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Current Bibliography, Vol. 37, No. 2 (Spring/Summer 1993)
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Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements


Bastien, David T., and Todd J. Hostager. "Jazz as Social Structure, Process and Outcome." See R. T. Buckner and S. Weiland, ed., Jazz in Mind, 148-65. Bibliog., diagrs.

Blackwood, Alan. 1991. Music of the World. Englewood Cliffs, NJ: Prentice-Hall, 256 pp., bibliog., gloss., illus., maps, photos.

Brown, Elsa Barkley. 1991. "Polyrhythms and Improvisation: Lessons for Women's History." History Workshop 31: 85-90. Bibliog.

Buckner, Reginald T., and Steven Weiland, ed. 1991. Jazz in Mind: Essays on the History and Meanings of Jazz. Jazz History, Culture, and Criticism Series. Detroit: Wayne State University Press, 185 pp., bibliogs., discogs.

Caudron, Ben. 1991. "Klanken en esthetocraten. Een pleidooi voor het onderzoek van de betekenis van muziek." Tijdschrift voor Sociale Wetenschappen 36: 259-77. Bibliog.

Cushman, Thomas. 1991. "Rich Rastas and Communist Rockers: A Comparative Study of the Origin, Diffusion and Defusion of Revolutionary Musical Codes." Journal of Popular Culture 25/3: 17-61.

Cusic, Don. 1991. "Basic Differences: The British and American Music Industries." Popular Music and Society 15/4: 47-53.

Denski, Stan. 1991. "'Inarticulate Speech of the Heart': Limits and Insights in the Popular Interview Literature." Popular Music and Society 15/3: 11-30.

Emsheimer, Ernst. 1991. Studia ethnomusicologica eurasiatica II. Royal Swedish Academy of Music, No. 62; Musikmuseet skrifter, No. 5. Stockholm: Royal Swedish Academy of Music, 290 pp., bibliog., illus.

Epstein, Jonathon S., and David J. Pratto. 1990. "Heavy Metal Rock Music: Juvenile Delinquency and Satanic Identification." Popular Music and Society 14/4: 67-76. Bibliog.

Foley, John Miles. 1991. Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington: Indiana University Press, xvi, 278 pp., bibliog.

Foret, Miroslav. 1991. "Some Theoretical-Methodological Problems of the Research on Popular Music." Popular Music and Society 15/3: 1- 9.

Frangos, Steve. 1991. "Large Record Collectors: The Unrecognized Authorities." Resound 10/2: [1]-[4]. Bibliog., photos.

Gabbard, Krin. "The Quoter and His Culture." See R. T. Buckner and S. Weiland, ed., Jazz in Mind, 92-111.

Garza Cuarón, Beatriz, and Yvette Jiménez Báez, ed. 1992. Estudios de folklore y literatura dedicados a Mercedes Díaz Roig. Mexico, D. F.: El Colegio de México, xxxi, 914 pp.

Gaut, Greg. "Soviet Jazz: Transforming American Music." See R. T. Buckner and S. Weiland, ed., Jazz in Mind, 60-82, 174-76. Discog.

Goodwin, Andrew, and Joe Gore. 1990. "World Beat and the Cultural Imperialism Debate." Socialist Review 20/3: 63-80.

Groce, Stephen B. 1991. "On the Outside Looking In: Professional Socialization and the Process of Becoming a Songwriter." Popular Music and Society 15/1: 33-44. Bibliog.

Hamilton, Carol V. 1991. "All That Jazz Again: Adorno's Sociology of Music." Popular Music and Society 15/3: 31-40. Bibliog.

Hanna, Judith Lynne. 1990. "Advertising with Dance: Body, Sex, and Gender." In Dance: Current Selected Research II, ed. Lynnette Y. Overby and James H. Humphrey, 115-26. New York: AMS Press. Bibliog.

Hanna, Judith Lynne. 1990. "Anthropological Perspectives for Dance/Movement Therapy." American Journal of Dance Therapy 12/2: 115- 26. Bibliog.

Harvey, Mark S. "Jazz and Modernism: Changing Conceptions of Innovation and Tradition." See R. T. Buckner and S. Weiland, ed., Jazz in Mind, 128-47, 177-79. Discog.

Herzhaft, Gérard. 1992. Encyclopedia of the Blues. Fayetteville: University of Arkansas Press, viii, 513 pp., bibliog., discog., illus. Translation of Nouvelle encyclopédie du blues.

Hickerson, Joseph C., et al., comp. 1990. "Radio-related Field Recordings and Broadcasts Involving Archive of Folk Culture Collections, Personnel, and Radio Projects: Recordings in the Archive of Folk Culture through 1986." LC Folk Archive Finding Aid 6: 6 pp.

Jeffrey, Peter. 1992. Re-envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, ix, 211 pp., bibliog.

Josephson, Nors S. 1992. "Bach Meets Liszt: Traditional Formal Structure and Performance Practices in Progressive Rock." Musical Quarterly 76/1: 67-92. Music, tables.

Julien, Jacques. 1990. La turlute amoureuse: érotisme et chanson traditionnelle. Montréal, Québec: Triptyque: Diffusion, Prologue, 174 pp., bibliog., illus. France and Quebec.

Katz, Israel J., and Miguel Manzano Alonso, with the collaboration of Samuel G. Armistead. 1991. Kurt Schindler: Música y poesía popular de España y Portugal. Cuadernos de Notas, No. 3. Salamanca: Centro de Cultural Tradicional , Diputación de Salamanca; New York: Hispanic Institute, Columbia University, 173 pp., bibliog., music, photos.

Kouwenhoven, Frank. 1990. "Chinese Music Research in Europe: West Meets West." CHIME 1: 5-9.

Kouwenhoven, Frank. 1990. "Chinese Music Organizations in China and Abroad." CHIME 1: 36-40.

Labraña, Luis, and Ana Sebastián. 1992. Tango, una historia. Buenos Aires: Ediciones Corregidor, 160 pp., bibliog., illus. Translation of Tango.

López-Calo, José et al. 1991. "Mediterranean Musical Cultures and Their Ramifications." Acta Musicologica 63/1: 2-30. Abstracts of 10 round tables of the 15th Congress of the International Musicological Society Madrid 3rd-10th April 1 992.

Lortat-Jacob, Bernard. 1992. "La berceuse et l'épopée: questions de genre." Revue de Musicologie 78/1: 5-25. Bibliog., discog. English summary.

Martens, James. 1990. "'Where Have All the Good Times Gone?': The Kinks, An Inquiry Into the Debate on Taste." Popular Music and Society 14/4: 77-88.

Martín Salazar, Jorge. 1991. Los cantes flamencos. Granada: Diputación Provincial de Granada, 211 pp., bibliog., discog., illus.

Mitchell, Stephen A. 1991. Heroic Sagas and Ballads. Ithaca: Cornell University Press, xiv, 239 pp., bibliog., diagr.

Moore, Allan. 1991. "Patterns of Harmony." Popular Music 11/1: 73- 106. Bibliog., music.

Ogren, Kathy. "'Jazz Isn't Just Me': Jazz Autobiographies as Performance." See R. T. Buckner and S. Weiland, ed., Jazz in Mind, 112-27.

Parnes, Samuel Will. 1991. "Electronic Mail Special Interest Groups in Music and Dance: An Assessment." Pacific Review of Ethnomusicology 6: 65-84.

Riggs, Peter. 1991. "Up from Underground: Sound Technologies, Independent Musicianship, and Cultural Change in China and the Soviet Union." Popular Music and Society 15/1: 1-23.

Rumbelow, Allan S. 1989. "Music and Social Interaction." Journal of the Indian Musicological Society 20/1-2: 19-36. Bibliog.

Sands, Rosita. 1991. "Carnival Celebrations in Africa and the New World: Junkanoo and the Black Indians of Mardi Gras." Black Music Research Journal 11/1: 75-92. Bibliog., photos.

Seeger, Anthony. 1992. Guide to Programs in Ethnomusicology in the United States and Canada, 1992. Bloomington, IN: Society for Ethnomusicology, 61 pp.

Seitz, Barbara. 1990. "Field Recording in the Heat of the Tropics and in War." Resound 9/3: [1]-[3]. Photos.

Shiloah, Amnon. 1992. Jewish Musical Traditions. Jewish Folklore and Anthropology Series. Detroit: Wayne State University Press, 274 pp., bibliog., music.

Sicoli, M. L. Corbin. 1991. "Mid Life Music: Mid Life Message?" Popular Music and Society 15/1: 69-80. Bibliog., tables.

Smith, Steven G. 1991. "Blues and Our Mind-Body Problem." Popular Music 11/1: 41-52. Bibliog.

Stambler, Irwin. 1990. The Encyclopedia of Pop, Rock, and Soul. Rev ed. New York: St. Martin's Press, x, 887 pp., illus.

Stith, Rodney W., and Ik-Whan Kwon. 1991. "Discriminant Analysis Approach to the Measurement of Commercial Performance of Contemporary Popular Music." Popular Music and Society 15/4: 33-46. Bibliog.

Weinstein, Norman C. 1992. A Night in Tunisia: Imaginings of Africa in Jazz. Metuchen, NJ: Scarecrow Press, xii, 244 pp., bibliog., discog., illus.

Wells, Alan. 1991. "Women on the Pop Charts: A Comparison of Britain and the United States, 1960-88." Popular Music and Society 15/ 1: 25-32. Bibliog., tables.


Arom, Simha. 1990. "La 'mémoire collective' dans les musiques traditionnelles d'Afrique Centrale." Revue de Musicologie 76/2: 149- 62. Music, table. English summary.

Avorgbedoe, Daniel A. "The Preservation, Transmission and Realization of Song Texts: A Psycho Musical Approach." See I. Okpewho, ed., The Oral Performance in Africa, 208-27. Music.

Azuonye, Chukwuma. "Kaaiu Igirigiri, An Ohafia Igbo Singer of Tales." See I. Okpewho, ed., The Oral Performance in Africa, 42-79. Bibliog.

Branda-Lacerda, Marcos. 1988. Kultische Trommelmusik der Yoruba in der Volksrepublik Benin: Bata-Sango und Bata-Egungun in den Städten Pobè und Sakété. 2 vols. Beiträge zur Etnomusikologie, Bd. 19. Hamburg: Verlag der Musikalienhandlung Karl Dieter Wagner, Bibliog., illus., music.

Cham, Mbye Baboucar. "Structural and Thematic Parallels in Oral Narrative and Film: Mandabi and Two African Oral Narratives." See I. Okpewho, ed., The Oral Performance in Africa, 251-69.

Cooke, Peter R. 1991. "On the Trail of the Music Hunter: A Semester with the Laura Boulton Collection." Resound 10/3: [1]-[4]. Photos.

Djalma da Silva, Antonio. 1991. "Le rôle du tambour et d'autres instruments de musique chez les Babunga, Bangongo et Bahungana (République du Zaïre)." Anthropos 86/4-6: 561-63.

Djivo, Joseph Adrien. 1989. "Les chants et la résistance du roi Gb hanzin à la colonisation (1890-1906)." In Sources orales de l'histoire de l'afrique, ed. Claude-Hélène Perrot, 55-64. Paris: Centre Nationcal de la Reche rche Scientifique.

Gieringer, Franz. 1990. "'To Praise the Sun': A Traditional Nyaturu Hymn of Praising God and Asking for His Blessing." Anthropos 85/406: 518-23. Tanzania.

Gunner, Elizabeth. "Wand or Walking Stick?: The Formula and Its Use in Zulu Praise." See I. Okpewho, ed., The Oral Performance in Africa, 185-207. Bibliog.

Innes, Gordon. "Formulae in Mandinka Epic: The Problem of Translation." See I. Okpewho, ed., The Oral Performance in Africa, 101-10.

Johnson, John William. 1992. The Epic of Son-Jara: A West African Tradition. African Epic Series, Bloomington: Indiana University Press, xi, 148 pp., bibliog., illus.

Johnston, Thomas F. 1989. "The Integrative Role of Dance in Shangana- Tsonga Social Institutions." In Dance: Current Selected Research, ed. Lynette Y. Overby and James H. Humphrey, 161-64. New York: AMS Press.

Johnston, Thomas F. 1990. "Shangana-Tsonga Dance: Its Role in Exorcism, Initiation, and the Social Beer-Drink." Anthropologie 28/1: 89-99. illus., music.

Knight, Roderic. 1991. Vibrato Octaves: Tunings and Modes of the Made Balo and Kora. Baltimore: SEMPOD Laboratory, Department of Music, University of Maryland Baltimore County, 49 pp., illus., music.

Makward, Edris. "Two Griots of Contemporary Senegambia." See I. Okpewho, ed., The Oral Performance in Africa, 23-41.

Martin, Stephen H. 1991. "Popular Music in Urban East Africa: From Historical Perspective to a Contemporary Hero." Black Music Research Journal 11/1: 39-53. Bibliog.

Moitse, Sindile Adelgisa. 1990. The Ethno-musicology of the Basotho: A Study of the Entrenchment of Music in Sotho Cultural Institutions. ISAS Research Report, No. 24. Roma, Lesotho: Institute of Southern African Studies, National University of Les otho, 90 pp., bibliog., illus.

Mvula, Enoch S. T. "The Performance of Gule Wamkulu." See I. Okpewho, ed., The Oral Performance in Africa, 80-97.

Njiasse Njoya, Aboubakar. 1989. "Chants dynastiques et chants populaires bamum, sources d'informations historiques." In Sources orales de l'histoire de l'afrique, ed. Claude-Hélène Perrot, 65-75. Paris: Centre National de la Recherche Scientifique. Bibliog.

Okpewho, Isidore. 1990. The Oral Performance in Africa. Ibadan, Nigeria: Spectrum Books, 277 pp., bibliogs., music.

Okpewho, Isidore. "The Oral Performer and His Audience: A Case Study of the Ozidi Saga." See I. Okpewho, ed., The Oral Performance in Africa, 160-84.

Okpewho, Isidore. "Towards a Faithful Record: On Transcribing and Translating the Oral Narrative Performance." See I. Okpewho, ed., The Oral Performance in Africa, 111-35.

Rassner, Ronald. "Narrative Rhythms in a Giryama Ngano: Oral Patterns and Musical Structures." See I. Okpewho, ed., The Oral Performance in Africa, 228-47.

Rouget, Gilbert. 1990. "La Répétition comme universel du langage musical. A propos d'un chant initiatique Béninois." In La musica come linguaggio universale: Genesi e storia di un'idea, ed. Raffaele Pozzi, 189-201. Firenze: Ols chki. Graphs.

Rouget, Gilbert. 1989. "Le roi, le babouin, l'indigo: Chronique d'une longue perplexité ou La prédestination du soverain et la cohérence du texte." In Singularités. les voies d'émergence individuelle, 179-96. Pari s: Plon. Bibliog.

Rouget, Gilbert. 1989. "Struttura di un canto iniziatico del Bénin." In Ethnomusicologica: Seminari internazionali di etnomusicologia 1977- 1989, ed. Diego Carpitella, 205-06. Siena: Accademia musicale chigana. Bibliog., music.

Rouget, Gilbert. 1988. "Un'instrument dait en visse, rempli d'anneaux de cuivre [...] servant à la musique du roy'." In Musiques Signes Images, ed. François Lesure, 229-37. Genève: Editions Minkoff. Bibliog., facsim., photos.

Rouget, Gilbert. 1987. "La voix, la cloche et le pouvoir du roi ou la transformation des symboles: A la mémoire de Alohentô Gbèfa, dernier roi de Porto-Novo." Ethnologiques: Hommages à Marcel Griaule, 313-32. Paris: Herma nn. Bibliog., discog., filmog., illus.

Rouget, Gilbert. 1986-1987. "Xylophones Africains et systèmes musicaux." Almanach 293-99. Photos.

Sekoni, Ropo. "The Narrator, Narrative-Pattern, and Audience Experience of Oral Narrative Performance." See I. Okpewho, ed., The Oral Performance in Africa, 139-59.

Vail, Leroy, and Landeg White. 1991. Power and the Praise Poem: Southern African Voices in History. Carter G. Woodson Institute Series in Black Studies. Charlottesville: University Press of Virginia; London: James Currey, xv, 345 pp., bibliog., pho tos.

Wiggins, Trevor, and Joseph Kobos. 1992. Xylophone Music from Ghana. Performance in World Music Series, No. 6. Crown Point, IN: White Cliffs Media Co., 60 pp., illus., music.


Alvarez, Félix, Martín Fierro, and Odar Roncal. 1991. Danzas típicas del Perú. Lima: Video Impress, 132 pp.

Aretz, Isabel. 1991. Historia de la etnomusicologia en America Latina: desde la epoca precolombina hasta nuestros dias. Caracas: Ediciones FUNDEF-CONAC-OEA, 384 pp., illus., maps.

Arnett, Jeffrey. 1991. "Adolescents and Heavy Metal Music: From the Mouths of Metalheads." Youth and Society 23/1: 76-98. Bibliog., tables.

Arrivillaga Cortés, Alfonso. 1990. "La Música Tradicional Garífuna en Guatemala." Latin American Music Review 11/2: 251-80. Bibliog., music, photos.

Bach, Caleb. 1991. "Astor Piazzolla: A New-Age Score for the Tango." Americas 43/5-6: 14-21. Illus., photos.

Badger, R. Reid. "James Reese Europe and the Prehistory of Jazz." See General section, R. T. Buckner and S. Weiland, ed., Jazz in Mind, 19- 37, 166-73. Discog.

Baker, Houston A., Jr. 1991. "Hybridity, the Rap Race, and Pedagogy for the 1990s." Black Music Research Journal 11/2: 217-28. Bibliog.

Baraka, Amiri. 1991. "The 'Blues Aesthetic' and the 'Black Aesthetic': Aesthetics as the Continuing Political History of a Culture." Black Music Research Journal 11/2: 101-09.

Barker, James H. 1990. "'There's My Ancestors Singing to Me'." Journal of Alaska Native Arts Photos.

Berger, Edward. 1991. "George Duvivier: Arranger and Composer." Annual Review of Jazz Studies 5: 121-44. Music.

Berrett, Joshua. 1992. "Louis Armstrong and Opera." Musical Quarterly 76/2: 216-41. Music, photo.

Bock, Philip K. 1992. "Music in Mérida, Yucatan." Latin American Music Review 13/1: 33-55. Bibliog.

Boggs, Vernon W. 1991. "Musical Transculturation: From Afro- Cuban to Afro-Cubanization." Popular Music and Society 15/4: 71-83. Bibliog.

Breton, Marcela. 1992. "An Annotated Bibliography of Selected Jazz Short Stories." African American Review 26/2: 299-306.

Carby, Hazel V. 1991. "In Body and Spirit: Representing Black Women Musicians." Black Music Research Journal 11/2: 177-92. Bibliog., filmog.

Carner, Gary. 1991. "The Agony and the Agony: James Lincoln Collier's Jazz Writing." Annual Review of Jazz Studies 5: 81-89.

Castro, Ruy. 1990. Chega de saudade: a história e as histórias da Bossa Nova. Sao Paulo: Companhia das Letras, 461 pp., photos.

Cervantes Gamboa, Laura. 1992. "La función social de la música en el ritual fúnebre bribri." Káñina 16/1.

Cervantes Gamboa, Laura. 1991. "Los géneros musicales bribris: aspectos sociolingüísticos de su ejecución." Káñina 15/1-2: 243-54.

Cervantes Gamboa, Laura. 1991. "Observaciones etnomusicológicas acerca de tres cantos de cuna cabécares." Estudios de Lingüística Chibcha 10: 143-63.

Cervantes Gamboa, Laura. 1991. "La temática de los cantos fúnebres bribris." Revista de Filología y Linguistica de la Universidad de Costa Rica 17/1-2: 81-104.

Chell, Samuel. 1991. "Jazz Aesthetics and Modern Literary Criticism." Popular Music and Society 15/3: 67-74. Bibliog.

Coolen, Michael T. 1991. "Senegambian Influences on Afro- American Musical Culture." Black Music Research Journal 11/1: 1-18. Bibliog.

Cooper, B. Lee, and Donald E. Walker. 1991. "The Decline of Contemporary Baseball Heroes in American Popular Recordings." Popular Music and Society 15/2: 49-62.

Courlander, Harold. 1990. "Recording on the Hopi Reservation, 1968-1981." Resound 9/2: [1], [3]-[6]. Photos.

Covo T., Javier. 1990. Música de acordeón. [Bogotá]: Asociación Carbocol Intercor, 131 pp., bibliog., illus.

Crawford, Richard, and Jeffrey Magee. 1992. Jazz Standards on Record, 1900-1942: A Core Repertory. CBMR Monographs, No. 4. Chicago: Center for Black Music Research, xxv, 94 pp., bibliog.

Crouch, Marjorie K., Joseph C. Hickerson, and Therese Langer, comp. 1990. "Mexico Recordings in the Archive of Folk Culture." LC Folk Archive Finding Aid 7: 5 pp.

Crowell, Aron. 1992. "Postcontact Koniag Ceremonialism on Kodiak Island and the Alaska Peninsula: Evidence from the Fisher Collection." Arctic Anthropology 29/1: 18-37. Bibliog., map, photos.

Curtis, Michael. 1992. "Andean Music of Ecuador." Guitar Review 89: 1-9. Bibliog., music.

Cuthbert, Marlene, and Gladstone Wilson. "Recording Artists in Jamaica: Payola, Piracy and Copyright." See J. A. Lent, ed., Caribbean Popular Culture, 64-78. Tables.

Davis, Donald M., and Joseph R. Dominick. 1991. "Reactance Theory and Record Warning Labels: The X Factor." Popular Music and Society 15/2: 79-86. Bibliog., tables.

Davis, Stephen. 1992. Reggae Bloodlines: In Search of the Music and Culture of Jamaica. New York: Da Capo Press, 216 pp., illus.

Demsey, David. 1991. "Chromatic Third Relations in the Music of John Coltrane." Annual Review of Jazz Studies 5: 145-80. Bibliog., music.

Denisoff, R. Serge. 1990. "Fighting Prophecy with Napalm: 'The Ballad of the Green Berets'." Journal of American Culture 13/1: 81-93.

Denisoff, R. Serge, and William D. Romanowski. 1989. "The Pentagon's Top Guns: Movies and Music." Journal of American Culture 12/3: 67-78.

Díaz Arenas, Angel. 1988. Folklore iberoamericano en El otoño del patriarca de Gabriel García Márquez: letras partituras y estudio histórico-comparativo. Hispanistik in Schule und Hochschule, Vol. 4. Bonn: Romanis tischer Verlag, Bibliog., illus., music.

Dietrich, Kurt. 1991. "Joe 'Tricky Sam' Nanton: Duke Ellington's Master of the Plunger Trombone." Annual Review of Jazz Studies 5: 1- 35. Bibliog., music.

Dixon, Brenda. 1990. "Black Dance and Dancers and the White Public: A Prolegomenon to Problems of Definition." Black American Literature Forum 24/1: 177-23. Bibliog.

Eibl-Eibesfeldt, Irenäus, and Marie-Claude Mattei-Müller. 1990. "Yanomami Wailing Songs and the Question of Parental Attachment in Traditional Kinbased Societies." Anthropos 85/4-6: 507-15. Bibliog., music.

Eisenhood, Elizabeth D., Joseph C. Hickerson, and Therese Langer, comp. 1990. "Brazil Recordings in the Archive of Folk Culture." LC Folk Archive Finding Aid 8: 4 pp.

Floyd, Samuel A., Jr. 1991. "Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry." Black Music Research Journal 11/2: 265-87. Bibliog., discog.

Foster, Charles C. 1991. Conchtown USA: Bahamian Fisherfolk in Riviera Beach, Florida. Boca Raton: Florida Atlantic University Press, x, 176 pp., bibliog., music, photos + 1 sound disc (6 in.).

Fox, Aaron. 1991. "The Jukebox of History: Narratives of Loss and Desire in the Discourse of Country Music." Popular Music 11/1: 53-72. Bibliog.

Frangos, Steve. 1989. "Greek-American Family Record Collections: Family Record Collections as Research Sources." Resound 8/4: [1], [3]- [6]. Bibliog., facsim.

Franklin, Benjamin V. "The Problem of Local Jazz History: The Example of South Carolina." See General section, R. T. Buckner and S. Weiland, ed., Jazz in Mind, 83-91.

Ganzert, Charles. 1992. "'Tis Sweet to Be Remembered: Independent Radio Performance Pioneer Bradley Kincaid." Journal of American Culture 15/3: 17-25. Bibliog., photos.

Garon, Paul, and Beth Garon. 1992. Woman with Guitar: Memphis Minnie's Blues. New York: Da Capo Press, xi, 332 pp., bibliog., discog., illus., music.

Gilroy, Paul. 1991. "Sounds Authentic: Black music, Ethnicity, and the Challenge of a Changing Same." Black Music Research Journal 11/2: 111-36. Bibliog., discog.

González, Juan-Pablo. 1991. "Hegemony and Counter-Hegemony of Music in Latin-America: The Chilean Pop." Popular Music and Society 15/2: 63-78. Bibliog.

Gould, Philip. 1992. Cajun Music and Zydeco. Baton Rouge: Louisiana State University Press, xxi, 120 pp., illus + 1 sound disc (digital).

Gow, Joe. 1992. "Making Sense of Music Video: Research during the Inaugural Decade." Journal of American Culture 15/3: 35-43. Bibliog.

Gow, Joe. 1990. "The Relationship between Violent and Sexual Images and the Popularity of Music Videos." Popular Music and Society 14/4: 1-10. Bibliog.

Graf, Marilyn. 1991. "The Last Great Indian Council: Joseph K. Dixon's 1909 Cylinder Recordings." Resound 10/4: [1], [2]-[5]. Bibliog., photos.

Graham, Richard. 1991. "Technology and Culture Change: The Development of the Berimbau in Colonial Brazil." Latin American Music Review 12/1: 1-20. Bibliog.

Grebe Vicuña, María Ester. 1991. "Aportes y Limitaciones del Análisis Musical en la Investigación Musicológica y Etnomusicológica." Revista Musical Chilena 45/175: 10-18. Bibliog.

Greene, Victor. 1992. A Passion for Polka: Old-Time Ethnic Music in America. Berkeley: University of California Press, xi, 355 pp., bibliog., illus.

Guilbault, Jocelyne. "On Interpreting Popular Music: Zouk in the West Indies." See J. A. Lent, ed., Caribbean Popular Culture, 79-97. Music.

Gutiérrez Condori, Ramiro. 1991. "Instrumentos musicales tradicionales en la comunidad artesanal Walata Grande, Bolivia." Latin American Music Review 12/2: 124-59. Bibliog., photos.

Hakanen, Ernest A., and Alan Wells. 1990. "Adolescent Music Marginals: Who Likes Metal, Jazz, Country, and Classical." Popular Music and Society 14/4: 57-66. Bibliog., tables.

Harris, Michael W. 1992. The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church. New York; Oxford: Oxford University Press, xxiii, 324 pp., bibliog., music, photos.

Haywood, Mark S. 1991. "The Harmonic Role of Melody in Vertical and Horizontal Jazz." Annual Review of Jazz Studies 5: 109-20. Bibliog., music.

Herman, Woody, and Stuart Troup. 1990. The Woodchopper's Ball: The Autobiography of Woody Herman. New York: E. P. Dutton, x, 162 pp., illus.

Heskes, Irene. 1992. Yiddish American Popular Songs, 1895 to 1950: A Catalog Based on the Lawrence Marwick Roster of Copyright Entries. Washington: Library of Congress, xliii, 527 pp., bibliog., illus.

Jiménez de Báez, Yvette. "Décimas y decimales en Mexico y Puerto Rico. Variedad y tradición." See General section, B. Garza Cuarón and Y. Jiménez Báez, ed., Estudios de folklore, 467-93.

Johnson, Hafiz Shabazz Farel, and John M. Chernoff. 1991. "Basic Conga Drum Rhythms in African-American Musical Styles." Black Music Research Journal 11/1: 55-73. Bibliog., music.

Johnston, Thomas F. 1991. "Contemporary Emphases in Northern Eskimo Dance." International Review of the Aesthetics and Sociology of Music 22/1: 47-79. Bibliog., illus.

Johnston, Thomas F. 1990. "Context, Meaning, and Function in Inupiaq Dance." In Dance: Current Selected Research II, ed. Lynnette Y. Overby and James H. Humphrey, 193-226. New York: AMS Press. Bibliog., illus., music.

Johnston, Thomas F. 1992. "La danse chez les Inuit d'Alaska à l'époque des premiers contacts." In Destins Croisés: cinq siécles de rencontres avec les Amérindiens, ed. Jean Malaurie, 561-74. Paris: Albin Michel/ U NESCO. Bibliog.

Johnston, Thomas F. 1990. "An Historical Survey of the Yupik Inviting- In Dance." In Dance: Current Selected Research II, ed. Lynnette Y. Overby and James H. Humphrey, 139-92. New York: AMS Press. Bibliog., illus., music.

Johnston, Thomas F. 1990. "Le jeu, factuer de réduction du stress dans la societé esquimaude." In Pour Jean Malaurie: 102 temoignages, ed. Sylvie Devers, 361-69. Paris: Editions Plon. Bibliog.

Johnston, Thomas F. 1990. "The Northwest Coast Tlingit Indian Musical Potlatch." South African Journal of Musicology 10: 77-99. Bibliog., illus.

Johnston, Thomas F. 1988. "Tlingit Dance, Music, and Society." Acta Ethnographica 34/1-4: 283-324. Bibliog., illus., music.

Jonaitis, Aldona, ed. 1991. Chiefly Feasts: The Enduring Kwakiutl Potlatch. Seattle: University of Washington Press; New York: American Museum of Natural History, 300 pp., bibliog., illus.

Kenney, William H. III. "Negotiating the Color Line: Louis Armstrong's Autobiographies." See General section, R. T. Buckner and S. Weiland, ed., Jazz in Mind, 38-59. Bibliog.

Klein, Christian. 1991. "A Multi-Level Analysis of Billy Joel's 'Goodnight Saigon'." Popular Music and Society 15/3: 75-93. Bibliog.

Koger, Alicia Kae. 1991. "The Charlie Parker Phenomenon: A Critical Examination of Responses to the Life, the Man, and the Music." Popular Music and Society 15/3: 41-65. Bibliog.

Kubik, Gerhard. 1990. "Drum Patterns in the Batuque of Benedito Caxias." Latin American Music Review 11/2: 115-81. Bibliog., illus., photos, tables.

Lacava, Jacques D. 1992. "The Theatricality of the Blues." Black Music Research Journal 12/1: 127-39. Bibliog.

Lent, John A., ed. 1990. Caribbean Popular Culture. Bowling Green: Bowling Green State University Popular Press, [iii], 157 pp., bibliogs., music, photos, tables.

Lewis, George H. 1991. "Duellin' Values: Tensions, Conflict and Contradition in Country Music." Journal of Popular Culture 24/4: 103- 17.

Lewis, George H. 1991. "Ghosts, Ragged But Beautiful: Influences of Mexican Music on American Country-Western & Rock 'n' Roll." Popular Music and Society 15/4: 85-103.

Lewis, John Lowell. 1992. Ring of Liberation: Deceptive Discourse in Brazilian Capoeira. Chicago: University of Chicago Press, xxx, 263 p., bibliog., discog., illus., maps.

Lezcano, José Manuel. 1991. "African-Derived Rhythmical and Metrical Elements in Selected Songs of Alejandro García Caturla and Amadeo Roldán." Latin American Music Review 12/2: 173-86.

Logsdon, Guy. 1991. "Woody Guthrie and His Oklahoma Hills." Mid-America Folklore 9/1: 57-93.

Lopes, Paul D. 1992. "Innovation and Diversity in the Popular Music Industry, 1969-1990." American Sociological Review 57/1: 56-91. Bibliog., illus., tables.

Loza, Steven. 1990. "Contemporary Ethnomusicology in Mexico." Latin American Music Review 11/2: 201-50. Bibliog., discog., filmog.

Lumer, Robert. 1991. "Pete Seeger and the Attempt to Revive the Folk Music Process." Popular Music and Society 15/1: 45-58.

Lutz, Tom. 1991. "Curing the Blues: W. E. B. Du Bois, Fashionable Diseases, and Degraded Music." Black Music Research Journal 11/2: 137- 56. Bibliog.

Madeira, Angelica. 1991. "Rhythm and Irreverence (Notes about the rock music movement in Brasilia)." Popular Music and Society 15/4: 57-70. Bibliog.

Manheim, James M. 1992. "B-side Sentimentalizer: 'Tennessee Waltz' in the History of Popular Music." Musical Quarterly 76/3: 337- 54. Facsim., music.

Martin, Denis-Constant. 1991. "Filiation or Innovation?: Some Hypotheses to Overcome the Dilemma of Afro-American Music's Origins." Black Music Research Journal 11/1: 19-38. Bibliog.

Martín, Miguel Angel. 1991. Del folclor llanero. 2nd ed. Santa Fe de Bogotá: ECOE Educiones, vi, 292 pp., bibliog., illus.

Matteson, Richard L., Jr. 1992. "Folksongs from the Appalachians." Guitar Review 389: 10-13. Bibliog., music.

Máximo, Joao, and Carlos Didier. 1990. Noel Rosa: uma biografia. Brasília: Editora Universidade de Brasília: Linha Gráfica Editora, 533 pp., illus.

Megenney, William W. 1992. "West Africa in Brazil: The Case of Ewe- Yoruba Syncretism." Anthropos 87/4-6: 459-74. Bibliog., music.

Miranda-Pérez, Ricardo. 1990. "Muros Verdes and the Creation of a New Musical Space." Latin American Music Review 11/2: 281-85. Diagr.

Moody, Bill. 1991. "Jazz Fiction: It Don't Mean a Thing If It Ain't Got That Swing." Journal of American Culture 14/4: 61-66. Bibliog.

Morena Chá, Ercilia. 1991. "Bibliografía, Centros de Investigación y Archivos Sonoros de Música Tradicional en Latinoamérica." Latin American Music Review 12/1: 42-64.

Morgan, Thomas L., and William Barlow. 1992. From Cakewalks to Concert Halls: An Illustrated History of African American Popular Music from 1895 to 1930. Washington, DC: Elliott & Clark, 132 pp., bibliog., illus.

Moseley, Caroline. 1991. "Irrepressible Conflict: Differences between Northern and Southern Songs of the Civil War." Journal of Popular Culture 25/2: 45-56. Facsims.

Murlin, Bill, ed. 1991. Woody Guthrie: Roll on Columbia: The Columbia River Collection. Bethlehem, PA: Sing Out Publications, 96 pp., bibliog., discog., facsims., illus., music, photo.

Neuenfeldt, Karl W. 1991. "Sun, Sea, Sex, and Senoritas: 'Shorthand' Images of Ethnicity, Ethos, and Gender in Country Songs Set in the Circum-Caribbean." Popular Music and Society 15/2: 1-21. Bibliog.

Nye, William P. 1991. "The Heroic Boon of Charlie Parker." Popular Music and Society 15/4: 25-31. Bibliog.

Oliveira Pinto, Tiago de. 1991. Capoeira, Samba, Candomblé: afro- brasilianische Musik im Recôncavo, Bahia. Veröffentlichungen des Museums für Völkerkunde Berlin, 52; Abteilung Musikethnologie, 7. Berlin: Staatliche Muse en Preussischer Kulturbesitz: Museum für Völkerkunde Berlin, 264 pp., bibliog., illus.

Olson, Ted. 1991. "A Ballad Collector Extraordinaire Comes to the Mountains." Appalachian Heritage 19/1: 20-26. Bibliog., photos. Cecil Sharp.

Pacini Hernández, Deborah. 1991. "La lucha sonora: Dominican Popular Music in the Post-Trujillo Era." Latin American Music Review 12/2: 105-23. Bibliog.

Parker, David Reed. 1992. "John Jacob Niles and Revisionist Folklore: The Corpus Christi Carol/"Down in Yon Forest"." Southern Folklore 49/ 2: 147-56. Bibliog., music.

Parrish, Lydia, comp. 1992. Slave Songs of the Georgia Sea Islands. Reprint ed. Athens: University of Georgia Press, xxxix, 255 pp., bibliog., illus., music. Originally published in 1942 by the Creative Age Press.

Payne, Richard W. 1991. "Bone Flutes of the Anasazi." Kiva 56/2: 165- 77.

Pérez Bugallo, Rubén. 1992. "Corrientes Musicales de Corrientes, Argentina." Latin American Music Review 13/1: 56-113. Bibliog., music.

Pessen, Edward. 1990. "Tin Pan Alley's Many Ways of Love 1920- 1945." Popular Music and Society 14/4: 39-47.

Porterfield, Nolan. 1992. Jimme Rogers: The Life and Times of America's Blue Yodeler. Rev. ed. Music in American Life. Urbana: University of Illinois Press, 460 pp., bibliog., discog., illus.

Prévos, André J. M. 1992. "Four Decades of French Blues Research in Chicago: From the Fifties into the Nineties." Black Music Research Journal 12/1: 97-112. Bibliog.

Price, Richard, and Sally Price. 1991. Two Evenings in Saramaka. Chicago; London: University of Chicago Press, xvi, 417 pp., bibliog., map, music, photos. Suriname.

Rabinowitz, Peter J. 1991. "Whiting the Wrongs of History: The Resurrection of Scott Joplin." Black Music Research Journal 11/2: 157- 76. Bibliog.

Radano, Ronald M. 1992. "Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics." Black Music Research Journal 12/ 1: 79-95. Bibliog.

Ramírez, Arturo. 1990. "Views of the Corrido Hero: Paradigm and Development." The Americas Review 18/2: 72-79.

Randel, Don Michael. 1991. "Crossing Over with Rubén Blades." Journal of the American Musicological Society 64/2: 301-23. Bibliog., music.

Randolph, Vance. 1992. Unprintable Ozark Folksongs and Folklore. 2 vols. Fayetteville: University of Arkansas Press, Bibliog.

Rasmussen, Anne. 1992. "'An Evening in the Orient': The Middle Eastern Nightclub in America." Asian Music 23/2: 63-88. Bibliog., music, photos.

Reitinger, Douglas. 1992. "Paint It Black: Rock Music and Vietnam War Film." Journal of American Culture 15/3: 53-59. Bibliog.

Remes, Pieter. 1991. "Rapping: A Sociolinguistic Study of Oral Tradition in Black Urban Communities in the United States." JASO: Journal of the Anthropological Society of Oxford 22/2: 129-49. Bibliog.

Robbins, James. 1990. "The Cuban Son As Form, Genre, and Symbol." Latin American Music Review 11/2: 182-200. Bibliog., discog., music.

Roberts, John W. 1989. From Trickster to Badman: The Black Folk Hero in Slavery and Freedom. Philadelphia: University of Pennsylvania Press, 233 pp., bibliog.

Roberts, Robin. 1991. "Music Videos, Performance and Resistance: Feminist Rappers." Journal of Popular Culture 25/2: 141-52. Bibliog.

Romanowski, William D. 1992. "Roll Over Beethoven, Tell Martin Luther the News: American Evangelicals and Rock Music." Journal of American Culture 15/3: 79-88. Bibliog.

Rose, Tricia. 1991. "'Fear of a Black Planet': Rap Music and Black Cultural Politics in the 1990s." Journal of Negro Studies 60/3: 276-90. Bibliog.

Ross, Danita. 1992. "Musical Mission: Taos Studio Keeps Tribal Songs on the Record." New Mexico Magazine 70/8: 39-44. Photos.

Rotenstein, David S. 1992. "The Helena Blues: Cultural Tourism and African-American Folk Music." Southern Folklore 49/2: 133-46. Bibliog., illus., photo.

Schlattmann, Tim. 1991. "From Disco Divas to the Material Girls: Who's Ruling the Charts?" Popular Music and Society 15/4: 1-14. Bibliog., tables.

Schlattmann, Tim, and Dennis Phillips. 1991. "MTV and the New Artist: Bullet, Breaker, or Bust?" Popular Music and Society 15/4: 15- 24. Bibliog., tables.

Seitz, Barbara. 1991. "Songs, Identity, and Women's Liberation in Nicaragua." Latin American Music Review 12/1: 21-41. Bibliog., photos.

Sherman, Jane. 1989. "The American Indian Imagery of Ted Shawn." Dance Chronicle 12/3: 366-82. Photos.

Shusterman, Richard. 1991. "The Fine Art of Rap." New Literary History 22/3: 613-32.

Smith, Paul Ely. 1992. "Gottschalk's 'The Banjo,' op. 15, and the Banjo in the Nineteenth Century." Current Musicology 50: 47-61.

Smyth, Willie et al. 1989. Juneteenth on Greenwood: A Celebration of Oklahoma's Black Musical Traditions: Saturday, June 17, 1989. Oklahoma City: State Arts Council of Oklahoma, iii, 16 pp., bibliog., discogs., photos.

Solomon, Jack P., and Olivia P. Solomon, ed. 1991. Sweet Bunch of Daisies: Folk Songs Collected in Alabama. Bessemer, AL: Colonial Press, xxiv, 261 pp., bibliog., illus.

Sorrell, Richard S. 1991. "'My Life Was Saved By Rock & Roll': Personal Reflections on the Age of Rock Music." Popular Music and Society 15/1: 81-89.

Spencer, Jon Michael. 1992. "The Diminishing Rural Residue of Folklore in City and Urban Blues, Chicago 1915-1950." Black Music Research Journal 12/1: 25-41. Bibliog.

Spencer, Jon Michael. 1991. Theological Music: Introduction to Theomusicology. Contributions to the Study of Music and Dance, No. 23. New York: Greenwood Press, xiv, 182 pp., bibliog.

Swindell, Warren C. 1992. "John William 'Blind' Boone's Chicago Itinerary." Black Music Research Journal 12/1: 113-25. Bibliog., photo.

Taylor, Jeffrey J. 1992. "Earl Hines's Piano Style in the 1920s: A Historical and Analytical Perspective." Black Music Research Journal 12/1: 57-77. Bibliog., discog., music.

Taylor, Timothy. 1991. "His Name Was in Lights: Chuck Berry's 'Johhny B. Goode'." Popular Music 11/1: 27-40. Bibliog., discog., filmog., music.

Thomas, Lorenzo. 1992. "'Communicating by Horns': Jazz and Redemption in the Poetry of the Beats and the Black Arts Movement." African American Review 26/2: 291-98. Bibliog., filmog.

Titus, A. Costandina, and Jerry L. Simich. 1990. "From 'Atomic Bomb Baby': to 'Nuclear Funeral': Atomic Music Comes of Age, 1945- 1990." Popular Music and Society 14/4: 11-37.

Tomlinson, Gary. 1991. "Cultural Dialogics and Jazz: A White Historian Signifies." Black Music Research Journal 11/2: 229-64. Bibliog.

Tosches, Nick. 1991. Unsung Heroes of Rock 'n' Roll: The Birth of Rock in the Wild Years before Elvis. Rev ed. New York: Harmony Books, xi, 276 pp., discog., illus.

Tosches, Nick. 1991. Unsung Heroes of Rock 'n' Roll: The Birth of Rock in the Wild Years Before Elvis. Rev. ed. New York: Harmony Books, xi, 276 pp., discogs., illus.

Tunnell, Kenneth D. 1991. "Blood Marks the Spot Where Poor Ellen Was Found: Violent Crime in Bluegrass Music." Popular Music and Society 15/3: 95-115. Bibliog.

Vincent, Ted. 1992. "The Community That Gave Jazz to Chicago." Black Music Research Journal 12/1: 43-55. Bibliog.

Walker-Hill, Helen. 1992. "Black Women Composers in Chicago: Then and Now." Black Music Research Journal 12/1: 1-23. Bibliog., music, photos.

Werlang, Guilherme. 1991. "Estilo e Personalidade na Músuca do Ciclo do Ouro em Minas Gerais." Latin American Music Review 12/2: 187-99.

Wheeler, Elizabeth A. 1991. "'Most of My Heroes Don't Appear on No Stamps': The Dialogics of Rap Music." Black Music Research Journal 11/2: 193-216. Bibliog., discog.

Wiedemann, Erik. 1991. "Duke Ellington: The Composer." Annual Review of Jazz Studies 5: 37-64. Music.

Weidemann, Erik. 1991. "Duke in Denmark: A Discographical Excursus." Annual Review of Jazz Studies 5: 65-80. Duke Ellington.

Wilcken, Lois E. 1992. "Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York." Latin American Music Review 13/1: 1-32. Bibliog., music, tables.

Williams, Martin. 1992. "What Kind of Composer Was Theolonius Monk?" Musical Quarterly 76/3: 433-41. Music, photo.

Wilson, Gladstone. "Local Music and Jamaican Politics: The 1972 Elections." See J. A. Lent, ed., Caribbean Popular Culture, 98-105.

Young, Stephen E. 1991. "Like a Critique: A Postmodern Essay on Madonna's Postmodern Video 'Like a Prayer'." Popular Music and Society 15/1: 59-68. Bibliog.

Zavala, Iris M. 1991. El bolero: historia de un amor. El Libro de bolsillo, 1534. Sección Humanidades. Madrid: Alianza Editorial, 162 pp., bibliog., illus.

Asia & Oceania

Anantaraman, V. 1988. Cankita mummurttikal aruliya ksetratanak kirutikalum stala makimaiyum. Tiruvarur: Tiyakarajar Illam, 96 pp., illus.

Bell Yung. 1990. "A List of Chinese Music Journals." CHIME 2: 52-57.

Bhate-Jathar, Rohini. 1990. "The Concept of Creative Compositions (Bandish) with Reference to Kathak." Journal of the Indian Musicological Society 21/1-2: 41-43.

Booth, Gregory. 1991-92. "Disco Laggi: Modern Repertoire and Traditional Performance Practice in North Indian Popular Music." Asian Music 23/1: 61-83. Bibliog., music.

Brace, Tim. 1991. "Popular Music in Contemporary Beijing: Modernism and Cultural Identity." Asian Music 22/2: 43-66. Bibliog.

Bryant, Wanda. 1991. "Musical Change in Turkish Zurna Music." Pacific Review of Ethnomusicology 6: 1-34. Bibliog., music.

Chang, Peter. 1991. "Tan Dun's String Quartet Feng-Ya- Song: Some Ideological Issues." Asian Music 22/2: 127-58. Bibliog., music.

Cheng Yingshi. 1991. "A Report on Chinese Research into the Dunhuang Music Manuscripts." Musica Asiatica 6: 61-72. Music, tables. Translated by Coralie Rockwell.

Dai Xiaolian. 1991. "In Memory of a Great Guqin Player: Zhang Ziqian." CHIME 3: 76-87.

Dai Xiaolian. 1992. "Robert van Gulik and the Guqin Scores of the Sinological Institute, Leiden." CHIME 5: 30-41.

Danielson, Virginia. 1991. "Artists and Entrepreneurs: Female Singers in Cairo during the 1920s." In Women in Middle Eastern History: Shifting Boundaries in Sex and Gender, ed. Nikki R. Keddie and Beth Baron, 292-309. New Haven; London: Yale Univer sity Press.

Danielson, Virginia. 1990-91. "Min al-Mashayikh: A View of Egyptian Musical Tradition." Asian Music 22/1: 113-27. Bibliog., music.

Durga, S. A. K. 1990. "Characteristics of the Bandish, 'The Tillana' of Karnatak Music." Journal of the Indian Musicological Society 21/1-2: 67-71.

During, Jean. 1992. "L'oreille islamique: dix années capitales de la vie musicale en iran, 1980-1990." Asian Music 23/2: 135-64. Bibliog.

Eiseman, Fred B., Jr. 1989. Bali: Sekala and Niskala; Volume I: Essays on Religion, Ritual, and Art. Berkeley; Singapore: Periplus Editions, xv, 368 pp., diagrs., gloss., illus.

Eiseman, Fred B., Jr. "The Barong (Part I): Sekala, the Performance; The Barong (Part II): Niskala, the Meaning." See F. B. Eiseman, Bali, 293-321.

Eiseman, Fred B., Jr. "Byar!: The Energetic Modern Musical Style." See F. B. Eiseman, Bali, 343-48.

Eiseman, Fred B., Jr. "Dance in Bali: Topeng, Legong, Kecak, and More." See F. B. Eiseman, Bali, 280-92.

Eiseman, Margaret. "Gamelan Gong: The Traditional Balinese Orchestra." See F. B. Eiseman, Bali, 333-42.

Eiseman, Fred B., Jr. "Wayang Kulit: The Popular Balinese Shadow Play." See F. B. Eiseman, Bali, 322-32.

Farber, Walter. 1990. "Magic at the Cradle: Babylonian and Assyrian Lullabies." Anthropos 85/1-3: 139-48. Bibliog., table.

Feldman, Walter. 1990-91. "Cultural Authority and Authenticity in the Turkish Repertoire." Asian Music 22/1: 73-111. Bibliog.

Ferranti, Hugh De. 1991. "Composition and Improvisation in Satsuma Biwa." Musica Asiatica 6: 102-27. Bibliog., music, photo.

Friedlander, Paul. 1991. "China's 'Newer Value' Pop: Rock-and-Roll and Technology on the New Long March." Asian Music 22/2: 67-81. Bibliog.

Fritsch, Ingrid. 1992. "The Social Organization of Goze in Japan: Blind Female Musicians on the Road." CHIME 5: 58-64.

Gerstle, C. Andrew, Kiyoshi Inobe, and William P. Malm. 1990. Theater as Music: The Bunruku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue". Michigan Monograph Series in Japanese Studies, 4. Ann Arbor: Center for Japanese Studies, Un iversity of Michigan, 288 pp., bibliog., illus. + 2 sound cassettes.

Gosvami, Karunamaya. 1990. Aspects of Nazrul Songs. Dhaka: Nazrul Institute, 224 pp.,, illus.

Gutzwiller, Andreas. 1992. "Polyphony in Japanese Music: Rokudan for Example." CHIME 5: 50-57.

Gutzwiller, Andreas, and Gerald Bennett. 1991. "The World of a Single Sound: Basic Structure of the Music of the Japanese Flute Shakuhachi." Musica Asiatica 6: 36-59. Bibliog., diagr., graphs.

Haldankar, S. S. 1990. "Bandish in Khyal: Basic Concept and its Application." Journal of the Indian Musicological Society 21/1-2: 23-32.

Hamm, Charles. 1991. "Music and Radio in the People's Republic of China." Asian Music 22/2: 1-42. Bibliog.

Han Kuo-Huang. 1990. "New Developments in Minority Music Research." CHIME 2: 24-27. China.

Hanna, Judith Lynne. 1991. "Advantages of Bharat Natyam." Dance Theatre Journal 9/1: 14-15.

Harrán, Don. 1991. "Musicology in Israel 1980-1990." Acta Musicologica 63/2: 238-68.

Howard, Gregg W. 1991. "Musico-religious Implications of Some Buddhist Views of Sound and Music in the Surangama Sutra." Musica Asiatica 6: 95-101. Bibliog.

Howard, Keith. 1991-92. "Why Do It That Way? Rhythmic Models and Motifs in Korean Percussion Bands." Asian Music 23/1: 1-59. Bibliog., music.

Hu Jun, and Kevin Stuart. 1992. "The Guanting Tu (Mongour) Wedding Ceremonies and Songs." Anthropos 87/1-3: 109-32. Bibliog. China.

Huang Bai. 1992. "Haozi, Working Cries Turned into Art: A Discussion of Two Shanghai Work Songs." CHIME 5: 42-49.

Hughes, David W. 1990-91. "Japanese 'New Folk Songs,' Old and New." Asian Music 22/1: 1-49. Bibliog., music.

Humardani, S. D. 1991. Gendhon Humardani, pemikiran dan kritiknya. Surakarta: STSI-Press, xvii, 164 pp., bibliog., illus.

Jakhalekar, P. P. 1989. "Ahobala Pandita's Contribution to Indian Music." Journal of the Indian Musicological Society 20/1-2: 47- 51.

Jiang Jing. 1991. "The Influence of Traditional Chinese Music on Professional Instrumental Composition." Asian Music 22/2: 83- 96. Music.

Jones, Stephen et al. 1992. "Field Notes 1991: Funeral Music in Shanxi." CHIME 5: 4-29.

Kippen, Jim. 1989. "Changes in the Social Status of Tabla Players." Journal of the Indian Musicological Society 20/1-2: 37-46. Bibliog.

Kitahara, Ikuya, Matsumoto Misao, Matsuda Akira. 1990. The Shakuhachi: The Encyclopedia of Musical Instruments. Tokyo: Tokyo Ongskusha, 194 pp., illus.

Kouwenhoven, Frank. 1991. "An Interview with Laurence Picken: Bringing to Life Tunes of Ancient China." CHIME 4: 40-65.

Kouwenhoven, Frank. 1990. "Mainland China's Avant-Garde Music (1): Out of the Desert." CHIME 2: 58-93.

Kouwenhoven, Frank. 1991. "Mainland China's New Music (2): Madly Singing in the Mountains." CHIME 3: 42-75.

Kouwenhoven, Frank. 1992. "Mainland China's New Music (3): The Age of Pluralism." CHIME 5: 76-134.

Kouwenhoven, Frank. 1990. "Music Research in China: Signs of Change." CHIME 1: 51-58.

Lee, Riley. 1991. "Shakuhachi Honkyoku Notation: Written Sources in an Oral Tradition." Musica Asiatica 6: 18-35. Bibliog., music.

Leng Sui-jin. 1991. "The Shock of Hong Kong and Taiwan Popular Songs." Popular Music and Society 15/2: 23-32.

Lindsay, Jennifer. 1992. Javanese Gamelan: Traditional Orchestra of Indonesia. Rev. ed. Images of Asia. Singapore; New York: Oxford University Press, vii, 76 pp., bibliog., discog., map, photos.

Mao Yu Run. 1991. "Music under Mao, Its Background and Aftermath." Asian Music 22/2: 97-125. Music.

Markoff, Irene. 1990-91. "The Ideology of Musical Practice and the Professional Turkish Folk Musician: Tempering the Creative Impulse." Asian Music 22/1: 129-45. Bibliog.

Mills, Margaret Ann. 1990. Oral Narrative in Afghanistan: The Individual in Tradition. Harvard Dissertations in Folklore and Oral Tradition, New York: Garland, 484 pp., bibliog., illus., map.

Misra, Susheela. 1992. Some Dancers of India. New Delhi: Harman Pub. House, xx, 232, 56 pp., bibliog., illus.

Mistry, Aban E. 1990. "Divergence and Intracacies in the Compositional Techniques of the Different Baaj/Gharane in Tabala Vadan." Journal of the Indian Musicological Society 21/1-2: 72-96.

Mittler, Barbara. 1991. "The C. C. Liu Collection in Hong Kong." CHIME 4: 92-95.

Mukherjee, Bimal. 1990. "The Place of 'Compositions' or 'Bandish' in Raga Music." Journal of the Indian Musicological Society 21/1-2: 12-22.

Myers, John E. 1992. The Way of the Pipa: Structure and Imagery in Chinese Lute Music. Kent, OH: Kent State University Press, xvii, 155 pp., bibliog., discog., illus.

Myers-Moro, Pam. 1991. "Teachers on Tape: Innovation and Experimentation in Teaching Thai Music." Balungan 5/1: 15-20. Photos.

Nag, Dipali. 1990. "Reflections and Recollection on the Compositions of Ustad Fayaaz Khan." Journal of the Indian Musicological Society 21/1-2: 38-40.

Narasimhan, Sakuntala. 1990. "Text and Texture in Compositions of Hindustani and Carnatic Music: A Comparative Note." Journal of the Indian Musicological Society 21/1-2: 52-54.

Naringrekar, C. S. 1990. "Concept of Bandish in Different Musical Traditions." Journal of the Indian Musicological Society 21/1- 2: 33-37.

Nesna, Jelle. 1991. "'Wooo Zeee!': How a Film Project on Naxi Rituals Failed." CHIME 4: 84-91.

Nihon Hoso Kyokai. 1989-91. Nihon min'yo taikan: Okinawa, Amami. 3 vols. Tokyo: Nihon Hoso Shuppan Kyokai, Heisei, Bibliog., music.

Nuttebaum, M., and J. Ferber. 1991. "Yueju, Zhejiang Opera With an All-Female Cast." CHIME 4: 72-79.

Panya Roongruang. [1990]. Dontree Thai pragawb siang: Thai Music in Sound. N.p.: n.d., 124 pp., illus. + 3 sound cassettes.

Parikh, Arvind. 1990. "Bandish on Instruments." Journal of the Indian Musicological Society 21/1-2: 44-51.

Parthasarthy, T. S. 1990. "Compositional Diversities: Patterns in Karnatik Music." Journal of the Indian Musicological Society 21/1- 2: 55-58.

Perlman, Marc. 1991. "The Term Karawitan." Balungan 5/1: 28. Bibliog.

Pertl, Brian. 1992. "Some Observations on the Dung Chen of the Nechung Monastery." Asian Music 23/2: 89-96. Bibliog., diagr.

Pettigrew, Joyce. 1991-92. "Songs of the Sikh Resistance Movement." Asian Music 23/1: 85-118. Bibliog.

Picard, François. 1991. "Pu'an zhou: The Musical Avatars of a Buddhist Spell." CHIME 3: 32-37.

Powell, Jarrad. 1991. "Sam-Ang Sam: We Live through Changes." Balungan 5/1: 21-27. Photo.

Qureshi, Regula Burckhardt. 1990. "Musical Gesture and Extra- Musical Meaning: Words and music in the Urdu Ghazal." Journal of the American Musicological Society 63/3: 457-97. Bibliog., music, tables.

Raben, Estelle M. 1992. "Peking Opera: The Persistence of Tradition in the People's Republic of China." Journal of Popular Culture 25/4: 53-61. Bibliog.

Racy, 'Ali Jihad. 1992. "Lyre of the Arab Gulf: Historical Roots, Geographical Link and Local Context." al-Ma'thurat al-Sha'biyyah 27: 7-17.

Rajagopalan, L. S., and Wayne Howard. 1989. "A Report on the Prächeena Kauthuma Sämaveda of Palghat." Journal of the Indian Musicological Society 20/1-2: 5-16. Music.

Ramaswamy, Vijaya. 1992. "Rebels -- Conformists? Women Saints in Medieval South India." Anthropos 87/1-3: 133-46. Bibliog.

Rees, Helen. 1991. "An Annotated Bibliography on Narrative Singing." CHIME 3: 88-96. China.

Rees, Helen. 1990. "Report on Fieldwork: Music in N. Yunnan." CHIME 1: 30-35.

Regev, Motti. 1992. "Israeli Rock, or a Study in the Politics of 'Local Authenticity'." Popular Music 11/1: 1-14. Bibliog., discog., photo.

Riley, Josephine et al. 1991. "Exorcism Theatre by an Ancient Road: N. Sichuan's Tiyangxi." CHIME 3: 4-19.

Rubenstein, Carol. 1992. "The Cultural Show: Is It Culture or What and For Whom?" Asian Music 23/2: 1-62. Bibliog., photos.

Ruizendaal, Robin. 1990. "A Discovery: Iron-stick Puppet Theatre, Fujian." CHIME 2: 28-42.

Samson, Valerie. 1991. "Music as Protest Strategy: The Example of Tiananmen Square, 1989." Pacific Review of Ethnomusicology 6: 35-64. Bibliog., photo.

Sathyanarayan, R. 1990. "New Creations in Karnatak Music." Journal of the Indian Musicological Society 21/1-2: 59-66.

Schimmelpenninck, A. 1990. "Hundred Years of Folk Song Studies in China." CHIME 2: 4-23.

Schimmelpenninck, A. 1990. "Report on Fieldwork: Jiangsu Folk Song." CHIME 1: 16-29.

Schimmelpenninck, A. 1991. "What About the Singers?: In Reaction to Zhang and Schaffrath's Article." CHIME 4: 34-39.

Schuyler, Philip D. 1990-91. "Music and Tradition in Yemen." Asian Music 22/1: 51-71. Bibliog.

Sharma, Prem Lata. 1990. "The Treatment of Musical Composition in the Indian Textual Tradition." Journal of the Indian Musicological Society 21/1-2: 1-6.

Singh, Jaideva. 1989. "A Note on Samavedic Music." Journal of the Indian Musicological Society 20/1-2: 17-18.

Song Bang-Song. 1991. "Koguryo Instruments in Tomb No. 1 at Ch'ang- ch'uan, Manchuria." Musica Asiatica 6: 1-17. Bibliog., illus., map, photos.

Sorrell, Neil. 1990. A Guide to the Gamelan. Portland, OR: Amadeus Press, xviii, 142 pp., bibliog., illus., maps, music, photos.

Srivastava, Kumkum, and Vinay Kumar Srivastava. 1989. "National Consciousness in Punjabi Folksongs." Guru Nanak Journal of Sociology 10/1-2: 101-21. Bibliog.

Stock, Jonathan. 1992. "Constructive Techniques in Music for Chinese Two-Stringed Fiddles." CHIME 565-75.

Stock, Jonathan. 1991. "A Phoenix Crying at Sunrise: Origins and Social Context of the Erhu." CHIME 3: 20-31.

Sturma, Michael. 1991. "The Politics of Dancing: When Rock 'n' Roll Came to Australia." Journal of Popular Culture 25/4: 123-42.

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Tingey, Carol. 1992. "Sacred Kettledrums in the Temples of Central Nepal." Asian Music 23/2: 92-103. Bibliog.

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van Heteren, Lorette. 1990. "A Foreign Student of Peking Opera in Shanghai." CHIME 1: 41-50.

Vitale, Wayne. 1990. "I Wayan Dibia: The Relationship of Music and Dance in Balinese Performing Arts." Balungan 4/2: 16-22. Photos.

Vitale, Wayne. 1990. "Kotekan: The Technique of Interlocking Parts in Balinese Music." Balungan 4/2: 2-15. Music.

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Waterhouse, David. 1991. "Where Did Toragaku Come From?" Musica Asiatica 6: 73-94. Bibliog.

Waterhouse, Richard. 1990. "The Minstrel Show and Australian Culture." Journal of Popular Culture 24/3: 147-66.

Wei-hua Zhang. 1992. "Music in Ming Daily Life As Portrayed in the Narrative Jin Ping Mei." Asian Music 23/2: 105-34. Bibliog., illus.

Wells, Marnix St J. 1991-92. "Rhythm and Phrasing in Chinese Tune-Title Lyrics: Old Eight-Beat and Its 3-2-3 Meter." Asian Music 23/1: 119-83. Bibliog., music.

Woei Lien Chong. 1991. "Rock Star Cui Jian, Young China's Voice of the 1980s." CHIME 4: 4-22.

Wolpert, Rembrandt F. 1990. "A Talk at the Kingston Seminar: Student of Chinese Music?" CHIME 1: 10-15.

Wong, Deborah. 1991. "Across Three Generations: A Solo Piece for Thai Gong Circle." Balungan 5/1: 2-9. Bibliog., music, photos.

Yang Mu. 1991. "Chinese Music in Australia." CHIME 4: 66-71.

Z. Zhang, and H. Schaffrath. 1991. "China's Mountain Songs." CHIME 4: 23-33.


Alario, Leonardo R. 1990. Canti narrativi in Calabria: nuove lezioni registrate a Cassano Jonio (Cosenza). Tradizioni musicali, 7. Sala Bolognese: A. Forni, 157 pp., bibliog., illus., music.

Anahory-Librowicz, Oro. "Por qué un Romancero sefardí?" See General section, B. Garza Cuarón and Y. Jiménez Báez, ed., Estudios de folklore, 159-70.

Andonova, Liudmila. 1987. "[Essence and significance of typological and comparative method in dialectological studies of vocal folklore]." Bulgarsko Muzikoznanie 11/1: 70-76. English summary.

Armistead, Samuel G. "Los orígenes épicos del Romancero en una perspectiva multicultural." See General section, B. Garza Cuarón and Y. Jiménez Báez, ed., Estudios de folklore, 3-15.

Averoph, Georgios A., ed. 1989. Ta Demotika tragoudia kai hoi laikoi choroi tes Kyprou. Leukosia: Politistiko Hidryma Trapezes Kyprou, 273 pp., bibliog., illus., music.

Bakka, Egil, Brit Seland, and Dag Vardal. 1990. Dansetradisjonar fra Vest-Agder. Kristiansand, Norway: Vest-Agder ungdomslag; Trondheim: Radet for folkemusikk og folkedans, 287 pp., bibliog., illus., maps.

Balslev-Clausen, Peter, ed. 1988. Songs from Denmark: A Collection of Danish Hymns, Songs, and Ballads in English Translation. Copenhagen: Danish Cultural Institute, 183 pp., bibliog., music.

Borghi, Gianpaolo, and Giorgio Vezzani. 1988. C'era una volta un "treppo": cantastorie e poeti popolari in Italia settentrionale dalla fine dell'Ottocento agli anni ottanta. 2 vols. Tradizioni musicali, 2, 4. Sala Bolognese: A. Forni, Bibliog., ill us.

Burnett, Robert. 1992. "Dressed for Success: Sweden from Abba to Roxette." Popular Music 11/2: 141-50. Bibliog., photos, table.

Costa Fontes, Manuel de. "Vida de freira en la tradición oral luso- brasileira." See General section, B. Garza Cuarón and Y. Jiménez Báez, ed., Estudios de folklore, 641-65.

Cullinane, John P. 1990. Further Aspects of the History of Irish Dancing: Ireland, Scotland, Canada, America, New Zealand, and Australia. Bishopstown, Cork: Ballineaspig Publications, 158 pp., bibliog., illus. Aspects of the History of Irish Dancin g, Part Two.

Dell'Amore, Franco. 1990. "Taca, Zaclen!": le origini del ballo popolare in Romagna (1870-1915) nel repertorio di Carlo Brighi detto Zaclen. Tradizioni musicali, 9. Sala Bolognese: A. Forni, 176 pp., bibliog., illus.

Dias Marques, J. J., and Walter Brunetto. "O Romanceiro e as cantigas da segada." See General section, B. Garza Cuarón and Y. Jiménez Báez, ed., Estudios de folklore, 171-208.

Forét, Miroslav. 1990. "Sociological Aspects of Popular Music in Czechoslovakia in the Eighties." Popular Music and Society 14/4: 49-55.

Gribenski, Jean. 1991. "La recherche musicologie en France depuis 1958." Acta Musicologica 63/2: 211-37.

Ilieva, Anna. 1986. "Subori na narodno tvorchestvo." Bulgarsko Musikoznanie 10/3: 3-7. English Summary. Folklore fairs.

Kater, Michael H. 1992. Different Drummers: Jazz in the Culture of Nazi Germany. New York; Oxford: Oxford University Press, xiv, 291 pp., bibliog., photos.

Katz, Israel J. 1991. "J. B. Trend's Little-Known Bibliographical Contribution to the Study of Spain's Traditional Folk Music." Annuario Musical 46: 345-88.

Katz, Israel J. "Kurt Schindler: La aventura individual y colectiva de un cancionero." See General section, I. J. Katz and M. Manzano Alonso, ed., Kurt Schindler, 11-43, 97-173.

Katz, Israel J. "Musical Settings of the Lament Vida de freira in Sixteenth- and Seventeenth-Century Spanish and Portuguese Sources, As Well As Its Tunes in the Modern Portuguese Oral Tradition." See General section, B. Garza Cuarón and Y. J iménez Baez, ed., Estudios de folklore, 667-705.

Katz, Israel J. 1992. "Pre-Expulsion Tune Survivals among Judeo- Spanish Ballads? A Possible Late-Fifteenth Century French Antecedent." In Hispanic Medieval Studies in Honor of Samuel G. Armistead, ed. E. Michael Gerli and Harvey L. Sharrer, 173-92 . Madison: Hispanic Seminary of Medieval Studies.

Kaufman, Dimitrina. 1986. "Postizheniia i nosoki na razvitie na probesionalnite ansambli za narodni pesni i tantsi (april 1985 g.)" [Achievements and trends of development of professional folksong and dance companies (April 1985)]. Bulgarsko Muzikoznan ie 10/1: 88-103. English summary.

Kaufman, Dimitrina. 1986. "Tvorchestvoto za narodnite khorove i ansambli" [The work for folk choirs and ensembles]. Bulgarsko Muzikoznanie 10/2: 27-33.

Kaufman, Nikolai. 1986. "Bulgarski narodni khorove ansambli" [Bulgarian folk choirs and ensembles]. Bulgarsko Muzikoznanie 10/2: 71-78. English summary.

Kaufman, Nikolai. 1986. "Novi danni za rabotnicheskite ni pesni" [New data on working-class songs]. Bulgarsko Muzikoznanie 10/1: 60-87. Facsim., illus., music. English summary.

Kaufman, Nikolai.. 1987. "[Petko Stajnov's work and folklore]." Bulgarsko Muzikoznanie 11/2: 10-19. Music. English summary.

Kaufman, Nikolai.. 1986. "Pogled vurkhu bulgarskite satirichni i protestni pesni" [A glimpse at Bulgarian satirical and protest songs]. Bulgarsko Musikoznanie 10/3: 35-51. Music. English summary.

Kuter, Lois. 1990. "A Musical Renaissance in Brittany." Resound 9/ 4: [1]-[5]. Bibliog., discog.

Laing, David. 1992. "'Sadeness,' Scorpions and Single Markets: National and Transnational Trends in European Popular Music." Popular Music 11/2: 127-40. Bibliog., photos, table.

Langlois, Tony. 1992. "Can You Feel It? DJs and House Music Culture in the UK." Popular Music 11/2: 229-38. Bibliog.

Larkey, Edward. 1992. "Austropop: Popular Music and National Identity in Austria." Popular Music 11/2: 151-85. Bibliog., photos, tables.

Levy, Claire. 1992. "The Influence of British Rock in Bulgaria." Popular Music 11/2: 209-12.

Leydi, Roberto. 1991. L'Altra musica etnomusicologia: come abbiamo incontrato e creduto di conoscere le musiche delle tradizione popolari etniche. Firenze: Giunte Ricordi, 336 pp., illus.

MacColl, Ewan. 1990. Journeyman: An Autobiography. London: Sidgwick & Jackson, [iv], 400 pp., photos.

Manzano Alonso, Miquel. "Kurt Schindler y la música española de tradición oral." See General section, I. J. Katz, and M. Manzano Alonso, ed., Kurt Schindler, 45-95.

Mazo, Margarita. 1990. "Stravinsky's Les Noces and Russian Folk Wedding Ritual." Journal of the American Musicological Society 43/1: 99-142. Bibliog., music.

Mitchell, Tony. 1992. "Mixing Pop and Politics: Rock Music in Czechoslovakia before and after the Velvet Revolution." Popular Music 11/2: 187-203. Bibliog., discog.

Moen, Ruth Anne. 1989. "Dokumentasjon av folkemusikk i Rogaland. Om folkemusikkarkivet for Rogaland." Stavanger Museum. Arbok 98: 71-90. Bibliog., facsims., music, photos. English summary.

Nejkova, Ruza. 1986. "'Lazarichkite nedeli' i iugozapadna bulgariia" [St. Laza'r Sundays in southwestern Bulgaria]. Bulgarsko Muzikoznanie 10/4: 36-50. English summary.

Nejokova, Ruza. 1987. "[About St. Lazar's ritual song in South-Western Bulgaria]." Bulgarsko Muzikoznanie 11/1: 64-69. English summary.

Pekacz, Jolanta. 1992. "On Some Dilemmas of Polish Post-Communist Rock Culture." Popular Music 11/2: 205-08.

Pelote, Vincent. 1991. "An Annotated Bibliography of British Periodicals (1930-40)." Annual Review of Jazz Studies 5: 91-107. Facsims.

Petersen, H. C. 1988. "Song and Verse in Traditional Greenlandic Society." Folk 30: 229-43. Bibliog.

Raskova, Natalia. 1987. "[Poetry and rhythmical types and territorial occurence of St. Lazar's Day songs in Eastern Bulgaria]." Bulgarsko Muzikoznanie 11/3: 67-80. Music. English summary.

Ronström, Owe. 1992. Att gestalta ett ursprung. En musiketnologisk studie av dansande och musicerande bland jugoslaver i Stockholm. Stockholm: Akademitryck, 301 pp., bibliog., diagrs., music, photos.

Sándor, Veress, ed. 1989. Moldvai gyujtés. Magyar népköltési gyujtemény, 16. Budapest: Múzsák, 421 pp., bibliog., illus., music.

Shepherd, Dave. 1989. The Breton Dance and Tune Book: Dañsiou hag toniou breizh. Northumberland: Dragonfly Music, 48 pp., bibliog., discog., illus., music, photos.

Stokes, Martin. 1992. "Islam, the Turkish State and Arabesk." Popular Music 11/2: 213-27. Bibliog., discog., photo.

Stringer, Julian. 1992. "The Smiths: Repressed (But Remarkably Dressed)." Popular Music 11/1: 15-26. Bibliog., discog., photo.

Taylor, Timothy D. 1991. "Re-signing Mass Culture: Billy Bragg's 'There is Power in a Union'." Popular Music and Society 15/2: 33-48. Bibliog.

Todorov, Todor. 1986. "Stranstvuvashtite sleptsi-pevtsi v bulgarskata narodna profesionalna muzikalna traditsiia" [Wandering blind singers in Bulgarian popular professional musical tradition]. Bulgarsko Musikoznanie 10/3: 63-77. Music. English summ ary.

Tuksar, Stanslav. 1991. "La musicologie en Croatie de 1980 à 1989: Réalisations des années 80 et perspectives des années 90." Acta Musicologica 63/2: 200-10.

Valenciano, Ana. "Memoria, innovación y censura colectiva en la tradición oral: épica yugoslavia versus Romancero hispánico." See General section, B. Garza Cuarón and Y. Jiménez Báez, ed., Estudio s de folklore, 33-40.

Vasili, Kozma, and Arsen Mustaqi, ed. 1988-. Lirika Popullore. Folklore shqiptar, Ser. IV. Tiranhe: Akademia e Shkencave e RPSSH, Instituti i Kulturës Popullore, Bibliogs., gloss., illus., music.

Zakharieva, Svetlana. 1986. "Folklore--suvremennost--istoriia [Folklore--contemporaneity--history]." Bulgarsko Muzikoznanie 10/2: 42-50. English summary.

Zakharieva, Svetlana. 1987. "[With a humanitarian approach to folklore]." Bulgarsko Muzikoznanie 11/2: 20-28. English summary.


Laura Cervantes, Virginia Danielson, Charlotte Frisbie, Judith Lynne Hanna, Joseph C. Hickerson, Thomas F. Johnston, Israel J. Katz, Frank Kouwenhoven, Gilbert Rouget, T. M. Scruggs

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