Compiled by Jennifer C. Post
General
| Africa
| Americas
| Asia
& Oceania | Europe
| Acknowledgements
General
Bastien, David T., and Todd J. Hostager. "Jazz as
Social Structure, Process and Outcome." See R. T. Buckner and S. Weiland,
ed., Jazz in Mind, 148-65. Bibliog., diagrs.
Blackwood, Alan. 1991. Music of the World. Englewood
Cliffs, NJ: Prentice-Hall, 256 pp., bibliog., gloss., illus., maps, photos.
Brown, Elsa Barkley. 1991. "Polyrhythms and
Improvisation: Lessons for Women's History." History Workshop 31:
85-90. Bibliog.
Buckner, Reginald T., and Steven Weiland, ed. 1991. Jazz
in Mind: Essays on the History and Meanings of Jazz. Jazz History, Culture,
and Criticism Series. Detroit: Wayne State University Press, 185 pp.,
bibliogs., discogs.
Caudron, Ben. 1991. "Klanken en esthetocraten. Een
pleidooi voor het onderzoek van de betekenis van muziek." Tijdschrift
voor Sociale Wetenschappen 36: 259-77. Bibliog.
Cushman, Thomas. 1991. "Rich Rastas and Communist
Rockers: A Comparative Study of the Origin, Diffusion and Defusion of
Revolutionary Musical Codes." Journal of Popular Culture 25/3:
17-61.
Cusic, Don. 1991. "Basic Differences: The British and
American Music Industries." Popular Music and Society 15/4: 47-53.
Denski, Stan. 1991. "'Inarticulate Speech of the
Heart': Limits and Insights in the Popular Interview Literature." Popular
Music and Society 15/3: 11-30.
Emsheimer, Ernst. 1991. Studia ethnomusicologica
eurasiatica II. Royal Swedish Academy of Music, No. 62; Musikmuseet
skrifter, No. 5. Stockholm: Royal Swedish Academy of Music, 290 pp., bibliog.,
illus.
Epstein, Jonathon S., and David J. Pratto. 1990. "Heavy
Metal Rock Music: Juvenile Delinquency and Satanic Identification." Popular
Music and Society 14/4: 67-76. Bibliog.
Foley, John Miles. 1991. Immanent Art: From Structure to
Meaning in Traditional Oral Epic. Bloomington: Indiana University Press,
xvi, 278 pp., bibliog.
Foret, Miroslav. 1991. "Some Theoretical-Methodological
Problems of the Research on Popular Music." Popular Music and Society
15/3: 1- 9.
Frangos, Steve. 1991. "Large Record Collectors: The
Unrecognized Authorities." Resound 10/2: [1]-[4]. Bibliog., photos.
Gabbard, Krin. "The Quoter and His Culture." See
R. T. Buckner and S. Weiland, ed., Jazz in Mind, 92-111.
Garza Cuarón, Beatriz, and Yvette Jiménez Báez, ed. 1992. Estudios
de folklore y literatura dedicados a Mercedes Díaz Roig. Mexico, D. F.: El
Colegio de México, xxxi, 914 pp.
Gaut, Greg. "Soviet Jazz: Transforming American
Music." See R. T. Buckner and S. Weiland, ed., Jazz in Mind, 60-82,
174-76. Discog.
Goodwin, Andrew, and Joe Gore. 1990. "World Beat and
the Cultural Imperialism Debate." Socialist Review 20/3: 63-80.
Groce, Stephen B. 1991. "On the Outside Looking In:
Professional Socialization and the Process of Becoming a Songwriter." Popular
Music and Society 15/1: 33-44. Bibliog.
Hamilton, Carol V. 1991. "All That Jazz Again: Adorno's
Sociology of Music." Popular Music and Society 15/3: 31-40.
Bibliog.
Hanna, Judith Lynne. 1990. "Advertising with Dance:
Body, Sex, and Gender." In Dance: Current Selected Research II, ed.
Lynnette Y. Overby and James H. Humphrey, 115-26. New York: AMS Press. Bibliog.
Hanna, Judith Lynne. 1990. "Anthropological
Perspectives for Dance/Movement Therapy." American Journal of Dance
Therapy 12/2: 115- 26. Bibliog.
Harvey, Mark S. "Jazz and Modernism: Changing
Conceptions of Innovation and Tradition." See R. T. Buckner and S.
Weiland, ed., Jazz in Mind, 128-47, 177-79. Discog.
Herzhaft, Gérard. 1992. Encyclopedia of the Blues.
Fayetteville: University of Arkansas Press, viii, 513 pp., bibliog., discog.,
illus. Translation of Nouvelle encyclopédie du blues.
Hickerson, Joseph C., et al., comp. 1990.
"Radio-related Field Recordings and Broadcasts Involving Archive of Folk
Culture Collections, Personnel, and Radio Projects: Recordings in the Archive
of Folk Culture through 1986." LC Folk Archive Finding Aid 6: 6 pp.
Jeffrey, Peter. 1992. Re-envisioning Past Musical
Cultures: Ethnomusicology in the Study of Gregorian Chant. Chicago Studies
in Ethnomusicology. Chicago: University of Chicago Press, ix, 211 pp., bibliog.
Josephson, Nors S. 1992. "Bach Meets Liszt: Traditional
Formal Structure and Performance Practices in Progressive Rock." Musical
Quarterly 76/1: 67-92. Music, tables.
Julien, Jacques. 1990. La turlute amoureuse: érotisme et
chanson traditionnelle. Montréal, Québec: Triptyque: Diffusion, Prologue, 174
pp., bibliog., illus. France and Quebec.
Katz, Israel J., and Miguel Manzano Alonso, with the
collaboration of Samuel G. Armistead. 1991. Kurt Schindler: Música y poesía
popular de España y Portugal. Cuadernos de Notas, No. 3. Salamanca: Centro
de Cultural Tradicional , Diputación de Salamanca; New York: Hispanic
Institute, Columbia University, 173 pp., bibliog., music, photos.
Kouwenhoven, Frank. 1990. "Chinese Music Research in
Europe: West Meets West." CHIME 1: 5-9.
Kouwenhoven, Frank. 1990. "Chinese Music Organizations
in China and Abroad." CHIME 1: 36-40.
Labraña, Luis, and Ana Sebastián. 1992. Tango, una
historia. Buenos Aires: Ediciones Corregidor, 160 pp., bibliog., illus.
Translation of Tango.
López-Calo, José et al. 1991. "Mediterranean Musical
Cultures and Their Ramifications." Acta Musicologica 63/1: 2-30.
Abstracts of 10 round tables of the 15th Congress of the International
Musicological Society Madrid 3rd-10th April 1 992.
Lortat-Jacob, Bernard. 1992. "La berceuse et l'épopée:
questions de genre." Revue de Musicologie 78/1: 5-25. Bibliog.,
discog. English summary.
Martens, James. 1990. "'Where Have All the Good Times
Gone?': The Kinks, An Inquiry Into the Debate on Taste." Popular Music
and Society 14/4: 77-88.
Martín Salazar, Jorge. 1991. Los cantes flamencos.
Granada: Diputación Provincial de Granada, 211 pp., bibliog., discog., illus.
Mitchell, Stephen A. 1991. Heroic Sagas and Ballads.
Ithaca: Cornell University Press, xiv, 239 pp., bibliog., diagr.
Moore, Allan. 1991. "Patterns of Harmony." Popular
Music 11/1: 73- 106. Bibliog., music.
Ogren, Kathy. "'Jazz Isn't Just Me': Jazz
Autobiographies as Performance." See R. T. Buckner and S. Weiland, ed., Jazz
in Mind, 112-27.
Parnes, Samuel Will. 1991. "Electronic Mail Special
Interest Groups in Music and Dance: An Assessment." Pacific Review of
Ethnomusicology 6: 65-84.
Riggs, Peter. 1991. "Up from Underground: Sound
Technologies, Independent Musicianship, and Cultural Change in China and the
Soviet Union." Popular Music and Society 15/1: 1-23.
Rumbelow, Allan S. 1989. "Music and Social
Interaction." Journal of the Indian Musicological Society 20/1-2:
19-36. Bibliog.
Sands, Rosita. 1991. "Carnival Celebrations in Africa
and the New World: Junkanoo and the Black Indians of Mardi Gras." Black
Music Research Journal 11/1: 75-92. Bibliog., photos.
Seeger, Anthony. 1992. Guide to Programs in
Ethnomusicology in the United States and Canada, 1992. Bloomington, IN:
Society for Ethnomusicology, 61 pp.
Seitz, Barbara. 1990. "Field Recording in the Heat of
the Tropics and in War." Resound 9/3: [1]-[3]. Photos.
Shiloah, Amnon. 1992. Jewish Musical Traditions.
Jewish Folklore and Anthropology Series. Detroit: Wayne State University Press,
274 pp., bibliog., music.
Sicoli, M. L. Corbin. 1991. "Mid Life Music: Mid Life
Message?" Popular Music and Society 15/1: 69-80. Bibliog., tables.
Smith, Steven G. 1991. "Blues and Our Mind-Body
Problem." Popular Music 11/1: 41-52. Bibliog.
Stambler, Irwin. 1990. The Encyclopedia of Pop, Rock, and
Soul. Rev ed. New York: St. Martin's Press, x, 887 pp., illus.
Stith, Rodney W., and Ik-Whan Kwon. 1991. "Discriminant
Analysis Approach to the Measurement of Commercial Performance of Contemporary
Popular Music." Popular Music and Society 15/4: 33-46. Bibliog.
Weinstein, Norman C. 1992. A Night in Tunisia: Imaginings
of Africa in Jazz. Metuchen, NJ: Scarecrow Press, xii, 244 pp., bibliog.,
discog., illus.
Wells, Alan. 1991. "Women on the Pop Charts: A
Comparison of Britain and the United States, 1960-88." Popular Music
and Society 15/ 1: 25-32. Bibliog., tables.
Africa
Arom, Simha. 1990. "La 'mémoire collective' dans les
musiques traditionnelles d'Afrique Centrale." Revue de Musicologie
76/2: 149- 62. Music, table. English summary.
Avorgbedoe, Daniel A. "The Preservation, Transmission
and Realization of Song Texts: A Psycho Musical Approach." See I. Okpewho,
ed., The Oral Performance in Africa, 208-27. Music.
Azuonye, Chukwuma. "Kaaiu Igirigiri, An Ohafia Igbo Singer
of Tales." See I. Okpewho, ed., The Oral Performance in Africa,
42-79. Bibliog.
Branda-Lacerda, Marcos. 1988. Kultische Trommelmusik der
Yoruba in der Volksrepublik Benin: Bata-Sango und Bata-Egungun in den Städten
Pobè und Sakété. 2 vols. Beiträge zur Etnomusikologie, Bd. 19. Hamburg:
Verlag der Musikalienhandlung Karl Dieter Wagner, Bibliog., illus., music.
Cham, Mbye Baboucar. "Structural and Thematic Parallels
in Oral Narrative and Film: Mandabi and Two African Oral
Narratives." See I. Okpewho, ed., The Oral Performance in Africa,
251-69.
Cooke, Peter R. 1991. "On the Trail of the Music
Hunter: A Semester with the Laura Boulton Collection." Resound
10/3: [1]-[4]. Photos.
Djalma da Silva, Antonio. 1991. "Le rôle du tambour et
d'autres instruments de musique chez les Babunga, Bangongo et Bahungana
(République du Zaïre)." Anthropos 86/4-6: 561-63.
Djivo, Joseph Adrien. 1989. "Les chants et la
résistance du roi Gb hanzin à la colonisation (1890-1906)." In Sources
orales de l'histoire de l'afrique, ed. Claude-Hélène Perrot, 55-64. Paris:
Centre Nationcal de la Reche rche Scientifique.
Gieringer, Franz. 1990. "'To Praise the Sun': A
Traditional Nyaturu Hymn of Praising God and Asking for His Blessing." Anthropos
85/406: 518-23. Tanzania.
Gunner, Elizabeth. "Wand or Walking Stick?: The Formula
and Its Use in Zulu Praise." See I. Okpewho, ed., The Oral Performance
in Africa, 185-207. Bibliog.
Innes, Gordon. "Formulae in Mandinka Epic: The Problem
of Translation." See I. Okpewho, ed., The Oral Performance in Africa,
101-10.
Johnson, John William. 1992. The Epic of Son-Jara: A West
African Tradition. African Epic Series, Bloomington: Indiana University
Press, xi, 148 pp., bibliog., illus.
Johnston, Thomas F. 1989. "The Integrative Role of
Dance in Shangana- Tsonga Social Institutions." In Dance: Current
Selected Research, ed. Lynette Y. Overby and James H. Humphrey, 161-64. New
York: AMS Press.
Johnston, Thomas F. 1990. "Shangana-Tsonga Dance: Its
Role in Exorcism, Initiation, and the Social Beer-Drink." Anthropologie
28/1: 89-99. illus., music.
Knight, Roderic. 1991. Vibrato Octaves: Tunings and Modes
of the Made Balo and Kora. Baltimore: SEMPOD Laboratory, Department of
Music, University of Maryland Baltimore County, 49 pp., illus., music.
Makward, Edris. "Two Griots of Contemporary
Senegambia." See I. Okpewho, ed., The Oral Performance in Africa,
23-41.
Martin, Stephen H. 1991. "Popular Music in Urban East
Africa: From Historical Perspective to a Contemporary Hero." Black
Music Research Journal 11/1: 39-53. Bibliog.
Moitse, Sindile Adelgisa. 1990. The Ethno-musicology of
the Basotho: A Study of the Entrenchment of Music in Sotho Cultural
Institutions. ISAS Research Report, No. 24. Roma, Lesotho: Institute of
Southern African Studies, National University of Les otho, 90 pp., bibliog.,
illus.
Mvula, Enoch S. T. "The Performance of Gule
Wamkulu." See I. Okpewho, ed., The Oral Performance in Africa,
80-97.
Njiasse Njoya, Aboubakar. 1989. "Chants dynastiques et
chants populaires bamum, sources d'informations historiques." In Sources
orales de l'histoire de l'afrique, ed. Claude-Hélène Perrot, 65-75. Paris:
Centre National de la Recherche Scientifique. Bibliog.
Okpewho, Isidore. 1990. The Oral Performance in Africa.
Ibadan, Nigeria: Spectrum Books, 277 pp., bibliogs., music.
Okpewho, Isidore. "The Oral Performer and His Audience:
A Case Study of the Ozidi Saga." See I. Okpewho, ed., The Oral
Performance in Africa, 160-84.
Okpewho, Isidore. "Towards a Faithful Record: On
Transcribing and Translating the Oral Narrative Performance." See I.
Okpewho, ed., The Oral Performance in Africa, 111-35.
Rassner, Ronald. "Narrative Rhythms in a Giryama Ngano:
Oral Patterns and Musical Structures." See I. Okpewho, ed., The Oral
Performance in Africa, 228-47.
Rouget, Gilbert. 1990. "La Répétition comme universel
du langage musical. A propos d'un chant initiatique Béninois." In La
musica come linguaggio universale: Genesi e storia di un'idea, ed. Raffaele
Pozzi, 189-201. Firenze: Ols chki. Graphs.
Rouget, Gilbert. 1989. "Le roi, le babouin, l'indigo:
Chronique d'une longue perplexité ou La prédestination du soverain et la
cohérence du texte." In Singularités. les voies d'émergence
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Rouget, Gilbert. 1989. "Struttura di un canto
iniziatico del Bénin." In Ethnomusicologica: Seminari internazionali di
etnomusicologia 1977- 1989, ed. Diego Carpitella, 205-06. Siena: Accademia
musicale chigana. Bibliog., music.
Rouget, Gilbert. 1988. "Un'instrument dait en visse,
rempli d'anneaux de cuivre [...] servant à la musique du roy'." In Musiques
Signes Images, ed. François Lesure, 229-37. Genève: Editions Minkoff.
Bibliog., facsim., photos.
Rouget, Gilbert. 1987. "La voix, la cloche et le
pouvoir du roi ou la transformation des symboles: A la mémoire de Alohentô
Gbèfa, dernier roi de Porto-Novo." Ethnologiques: Hommages à Marcel
Griaule, 313-32. Paris: Herma nn. Bibliog., discog., filmog., illus.
Rouget, Gilbert. 1986-1987. "Xylophones Africains et
systèmes musicaux." Almanach 293-99. Photos.
Sekoni, Ropo. "The Narrator, Narrative-Pattern, and
Audience Experience of Oral Narrative Performance." See I. Okpewho, ed., The
Oral Performance in Africa, 139-59.
Vail, Leroy, and Landeg White. 1991. Power and the Praise
Poem: Southern African Voices in History. Carter G. Woodson Institute
Series in Black Studies. Charlottesville: University Press of Virginia; London:
James Currey, xv, 345 pp., bibliog., pho tos.
Wiggins, Trevor, and Joseph Kobos. 1992. Xylophone Music
from Ghana. Performance in World Music Series, No. 6. Crown Point, IN:
White Cliffs Media Co., 60 pp., illus., music.
Americas
Alvarez, Félix, Martín Fierro, and Odar Roncal. 1991. Danzas
típicas del Perú. Lima: Video Impress, 132 pp.
Aretz, Isabel. 1991. Historia de la etnomusicologia en
America Latina: desde la epoca precolombina hasta nuestros dias. Caracas:
Ediciones FUNDEF-CONAC-OEA, 384 pp., illus., maps.
Arnett, Jeffrey. 1991. "Adolescents and Heavy Metal
Music: From the Mouths of Metalheads." Youth and Society 23/1:
76-98. Bibliog., tables.
Arrivillaga Cortés, Alfonso. 1990. "La Música
Tradicional Garífuna en Guatemala." Latin American Music Review
11/2: 251-80. Bibliog., music, photos.
Bach, Caleb. 1991. "Astor Piazzolla: A New-Age Score
for the Tango." Americas 43/5-6: 14-21. Illus., photos.
Badger, R. Reid. "James Reese Europe and the Prehistory
of Jazz." See General section, R. T. Buckner and S. Weiland, ed., Jazz
in Mind, 19- 37, 166-73. Discog.
Baker, Houston A., Jr. 1991. "Hybridity, the Rap Race,
and Pedagogy for the 1990s." Black Music Research Journal 11/2:
217-28. Bibliog.
Baraka, Amiri. 1991. "The 'Blues Aesthetic' and the
'Black Aesthetic': Aesthetics as the Continuing Political History of a
Culture." Black Music Research Journal 11/2: 101-09.
Barker, James H. 1990. "'There's My Ancestors Singing
to Me'." Journal of Alaska Native Arts Photos.
Berger, Edward. 1991. "George Duvivier: Arranger and
Composer." Annual Review of Jazz Studies 5: 121-44. Music.
Berrett, Joshua. 1992. "Louis Armstrong and
Opera." Musical Quarterly 76/2: 216-41. Music, photo.
Bock, Philip K. 1992. "Music in Mérida, Yucatan." Latin
American Music Review 13/1: 33-55. Bibliog.
Boggs, Vernon W. 1991. "Musical Transculturation: From
Afro- Cuban to Afro-Cubanization." Popular Music and Society 15/4:
71-83. Bibliog.
Breton, Marcela. 1992. "An Annotated Bibliography of
Selected Jazz Short Stories." African American Review 26/2:
299-306.
Carby, Hazel V. 1991. "In Body and Spirit: Representing
Black Women Musicians." Black Music Research Journal 11/2: 177-92.
Bibliog., filmog.
Carner, Gary. 1991. "The Agony and the Agony: James
Lincoln Collier's Jazz Writing." Annual Review of Jazz Studies 5:
81-89.
Castro, Ruy. 1990. Chega de saudade: a história e as
histórias da Bossa Nova. Sao Paulo: Companhia das Letras, 461 pp., photos.
Cervantes Gamboa, Laura. 1992. "La función social de la
música en el ritual fúnebre bribri." Káñina 16/1.
Cervantes Gamboa, Laura. 1991. "Los géneros musicales
bribris: aspectos sociolingüísticos de su ejecución." Káñina
15/1-2: 243-54.
Cervantes Gamboa, Laura. 1991. "Observaciones
etnomusicológicas acerca de tres cantos de cuna cabécares." Estudios de
Lingüística Chibcha 10: 143-63.
Cervantes Gamboa, Laura. 1991. "La temática de los
cantos fúnebres bribris." Revista de Filología y Linguistica de la
Universidad de Costa Rica 17/1-2: 81-104.
Chell, Samuel. 1991. "Jazz Aesthetics and Modern
Literary Criticism." Popular Music and Society 15/3: 67-74.
Bibliog.
Coolen, Michael T. 1991. "Senegambian Influences on
Afro- American Musical Culture." Black Music Research Journal 11/1:
1-18. Bibliog.
Cooper, B. Lee, and Donald E. Walker. 1991. "The
Decline of Contemporary Baseball Heroes in American Popular Recordings." Popular
Music and Society 15/2: 49-62.
Courlander, Harold. 1990. "Recording on the Hopi
Reservation, 1968-1981." Resound 9/2: [1], [3]-[6]. Photos.
Covo T., Javier. 1990. Música de acordeón. [Bogotá]:
Asociación Carbocol Intercor, 131 pp., bibliog., illus.
Crawford, Richard, and Jeffrey Magee. 1992. Jazz
Standards on Record, 1900-1942: A Core Repertory. CBMR Monographs, No. 4.
Chicago: Center for Black Music Research, xxv, 94 pp., bibliog.
Crouch, Marjorie K., Joseph C. Hickerson, and Therese
Langer, comp. 1990. "Mexico Recordings in the Archive of Folk
Culture." LC Folk Archive Finding Aid 7: 5 pp.
Crowell, Aron. 1992. "Postcontact Koniag Ceremonialism
on Kodiak Island and the Alaska Peninsula: Evidence from the Fisher
Collection." Arctic Anthropology 29/1: 18-37. Bibliog., map,
photos.
Curtis, Michael. 1992. "Andean Music of Ecuador." Guitar
Review 89: 1-9. Bibliog., music.
Cuthbert, Marlene, and Gladstone Wilson. "Recording
Artists in Jamaica: Payola, Piracy and Copyright." See J. A. Lent, ed., Caribbean
Popular Culture, 64-78. Tables.
Davis, Donald M., and Joseph R. Dominick. 1991.
"Reactance Theory and Record Warning Labels: The X Factor." Popular
Music and Society 15/2: 79-86. Bibliog., tables.
Davis, Stephen. 1992. Reggae Bloodlines: In Search of the
Music and Culture of Jamaica. New York: Da Capo Press, 216 pp., illus.
Demsey, David. 1991. "Chromatic Third Relations in the
Music of John Coltrane." Annual Review of Jazz Studies 5: 145-80.
Bibliog., music.
Denisoff, R. Serge. 1990. "Fighting Prophecy with
Napalm: 'The Ballad of the Green Berets'." Journal of American Culture
13/1: 81-93.
Denisoff, R. Serge, and William D. Romanowski. 1989.
"The Pentagon's Top Guns: Movies and Music." Journal of American
Culture 12/3: 67-78.
Díaz Arenas, Angel. 1988. Folklore iberoamericano en El
otoño del patriarca de Gabriel García Márquez: letras partituras y estudio
histórico-comparativo. Hispanistik in Schule und Hochschule, Vol. 4. Bonn:
Romanis tischer Verlag, Bibliog., illus., music.
Dietrich, Kurt. 1991. "Joe 'Tricky Sam' Nanton: Duke
Ellington's Master of the Plunger Trombone." Annual Review of Jazz
Studies 5: 1- 35. Bibliog., music.
Dixon, Brenda. 1990. "Black Dance and Dancers and the
White Public: A Prolegomenon to Problems of Definition." Black American
Literature Forum 24/1: 177-23. Bibliog.
Eibl-Eibesfeldt, Irenäus, and Marie-Claude Mattei-Müller.
1990. "Yanomami Wailing Songs and the Question of Parental Attachment in
Traditional Kinbased Societies." Anthropos 85/4-6: 507-15.
Bibliog., music.
Eisenhood, Elizabeth D., Joseph C. Hickerson, and Therese
Langer, comp. 1990. "Brazil Recordings in the Archive of Folk
Culture." LC Folk Archive Finding Aid 8: 4 pp.
Floyd, Samuel A., Jr. 1991. "Ring Shout! Literary
Studies, Historical Studies, and Black Music Inquiry." Black Music
Research Journal 11/2: 265-87. Bibliog., discog.
Foster, Charles C. 1991. Conchtown USA: Bahamian
Fisherfolk in Riviera Beach, Florida. Boca Raton: Florida Atlantic
University Press, x, 176 pp., bibliog., music, photos + 1 sound disc (6 in.).
Fox, Aaron. 1991. "The Jukebox of History: Narratives
of Loss and Desire in the Discourse of Country Music." Popular Music
11/1: 53-72. Bibliog.
Frangos, Steve. 1989. "Greek-American Family Record
Collections: Family Record Collections as Research Sources." Resound
8/4: [1], [3]- [6]. Bibliog., facsim.
Franklin, Benjamin V. "The Problem of Local Jazz
History: The Example of South Carolina." See General section, R. T.
Buckner and S. Weiland, ed., Jazz in Mind, 83-91.
Ganzert, Charles. 1992. "'Tis Sweet to Be Remembered:
Independent Radio Performance Pioneer Bradley Kincaid." Journal of
American Culture 15/3: 17-25. Bibliog., photos.
Garon, Paul, and Beth Garon. 1992. Woman with Guitar:
Memphis Minnie's Blues. New York: Da Capo Press, xi, 332 pp., bibliog.,
discog., illus., music.
Gilroy, Paul. 1991. "Sounds Authentic: Black music,
Ethnicity, and the Challenge of a Changing Same." Black Music
Research Journal 11/2: 111-36. Bibliog., discog.
González, Juan-Pablo. 1991. "Hegemony and
Counter-Hegemony of Music in Latin-America: The Chilean Pop." Popular
Music and Society 15/2: 63-78. Bibliog.
Gould, Philip. 1992. Cajun Music and Zydeco. Baton
Rouge: Louisiana State University Press, xxi, 120 pp., illus + 1 sound disc
(digital).
Gow, Joe. 1992. "Making Sense of Music Video: Research
during the Inaugural Decade." Journal of American Culture 15/3:
35-43. Bibliog.
Gow, Joe. 1990. "The Relationship between Violent and
Sexual Images and the Popularity of Music Videos." Popular Music and
Society 14/4: 1-10. Bibliog.
Graf, Marilyn. 1991. "The Last Great Indian Council:
Joseph K. Dixon's 1909 Cylinder Recordings." Resound 10/4: [1],
[2]-[5]. Bibliog., photos.
Graham, Richard. 1991. "Technology and Culture Change:
The Development of the Berimbau in Colonial Brazil." Latin
American Music Review 12/1: 1-20. Bibliog.
Grebe Vicuña, María Ester. 1991. "Aportes y
Limitaciones del Análisis Musical en la Investigación Musicológica y
Etnomusicológica." Revista Musical Chilena 45/175: 10-18. Bibliog.
Greene, Victor. 1992. A Passion for Polka: Old-Time
Ethnic Music in America. Berkeley: University of California Press, xi, 355
pp., bibliog., illus.
Guilbault, Jocelyne. "On Interpreting Popular Music:
Zouk in the West Indies." See J. A. Lent, ed., Caribbean Popular
Culture, 79-97. Music.
Gutiérrez Condori, Ramiro. 1991. "Instrumentos
musicales tradicionales en la comunidad artesanal Walata Grande, Bolivia."
Latin American Music Review 12/2: 124-59. Bibliog., photos.
Hakanen, Ernest A., and Alan Wells. 1990. "Adolescent
Music Marginals: Who Likes Metal, Jazz, Country, and Classical." Popular
Music and Society 14/4: 57-66. Bibliog., tables.
Harris, Michael W. 1992. The Rise of Gospel Blues: The
Music of Thomas Andrew Dorsey in the Urban Church. New York; Oxford: Oxford
University Press, xxiii, 324 pp., bibliog., music, photos.
Haywood, Mark S. 1991. "The Harmonic Role of Melody in
Vertical and Horizontal Jazz." Annual Review of Jazz Studies 5:
109-20. Bibliog., music.
Herman, Woody, and Stuart Troup. 1990. The Woodchopper's
Ball: The Autobiography of Woody Herman. New York: E. P. Dutton, x, 162
pp., illus.
Heskes, Irene. 1992. Yiddish American Popular Songs, 1895
to 1950: A Catalog Based on the Lawrence Marwick Roster of Copyright Entries.
Washington: Library of Congress, xliii, 527 pp., bibliog., illus.
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Acknowledgements
Laura Cervantes, Virginia Danielson, Charlotte Frisbie,
Judith Lynne Hanna, Joseph C. Hickerson, Thomas F. Johnston, Israel J. Katz,
Frank Kouwenhoven, Gilbert Rouget, T. M. Scruggs