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Current Bibliography, Vol. 47, No. 3 (Fall 2003)
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Compiled by Randal Baier (Eastern Michigan University)

Editor's note: in order to aid searching, names and terms that have been coded to display diacriticals have been appended to the entry in brackets without diacriticals.

General | Africa | Americas | Asia & Oceania | Europe


Alderman, John. 2001. Sonic Boom: Napster, MP3, and the New Pioneers of Music. Cambridge, MA: Perseus Pub. xviii, 205 p.

Ames, Eric. 2003. "The Sound of Evolution." Modernism/modernity 10 (2): 297-325.

Bauman, Richard. 2002. "Disciplinarity, Relflexivity, and Power in Verbal Art as Performance: A Response." Journal of American Folklore 115 (455): 92-98.

Berger, Harris M. 2002. "Bauman's Verbal Art and the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance." Journal of American Folklore 115 (455): 62-91.

Bogdan, Deanne. 2003. "Musical Spirituality: Reflections on Identity and the Ethics of Embodied Aesthetic Experience in/and the Academy." The Journal of Aesthetic Education 37 (2): 80-98.

Brennan, Timothy. 2001. "World Music Does Not Exist." Discourse 23 (1): 44-62.

Budd, Malcolm. 2003. "Musical Movement and Aesthetic Metaphors." The British Journal of Aesthetics 43 (3): 209-223.

Burns, Lori and Melisse Lafrance. 2002. Disruptive Divas: Feminism, Identity and Popular Music. (Studies in Contemporary Music and Culture) New York: Routledge. xix, 255 p., bibliog., index. ISBN 0-8153-3553-9.

Elliott, James Isaac. 2003. "From Partnership to Profits: The Role of Cowriting with Recording Artists as a Strategic Plan for Copyright Exploitation." Popular Music & Society 26 (2): 169-181.

Feld, Steven. 2000. "A Sweet Lullaby for World Music." Public Culture 12 (1): 145-171.

Fernando-Marandola, Nathalie. 2002. "New Perspectives on Interactive Field Experiments." Yearbook for Traditional Music 34: 163-186.

Frith, Simon, Will Straw, and John Street, eds. 2001. The Cambridge Companion to Pop and Rock. New York: Cambridge University Press. 303 p., illus., bibliog., index. ISBN 0-521-55369-5.

Griscom, Richard. 2003. "Distant Music: Delivering Audio over the Internet." Notes 59 (3): 521-541.

Kotarba, Joseph A. 2003. "Popular Music and Everyday Life: Three Styles of Scholarly Appreciation." Journal of Contemporary Ethnography 32 (3): 360-368.

Kuitenbrouwer, Maarten. 2003. "World Music: A Literary Exploration." Tijdschrift voor Geschiedenis 116 (1): 37-43.

Laskewicz, Zachar. 2003. Music as Episteme Text Sign & Tool: Comparative Approaches to Musicality as Performance. Brussels, San Francisco & Taipei: Saru Press, 2003. ISBN 0-935086-35-8.

Lawrence, I. 2003. "Soundscapes." Physics Education 38 (4): 294-299.

Marian-Balasa, Marin. 2003. "The Real Being of the Folk Song: Actual and Virtual Forms." Studia Musicologica 44 (1-2): 119-126.

Montagu, Jeremy. 2003. "Why Ethno-Organology?" European Meetings in Ethnomusicology 10: 33-44.

Penn, William A. and Martha J. Hanson. 2003. "The Syracuse University Library Radius Project: Development of a Non-Destructive Playback System for Cylinder Recordings. First Monday 8 (5). (http://firstmonday.org/issues/issue8_5/penn/index.html) Accessed July 31, 2003.

Rice, Timothy Alan. 2003. "Time, Place, and Metaphor in Musical Experience And Ethnography." Ethnomusicology 47 (2): 151-179.

Seeger, Anthony. 2002. "A Tropical Meditation on Comparison in Ethnomusicology: A Metaphoric Knife, a Real Banana and an Edible Demonstration." Yearbook for Traditional Music 34: 187-192.

Vaidhyanathan, Siva. 2001. Copyrights and Copywrongs: the Rise of Intellectual Property and How it Threatens Creativity. New York: New York University Press, c2001. xi, 243 p., bibliog., index.

Swiss, Thomas, John Sloop, and Andrew Herman, eds. 1998. Mapping the Beat: Popular Music and Contemporary Theory. Malden, Mass.: Blackwell.

Thram, Diane. 2002. "Therapeutic Efficacy of Music-Making: Neglected Aspect of Human Experience Integral to Performance Process." Yearbook for Traditional Music 34: 129-138.

Waksman, Steve. 2003. "Reading the Instrument: An Introduction." Popular Music & Society 26 (3): 251-261.

Wicke, Peter. 2003. "Popmusik in der Analyse." Acta musicologica 75 (1): 107-126.


Allen, Lara. 2003. "Commerce, Politics, and Musical Hybridity: Vocalizing Urban Black South African Identity During the 1950s." Ethnomusicology 47 (2): 228-249.

Brooks, Christopher. 2000. "Negritude in Music Revisited: Old Wine or New Bottles?" In "Through African-Centered Prisms," Barbara L. Hampton, guest ed., special issue of New York Folklore 18 (1-4): 53-72. New York: New York Folklore Society.

Fryer, P. 2003. "Our Earliest Glimpse of West African Music." Race & Class 45 (1): 105-110.

Garcia, Miguel A. 2002. "Making Culture Coherent: Nomadism, 'Open Agenda' and Music in Wichi Society." Yearbook for Traditional Music 34: 47-66.

Gilman, Lisa. 2001. "Purchasing Praise: Women, Dancing, and Patronage in Malawi Party Politics." Africa Today 48 (4): 43-64.

Goodman, Jane E. 2002. "'Stealing Our Heritage?': Women's Folksongs, Copyright Law, and the Public Domain in Algeria." Africa Today 49 (10): 85-97.

Gunderson, Frank D. 2001. "From 'Dancing with Porcupines' to 'Twirling a Hoe': Musical Labor Transformed in Sukumaland, Tanzania. Africa Today 48 (4): 3-25.

Haynes, Jonathan. 2003. "Mobilising Yoruba popular culture: Babangida Must Go." Africa: Journal of the International African Institute 73 (1): 77-87.

Impey, Angela. 2002. "Culture, Conversation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern Kwazulu Natal." Yearbook for Traditional Music 34: 9-24.

Mallet, Julien. 2002. "Histoire de vie, histoire d'une vie. Damily, musicien de tsapiky, troubadour des temps modernes [Story of lives, story of a life: The tsapiky musician Damily — Troubadour of modern times]." Cahiers de musiques traditionnelles 15: 113-132.

Martin, Denis-Constant. 2002. "Anwar Gambeno: Transmettre une tradition omnivore (Le Cap, Afrique du Sud) [Anwar Gambeno: Transmitting an omnivorous tradition in the South African Cape]." Cahiers de musiques traditionnelles 15: 133-154.

Maxwell, Heather. 2003. "Divas of the Wassoulou Sound: Transformations in the Matrix of Cultural Production, Globalization, and Identity." Consumption, Markets and Culture 6 (1): 43-63.

Muller, Carol Ann. 1999. Rituals of Fertility and the Sacrifice of Desire: Nazarite Women's Performance in South Africa. (Chicago Studies in Ethnomusicology) Chicago: University of Chicago Press, 1999. xxiv, 316 p., bibliog., illus., music, map, compact disc. ISBN 0-226-54820-1.

Nzewi, Meki. 2001. Beyond Song Texts — The Lingual Fundamentals of African Drum Music." Research in African Literatures 32 (2): 90-104.

Randrianary, Victor. 2002. "Mama Sana. Succès, angoisses et musique: le blues sakalava [Mama Sana: Successes, anguish and music: The Sakalava blues]." Cahiers de musiques traditionnelles 15: 97-112.

Reed, Daniel B. 2001. "Pop Goes the Sacred: Dan Mask Performance and Popular Culture in Postcolonial Cote d'Ivoire." Africa Today 48 (4): 67-85.

Tourny, Olivier. 2002. "Abba Bayenne: Le dernier moine juif éthiopien [Abba Bayenne: The last Ethiopian Jewish monk]." Cahiers de musiques traditionnelles 15: 89-96.


Appelrouth, Scott. 2003. "Constructing the Meaning of Early Jazz, 1917-1930." Poetics 31 (2): 117-131.

Arnaud, Robert. 2002. "Chasseur de blues. Alan Lomax, pionnier de l'enregistrement de terrain [Blues hunter: Alan Lomax — Pioneer of the field recording]." Cahiers de musiques traditionnelles 15: 171-176.

Bailey, Steve. 2003. "Faithful or Foolish: The Emergence of the 'Ironic Cover Album' and Rock Culture." Popular Music & Society 26 (2): 141-159.

Bell, Kevin. 2003. "The Embrace of Entropy: Ralph Ellison and the Freedom Principle of Jazz Invisible." boundary 2 30 (2): 21-45.

Brewer, Roy. C. 2003. "The Appearance of the Electric Bass Guitar: A Rockabilly Perspective." Popular Music & Society 26 (3): 351-366.

Cook, Samuel R. 2002. "The Monacan Indian Nation: Asserting Tribal Sovereignty in the Absence of Federal Recognition." Wicazo Sa Review 7 (2): 91-116.

Cooper, B. Lee, Patty Falk and William L. Schurk. 2003. "Accordions, Banjos, Cornets and Zithers: Sound Recordings Archives and Musical Instruments." Popular Music & Society 26 (3): 387-398.

Daley, Mike. 2003. "'Why Do Whites Sing Black?': The Blues, Whiteness, and Early Histories of Rock." Popular Music & Society 26 (2): 161-167.

DeWitt, Mark. F. 2003. "The Diatonic Button Accordion in Ethnic Context: Idiom and Style in Cajun Dance Music." Popular Music & Society 26 (3): 305-330.

Everett, Holly. 2003. "'The Association That I Have with This Guitar Is My Life': The Guitar as Artifact and Symbol." Popular Music & Society 26 (3): 331-350.

Goff, James R. Jr. 2002. Close Harmony: A History of Southern Gospel. Chapel Hill: University of North Carolina Press. xiv, 394 p., illus., index. ISBN 0-8078-2681-2.

Greenhill, Pauline. 2002. "Folk and Academic Racism: Concepts from Morris and Folklore." Journal of American Folklore 115 (456): 226-246.

Grier, James. 2001. "The Mothers of Invention and Uncle Meat: Alienation, Anachronism and a Double Variation." Acta musicologica 75 (1): 77-95.

Hamelman, Steven. 2003. "But Is It Garbage? The Theme of Trash in Rock and Roll Criticism." Popular Music & Society 26 (2): 203-223.

Hampton, Barbara. L. 2000. "Voices of Tradition and Promise: African-American Gospel Women Musicians." In "Through African-Centered Prisms," Barbara L. Hampton, guest ed., special issue of New York Folklore 18 (1-4): 179-204. New York: New York Folklore Society.

Hubbert, Julie. 2003. "'Whatever Happened to Great Movie Music?': Cinema Verite and Hollywood Film Music of the Early 1970s." American Music 21 (2): 180-213.

Johnson, Laura. 2000. "Erasure of the DJ: Hip Hop Music and Popular Music Criticism." In "Through African-Centered Prisms," Barbara L. Hampton, guest ed., special issue of New York Folklore 18 (1-4): 227-244. New York: New York Folklore Society.

Kienzle, Richard. 2003. Southwest Shuffle: Pioneers of Honky-Tonk, Western Swing, and Country Jazz. New York: Routledge. xv, 288 p., illus. ISBN 0415941032.

Kodat, Catherine Gunther. 2003. "Conversing with Ourselves: Canon, Freedom, Jazz." American Quarterly 55 (1): 1-28.

Kruse, Holly. 2003. Site and Sound: Understanding Independent Music Scenes. New York: P. Lang. 188 p.

Kruse, Robert J. 2003. "Imagining Strawberry Fields as a Place of Pilgrimage." Area 35 (2): 154-162.

Levine, Victoria Lindsay, ed. 2002. Writing American Indian Music: Historic Transcriptions, Notations, and Arrangements. (Recent Researches in American Music 44 ; Music of the United States of America 11) Madison, Wisc.: A-R Editions. xxxviii, 304 p., bibliog., illus., music, index. ISBN 0-895-794949.

Lima, Luiz Fernando Nascimento de. 2003. "Musica e Fala: O Discurso Verbal em um Espetaculo de Samba." Latin American Music Review 24 (1): 95-125.

Lockheart, Paula. 2003. "A History of Early Microphone Singing, 1925-1939: American Mainstream Popular Singing at the Advent of Electronic Microphone Amplification." Popular Music & Society 26 (3): 367-385.

Lopes, Paul. 2002. The Rise of a Jazz Art World. Cambridge: Cambridge University Press. vii, 294 p., bibliog., index. ISBN 0-521-80191-5.

Lowe, Melanie. 2003. "Colliding Feminisms: Britney Spears, 'Tweens,' and the Politics of Reception." Popular Music & Society 26 (2): 123-140.

Lucas, Glaura. 2002. "Musical Rituals of Afro-Brazilian Religious Groups within the Ceremonies of Congado." Yearbook for Traditional Music 34: 115-128.

Maira, Sunaina Marr. 2002. Desis in the House: Indian American Youth Culture in New York City. (Asian American History and Culture). Philadelphia: Temple University Press, 2002. xi, 256 p., photo, notes, bibliog. ISBN 1-56639-926-2.

Manuel, Peter L. 2002. "From Scarlatti to 'Guantanamera': Dual Tonicity in Spanish and Latin American Musics." Journal of the American Musicological Society 55 (2): 311-336.

Marian-Balasa, Marin. 2003. "Performing Religiousness Through Joyful Noise and Playful Order: Notes on Shapenote Singing." European Meetings in Ethnomusicology 10: 117-176.

Mendoza, Zoila S. 2000. Shaping Society Through Dance: Mestizo Ritual Performance in the Peruvian Andes. (Chicago Studies in Ethnomusicology) Chicago and London: The University of Chicago Press. 285 p., bibliog., illus., map, index, compact disc. ISBN 0-226-52008-0. Video ISBN 0-226-52010-2.

Merod, Jim. 2001. "The Question of Miles Davis." boundary 2 28 (2): 57-103.

Miles, Kevin Thomas. 2000. "Haunting Music in The Souls of Black Folk." boundary 2 27 (3): 199-214.

Miller, Kiri, ed. 2002. The Chattahoochee Musical Convention, 1852-2002: A Sacred Harp Historical Sourcebook. Carrollton, GA: The Sacred Harp Museum. xiv, 359 p., illus., index of names. ISBN 1-887617-13-2.

Norton, Kay. 2002. Baptist Offspring, Southern Midwife: Jesse Mercer's Cluster of Spiritual Songs (1810): A Study in American Hymnody. (Detroit Monographs in Musicology/Studies in Music, 34) Warren, Mich.: Harmonie Park Press. xxiii, 202 p., bibliog., illus., music, maps, tables, indexes. ISBN 0-899-90109-3.

O'Meally, Robert G. 2003. "Checking Our Balances: Ellison on Armstrong's Humor." boundary 2 30 (2): 115-136.

Penin, Jose. 2003. "Musica popular de masas, de medios, urbana o mesomusica venezolana." Latin American Music Review 24 (1): 62-94.

Polansky, Larry with Judith Tick, eds. 2001. The Music of American Folk Song, and Selected Other Writings on American Folk Music. Rochester, N.Y.: University of Rochester Press. 210 p., illus., music, indexes. ISBN 1-58046-095-X.

Pond, Steven F. 2003. "Jamming the Reception: Ken Burns. Jazz, and the Problem of 'America's Music'." Notes 60 (1): 11-45.

Radano, Ronald Michael. 2002. "Narrating Black Music's Past." Radical History Review 84: 115-118.

Ryan, Robin. 2003. "Jamming on the Gumleaves in the Bush 'Down Under': Black Tradition, White Novelty?" Popular Music & Society 26 (3): 285-304.

Salazar Primero, Max. 2002. Mambo kingdom: Latin music in New York. New York: Schirmer Trade Books. x, 309 p., illus. ISBN 0-8256-7277-5.

Scher, Philip W. 2002. "Copyright Heritage: Preservation, Carnival and the State in Trinidad." Anthropological Quarterly 75 (3): 453-484.

Shank, Barry. 1996. "Fears of the white unconscious: Music, race, and identification in the censorship of 'Cop Killer'." Radical History Review 66: 124-145.

Shank, Barry. 2002. "'That wild mercury sound': Bob Dylan and the illusion of American culture." Boundary 2 29 (1): 97-123.

Slobin, Mark, ed. 2002. American Klezmer: Its Roots and Offshoots. Berkeley: University of California Press. vi, 245 p., bibliog., music, index. ISBN 0-520-22717-4.

Stivale, Charles J. 2003. Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance. (Post-Contemporary Interventions) Durham: Duke University Press. xii, 217 p., bibliog., index. ISBN 0-8223-3033-4.

Strom, Yale. 2002. The Book of Klezmer: The History, the Music, the Folklore from the 14th Century to the 21st. Chicago: A Capella Books. xvi, 381 p., bibliog., discog., illus., music, glossary, index. ISBN 1-55652-445-5.

Sullivan, Rachel E. 2003. "Rap and Race: Its Got a Nice Beat, but What about the Message?" Journal of Black Studies 33 (5): 605-622.

Titon, Jeff Todd. 2001. Old Time Kentucky Fiddle Tunes. Lexington: University of Kentucky Press. xviii, 245 p., bibliog., illus., map, index, compact disc. ISBN 0-8131-2200-7.

Wald, Gayle. 2003. "From Spirituals to Swing: Sister Rosetta Tharpe and Gospel Crossover." American Quarterly 55 (3): 387-416.

Waring, Dennis G. 2002. Manufacturing the Muse: Estey Organs & Consumer Culture in Victorian America. Middletown, Conn.: Wesleyan University Press. xix, 356 p., illus., music, maps, indexes, compact disc. ISBN 0-819-56507-5.

Waters, Lindsay. 2003. "Come Softly, Darling, Hear What I Say: Listening in a State of Distraction — a Tribute to the Work of Walter Benjamin, Elvis Presley, and Robert Christgau." boundary 2 30 (1): 199-212.

Weheliye, Alexander. G. 2003. "'I Am I Be': The Subject of Sonic Afro-modernity." boundary 2 30 (2): 97-114.

Wilkinson, Christopher. 2003. "Hot and Sweet: Big Band Music in Black West Virginia before the Swing Era." American Music 21 (2): 159-179.

Asia & Oceania

al-Nûnû, Yahyâ et Jean Lambert. 2002. "L'autobiographie d'un musicien yéménite: traditionnel et autodidacte? [The autobiography of a Yemeni musician: Traditional and self-taught?]." Cahiers de musiques traditionnelles 15: 33-46. [ al-Nunu Yahya ]

Atkins, E. Taylor. 2001. Blue Nippon: Authenticating Jazz in Japan. Durham [N.C.]: Duke University Press, c2001. xiv, 366 p., bibliog., discog., illus., index.

Baranovitch, Nimrod. 2003. China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press. 346 p., bibliog., illus., notes, index. ISBN 0-520-23450-2.

Barendregt, Bart and Wim van Zanten. 2002. "Popular Music in Indonesia Since 1988, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet." Yearbook for Traditional Music 34: 67-114.

Baulch, Emma. 2003. "Gesturing Everywhere: the Identity Politics of the Balinese Death/Thrash Metal Scene." Popular Music 22 (2): 195-215.

Belle, Jan van. 2002. "Ostâd Malang Nejrabi, 'doigt d'or' de l'Afghanistan [Ostad Malang Nejrabi: "Golden finger" of Afghanistan ]." Cahiers de musiques traditionnelles 15: 47-56. [ Ostad ]

Blume, Gernot. 2003. "Blurred Affinities: Tracing the Influence of North Indian Classical Music in Keith Jarrett's Solo Piano Improvisations." Popular Music 22 (2): 117-142.

Braun, Joachim. 2002. Music in Ancient Israel/Palestine: Archaeological, Written, and Comparative Sources. Translated by Douglas W. Stott. (The Bible in Its World) Grand Rapids, Mich.: William B. Eerdmans. xxxvi, 368 p., bibliog., illus., maps, index. ISBN 0-8028-4477-4.

Chiener, Chou. 2002. "Issues of Identity in Nanguan Music." Journal of Music in China 4 (1-2): 89-128.

Clark, Marshall. 2001. "Shadow Boxing: Indonesian Writers and the Ramayana in the New Order." Indonesia (72): 159-187.

Cohen, Matthew Isaac. 2002. "Border crossings: Bangsawan in the Netherlands Indies in the nineteenth and early twentieth centuries." Indonesia and the Malay World 30 (87): 101-115.

Cook, Simon. 2001. "The song is the Thing: Patokan, Alur-Lagu and the Impact of the Female Vocal Soloists on Sundanese Instrumental Music." Contemporary Theatre Review 11 (1): 67-97.

Cooper, Tom. 2001. Litters of Honour: The Jaran, Buraq, and Singa Barong of Lombok." Indonesia and the Malay World 29 (84): 99-112.

Danielson, Virginia, Scott Marcus and Dwight Reynolds, eds. 2001. The Garland Encyclopedia of World Music. Vol. 6, The Middle East. New York: Routledge. xvii, 1,182 p., bibliog., illus., music, index, compact disc. ISBN 0-824-06042-3.

Diehl, Keila. 2002. Echos from Dharamsala: Music in the Life of a Tibetan Refugee Community. Berkeley: University of California Press. xxv, 312 p., bibliog., illus., index. ISBN 0-520-23043-4.

Greene, Paul D. 2003. "Ordering a Sacred Terrain: Melodic Pathways of Himalayan Flute Pilgrimage." Ethnomusicology 47 (2): 205-227.

Hao Huang. 2003. "Voices from Chinese Rock, Past and Present Tense: Social Commentary and Construction of Identity in Yaogun Yinyue, from Tiananmen to the Present." Popular Music & Society 26 (2): 183-202.

Harnish, David. 2003. "Worlds of Wayang Sasak: Music, Performance, and Negotiations of Religion and Modernity." Asian Music 34 (2): 91-120.

Ho, Wai-chung. 2003. "Between Globalisation and Localisation: A Study of Hong Kong Popular Music." Popular Music 22 (2): 143-157.

Kartomi, Margaret J. 2001. The Gamelan Digul and the Prison Camp Musician Who Built It. Rochester, N.Y.: University of Rochester Press. xxi, 123 p., bibliog., illus., index, compact disc. ISBN 1-58046-088-7, $75.

Khuin, Liew Kai. 2003. "Limited Pidgin-Type Patois? Policy, Language, Technology, Identity and the Experience of Canto-pop in Singapore." Popular Music 22 (2): 217-233.

Killick, Andrew P. 2003. "Road Test for a New Model: Korean Musical Narrative and Theater in Comparative Context." Ethnomusicology 47 (2): 180-204.

Kharissov, Ildar. 2003. "Melodie als quantativer Rahmen: Die aruz-Formeln in den 'gelehrten' Gesangen der Kasantatren [Melody as a quantitative framework: The aruz formulae in the "scholarly" songs of the Kazan Tatars]." Studia Musicologica 44 (1-2): 221-253.

Kinnear, Michael S. 1994. The Gramophone Company's Indian Recordings, 1899-1908. Bombay: Popular Prakashan PVT. Ltd.

Lê Ylinh. 2002. "Double vie, mais foi unique: Pham-Van-Kiem, maitre musicien du rituel Hau-bong (Nord Viet-nam) [Double life but single faith: Pham-Van-Kieme, master musician of the Hau-bong ritual (North Vietnam)]." Cahiers de musiques traditionnelles 15: 75-87. [ Le ]

Lee Tong Soon. 2002. "Chinese Street Opera Performance and the Shaping of Cultural Aesthetics in Contemporary Singapore." Yearbook for Traditional Music 34: 139-162.

Lindsay, Jennifer. 1997. "Making Waves: Private Radio and Local Identities in Indonesia." Indonesia 64: 105-123.

Macak, Ivan. 2003. "Questions Arising from Thinking about Chinese Music." Studia Musicologica 44 (1-2): 263-267.

Minangkabau, Suryadi. 2003. "Minangkabau Commercial Cassettes and the Cultural Impact of the Recording Industry in West Sumatra." Asian Music 34 (2): 251-89.

McAlister, Elizabeth. 2002. Rara! Vodou, Power, and Performance in Haiti and Its Diaspora. Berkeley, Calif.: University of California Press. xviii, 259 p. bibliog., illus., index, compact disc. ISBN 0-520-22822-7.

McClellan, Michael E. 2003. "Performing Empire: Opera in Colonial Hanoi." The Journal of Musicological Research 22 (1-2): 135-166.

Mehta, R. C., ed. 2002. Indian Music: Eminent Thinkers on Core Issues. Discourses by Premlata Sharma, S. K. Saxena, and Kapila Vatsyayana. Mumbai: Indian Musicological Society. 113 p.

Mrázek, Jan. 2000. "More than a picture: the instrumental quality of the shadow puppet," in Studies in Southeast Asian Art: Essays in Honor of Stanley J. O'Connor, Nora Taylor, ed. (Studies on Southeast Asia ; no. 29) Ithaca: Cornell Southeast Asia Program, 2000. [ mrazek ]

Mrázek, Jan, ed. 2002. Puppet Theater in Contemporary Indonesia: New Approaches to Performance Events. (Michigan papers on South and Southeast Asia, no. 50) [Ann Arbor, MI]: University of Michigan, Centers for South and Southeast Asian Studies. [ mrazek ]

Nilan, Pam. 2001. "Gendered Dreams: Women Watching Sinetron (Soap Operas) on Indonesian TV." Indonesia and the Malay World 29 (84): 85-98.

Ojamaa, Triinu. 2003. "Composition Principles in Forest Nenets Music." Studia Musicologica 44 (1-2): 255-262.

Ojamaa, Triinu. 2003. "Excursion to North Siberian Music: Specific Sound of Nganasan Songs." European Meetings in Ethnomusicology 10: 3-31.

Oliver, Paul, Tony Russell, Robert M. W. Dixon, [et al.] 2001. Yonder Come the Blues: The Evolution of a Genre. New York: Cambridge University Press. xiii, 358 p. illus., indexes. ISBN 0-521-78259-7.

Picard, François. 2002. Chen Zhong, souvenirs d'un vieil ami [Chen Zhong: Souvenirs of an old friend]." Cahiers de musiques traditionnelles 15: 57-73.

Provine, Robert C., Yosihiko Tokumaru, and J. Lawrence Witzleben, eds. 2002. The Garland Encyclopedia of World Music. Vol. 7, East Asia: China, Japan, and Korea. New York: Routledge. xxxv, 1,152 p., bibliog., illus., music, index, compact disc. ISBN 0-824-06041-0.

Spyer, Patricia. 2000. "'Zaman Belanda': Song and the Shattering of Speech in Aru, Eastern Indonesia." Indonesia (70): 53-70.

Stock, Jonathan. 2001. "Fifty Years Learning Tanhuang." [Narrated by Xia Fulin, transcribed and edited by Lao Yu] Journal of Music in China 3 (2): 227-256 .

Supanggah, Rahayu. 2003. "Campur Sari: A Reflection." Asian Music 34 (2): 21-20.

Tillis, Steve. 2003. "East, West, and World Theatre." Asian Theatre Journal 20 (1): 71-88.

Utz, Christian. 2002. "The Potential of Cultural Diversity: the Impact of Traditional Music on Musical Composition in Taiwan Since the 1970s." Journal of Music in China 4 (1-2): 129-165.

Venkataraman, Leela and Avinash Pasricha. 2002. Indian Classical Dance: Tradition In Transition. New Delhi: Lustre Press ; Roli Books, c2002. 144 p., bibliog., illus. ISBN 81-7436-216-9.

Weiss, Sarah. 2003. "Kothong Nanging Kebak, Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Javanese Performance." Asian Music 34 (2): 21-49.

Williams, Sean. 2001. The Sound of the Ancestral Ship: Highland Music of West Java. New York: Oxford University Press. xii, 276 p., bibliog., discog., illus., music, glossary, index, compact disc. ISBN 0-195-14154-7.

Zhang Weihua and Royal Hartigan. 2001. "An Ongoing Report on Jazz in Beijing." Journal of Music in China 3 (2): 273-290.


Ahmedaja, Ardian. 2003. "Die Sololieder der Frauen im Norden des albanischen Siedlungsgebietes [Women's solo songs in the north of the Albanian area of settlement]." Studia Musicologica 44 (1-2): 211-219.

Almasi, Istvan. 2003. "Janos Seprodis Auffassung uber die Bedeutung der Volksmusikforschung fur das Studium der Geschichte der ungarischen Musik [Janos Seprodi's view of the significance of folk music research for the study of Hungarian music history]." Studia Musicologica 44 (1-2): 63-67.

Atkinson David. 2002. The English Traditional Ballad: Theory, Method, and Practice. (Ashgate Popular and Folk Music Series) Aldershot, Hants, England; Burlington, VT: Ashgate. xiv, 310 p., bibliog., discog., index of ballads and songs, index. ISBN 0-7546-0634-1.

Bearman, C. J. 2003. "Percy Grainger, the Phonograph, and the Folk Song Society." Music and Letters 84 (3): 434-455.

Borgo, Andras. 2003. "Volksmusikinstrumente der judischen Landbevolkerung in Ostmitteleuropa [Folk music instruments of the rural Jewish population in east central Europe]." Studia Musicologica 44 (1-2): 181-196.

Budds, Michael J., ed. 2002. Jazz and the Germans: Essays on the Influence of "Hot" American Idioms on 20th-Century German Music. (Monographs and Bibliographies in American Music, 17) Hillsdale, N.Y.: Pendragon Press. xiv, 213 p., illus., music, index. ISBN 1-576-47072-5.

Cantaluppi, Vladimiro. 2003. "Dissemination and Styles of Performance of the Cecilia Ballad in the Comparative Italian Folk and Traditional Music." Studia Musicologica 44 (1-2): 105-117.

Ceribasic, Naila. 2003. "Social Canons Inherited from the Past: Women Players of Folk Music Instruments in Croatia." Studia Musicologica 44 (1-2): 147-157.

Cyrus, Cynthia J. 2003. "Selling an Image: Girl Groups of the 1960s." Popular Music 22 (2): 173-193.

Dawe, Kevin. 2003. "Lyres and the Body Politic: Studying Musical Instruments in the Cretan Musical Landscape." Popular Music & Society 26 (3): 263-283.

Domokos, Maria. 2003. "Hungarian Folk Music from Moldavia and Bukovina." Studia Musicologica 44 (1-2): 127-136.

Edstrom, Olle. 2003. "From Joik to Rock & Joik: Some Remarks on the Process of Change and of The Social Constructed Meaning of Sami Music." Studia Musicologica 44 (1-2): 269-289.

Everett, Walter. 2001. The Beatles as Musicians: The Quarry Men through Rubber Soul. New York: Oxford University Press. xix, 452 p., bibliog., music, maps, index. ISBN 0-19-514104-0.

Ferenczi, Ilona. 2003. "Das Fragment aus Csiksomlyo als Reformationsdenkmal: Ungarische Prafationen und tropisierte Ite missa est-Satze." Studia Musicologica 44 (1-2): 47-62.

Fracile, Nice. 2003. "The aksak rhythm: A distinctive feature of the Balkan folklore." Studia Musicologica 44 (1-2): 197-210.

Gibson, Chris. 2003. "Cultures at Work: Why Culture Matters in Research on the Cultural Industries." Social & Cultural Geography 4 (2): 201-215.

Heuser, Sabine. 2003. "Introducing Cyberpunk." Postmodern Studies 34 (1): 3-42.

Hochradner, Thomas. 2003. "Der rezitativische Singstil im alpenlandischen Volkslied: Eine ungewohnliche Idee und ihre Entkraftung [The recitative style in Alpine folk songs: An unusual idea and its refutation]." Studia Musicologica 44 (1-2): 91-103.

Johnson, Mark L., and Steve Larson. 2003. "Something in the Way She Moves" - Metaphors of Musical Motion." Metaphor and Symbol 18 (2): 63-84.

Kowar, Helmut. 2003. "Musical Automata of the 19th Century, a Hitherto Unexplored Source of Romanian Folklore." European Meetings in Ethnomusicology 10: 77-84.

Kucerova, Judita. 2003. "Zu den Einstellungen der Jugend zur Volksmusik (am Beispiel von manchen Orten in Mahren) [Young people's opinions of folk music, as exemplified by several places in Moravia]." Studia Musicologica 44 (1-2): 137-146.

Lecomte, Henri. 2002. "Les pérégrinations d'un musicien inspiré: Entretien avec Marc Loopuyt [The wanderings of an inspired musician: An interview with Marc Loopuyt]." Cahiers de musiques traditionnelles 15: 155-169.

Leydon, Rebecca. 2003. "'Ces nymphes, je les veux perpetuer': The Post-War Pastoral in Space-Age Bachelor-Pad Music." Popular Music 22 (2): 159-172.

Looseley, David. 2003. "Cultural democratisation and popular music." Modern & Contemporary France 11 (1): 45-55.

Lortat-Jacob, Bernard. 2002. "Histoire du village, parcours de musicien [Village history, musician's journey]." Cahiers de musiques traditionnelles 15:17-31.

Magrini, Tullia, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press. 392 p., illus., music. ISBN 0-226-50165-5.

Malvinni, David. 2003. "Gypsy Music as Film Music: Spectacle and Act." European Meetings in Ethnomusicology 10: 45-76.

Montbel, Eric. 2002. "'Pour les amateurs de beau-jeu'. Deux solitaires au pays des cornemuses ['For lovers of beautiful playing': Two recluses in the land of the bagpipes]." Cahiers de musiques traditionnelles 15: 3-16.

Nakiene, Auste. 2003. "On instrumental origins of Lithuanian polymodal sutartines." Studia Musicologica 44 (1-2): 159-168.

Rice, Timothy. 2002. "Bulgaria or Chalgaria: the Attenuation of Bulgarian Nationalism in a Mass-Mediated Poular Music." Yearbook for Traditional Music 34: 25-46.

Schrag, Brian and Neil R. Coulter. 2003. "Response to 'Ethnomusicology as Tool for the Christian Missionary'." European Meetings in Ethnomusicology 10: 98-108.

Sommers Smith, Sally K. 2001. "Irish Traditional Music in a Modern World." New Hibernia Review 5 (2): 111-125.

Steinholt, Yngvar B. 2003. "You Can't Rid a Song of Its Words: Notes on the Hegemony of Lyrics in Russian Rock Songs." Popular Music, 22 (1): 89-108.

Vallier, John Bellarmine. 2003. "Ethnomusicology as Tool for the Christian Missionary." European Meetings in Ethnomusicology 10: 85-97.

Vallier, John Bellarmine. 2003. "Reply to Schrag-Coulter's Response." European Meetings in Ethnomusicology 10: 109-116.

Weidman, Amanda. 2003. "Beyond Honor and Shame: Performing Gender in the Mediterranean." Anthropological Quarterly 76 (3): 519-530.

Zarskiene, Ruta. 2003. "Playing multi-pipe whistles of northeastern Europe: Phenomenon of collective musical performance." Studia Musicologica 44 (1-2): 169-180.

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