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Current Bibliography, Vol. 49, No. 3 (Fall 2005)
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Compiled by Randal Baier (Eastern Michigan University)

Editor's note: in order to aid searching, names and terms that have been coded to display diacriticals have been appended to the entry in brackets without diacriticals.

General | Africa | Americas | Asia & Oceania | Europe | Web


Auner, Joseph. 2003. "‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music." Journal of the Royal Musical Association 128 (1): 98-122.

Bishop, Jack. 2005."Building international empires of sound: concentrations of power and property in the "global" music market." Popular Music and Society 28 (4) 443-472.

Buckland, Theresa. 1999. "All Dances Are Ethnic, but Some Are More Ethnic Than Others: Some Observations on Dance Studies and Anthropology." Dance Research 17 (1): 3-21.

Burkart, Patrick. 2005. "Loose integration in the popular music industry." Popular Music and Society 28 (4): 89-500.

Capuzzo, Guy. 2004. "Neo-Riemannian theory and the analysis of pop-rock music." Music Theory Spectrum 26 (2): 177-200.

Drew, Rob. 2005. "Mixed blessings: the commercial mix and the future of music aggregation." Popular Music and Society 28 (4): 533-552.

Eijck, Koen van. 2001. "Social Differentiation in Musical Taste Patterns." Social Forces 79 (3): 1163-1185.

Emmerson, Simon, ed. 2002. "Music, Electronic Media and Culture." International Review of the Aesthetics and Sociology of Music 33 (2): 207-12.

Ford, Philip. 2002. "Somewhere/Nowhere: Hipness as an Aesthetic." Musical Quarterly 86 (1): 49-81.

Fügedi, János. 2003. "Movement cognition and dance notation." Studia Musicologica Academiae Scientiarum Hungaricae 44 (3-4): 393-410. [janos fugedi]

Goedde, Brian. 2005. "Classical Puts Me to Sleep." Popular Music 24 (3): 439-443.

McLeod, Kembrew. 2005. "MP3s are killing home taping: the rise of Internet distribution and its challenge to the major label music monopoly." Popular Music and Society 28 (4): 521-532.

Rehding, Alexander. 2005. "Wax Cylinder Revolutions." Musical Quarterly 88 (1): 123-160.

Ross, Peter G. 2005." Cycles in symbol production research: foundations, applications, and future directions." Popular Music and Society 28 (4): 473-488.

Thomas, Helen, and Lesley Cooper. 2002. "Dancing into the Third Age: Social Dance as Cultural Text. Research in Progress." Dance Research 20 (1): 54-80.

Turnbull, Neil. 2004. "Post-Theory: Theory and 'The Folk'." New Formations: A Journal of Culture/Theory/Politics 51: 99-112.

Villiers Human, Suzanne de. 2005. "Explosions in visual art, literature and music." International Review of the Aesthetics and Sociology of Music 36 (1): 179-197.

Zbikowski, Lawrence M. 2004. "Modelling the Groove: Conceptual Structure and Popular Music." Journal of the Royal Musical Association 129 (2): 272-297.


Askew, Kelly Michelle. 2003. "As Plato Duly Warned: Music, Politics, and Social Change in Coastal East Africa." Anthropological Quarterly 76 (4): 609-637.

Imaah, Napoleon Ono. 2004. "Music: a source of inspiration and harmony in architecture -- an African view." International Review of the Aesthetics and Sociology of Music 35 (2): 169-82.

Mack, Beverly B. 2004. Muslim women sing : Hausa popular song. Bloomington: Indiana University Press.

Podstavsky, Sviatoslav. 2004. "Hausa Entertainers and Their Social Status: A Reconsideration of Sociohistorical Evidence." Ethnomusicology 48 (3): 348-377.


Campbell, Gavin James. 2000. "'A Higher Mission Than Merely to Please the Ear': Music and Social Reform in America, 1900-1925." Musical Quarterly 84 (2): 259-286.

Coclanis, Angelo P. 2005. "Jazz Funeral: A Living Tradition." Southern Cultures 11 (2): 86-92.

Everett, Walter. 2004. "A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan." Music Theory Spectrum 26 (2): 201-236.

Fink, Robert. 2005. "The Story of ORCH5, or, The Classical Ghost in the Hip-Hop Machine." Popular Music 24 (3): 339-356.

Fox. Mark A. 2005. "Market Power in Music Retailing: The Case of Wal-Mart." Popular Music and Society 28 (4): 501-520.

Gardner, Kara Anne. 2004. "Edward MacDowell, Antimodernism, and 'Playing Indian' in the Indian Suite." Musical Quarterly 87 (3): 370-422.

Garza, Oscar. 2005. "Land of a Thousand Dances: An R&B Fable." Popular Music 24 (3): 429-437.

Gaunt, Kyra D. 2002. "'The Two O'Clock Vibe': Embodying the Jam of Musical Blackness In and Out of Its Everyday Context." Musical Quarterly 86 (3): 372-297.

Givan, Benjamin. 2004. "Duets for One: Louis Armstrong’s Vocal Recordings." Musical Quarterly 87 (2): 188-218.

Harris, Max. 2003. "Saint Sebastian and the Blue-Eyed Blacks: Corpus Christi in Cusco, Peru." TDR: The Drama Review 47 (1) (T 177): 149-175.

Heathcott, Joseph. 2003. "Urban Spaces and Working-Class Expressions across the Black Atlantic: Tracing the Routes of Ska." Radical History Review Issue 87: 183-206.

Henke, Lucy L. 2005. "Music Induced Tourism: Strategic Use of Indigenous Music as a Tourist Icon." Journal of Hospitality & Leisure Marketing 13 (1): 3-18.

Kooijman, Jaap. 2005. "Turn the Beat Around: Richard Dyer’s ‘In Defence of Disco’ Revisited." European Journal of Cultural Studies 8: 257-266.

Kun, Josh. 2004. "What Is an MC If He Can't Rap to Banda? Making Music in Nuevo L.A." American Quarterly 56(3): 741-758.

Lapidus, Benjamin. 2005. "The Changüí Genre of Guantánamo, Cuba." Ethnomusicology 49 (1): 49-74. [changui guantanamo]

Magee. Jeffrey. 2000. "Irving Berlin's 'Blue Skies': "Ethnic Affiliations and Musical Transformations." Musical Quarterly 84 (3): 537-580.

Morris, Gay. 2001. "Bourdieu, the Body, and Graham's Post-War Dance." Dance Research 19 (2): 52-82.

Murchison, Gayle. 2002. "Mary Lou WIlliams's Hymn Black Christ of the Andes (St. Martin de Porres): Vatican II, Civil Rights, and Jazz as Sacred Music." Musical Quarterly 86 (4): 591-629.

Neal, Mark Anthony. 2005. "White Chocolate Soul: Teena Marie and Lewis Taylor." Popular Music 24 (3): 369-380.

Neth, Mary. 1998. "Stealing steps": African American dance and American culture." American Quarterly 50 (1): 158-165.

Panetta, Vincent J. 2000. "'For Godsake Stop!" Improvised Music in the Streets of New Orleans, ca. 1890." Musical Quarterly 84 (1): 5-29.

Pinckney, Warren R. 2000. "Toward a History of Jazz in Bermuda." Musical Quarterly 84 (3): 333-371.

Rogers, Holly. 2004. "Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Werner Herzog." Journal of the Royal Musical Association 129 (1): 77-99.

Schwartz-Kates, Deborah. 2002. "Alberto Ginastera, Argentine Cultural Construction, and the Gauchesco Tradition." Musical Quarterly 86 (2): 248-281.

Solis, Gabriel. 2002. "Hearing Monk: History, Memory, and the Making of a 'Jazz Giant'." Musical Quarterly 86 (1): 82-116.

Solis, Gabriel. 2004. "'A unique chunk of jazz reality': Authorship, musical work concepts, and Thelonious monk's live recordings from the five spot, 1958." Ethnomusicology 48 (3): 315-347.

Weisbard, Eric. 2005. "These Magic Moments: Pop, Writing, and the Little Stuff." Popular Music 24 (3): 307-310.

Mckinney, Devin. 2005. "Cruising a Road to Nowhere: Mechanics and Mysteries of the Pop Moment." Popular Music 24 (3): 311-321.

Wald, Gayle. 2005. "‘Have a Little Talk’: Listening to the B-side of History." Popular Music 24 (3): 323-337.

Kronengold, Charles. 2005. "Accidents, Hooks and Theory." Popular Music 24 (3): 381-397.

Quirk, Tim, and Jason Toynbee. 2005. "Going Through the Motions: Popular Music Performance in Journalism and in Academic Discourse." Popular Music 24 (3): 399-413.

Christgau, Robert. 2005. "Writing about Music is Writing First." Popular Music 24 (3): 415-421.

Asia & Oceania

Barney, Katelyn. 2004. "'Where Is Their Costume, Where Is Their Paint?': Exploring how Indigenous Australian Women Construct and Negotiate their Indigeneity through Contemporary Music." Perfect Beat 7 (1): 42-59.

Canova, Giovanni. 2005. "Critical attitudes toward Arabic folk epics." Eurasian Studies 4 (1): 29-40.

Clover, Joshua, [and] Ange Mlinko, Greil Marcus, Ann Powers and Daphne A. Brooks. 2005. "Critical Karaoke." Popular Music 24 (3): 423-427.

Durga, S. A. 2004. "Musical instruments as tools for experimental research." Journal of the Indian Musicological Society 35: 73-80.

Gibson, Chris, and Peter Dunbar-Hall. 2004. "Mediating Contemporary Aboriginal Music: Discussions of the Music Industry in Australia." Perfect Beat 7 (1): 17-41.

Goswami, S., and S. Thielemann. 2004. "The devotion revealed through beauty: The conjunction of music and art in Vaisnava liturgy." Journal of the Indian Musicological Society 35: 97-104.

Harnish, David. 2005. "New lines, shifting identities: Interpreting change at the Lingsar festival in Lombok, Indonesia." Ethnomusicology 49 (1): 1-24.

Hesselink, Nathan. 2004. "Samul nori as traditional: Preservation and innovation in a South Korean contemporary percussion genre." Ethnomusicology 48 (3): 405-439.

Hesselink, Nathan, and Jonathan Christian Petty. 2004. "Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music." Journal of Musicological Research 23 (3-4): 265-288.

Huber, Alison. 2004. "How to Get Your Juices Going: The Starburst Incident and Mapping Top 40 Culture." Perfect Beat 7 (1): 3-16.

Jayalakshmi, R. S. 2004. "Teaching methodology for Tânam." Journal of the Indian Musicological Society 35: 81-96.

"Kapila Vatsyayan Honorary Papers." 2004. Special section of Dance Research Journal 32 (1): 78-109.
• Introduction / Uttara Asha Coorlawala (78-81)
• Technique and theory in the work of Kapila Vatsyayan / Janet O'Shea (82-86)
• Circling the square: A choreographed approach to the work of Dr. Kapila Vatsysyan and Western dance studies / Joan L. Erdman (87-94)
• Kapila Vatsyayan and dance scholarship: India and beyond / Mohd Anis Md Nor (95-102)
• Kapila Vatsyayan: Formative influences / Uttara Asha Coorlawala; Kapila Vatsyayan (103-109)

Morris, Robert. 2001. "Variation and process in South Indian music: Some kritis and their sangatis." Music Theory Spectrum 23 (1): 74-89.

Moulin, Jane Freeman. 2004. "Cueing Up: Situating Power on the Tahitian Stage." Yearbook for Traditional Music 36:113-132.

Moulin, Jane Freeman. 2003. "Words of Tomorrow: 'Spectacle' and the Festival of Pacific Arts." Pacific Arts (25):23-30.

Moulin, Jane Freeman. 2002. "KAPUTUHE: Exploring Word-Based Performance on Marquesan Musical Instruments." Galpin Society Journal 55:130-60.

Narasinhan, S. 2004. "Music and the communal divide -- art as an alternative strategy for harmony." Journal of the Indian Musicological Society 35: 1-32.

Neuenfeldt, Karl. 2004. "Riff: From Bougainville, Papua New Guinea to Arnhem Land, Northern Territory, Australia: An interview with Musician and Educator Ben Hakalitz." Perfect Beat 7 (1): 60-69.

Nooshin, Laudan. 2003. "Improvisation as ‘Other’: Creativity, Knowledge and Power - The Case of Iranian Classical Music." Journal of the Royal Musical Association 128 (2): 242-296.

Rappoport, Dana. 2004. "Ritual music and christianization in the Toraja Highlands, Sulawesi." Ethnomusicology 48 (3): 378-404.

Solis, Ted. 2005. "'You shake your hips too much': Diasporic values and Hawai'i Puerto Rican dance culture." Ethnomusicology 49 (1): 75-119.

Thielemann, S. 2004. "The Baul singers of Bengal and their philosophy of humanity." Journal of the Indian Musicological Society 35: 33-49.

Warnock, P. 2004. "The Sikh experience of music." Journal of the Indian Musicological Society 35: 50-72.


Beller-McKenna, Daniel. 2002. "I am/was the Walrus." Current Musicology 74: 47-68.

Bohlman, Philip V., and Brian Currid. 2001. "Suturing History, Healing Europe: German National Temporality in Wolokolamsk Highway." Musical Quarterly 85 (4): 681-717.

Brackett, David. 2005. "Elvis Costello, the Empire of the E Chord, and a Magic Moment or Two." Popular Music 24 (3): 357-367.

C´aleta, Jos¹ko. 2004. "Visual notes on music and dance in the Croatian islands." Music and Anthropology 9. http://www.fondazionelevi.org/ma/index/number9/ma_ind9.htm. (23 May 2009)

Cohen, Judith, Esperança Bonet Roig and Manel Frau. 2004. "Report and Projects: Music in the Balearic and Pityusan Islands." Music and Anthropology 9. http://www.fondazionelevi.org/ma/index/number9/ma_ind9.htm. (23 May 2009)

Cohen, Sara. 2005. "Country at the heart of the city: Music, heritage, and regeneration in Liverpool." Ethnomusicology 49 (1): 25-48.

Eurich, Johannes. 2003. "Sociological aspects and ritual similarities in the relationship between pop music and religion (techno, raves, and transcendent states)." International Review of the Aesthetics and Sociology of Music 34 (1): 57-70.

Fry, Andy. 2003. "Beyond Le Boeuf: Interdisciplinary Rereadings of Jazz in France." Journal of the Royal Musical Association 128 (1): 137-153.

Fugazzotto, Giuliana. 2004. "A Musical Journey Around Sicily." Music and Anthropology 9. http://www.fondazionelevi.org/ma/index/number9/ma_ind9.htm. (23 May 2009)

Gelbart, Matthew. 2003. "Persona and Voice in the Kinks' Songs of the Late 1960s." Journal of the Royal Musical Association 128 (2): 200-241.

Grover-Friedlander, Michal. 2005. "The Afterlife of Maria Callas’s Voice." Musical Quarterly 88 (1): 35-62.

Kharitonova, Valentina. 2005. "Old Woman Tady's Virtual Drum. Traditional Sagai Shamanism Relics at the Boundary of the Millennia." Acta Ethnographica Hungarica 50 (1-3): 227-239.

Ó hAllmhuráin, Gearóid. 2005. "Dancing on the Hobs of Hell: Rural Communities in Clare and the Dance Halls Act of 1935." New Hibernia Review 9 (4): 9-18.

Pasler, Jann. 2004. "The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France." Journal of the Royal Musical Association 129 (1): 24-76.

Penny, Patricia. 1999. "Dancing at the Interface of the Social and the Theatrical: Focus on the Participatory Patterns of Contemporary Competition Ballroom Dancers in Britain." Dance Research 17 (1): 47-74.

Sabbe, Herman. 2003. "Musiques Savantes, Musiques Populaire (de Zappa à Zimmermann)." International Review of the Aesthetics and Sociology of Music 34 (2): 161-172.

S¹es¹kauskaite², Daiva. 2004. "Sutartine²s and Balkan diaphonic songs." International Review of the Aesthetics and Sociology of Music 35 (1): 71-92. [seskauskaite sutartines]

Wagner, Naphtali. 2003. "'Domestication' of Blue Notes in the Beatles' Songs." Music Theory Spectrum 25 (2): 353-365.

White, Harry. 2002. "Is This Song About You? Some Reflections on Music and Nationalism in Germany and Ireland." International Review of the Aesthetics and Sociology of Music 33 (2): 131-47..

White, Harry. 2004. "Art Music and the Question of Ethnicity: The Slavic Dimension of Czech Music from an Irish Point of View." International Review of the Aesthetics and Sociology of Music 35 (1): 29-46.

Young, Tricia Henry. 1999. "Dancing on Bela Lugosi's Grave: The Politics and Aesthetics of Gothic Club Dancing." Dance Research 17 (1): 75-97.


Music, Technology and Innovation Research Centre at De Montfort University. [2004]. ElectroAcoustic Resource Site (EARS). http://dmu.ac.uk/. (29 July 2006)

Updated 23 May 2009
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