
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9:00 Gendered Identification of the Indita Genre of New Mexico 9:30 Andalusian Women's Orchestras: an Unveiled Face 10:30 Value and Vitality in a Literary Tradition: Female Poets and
the Urdu Marsiya 11:00 Performing Female in Exile: an Iranian-American Case Study
of Crisis, Recollection, and Coping |
| 5-22 (10D) Musical Representations of National Identities
Chair: Adelaida Reyes (Jersey City State College) |
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9:00 Unmasking Karnival: the Politics and Poetics of CuraHao Identity 9:30 The Pasillo: a "Discursive Chaos" around the Musical
Construction of Ecuadorian National Identity 10:00 From the Cultural Center to the Consulate: Musical Politics
the Filipino Way 10:30 Morphing Chineseness: the Changing Image of Chinese Music Clubs
in Singapore 11:00 A New Sound for a Globalizing India? Problems Regarding A.R.
Rahman's Film Music and the Articulation of Identity |
| 9:00 - 10:30 a.m. Sessions 5-23 and 5-24 | |||
| 5-23 (10E) Thinking about Musical Sounds in Native
North American Communities Organizer and Chair: Victoria Lindsay Levine (Colorado College) |
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9:00 Thinking Music: Style, Aesthetics, and Worldview in Woodland
Intertribalism 10:00 Re-Placing Songs in Coast Salish Myth Narratives |
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| 5-24 (10F) Inscribing the Transnational Locally: Case
Studies from Peruvian Popular Music Organizer and Chair: Javier F. Le\n (University of Texas at Austin) |
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9:00 The International Soul of Black Peru 9:30 Tourism and Peru's Postcolonial Encounter 10:00 Re-inventing Musical Difference: Reflections on the Politics
of Afro-Peruvian Style |
| 11:00 a.m. - 12:30 p.m. Session 5-25 (11A) Forum | |||
| Music - Media - Multiculture: a Study through Music
of Change in Sweden Participants : Krister Malm, Dan Lundberg, Owe Ronstrom (all of The Royal Swedish Academy of Music) |
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| 11:00 a.m. - 12:00 noon Session 5-26 (11B) | |||
| Issues in Balkan Music History Chair: Irene Markoff (York University, Toronto) |
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11:00 Ottoman Echoes, Byzantine Frescoes, and Rom Music in the Balkans 11:30 Meter as a Marker of Ethnonational Identity?: the Problem of
"Asymmetrical" Meter in Macedonian Folk Song from the Late
Nineteenth Century to the Present |
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© 2000 The Society for Ethnomusicology,
Inc.
