Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Aubert, Laurent. 1991. Mondes en musique. Genève: Musée d'ethnographie, 119 pp., bibliog., discog., filmog., illus., map.

Baroni, Mario. "Musical Education as a Cross-Cultural Problem." See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 611-15.

Berna, Marianne. 1991. Paris wie die Wilden: Afrika, seine Musik, ihre Metropole. Zürich: Eco-Verlag, 208 pp., bibliog., discog., illus., map.

Bjorkvold, Jon-Roar. "Canto--Ergo Sum: Musical Child Cultures in the United States, the Soviet Union, and Norway." See F. R. Wilson and F. L. Roehmann, ed., Music and Child Development, 117- 35. Bibliog., music.

Blacking, John. "Music in Children's Cognitive and Affective Development." See F. R. Wilson and F. L. Roehmann, ed., Music and Child Development, 68-78. Bibliog.

Blacking, John. "Towards and Reintegration of Musicology." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 61-69.

Blacking, John. "Towards a Human Science of the Tonal Art: Anthropology and the Reintegration of Musicology." See W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 9-16.

Blaukopf, Kurt. "Legal Policies for the Safeguarding of Traditional Music: Are they Utopian?" See W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 17-24. Bibliog.

Braun, Hartmut. 1990. Probleme die Volksmusikforschung: Bericht uber die 10. Arbeitstagung der "Study Group for Analysis and Systematization of Folk Music" im "International Council for Traditional Music" vom 17. bis 22. Mai 1987 in Freiburg. Studi en der Volksliedforschung, Bd. 5. Bern; New York: P. Lang, 335 pp., bibliog., illus. In German, English and French.

Buckley, Ann. "Boundaries in the Field: What Do They Serve? A Review of the Landscapes of Ethnomusicology and Historical Musicology." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 39-59. Bibliog.

Buckley, Ann, Karl-Olof Edström, Paul Nixon, ed. 1991. Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology, Cambridge, 5-10 August 1989. Musikmuseets skrifter, 21. Göteborgs: Götebors Universitet, vii, 377 pp., bibliogs., discog., gloss., maps, music, photo.

Chadd, David. "Ethnomusicology and Historical Musicology: Music as Process and Object." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 1-4. Bibliog.

Clarke, Donald, ed. 1990. The Penguin Encyclopedia of Popular Music. London; New York: Penguin Books, xii, 1378 pp., bibliog.

Davies, Coral. "Ethnomusicology and Music Education: A View from the 'White Highlands'." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 121-25. Bibliog.

Davis, Martha Ellen. 1992. "Careers, 'Alternative Careers,' and the Unity between Theory and Practice in Ethnomusicology." Ethnomusicology 36/3: 361-87. Bibliog., photos.

Detels, Claire. 1992. "Soft Boundaries and Relatedness: Paradigm for a Postmodern Feminist Musical Aesthetics." Boundary 2 19/2: 184-204.

Dunbar-Hill, Peter. 1991. "Semiotics as a Method for the Study of Popular Music." International Review of the Aesthetics and Sociology of Music 22/2: 127-32. Bibliog.

Edelman, Marsha Bryan. 1989-90. "A Guide to the Unpublished Works of Gershon Ephros (1890-1978): An Annotated Bibliography." Musica Judaica 11/1: 58-85. Bibliog.

Ehrlich, Cyril. "Taste, Function and Technology: Some Conjectures." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 331-39.

Etzion, Judith, and Susana Weich-Shahak. "The Spanish 'Romances Viejos' and the Sephardic Romances: Musical Links across Five Centuries." See A. Pompilio, ed., Atti del XIV Congresso, vol. 3, 7-16. Music.

Farrel, Gerry. "Musical Crossovers: Questions and Observations on Indian Music in Education." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 113-20. Bibliog., gloss.

Garfias, Robert. "Thoughts on the Processes of Language and Music Acquisition." See F. R. Wilson and F. L. Roehmann, ed., Music and Child Development, 100-105.

Goldberg, Geoffrey. 1989-90. "Neglected Sources for the Historical Study of Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah u'T'fillah and Todah W'simrah--Annotated Translations." Musica Judaica 11/1: 28-57. Table.

Gómez, Agustín. 1991. El flamenco es vida. Córdoba: Sección de Publicaciones del Ateneo de Córdoba, 320 pp.

Grande, Félix. 1992. Agenda flamenca. Madrid: Mondadori, 199 pp., bibliog., illus.

Hall, Edward T. 1992. "Improvisation as an Acquired, Multilevel Process." Ethnomusicology 36/2: 223-35. Bibliog.

Hamm, Charles. "The Transformation of Folk into Popular Music through Mass Dissemination." See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 616-19.

Hammarlund, Anders. "Integration through Distinctiveness? A Case of Turkish-Swedish Musical Syncretism." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 159-67. Bibliog.

Hanna, Judith Lynne. "Tradition, Challenge, and the Backlash: Gender Education through Dance." See L. Senelick, ed., Gender in Performance, 223-38.

Hawes, Bess Lomax. 1992. "Practice Makes Perfect: Lessons in Active Ethnomusicology." Ethnomusicology 36/3: 337-43.

Hirshberg, Jehoash. "Music in Immigrant Communities: An Overview." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 285-304. Bibliog., music.

Howard, John. "Ethnomusicology and World Music: A Discussion of the Place of Non-Western Music in Higher Education." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 105-11. Bibliog.

Kartomi, Margaret J. "Concepts and Classifications of Instruments and Ensembles in Orally-Transmitting Cultures, with Particular Reference to the Mandailing People." See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 369-83. Bibliog., diagr., il lus.

Levman, Bryan G. 1992. "The Genesis of Music and Language." Ethnomusicology 36/2: 147-70. Bibliog.

Ling, Jan. "Art Music, Folk Music and Popular Music: Ideological Equivalences to Musica Mundana, Humana and Instrumentalis." See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 622-26.

Le Moigne-Mussat, Marie-Claire. "Le syncrétisme aujourd'hui: mode, démagogie ou désperance?" See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 605-10.

Nattiez, Jean-Jacques. "Est-il légitime d'utiliser le concept de 'musique' à propos des cultures de tradition orale?" See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 342-49. Bibliog.

Nixon, Paul. "Musical Pilgrims and Their Quest for Paradise: Looking Forward in Retrospect." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 71-103. Bibliog.

Pian, Rulan Chao. 1992. "Return of the Native Ethnomusicologist." Yearbook for Traditional Music 24: 1-7.

Pompilio, Angelo, ed. 1990. Atti del XIV Congresso della Società internazionale di musicologia: Transmissione e recezione delle forme di cultura musicale: Bologna, 27 agosto-10 settembre 1987, Ferrara-Parma, 30 agosto 1987. 3 vols. Torino: E DT, Bibliogs., diagrs., illus., music, photos.

Raftis, Alkis. 1990. "A Call for a New Breed of Folk Dance Teachers." Dance Studies 14: 65-71. Bibliog.

Russell, Melinda A. "Exporting to Babylon: Reggae in England and the United States." See W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 167-81. Bibliog.

Seebass, Tilman. "'Theory' (English) and 'Lehre' (German) versus 'Téori' (Indonesian)." See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 200-11. Bibliog.

Seeger, Anthony. 1992. "Ethnomusicology and Music Law." Ethnomusicology 36/3: 345-59. Bibliog.

Senelick, Laurence, ed. 1992. Gender in Performance: The Presentation of Difference in the Performing Arts. Hanover; London: University Press of New England, xxiv, 348 pp., bibliog., photos.

Seroussi, Edwin. 1989-90. "Written Evidence and Oral Tradition: The Singing of Hayom Harat Olam in Sephardi Synagogues." Musica Judaica 11/1: 1-27. Music.

Sheehy, Daniel. 1992. "A Few Notions about Philosophy and Strategy in Applied Ethnomusicology." Ethnomusicology 36/3: 323- 36. Bibliog.

Shumway, David R. 1991. "Rock & Roll as a Cultural Practice." South Atlantic Quarterly 90/4: 753-69.

Skog, Inge. "Ethnomusicology and Historical Method." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 5-37. Bibliog.

Steszewski, Jan. "The Domestication of Exoticism." See A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 627-32.

Suppan, Wolfgang. "Tourism - Culture - Music (Anthropological Aspects)." See W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 25-33. Bibliog.

Suppan, Wolfgang, ed. 1991. Schladminger Gespräche zum Thema Musik und Tourismus. Musikethnologische Sammelbände, Bd. 12. Tutzing: H. Schneider, 292 pp.,. Papers presented at the ICTM Conference held in Schladming in 1989.

Titon, Jeff Todd. 1992. "Music, the Public Interest, and the Practice of Ethnomusicology." Ethnomusicology 36/3: 315-22. Bibliog.

Weinberg, Barry. "Band of Our Fathers: A Fresh Look at Klezmer." See A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 265-69. Bibliog.

Williams, Drid. 1991. Ten Lectures on Theories of the Dance. Metuchen, NJ: The Scarecrow Press, xviii, 423 pp., bibliog., gloss., illus., photo, tables.

Wilson, Frank R., and Franz L. Roehmann, ed. 1990. Music and Child Development: The Biology of Music Making: Proceedings of the 1987 Denver Conference. St. Louis, MO: MMB Music, xviii, 419 pp., bibliogs., illus., music.

Africa

Ballantine, Christopher. 1991. "Music and Emancipation: The Social Role of Black Jazz and Vaudeville in South Africa between the 1920s and the Early 1940s." Journal of Southern African Studies 17/1: 129-52. Photos.

Blacking, John. "Performance as a Way of Knowing: Practical Theory and the Theory of Practice in Venda Traditional Music- Making, 1956-1966." See General section, A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 214-20. Bibliog.

Dampierre, Eric de. 1991. Harpes zandé. Domaine musicologique. Paris: Klincksieck, 165 pp., bibliog., illus.

Demolin, Didier. 1990. "The Social Organization of Mangbetu Music." In African Reflections: Art from Northeastern Zaire, Enid Schildkrout and Curtis A. Keim, 195-208. Seattle: University of Washington; New York: American Museum of Natural History. Bibliog., photos.

Drewal, Margaret Thompson. 1991. "The State of Research on Performance in Africa." African Studies Review 34/3: 1-64. Bibliog.

Erlmann, Veit, ed. 1991. Populäre Musik in Afrika. Veröffentlichungen des Museums für Völkerkunde Berlin, 53; Abteilung Musikethnologie, 8. Berlin: Museum für Völkerkunde Berlin, 312 pp., bibliog., discog., illus., map s + 2 compact discs.

Giannattasio, Francesco. "Theory or Concepts? Some Questions Raised by a Research on Somali Music." See General section, A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 221-27. Bibliog.

Goody, Esther, and Jack Goody. 1992. "Creating a Text: Alternative Interpretations of Gonja Drum History." Africa 62/2: 266-70. Bibliog.

Katz, Richard. 18. "The Kung Approach to Healing." Parabola 1/ 1992: 72-81. Photos.

Krah, Karen. 1991. Die Harfe im pharaonischen Ägypten: ihre Entwicklung und Funktion. Orbis Musicarum, Bd. 7. Göttingen: Edition Re, 230 pp.

Miller, Thomas Ross. "Musical Instruments and Musical Change." In African Reflections: Art from Northeastern Zaire, Enid Schildkrout and Curtis A. Keim, 209-15. Seattle: University of Washington; New York: American Museum of Natural History. Biblio g., photos.

Salamone, Frank A. 1991. "Africa as a Metaphor of Authenticity in Jazz." Studies in Third World Societies 46: 1-20.

Sansom, Basil. 1991-92. "Song and Political Opposition in Sekhukhuneland, 1961-62." Anthropological Forum 6/3: 395-427. Bibliog.

Waterman, Christopher A. "The Junior Fuji Stars of Agbowo: Popular Music and Yoruba Children." See General section, F. R. Wilson and F. L Roehmann, ed., Music and Child Development, 79- 87. Bibliog.

Americas

Acosta, Leonardo. "The Problem of Music and its Dissemination in Cuba." See P. Manuel, ed., Essays on Cuban Music, 183-213.

Acosta, Leonardo. "The Rhumba, the Guaguancó, and Tío Tom." See P. Manuel, ed., Essays on Cuban Music, 49-73.

Adams, Linda Kinset. 1991. "Narrative Song as a Transitional Rhetorical Device in the Agape Church at Ellettsville, Indiana." Folklore Forum 24/1: 36-50. Bibliog.

Allen, Ray. 1992. "Back Home: Southern Identity and African- American Gospel Quartet Performance." In Mapping American Culture, ed. Wayne Franklin, 112-35. Iowa City: University of Iowa Press.

Arsenault, Georges. 1991. "´C'est pas pour en insulter, c'est juste pour en ajouterª: les chansons de Léah Maddix." Canadian Folklore Canadien 13/2: 71-84.

Baldwin, Karen, Anne Kimzey, and Keith Stallings. 1990. Folk Arts & Folklife in and around Pitt County: A Handbook and Resource Guide. Granville, NC: East Carolina University Folklore Archive, viii, 90 pp., bibliog., illus., photos. 'Musical Ar ts' pp. 32-47.

Bartelt, Guillermo. 1991. "A Cognitive Semantic Framework for Syncretism: The Case of the Southern California Powwow." Ethnos 56/1-2: 53-66. Bibliog.

Bissonnette, Big Bill. 1992. The Jazz Crusade: The Inside Story of the Great New Orleans Jazz Revival of the 1960's. Bridgeport, CT: Special Request Music Service, xviii, 338 pp., discog., illus., map.

Blanco Aguilar, Jesús. 1992. Ochenta años del son y los soneros del Caribe, 1909-1989. Caracas: Fondo Editorial Tropykos, 119 pp., illus.

Borges, Bia. 1990. Música popular do Brasil: Brazilian Popular Music. Sao Paolo: B. Borges, 292 pp., bibliog., illus. In Portuguese and English.

Burkhart, Louise M. "The Amanuenses Have Appropriated the Text: Interpreting a Nahuatl Song of Santiago." See B. Swann, ed., On the Translation of Native American Literatures, 339-55. Bibliog.

Camposeco M., José Balbino. 1992. Te' son, chinab' o k'ojom = La marimba de Guatemala. Colección Tierra adentro, 13. Guatemala: Subcentro Regional de Artesanías y Artes Populares, 89 pp., bibliog., illus., maps.

Cantwell, Robert. 1990. "He Shall Overcome: Pete Seeger." New England Review 13/1: 61-75. Bibliog.

Cantwell, Robert. 1991. "Smith's Memory Theater: The Folkways Anthology of American Music." New England Review 13/3-4: 364-97. Bibliog.

Caplan, Ronald. 1991. "'The Fate of Daniel Gwinn': A Narrative Obituary Poem." Canadian Folklore Canadien 13/2: 109-19.

Carlin, Bob, and Pamela Grundy. 1991. Musical Change in the Western Piedmont: A Research Summary. Lexington, NC: Davidson County Community College, 76 pp., bibliog.

Cormier, Charlotte, and Donald Deschênes. 1991. "Joseph-Thomas LeBlanc et le romancero inachevé." Canadian Folklore Canadien 13/ 2: 55-70.

Cornelius, Steven. "Drumming for the Orishas: Reconstruction of Tradition in New York City." See P. Manuel, ed., Essays on Cuban Music, 137-55.

Daniel, Wayne W. 1990. Pickin' on Peachtree: A History of Country Music in Atlanta, Georgia. Urbana, IL: University of Illinois, xiv, 295 pp., bibliog., discog., photos.

DeCurtis, Anthony. 1991. "The Sanctioned Power of Rock & Roll." South Atlantic Quarterly 90/4: 635-47.

Franco Arce, Samuel. 1991. Music of the Maya. Guatemala: Casa K'ojom, 44 pp., bibliog., illus.

Freccero, Carla. 1992. "Our Lady of MTV: Madonna's 'Like a Prayer'." Boundary 2 19/2: 163-83.

Friedmann, Susana. "Mündliche Techniken und die musikalische Überlieferung der Romanzen in den Tiefländern Kolumbiens." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 109-25. Bibliog.< P> García, Florencio Oscar. 1992. Samba: A Bibliography with Introduction: History, People, Lyrics, Recordings. Albuquerque: FOG Publications, 110 pp., bibliog. discog.

Gass, Glenn. 1991. "Why Don't We Do It in the Classroom?" South Atlantic Quarterly 90/4: 729-36.

Gillespie, Luke O. 1991. "Literacy, Orality, and the Parry-Lord 'Formula': Improvisation and the Afro-American Jazz Tradition." International Review of the Aesthetics and Sociology of Music 22/2: 147-64. Bibliog.

Greenhill, Pauline. 1989. True Poetry: Traditional and Popular Verse in Ontario. Montreal: McGill-Queen's University Press, xvi, 230 pp., bibliog., tables.

Grupe, Gerd. 1990. Kumina-Gesänge: Studien zur traditionellen afrojamaikanischen Musik. 2 vols. Beiträge zur Ethnomusikologie, Bd. 26. Hamburg: K. D. Wagner, Bibliog, discog., illus. Jamaica.

Guilbault, Jocelyne. 1991. "Ethnomusicology and the Study of Music in the Caribbean." Studies in Third World Societies 45: 117-39.

Herrera-Sobek, Maria. 1991. "Corridos and Canciones of Mica, Migra, and Coyotes: A Commentary on Undocumented Immigration." In Creative Ethnicity: Symbols and Strategies of Contemporary Ethnic Life, ed. Stephen St ern and John Allan Cicala, 87-104. Logan, UT: Utah State University Press. Bibliog. Mexico.

Hittman, Michael. 1992. "The 1890 Ghost Dance in Nevada." American Indian Culture and Research Journal 16/4: 123-66.

Jaramillo de Olarte, Lucia, and Mónica Trujillo Jaramillo. 1991. Trece danzas tradicionales de Colombia: sus trajes y su música. Bogotá: Producciones ATA Fondo Filantrópico: Fondo Cultural Cafetero, 159 pp., bibliog., il lus. + 1 sound cassette.

Krupat, Arnold. "On Translation of Native American Song and Story: A Theorized History." See B. Swann, ed., On the Translation of Native American Literatures, 3-32. Bibliog., music.

Leary, James P., and Richard March. 1991. "Dutchman Bands: Genre, Ethnicity, and Pluralism in the Upper Midwest." In Creative Ethnicity: Symbols and Strategies of Contemporary Ethnic Life, ed. Stephen Stern and John Allan Cicala, 21-43. Logan, UT: Utah State University Press. Bibliog., photos.

León, Argeliers. "Notes toward a Panorama of Popular and Folk Music." See P. Manuel, ed., Essays on Cuban Music, 1-23.

León, Argeliers. "Of the Axle and the Hinge: Nationalism, Afro- Cubanism, and Music in Pre-Revolutionary Cuba." See P. Manuel, ed., Essays on Cuban Music, 267-82.

Lewis, George H. 1990. "Folk and Traditional Elements in an Emerging Professional Art World: Regional Music in the American State of Maine." International Review of the Aesthetics and Sociology of Music 21/2: 207-18. Bibliog.

Light, Alan. 1991. "About Salary or Reality? Rap's Recurrent Conflict." South Atlantic Quarterly 90/4: 855-70.

Linares, María Teresa. "The Décima and Punto in Cuban Folklore." See P. Manuel, ed., Essays on Cuban Music, 87-111.

Lornell, Kip. 1992. Introducing American Folk Music. Madison, WI: Brown & Benchmark, xii, 251 pp., bibliog., illus., maps.

Manuel, Peter. "Musical Pluralism in Revolutionary Cuba." See P. Manuel, ed., Essays on Cuban Music, 283-311.

Manuel, Peter. "Salsa and the Music Industry: Corporate Control or Grassroots Expression?" See P. Manuel, ed., Essays on Cuban Music, 157-80.

Manuel, Peter, ed. 1991. Essays on Cuban Music: North American and Cuban Perspectives. Lanham, MD: University Press of America, xvi, 327 pp., bibliog., discog., gloss.

Martínez Furé, Rogelio. "Regarding Folklore." See P. Manuel, ed., Essays on Cuban Music, 249-65.

Martínez Furé, Rogelio. "Tambor." See P. Manuel, ed., Essays on Cuban Music, 25-47.

Moreira, Jamie. 1991. "Broken Rings: Folksong and Occupational Transitions in the Maritime Provinces." Canadian Folklore Canadien 13/2: 45-54.

Murphy, John. "The Charanga in New York and the Persistence of the Típico Style." See P. Manuel, ed., Essays on Cuban Music, 115-35. Discog.

Palmer, Robert. 1991. "The Church of the Sonic Guitar." South Atlantic Quarterly 90/4: 649-73.

Péréz Fernández, Rolando Antonio. 1990. La música afromestiza mexicana. Biblioteca Universidad Veracruzana. Xalapa, Ver., México: Editorial UV, 247 pp., bibliog., discog., illus.

Pineda del Valle, César. 1990. Fogarada: antología de la marimba. Serie Nuestros pueblos, 2. [Tuxtla Gutiérrez]: Gobierno del Estado de Chiapas, Consejo Estatal de Fomento a la Investigación y Difusión de la Cultu ra, Instituto Chiapaneco de Cultura, 481 pp., bibliog., illus.

Powers, William K. "Translating the Untranslatable: The Place of the Vocable in Lakota Song." See B. Swann, ed., On the Translation of Native American Literatures, 293-310. Bibliog.

Robbins, James. "Institutions, Incentives, and Evaluations." See P. Manuel, ed., Essays on Cuban Music, 215-47.

Rodríguez, Alberto, Elena Moreno de Macía. 1991. Manual del folklore cuyano. [Mendoza, Argentina]: Ediciones Culturales de Mendoza, 165 pp., bibliog., illus.

Rodríguez, Olavo Alen. "The Tumba Francesca." See P. Manuel, ed., Essays on Cuban Music, 75-85.

Rosman, Abraham, and Paula G. Rubel. 1990. "Structural Patterning in Kwakiutl Art and Ritual." Man 25/4: 620-40. Bibliog., illus., photos.

Rothenberg, Jerome. "'We Explain Nothing, We Believe Nothing': American Indian Poetry and the Problematics of Translation." See B. Swann, ed., On the Translation of Native American Literatures, 64-79. Bibliog.

Saint-Laurent, Marie-France. 1992. "Les harmonies de Magog: exemple de sociabilité et d'identité collective." Canadian Folklore Canadien 14/1: 93-109. Table.

Salazar Salvatierra, Rodrigo. 1992. Instrumentos musicales del folclor costarricense. Cartago, Costa Rica: Editorial Tecnologica de Costa Rica, 228 pp., bibliog., illus.

Shane, Nina De. 1991. "'Ksan Dances." Dance Studies 15: 100-36. Bibliog., gloss., illus., map.

Shapiro, Ann Dhu. "Music in the Service of Ritual Transformation." See General section, F. R. Wilson and F. L. Roehmann, ed., Music and Child Development, 106-116. Mescalero Apache.

Shaul, David Leedom. "A Hope Song-Poem in 'Context'." See B. Swann, ed., On the Translation of Native American Literatures, 228-41. Bibliog., music.

Sherzer, Joel. "Modes of Representation and Translation of Native American Discourse: Examples from the San Blas Kuna." See B. Swann, ed., On the Translation of Native American Literatures, 426-40. Bibliog., graphs.

Smith, Ralph Lee. 1992. "Dulcimer Detective: A Search of the West Virginia Mountains Leads to a Long-Forgotten Instrument Maker." Swarthmore College Bulletin 90/3: 8-13. Photos.

Sorrels, Rosalie, comp. 1991. Way Out in Idaho: A Celebration of Songs and Stories. Lewiston, ID: Confluence Press, xxii, 250 pp., bibliog., illus., music.

Spencer, Jon Michael. 1992. Black Hymnody: A Hymnological History of the African-American Church. Knoxville: University of Tennessee Press, xiii, 242 pp., bibliog.

Swann, Brian, ed. 1992. On the Translation of Native American Literatures. Washington, DC: Smithsonian Institution, xx, 478 pp., bibliogs., graphs, music.

Ulloa, Alejandro. 1992. La Salsa en Cali. Collección Crónica y periodismo, Cali, Colombia: Ediciones Universidad del Valle, 619 pp., bibliog., illus.

Asia & Oceania

Baily, John, and Veronica Doubleday. "Patterns of Musical Enculturation in Afghanistan." See General section, F. R. Wilson and F. L. Roehmann, ed., Music and Child Development, 88-99. Bibliog.

Bohlman, Philip V. 1992. The World Centre for Jewish Music in Palestine 1936-1940: Jewish Musical Life on the Eve of World War II. Oxford: Clarendon Press, xxx, 297 pp., bibliog., gloss.

Bor, Joep. 19990. "The Sarangi." India Magazine 10/10: 54-62. Photos.

Brakel-Papenhuijzen, Clara. [1991?]. Seni tari Jawa: tradisi Surakarta dan peristilahannya. Jakarta: Indonesia Linguistics Development Project, 336 pp., bibliog., illus.

Cakrabarti, Somanatha. 1991. Kalakatara baijibilasa. Kalakata: Bukalyanda, viii, 168 pp., bibliog., illus.

Carle, Rainer. 1990. Opera Batak: das Wandertheater der Toba- Batak in Nord-Sumatra: Schauspiele zur Wahrung kultureller Identität im nationalen indonesischen Kontext. 2 Vols. Veröffentlichungen des Seminars für Indonesische und S&uu ml;dseesprachen der Universität Hamburg, Bd. 15. Berlin: D. Reimer, Bibliog., illus., maps.

Catlin, Amy. 1992. Khmer Classical Dance Songbook. Van Nuys, CA: Apsara Media for Intercultural Education, xiv, 126 pp., bibliog., filmog., gloss., illus., music.

Ching-Yun Lee, Joanna. 1992. "Cantopop Songs on Emigration from Hong Kong." Yearbook for Traditional Music 24: 14-23. Discog.

Dai Xiaolian. 1992. "Robert van Gulik and the Guqin Scores of the Sinological Institute, Leiden." CHIME 5: 30-41. Bibliog., gloss, photos.

Emigh, John, and Jamer Hunt. "Gender Bending in Balinese Performance." See General section, L. Senelick, ed., Gender in Performance, 195-222.

Fiederer, Adriana. "Continuity and Change: Jewish Italian Liturgical Music in Israel." See General section A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 271-83. Bibliog.

Fritsch, Ingrid. 1992. "The Social Organization of Goze in Japan: Blind Female Musicians on the Road." CHIME 5: 58-64. Bibliog., gloss., illus., photos.

Gandhi, Gopal. 1990. "MS Subbhulakshmi." India Magazine 10/5: 24- 37. Photos.

Gao Zhixi. 1992. "Shang and Zhou Period Bronze Musical Instruments from South China." Bulletin of the School of Oriental and African Studies 55/2: 262-71. Photos.

Grandin, Ingemar. "Medialization and Music Practice in Nepal." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 319-29. Bibliog.

Gutzwiller, Andreas. 1992. "Polyphony in Japanese Music: Rokudan for Example." CHIME 5: 50-57. Bibliog., graph., music.

Han, Man-yong. 1990. Kugak: Studies in Korean Traditional Music. Seoul: Tamgu Dang, 251 pp., bibliog., illus.

Hanson, Allan, and Louise Hanson, ed. 1990. Art and Identity in Oceania. Honolulu: University of Hawaii Press, x, 315 pp., bibliogs., photos.

Huang Bai. 1992. "Haozi: Working Cries Turned into Art: A Discussion of Two Shanghai Work Songs." CHIME 5: 42-49. Illus., music.

Huang Xiangpeng. 1992. "Ancient Tunes Hidden in Modern Gongche Notation." Yearbook for Traditional Music 24: 8-13. Bibliog., music.

Hughes, David W. 1991. "Oral Mnemonics in Korean Music: Data, Interpretation, and a Musicological Application." Bulletin of the School of Orienal and African Studies 54/2: 307-35. Bibliog., gloss., music, tables.

Illing, Kai-Torsten. 1990. Das jogèd bungbung: eine musikalisch- historische Studie über Unterhaltungsmusik und -tanz auf Bali. 2 Vols. Beiträge zur Ethnomusikologie, Bd. 25. Hamburg: Verlag der Musikalienhandlung K. D. Wagner, Bib liog., discog., music.

Jones, Stephen, Chen Kexiu, Jing Weigang, and Liu Shi. 1992. "Funeral Music in Shanxi." CHIME 5: 4-28. Bibliog., diagrs., maps, photos.

Khokar, Ashish. 1991. "The Chakyars: Hereditary Actors of Kerala." India Magazine 11/7: 66-71. Photos.

Khokar, Ashish. 1990. "Ram Gopal." India Magazine 10/5: 60-68. Photos.

Knopoff, Steven. 1992. "Yuta Manikay: Juxtaposition of Ancestral and Centemporary Elements in the Performance of Yolngu Clan Songs." Yearbook for Traditional Music 24: 138-53. Bibliog.

Lange, Roderyk. 1991. "Galungan in Bali: A Religious Event." Dance Studies 15: 9-67. Bibliog., illus., photos.

Lawrence, Helen Reeves. 1992. "Is the 'Tahitian' Drum Dance Really Tahitian? Re-evaluating the Evidence for the Origins of Contemporary Polynesian Drum Dance." Yearbook for Traditional Music 24: 126-37. Bibliog., map.

Li Wei. 1992. "The Duality of the Sacred and the Secular in Chinese Buddhist Music: An Introduction." Yearbook for Traditional Music 24: 81-90. Bibliog., music.

Liao Yen Lü-Fen. 1989. Form und Struktur der Gesänge im volkstümlichen Kua-Theater auf Taiwan. 2 Vols. Beiträge zur Ethnomusicologie, Bd. 22. Hamburg: Verlag der Musikalienhandlung K. D. Wagner,

Lisha Li. 1992. "The Symbolization Process of the Shamanic Drums Used by the Manchus and Other Peoples in North Asia." Yearbook for Traditional Music 24: 52-80. Bibliog., illus., music., photos.

Lundberg, Dan. "Improvisation in Turkish Folk Music: Acislar Performed by Ziya Aytekin." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 169-80. Bibliog., music.

Mahadevan, Priya, and Karunaker Menon. 1991. "Navasandhinrillyam: A Dance Tribute to the Dikpaks." India Magazine 11/9: 40-48. Photos.

Manasseh, Sarah. "Variation and Stability in Shbahoth: Songs in Praise of the Babylonian Jews." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 231-51. Bibliog., music.

Marcus, Scott L. 1992. "Modulation in Arab Music: Documenting Oral Concepts, Performance Rules and Strategies." Ethnomusicology 36/2: 171-95. Bibliog., music, tables.

Maschio, Thomas. 1992. "To Remember the Faces of the Dead: Mourning and the Full Sadness of Memory in Southwestern New Britain." Ethos 20/4: 387-420. Bibliog.

Mazumdar, Subhra. 1991. "Prabha Atre and the Kirana Gharana." India Magazine 11/8: 50-56. Photos.

Miller, Terry E. 1992. "The Theory and Practice of Thai Musical Notations." Ethnomusicology 36/2: 197-221. Bibliog., music, diagr.

Mora, Manolete. 1991-92. "The Last Kiss and The Return after Murder: A Case Study of Meaning and Context in Instrumental Performance among the T'boli (Philippines)." Anthropological Forum 6/3: 385-94. Bibliog.

Ness, Sally Ann. 1992. Body, Movement, and Culture: Kinesthetic and Visual Symbolism in a Philippine Community. Philadelphia: University of Pennsylvania Press, xii, 292 pp., bibliog., illus.

Neuman, Daniel. 1990. The Life of Music in North India: The Organization of an Artistic Tradition. Reprint ed. Chicago: University of Chicago Press, 296 pp., bibliog., illus.

Nevile, Pran. 1990. "The Nautch Girl and the Saheb." India Magazine 10/2: 42-54. Illus., photos.

Oesch, Hans. "Die Senoi auf Malakka: Stabilität oraler Tradition in einer animistischen Gesellschaft." See General section, A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 350-63. Graphs., photos.

Provine, Robert C. 1992. "The Korean Courtyard Ensemble for Ritual Music (Aak)." Yearbook for Traditional Music 24: 91-117. Bibliog., gloss., music.

Ramstedt, Martin. "Kulturtourismus - Erziehung - Identität. Indonesische Kulturpolitik und die Entwicklung der balinesischen Darstellenden Künste." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus , 159-65. Bibliog.

Reynolds, Stephanie. "Imperatives and Persuasion in the Conservation of Culture: Gender Constraints in Tongan Dance." See A. Hanson and L. Hanson, ed., Art and Identity in Oceania, 211- 21. Bibliog., photos.

Rose, Roger G. "The Masked Tamale of Vanikoro." See A. Hanson and L. Hanson, ed., Art and Identity in Oceania, 111-28. Bibliog., photo.

Rowell, Lewis. 1992. Music and Musical Thought in Early India. Chicago; London: University of Chicago Press, xvi, 409 pp., bibliog., gloss., music, tables.

Sakakibara, Kiitsu. 1992. Dances of Asia. Chandigarh: Abhishek Publications, 218 pp., illus.

A. Samad Ahmad. 1990. Kensenian tari. Melaka: Associated Educational Distributors, 165 pp., bibliog., illus.

Schwimmer, Eric. "The Anthropology of the Ritual Arts." See A. Hanson and L. Hanson, ed., Art and Identity in Oceania, 5-14. Bibliog. Papua New Guinea.

Shennan, Jennifer. 1991. "Maori Dance Terminology." Dance Studies 15: 68-99. Bibliog., choreog., photos.

Shepherd, Gregory. 1991. "'Nihonjinron': Challenge to Academia." International Review of the Aesthetics and Sociology of Music 22/2: 187-92.

Stock, Jonathan P. J. 1992. "Constructive Techniques in Music for Chinese Two-Stringed Fiddles." CHIME 5: 65-74. Bibliog., gloss., music, tables.

Tatsuko Takizawa. "Tourism and Traditional Music. Case Study of Singapore and Japan." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 183-89.

Tenzer, Michael. 1991. Balinese Music. Berkeley: Periplus Eds., 143 pp., bibliog., illus.

Tokumaru Yoshihiko. 1991. "Intertextuality in Japanese Traditional Music." In Ikegami Yoshihiko, The Empire of Signs: Semiotic Essays on Japanese Culture. ed, 139-55. Philadelphia: Benjamins. Bibliog., music.

Trimillos, Ricardo D. "Formal Instruction as Interface between Theory and Practice in Traditions of Japan." See General section, A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 191-99. Bibliog.

Trinh Công Son. 1991. Em còn nhó hay em da quên: tình khùc. Westminster, CA: Hong Linh, 113 pp., illus., music.

Tsao Penyeh, and Shi Xinming. 1992. "Current Research of Taoist Ritual Music in Mainland China and Hong Kong." Yearbook for Traditional Music 24: 118-25. Bibliog.

Tsuge, Gen'ichi. "Problems in Notating Music in Asia." See General section, A. Pompilio, ed., Atti del XIV Congresso, vol. 1, 364-68. Bibliog.

Tuksar, Stanislav. "On Early Reports about Turkish Music Culture in the Writings of Some Late-Renaissance Humanists." See General section, A. Pompilio, ed., Atti del XIV Congresso, 17-26. Bibliog., facsims.

Ying-fen Wang. 1992. "The 'Mosaic Structure' of Nanguan Songs: An Application of Semiotic Analysis." Yearbook for Traditional Music 24: 24-51. Bibliog., gloss.

Europe

Alison-Sealy, June. "Ethnomusicology on the Doorstep: Research amongst Indian Jews in London." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 253-63. Bibliog., map.

Arrebola, Alfredo. 1991. Introducción al folklore andaluz y cante flamenco: unidades temáticas para su enseñanza. [Cádiz]: Servicio de Publicaciones, Universidad de Cádiz, 178 pp., bibliog., discog., illus.

Atkinson, David. 1992. "History, Symbol, and Meaning in 'The Cruel Mother'." Folk Music Journal 6/3: 359-80. Facsim.

Baker, Ronald L. 1991. "The Image of Women in British Romantic Humorous Ballads." Midwestern Folklore 17/2: 125-30. Bibliog.

Barna, Gábor. "Name Day Greetings in Rhymes and Songs." See A. Koiranen, ed., Finnish-Hungarian Symposium, 5-16. Bibliog., map, music.

Beissinger, Margaret H. 1991. The Art of the Lautar: The Epic Tradition of Romania. Harvard Dissertations in Folklore and Oral Tradition. New York: Garland, xiii, 186 pp., bibliog., illus., map.

Benes, Bohuslav, ed. 1990. Ceská lidová slovesnost: vybor pro soucasného ctenáre. Lidové umeni slovesné. Praha: Odeon, 363 pp., bibliog., music.

Bezic, Jerko. "New Manners in Relations between Traditional Music and Tourism in Croatia, Yugoslavia." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 35-39. Music.

Blazekovic, Zdravko. "The Nineteenth Century Croatian Rousing Songs: From Composer's Desks to the Oral Tradition and Back." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 41-48.

Bolle-Zemp, Sylvie. 1992. Le réenchantement de la montagne: Aspects du folklore musical en Haute-Gruyère. Mémoires de la Société suisse des traditions populaires, 74. Genève: Georg Editeur, 203 pp., bibliog ., illus.

Boskovic-Stulli, Maja. 1991. "Balladic Forms of the Bugarstica and Epic Songs." Oral Tradition 6/2-3: 225-38. Bibliog.

Bovan, Vladimir. 1991. "Yugoslav Oral Lyric, Primarily in Serbo- Croatian." Oral Tradition 6/2-3: 148-73. Bibliog.

Brandl, Rudolf M. "Das Kleftenlied des 18. und 19. Jahrhunderts in Reiseberichten." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 49-82. Bibliog.

Buckland, Theresa. "'In a Word We Are Unique': Ownership and Control in an English Dance Custom." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 361-69. Bibliog.

Buturovic, Denana. 1991. "The Geographic Extent and Chronological Coordinates of South Slavic Moslem Oral Epic." Oral Tradition 6/ 2-3: 284-302. Bibliog.

Cano, Manuel. 1991. La guitarra: historia, estudios y aportaciones al arte flamenco. 2nd ed. Granada: Diputación Provincial de Granada, lv, 290 pp., bibliog., illus. + 2 sound cassettes.

Chaniecki, Zbigniew. "Musical Relations between Poland and Russia at the Beginning of the 17th Century." See General section, A. Pompilio, ed., Atti del XIV Congresso, vol. 3, 27-32.

Dahlig, Ewa. 1990. "Music and Dance Activities in Polish Folk Tradition: The Problem of Syncretism." Dance Studies 14: 37-46. Bibliog., table.

Dahlig, Ewa. "Traditional Musical Instruments and Tourism. The Case of Zlóbcoki." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 83-87. Bibliog.

Dahlig, Piotr. "Music and Traditional Tourism. On the Problem of Wandering Singers and Musicians." See General section W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 89-94. Bibliog. Poland.

Darlington, Wilf. 1992. "The Trumpet Hornpipe." Folk Music Journal 6/3: 276-98. Music.

Davies, Gwilym. 1992. "Percy Grainger's Folk Music Research in Gloucestershire, Worcestershire, and Warwickshire, 1907-1909." Folk Music Journal 6/3: 339-58. Music.

Davis, Ruth. "Tourists, Traders, and Buskers: The Craft Market as Venue for the Street Musicians." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 95- 100. Bibliog.

Dukat, Zdeslav. 1991. "Enjambment as a Criterion for Orality in Homeric and South Slavic Epic Poetry." Oral Tradition 6/2-3: 303- 15. Bibliog.

Edström, K. Olle. "The Role of the Ethnomusicologist: Moral and Ethical Obligations versus Research Possibilities. Experiences of 20 Years of Studies of the Music Culture of the Saami (Laplanders)." See General section, A. Buckley, K. Edström, P . Nixon, ed., Proceedings, 139-57. Map.

Einarsson, Mats. "Some Aspects of Form as an Intersubjective Framework in Instrumental Improvisations (Taximia) in Greek Bouzouki Music." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 181-95. Bibliog., discog. , music.

Emsheimer, Ernst. "Berichte älterer deutscher Forschungsreisender zur Volksmusik Kaukasiens." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 101-08. Bibliog., music.

Finnegan, Ruth. "Studying Musical Practice in an English Town: A 'Doorstep' Ethnographic Study and its Implications." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 305- 17. Bibliog.

Freedman, Jean R. 1991. "With Child: Illegitimate Pregnancy in Scottish Traditional Ballads." Folklore Forum 24/1: 3-18. Bibliog.

Fry, John, and Alan J. Fletcher. 1992. "The Kilkenny Morries, 1610." Folk Music Journal 6/3: 381-83.

Giurchescu, Anca. "Methods of Research: Studying a Dance Event among the Vlachs Living in Denmark." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 341-55. Bibliog., map, photos.

Giurchescu, Anca. 1990. "The Use of Traditional Symbols for Recasting the Present: A Case Study of Tourism in Rumania." Dance Studies 14: 47-63. Bibliog.

Golemovic, Dimitrije, ed. 1990. Narodna muzika Titovouzickog kraja. Tradicionalno narodno stvaralastvo Titovouzickog kraja, sv. 2. Beograd: Srpska akademija nauka i umetnosti, Etnografski in-t, 231 pp., bibliog., illus., music. French summary.

Gstrein, Rainer. "Tanz- und Tanzmusiknachrichten in Reiseberichten über Österreich in der ersten Hälfte des 19. Jahrhunderts." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 127-37. Bi bliog.

Hafner, Ottfried. "Erzherzog Johann und sein Einfluss auf Volksmusikpflege und Folklore-Tourismus in Österreich." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 139-46.

Häggman, Ann-Mari. 1992. Magdalena pa källebro: en studie i finlandssvensk vistradition med utgangspunkt i visan om Maria Magdalena. Humanistiska avhandlingar, 6; Skrifter utgivna av Svenska litteratursällskapet i Finland, 576. Helsi ngfors: Svenska litteratursällskapet i Finland, 375 pp., bibliog., discog., illus., maps. English summary.

Harker, Dave. 1992. "A Warning." Folk Music Journal 6/3: 299-338. Bibliog. 'A Warning for Married Women'.

Harvilahti, Lauri. 1992. "The Production of Finnish Epic Poetry: Fixed Wholes or Creative Compositions?" Oral Tradition 7/1: 87- 101. Bibliog.

Hochradner, Thomas. 1990. Bibliographie zur Volksmusik in Salzburg. Veröffentlichungen zur Salzburger Musikgeschichte, Bd. 2. Salzburg: Das Volksliedwerk: Institut für Musikwissenschaft der Universität Salzburg, iv, 158 pp.

Hordiichuk, M. M., ed. 1991. Perlyny ukraïns'koï narodnoï pisni: pisennyk. Kyïv: "Muzychna Ukraïna", 381 pp., music.

Huntington, Gale, ed. 1990. Sam Henry's Songs of the People. Athens: University of Georgia Press, xxxix, 632 pp., bibliog., music.

Järviluoma, Helmi. "Current Research of Folk Music and Popular Music in Finland." See A. Koiranen, ed., Finnish-Hungarian Symposium, 17-38.

Jesser, Barbara. 1991. Interaktive Melodieanalyse: Methodik und Anwendung computergestützter Analysenverfahren im Musikethnologie und Volksliedforschung: typologische Untersuchung der Balladensammlung des DVA. Studien zur Volksliedforschung, B d. 12. Bern; New York: P. Lang, vi, 308 pp., bibliog., illus.

Kekez, Josip. 1991. "Bugarscice: A Unique Type of Archaic Oral Poetry." Oral Tradition 6/2-3: 200-24. Bibliog.

Kilibarda, Novak. 1991. "The Montenegrin Oral Epic in a New Perspective." Oral Tradition 6/2-3: 279-83. Bibliog.

Kleut, Marija. 1991. "Concluding Formulas of Audience Address in Serbo-Croatian Oral Epic." Oral Tradition 6/2-3: 266-70. Bibliog.

Knapp, Alexander. "Aspects of Jewish Music in Contemporary Britain." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 209-29. Bibliog., music.

Koiranen, Antti. "Finnish Folk Fiddle Style." See A. Koiranen, ed., Finnish-Hungarian Symposium, 39-49. Illus., map, music.

Koiranen, Antti, ed. 1991. Finnish-Hungarian Symposium on Music & Folklore Research 15.-21.11.1987. Tampere: Tampereen yliopiston, kansanperinteen laitos, 103 pp., bibliog., illus.

Kondrat'ev, M. G., ed. 1991. Narodnoe muzykal'noe iskusstvo Chuvashii. Cheboksary: Nauchno-issl. in-t iazyka, lit-ry, istorii i ekonomiki pri Sovete Ministrov Chuvashskoi SSR, 103 pp., bibliog., illus.

Kononenko, Natalie O. 1991. "The Influence of the Orthodox Church on Ukranian Dumy." Slavic Review 50/3: 566-75.

Krnjevic, Hatidza. 1991. "Notes on the Poetics of Serbo-Croatian Folk Lyric." Oral Tradition 6/2-3: 174-85. Bibliog.

Küllös, Imola. "The Messages of a Repertory Investigation: The Quantitive Stylistic Analysis of Csángó Folk Songs." See A. Koiranen, ed., Finnish-Hungarian Symposium, 54-62. Bibliog.

Kumer, Zmaga. 1991. "The Folk Ballad in Slovenia." Oral Tradition 6/2-3: 1991. Bibliog.

Kurkela, Vesa. "Idealistic 'Folksiness' in the Folk Music of Finnish Popular Movements." See A. Koiranen, ed., Finnish- Hungarian Symposium, 50-53. Bibliog.

Lange, Roderyk. 1990. "Dance Folklore and the Non-Professional Dancer." Dance Studies 14: 11-35.

Logar, Engelbert. "Die Einflüsse des Fremdenverkehrs auf das slowenische Volkslied in Kärnten." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 147-58. Map.

McKean, Thomas. 1992. "A Gaelic Songmaker's Response to an English-speaking Nation." Oral Tradition 7/1: 3-27. Bibliog. John Nicholson.

Montagnier, Jean-Paul. 1990. "Julien Tiersot: Ethnomusicologue à l'Exposition Universelle de 1889: Contribution à une histoire française de l'ethnomusicologie." International Review of the Aesthetics and Sociology of Music 21/1 : 91-100. Music.

Nagy, Ilona. "Famine in Samaria: Comparative Analysis of a Hungarian Epic Song." See A. Koiranen, ed., Finnish-Hungarian Symposium, 63-73. Bibliog., facsims.

Nilsson, Mats. "'To Sail': A Way of Dancing: The Phenonmenon of 'Sailing,' Tradition and Diffusion." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 357-60. Bibliog. Sweden.

O'Connor, Nuala. 1991. Bringing It All Back Home: The Influence of Irish Music. London: BBC Books, 176 pp., illus.

Pekkilä, Erkki. "Folk Music, Tourism and Authenticity." See A. Koiranen, ed., Finnish-Hungarian Symposium, 74-77. Bibliog.

Porter, Gerald. 1992. The English Occupational Song. Acta Universitatis Umensis. Umea Studies in the Humanities, 105. Umea: University of Umea, 184 pp., bibliog., illus.

Ramsten, Märta. 1992. Aterklang: Svensk folkmusik i förändring 1950-1980. Svenskt visarkivs handlingar, 4. [Sweden]: M. Ramsten, 147 pp., bibliog., discog., music, photos, tables + 1 sound cassette.

Ramsten, Märta. "Interpretations of Local Tunes among Swedish Fiddlers of the 1980s." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 197-208. Music.

Ronström, Owe. "Folklore Performances, the invandrare and Blandsverige: Some Thoughts about the Study of Social and Cultural Organisation in Sweden." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 1 27-37. Bibliog.

Rubtsova, F. A., ed. 1991. Russkie narodnye pesni Smolenskoi oblasti: v zapisiakh 1930-1940-kh godov. Russkie narodnye pesni. Novye publikatsii. Leningrad: Vses. izd-vo "Sov. kompositor," Leningradskoe otd-nie, 159 pp., bibliog., music.

Sárosi, Bálint. "About the Motivic Layer of Hungarian Instrumental Folk Music." See A. Koiranen, ed., Finnish-Hungarian Symposium, 79-83. Bibliog., music.

Sazdov, Tome. 1991. "Macedonian Folk Poetry, Principally Lyric." Oral Tradition 6/2-3: 186-99. Bibliog.

Schäfer, Joachim. 1991. Folkmusik och dansaret 1990: Musik och dans pa nya villkor: utvärdering av folkmusik och dansaret 1990: huvudrapport. Stockholm: Musikmuseet, v, 200 pp.

Sifakis, G. M. 1992. "Homeric Survivals in the Medieval and Modern Greek Folksong Tradition?" Greece & Rome 34/2: 139-54.

Siikala, Anna-Leena, and Mihály Hoppál. 1992. "Shamanic Themes in Finnish Epic Poetry." In Studies on Shamanism, Anna-Leena Siikala and Mihály Hoppál, 79-86. Helsinki: Finnish Anthropological Society; Budapest: Akad&eacu te;miai Kiadó.

Siikala, Anna-Leena, and Mihály Hoppál. 1992. "Singing of Incantation in Nordic Tradition." In Studies on Shamanism, Anna- Leena Siikala and Mihály Hoppál, 68-78. Helsinki: Finnish Anthropological Society; Budapest: Akad émiai Kiadó. Bibliog.

Siikala, Anna-Leena, and Mihály Hoppál. 1992. "Two Types of Shamanizing and Categories of Shamanic Songs: A Chukchi Case." In Studies on Shamanism, Anna-Leena Siikala and Mihály Hoppál, 41- 55. Helsinki: Finnish Anthropo logical Society; Budapest: Akadémiai Kiadó.

Suojanen, Päivikki. "Applied Tradition and Cultural Co-operation Research." See A. Koiranen, ed., Finnish-Hungarian Symposium, 84- 87. Bibliog. Finland.

Ternhag, Gunnar. 1992. Hjort Anders Olsson: spelman, artist. Hedemora, Sweden: Gidlunds bokförlag, 310 pp., bibliog., illus., maps.

Thiel, Helga. "Early Phenomena of Tourism in Austria." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 191-94. Bibliog.

Thiel-Cramér, Barbara. 1991. Flamenco: The Art of Flamenco, its History, and Development Until Our Days. Lidingö, Sweden: Remark, 151 pp., bibliog., illus., maps.

Torp, Lisbet. "An Urban Milieu and its Means of Expression: A Case Study of the Rebetika." See General section, A. Buckley, K. Edström, P. Nixon, ed., Proceedings, 371-77. Greece.

Torp, Lisbet. "Zorbas' Dance. The Story of Dance Illusion - and its Touristic Value." See General section, W. Suppan, ed., Schladminger Gespräche zum Thema Musik und Tourismus, 195-200.

Ujváry, Zoltán. "Hungarian Parallels in Folk Drama to Bear Ceremonialism." See A. Koiranen, ed., Finnish-Hungarian Symposium, 88-95. Bibliog., illus.

Voigt, Vilmos. "Not a Simple Pan-Slavic Genre (Bride's Lament in Hungarian Folklore)." See A. Koiranen, ed., Finnish-Hungarian Symposium, 96-103. Bibliog.

Zvukovysotnoe stroenie narodnykh melodii--printsipy analiza: materialy nauchno-prakticheskoi etnomuzykologicheskoi konferentsii, DTK "Ruza", II-16.02. 1991. Moskva: Komissiia muzykovedeniia i fol'klora Soiuza kompozitorov RSFSR, 174 pp., bibliog., illus.

Acknowledgements

Sylvie Bolle-Zemp, Joseph C. Hickerson.