Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

"Alain Daniélou Honoured by the Berlin Senate." 1992. The World of Music 34 (1): 3-7.

Archive of Folk Culture. 1991. An Inventory of the Bibliographies and Other Reference and Finding Aids. Washington, DC: Library of Congress, Archive of Folk Culture, 10 pp.

Auerbach, Susan. 1991. "The Brokering of Ethnic Folklore: Issues of Selection and Presentation at a Multicultural Festival." In Creative Ethnicity: Symbols and Strategies of Contemporary Ethnic Life, edited by Stephen Stern and John Allan Cicala, 2 23-38. Logan, UT: Utah State University Press.

Baily, John. 1992. "Music Performance, Motor Structure, and Cognitive Models." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 142-58.

Baumann, Max Peter. 1992. "The Ear as Organ of Cognition: Prolegomenon to the Anthropology of Listening." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 123-141.

Baumann, Max Peter. 1992. "Safeguarding of Musical Traditions: Towards the 'Rehabilitation of the Alien'." In World Music, Musics of the World, edited by M. P. Baumann, 151-75.

Baumann, Max Peter, ed. 1992. World Music, Musics of the World: Aspects of Documentation, Mass Media and Acculturation. Intercultural Music Studies, 3. Wilhelmshaven: Florian Noetzel Verlag, 318 pp., bibliogs., illus.

Baumann, Max Peter, Artur Simon, and Ulrich Wegner, ed. 1992. European Studies in Ethnomusicology: Historical Developments and Recent Trends: Selected Papers Presented at the VIIth European Seminar in Ethnomusicology, Berlin, October 1-6, 1990. Int ercultural Music Studies, 4. Wilhelmshaven: Florian Noetzel Verlag, 330 pp., bibliogs., illus.

Ben-Mordechai, Galia. 1992. "The Musical Culture of Iraqi Jewry: Three Countries and Two Continents." Canadian Folk music Journal 20 : 9-18. Bibliog.

Berman, Leslie, and Heather Wood, ed. 1993. Grass Roots International: Folk Resource Directory. 3rd ed. New York: Tom Doherty Associates, 384 pp.

Bispo, Antonio A. 1992. "Indien und Brasilien: Umriss gemeinsamer Aufgaben für die Musikforschung." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 15-28.

Blaukopf, Kurt. 1992. "Mediamorphosis and Secondary Orality: A Challenge to Cultural Policy." In World Music, Musics of the World, edited by M. P. Baumann, 19-36.

Bordowitz, Hank, and William Kinnally. 1990. "Songs of Exile: Miriam Makeba and Hugh Masekela's Visions of Liberty." American Visions 5 (2): 31-34. Photos.

Czekanowska, Anna. 1992. "Zu Aspekten der Analyse in der Musikethnologie - Was ist wichtiger: Der musikalische Aspekt oder der Fakt der Determinierung in kultureller Hinsicht?" In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 119- 32. Music.

Davis, Francis. 1990. Outcats: Jazz Composers, Instrumentalists, and Singers. New York: Oxford University Press, x, 261 pp.

De La Motte-Haber, Helga. 1992. "Visuelle Klangwelten." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 349-54.

Desrosiers, Brigitte. 1992. "Ile de la Réunion: musiques et identité." Canadian Folk Music Journal 20 : 47-54. Bibliog.

Dunin, Elsie Ivancich, comp. 1991. Dance Research: Published or Publicly Presented by Members of the Study Group on Ethnochoreology. Rev. ed. Los Angeles: International Council for Traditional Music, Study Group on Ethnochoreology, viii, 123 pp., b ibliog.

Elshek, Oskár. 1992. "The Dual Role of the Mass Media in Traditional Music Cultures." In World Music, Musics of the World, edited by M. P. Baumann, 37-54.

Etzkorn, K. Peter. 1992. "Media Ethics and Aesthetics: Ethnomusicological Issues in Public Policy." In World Music, Musics of the World, edited by M. P. Baumann, 55-66.

Goldin, Max, ed. 1989. On Musical Connections between Jews and the Neighboring Peoples of Eastern and Western Europe. Program in Soviet and East European Studies, Occasional Papers Series, No. 18. Amherst: International Area Studies Programs, Unive rsity of Massachusetts at Amherst, v, 85 pp., bibliog., music.

Harner, Sandra D., and Warren W. Tryon. 1992. "Psychoimmunological Effects of Shamanic Drumming." In Northern Religions and Shamanism, edited by Mihály Hoppál and Juha Pentikäinen, 196-204. Budapest: Akadémiai Kaidó ; Helsinki: Finnish Literature Society. Bibliog., tables.

Hellwig, Friedemann. 1987. "Zur Konservierung und Restaurierung ethnologischer Musikinstrumente." In Contributions to the Study of Traditional Musical Instruments in Museums, edited by F. Hellwig, P. Kurfürst, and I. Macák, 66-71.

Hellwig, Friedemann, Pavel Kurfürst, and Ivan Macák, ed. 1987. Contributions to the Study of Traditional Musical Instruments in Museums. Bratislava: Slovenské národné múzeum, 101 pp., bibliog., illus., photos .

Hoerburger, Felix. 1992. "Erinnerungen an erste Versuche auf dem Gebiet der musikethnologischen Feldforschung." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 233-36. Music.

Kaden, Christian. 1992. "Kulturelle Identität als Lebensproblematik: Zwölf Thesen." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 237-45. Bibliog.

Karp, Cary. 1987. "An Approach to the Conservation and Display of Ethno-Organological Material." In Contributions to the Study of Traditional Musical Instruments in Museums, edited by F. Hellwig, P. Kurfürst, and I. Macák, 82-93. Illus. , photos.

Kulatillake, Cyril de Silva. "Professor Josef Kuckertz, the Recent Cultural Link between Sri Lanka and Germany." SeeIn Von der Vielfalt musikalscher Kultur, ededited by R. Schumacher, 1-3.

Liesenfeld, Gertraud. 1989. "Zwischen Volksmedizin und Folkmusic- Bewegung." In Volkskunde in der Hanuschgasse, Forschung - Lehre - Praxis: 25 Jahre Institut für Volkskunde der Universität Wien, edited by Olaf Bockhorn and Gertraud Liesen feld, 277-308. Wien: Bibliiog.

Lüderwaldt, Andreas. 1992. "Zum Beispiel Gamelan: Chancen für eine Verbindung von Musikpraxis und Musikethnologie." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 283-93.

Macák, Ivan. 1987. "On the Problem of Complex Documentation of Traditional Musical Instruments." In Contributions to the Study of Traditional Musical Instruments in Museums, edited by F. Hellwig, P. Kurfürst, and I. Macák, 42-53. Bibliog.

Malm, Krister. 1992. "Local, National and International Musics: A Changing Scene of Interaction." In World Music, Musics of the World, edited by M. P. Baumann, 211-27.

Mbuyamba, Lupwishi. 1992. "World Music: Musics of the World." In World Music, Musics of the World, edited by M. P. Baumann, 69-87.

McCredie, Andrew D. 1992. "Die Rezeption und Reflexe der europäischen Musik in den Ländern am Rande des pazifischen Beckens: Zur Problematik der wissenschaftlichen Rollenverteilung zwischen den rezeptionsgeschichtlichen und sozialwissenschaftlic hen Disziplinen in einer vergleichenden Musikhistoriographie." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 335-47.

Moore, Allan F. 1993. Rock, the Primary Text: Developing a Musicology of Rock. Popular Music in Britain, Buckingham (England); Philadelphia: Open University Press, 227 pp., bibliog., discog., illus.

Nettl, Bruno. 1992. "Heartland Excursions: Exercises in Musical Ethnography." The World of Music 34 (1): 8-34. Bibliog.

Niemöller, Klaus Wolfgang. 1992. "Zwischen Volksmusik und Kunstmusik: Zu den musikalischen Erinnerungen eines böhmischen Dieners im 18. Jahrhundert." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 369-75.

Oliver, Paul. 1989. Screening the Blues: Aspects of the Blues tradition. Reprint ed. New York: Da Capo Press, viii, 294 pp., bibliog., illus. Originally published in 1968.

Pettan, Svanibor. 1992. "Teorija kvantuma - buducnost etnomuzikologije. Vizija Mantlea Hooda" [The quantum theory - future of ethnomusicology. Mantle Hood's vision]. Arti musices 23 (2): 157-64. Bibliog., photo.

Pieper, Gisela. 1992. "Publikationen von Josef Kuckertz." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 599-614.

Porter, Lewis, and Michael Ullman. 1992. Jazz: From Its Origins to the Present. Englewood Cliffs, NJ: Prentice Hall, ix, 495 pp., bibliog., discog., illus.

Schaffrath, Helmut. 1992. "Notation, Transkription, Tradition im Spiegel computerisierter Lösungen." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 443-52.

Schneider, Marius. 1992. "Musique et langage sacres dans la tradition védique." Cahiers de Musiques Traditionnelles 5 : 151-82. Bibliog., diagrs.

Schumacher, Rüdiger, ed. 1992. Von der Vielfalt musikalischer Kultur: Festschrift für Josef Kuckertz zur Vollendung des 60. Lebensjahres. Wort und Musik, Nr. 12. Salzburg: Verlag Ursula Müller-Speiser, 618, [18] pp., bibliogs., facsi ms., music, photos, tables.

Steszewski, Jan. 1992. "The Credibility of Oskar Kolberg's Ethnomusicological Collection. A Contribution to the Problem of Historical Criticism." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 102-119.

Steszewski, Jan. 1992. "Zur Geschichte des Terminus 'Ethnomusicology'." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 527-34. Facsims.

Stokes, W. Royal. 1991. The Jazz Scene. New York: Oxford University Press, xiii, 261 pp., illus.

Suppan, Wolfgang. 1992. "Von einer Melodie, die 'auch feigen Seelen den Busen hebt': Historische Dokumente zur 'Türkischen Musik' und die koreanische Militärmusik 'Tae-ch'it'a'." In Von der Vielfalt musikalischer Kultur, edited by R. Schu macher, 535-44. Illus., music.

Szatmary, David P. 1991. Rockin' in Time: A Social History of Rock- and-roll. 2nd ed. Englewood-Cliffs, NJ: Prentice Hall, xxi, 309 pp., bibliog., discog., photos.

Williams, Martin T. 1993. The Jazz Tradition. 2nd rev. ed. New York: Oxford University Press, xviii, 301 pp., bibliog., discog.

Zemtsovsky, Izaly. 1992. "World Musics: Phenomenon and Object of Modern Science." In World Music, Musics of the World, edited by M. P. Baumann, 89-105.

Africa

Abe, Gabriel Oyedele. 1991. "The Influence of Nigerian Music and Dance on Christianity." Asia Journal of Theology 5 (2): 296-310.

Agu, Ogonna. 1991. "Songs and War: The Mixed Messages of Biafran War Songs." African Languages and Cultures 4 (1): 5-19.

Ambrust, W. 1992. "The National Vernacular: Folklore and Egyptian Popular Culture." Michigan Quarterly Review 31 : 525-42.

Argyle, John. 1991. "Kalela, Beni, Asafo, Ingoma and the Rural-Urban Dichotomy." African Studies 50 (1-2): 65-86.

Arom, Simha, and Susanne Fürness. 1992. "The Pentatonic System of the Aka Pygmies of the Central African Republic." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 159-73.

Braune, Gabriele. 1992. "Das Damma- und Simsimiyya-Repertoire in Port Said." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 81-102. Music.

Chernoff, John M. 1991. "The Rhythmic Medium in African Music." New Literary History 22 (4): 1093-1102.

Coulibaly, Mamadou. 1992. "Musique et excision chez les Djimini (Cote- d'Ivoire)." Cahiers de Musiques Traditionnelles 5 : 37-52. Bibliog., photos.

Davis, Ruth. 1992. "The Effects of Notation on Performance Practice in Tunisian Art Music." The World of Music 34 (1): 85-114. Bibliog., music, photos, table.

De Hen, F. 1990. "Music and Healers among the Swazi." Académie Royale des Sciences d'Outre-mer: bulletin des sciences 36 (4): 665-77. Music, photos.

Dehoux, Vincent, and Frédérick Voisin. 1992. "Analytic Procedures with Scales in Central African Zylophone Music." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 174-88.

Dehoux, Vincent, and Monique Gessain. 1992. "La musique bassari: un parcours obligé." Cahiers de Musiques Traditionnelles 5 : 17-35. Bibliog., diagr., discog., map, photos.

Ebeogu, Afam. 1991. "The World of the Lullaby: The Igbo Example." Research in African Literatures 22 (2): 99-117.

Erlmann, Veit. 1992. "L'inachèvement d'un achèvement connu: A propos de la ritualisation en Afrique du Sud." Cahiers de Musiques Traditionnelles 5 : 3-16. Bibliog., photo.

Gleason, Judith. Research in African Literatures. "My Year Reached, We Heard Ourselves Singing: Dawn Songs of Girls becoming Women in Ogbogbo, Okrika, Rivers State, Nigeria January 1990." 1991 22 (3): 135-48.

James, Deborah. 1990. "Musical Form and Social History: Research Perspectives on Black South African Music." Radical History 46-47 : 309-19.

Kitengye Sokoni. 1989. "Éthique socio-familiale: une analyse de la chanson des Baembe." Cahiers des religions africaines 23 : 121-34.

Kubik, Gerhard. 1992. "Embaire Xylophone Music of Samusiri Babalanda (Uganda 1968)." The World of Music 34 (1): 57-84. Bibliog., music, photos, table.

Mécheri-Saada, Nadia. 1990. "Musique et société ches les Touaregs de l'Ahaggar." Revue di monde musulman et de la Méditerranée 58 : 136-42.

Nzete, Paul. 1991. "La lingala de la chanson zaïro-congolaise de variétés." Afriques 2000 4 : 95-101. Music.

Nzewi, Meki. 1992. "Nigerian Music in the Politics of Values: Between Creative Ennui and Cultural Squint (with an Appendix by J. H. Kwabena Nketia)." In World Music, Musics of the World, edited by M. P. Baumann, 123-48.

Okebalama, C. N. 1991. "The Hinter in Ubàkala Igbo Life." African Languages and Cultures 4 (2): 177-87.

Omojola, Bode. 1990-91. "Kiriboto Music in Yoruba Culture." Bulletin of the International Committee on Urgent Anthropological and Ethnological Research 32-33 : 121-42. Music, photos.

Salamone, Frank A. 1991. "Bringin' It All Back Home!" Studies in Third World Societies 46 : 53-63. Fela.

Shelemay, Kay Kaufman. 1989. Music, Ritual, and Falasha History. Reprint. East Lansing: Michigan State University Press, xviii, 415 pp., bibliog., discog., gloss, music, tables.

Tiérou, Alphonse. 1992. Dooplé: The Eternal Law of African Dance. Choreography and Dance Studies, Vol. 2. Switzerland; Philadelphia: Harwood Academic Publishers, xii, 88 pp. Translation of Dooplé published in 1989.

Turner, Edith L. B. 1992. Experiencing Ritual: A New Interpretation of African Healing. Series in Contemporary Ethnology, Philadelphia: University of Pennsylvania Press, xiii, 239 pp., bibliog., illus., maps, photos.

Virolle-Souibès, Marie. 1989. "Le Raï entre résistances et récupération." Revue du monde musulman et de la Méditerranée 51 : 47- 62. Gloss.

Vogels, Raimund. 1992. "Qine al qalab - Lieder des Herzens: Liebeslieder shuwa-arabischer Mädchen aud Nordostnigeria." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 569-80. Bibliog.

Americas

Abadía, Guillermo. 1991. Coplerío colombiano. 2nd ed. Bogotá: Tres Culturas, 162 pp., illus.

Alba Barreiro, Joselo, and Luis Vasquez Veintimilla. 1991. Música básica y folklor latinoamericano. 2nd ed. Ecuador: Pasaje, 205 pp., bibliog., illus.

Allgayer-Kaufmann, Regine. 1992. "O Bendito da Santa Luzia in drei instrumentalen Fassungen von Bandas de Pifanos aus Nordostbrasilien: Ein Vergleich." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 5-14. Bibliog., map, m usic.

Ancelet, Barry Jean. 1993. "State of the Humanities: Louisiana: Cajun Music and Zydeco." CultureFront 2 (1): 31-36, 51. Photos.

Barroso, Júlio. 1991. A vida sexual do selvagem. Sao Paolo: Edicoes Siciliano, 194 pp., illus. Brazil.

Beaudry, Nicole. 1992. "The Language of Dreams: Songs of the Dene Indians (Canada)." The World of Music 34 (2): 72-90.

Beaudry, Nicole. 1988. "Singing, Laughing and Playing: Three Examples from the Inuit, Dene and Yupik Traditions." Canadian Journal of Native Studies 8 (2): 275-90. Bibliog. French summary.

Bennett, Margaret. 1992. "Gaelic Song in Eastern Canada: Twentieth- Century Reflections." Canadian Folklore Canadian 14 (2): 21-33.

Brewer, Jeutonne P. 1991. "Songs, Sermons, and Life-Stories: The Legacy of the Ex-Slave Narratives." In The Emergence of Black English: Text and Commentary, edited by Guy Bailey, Natalie Maynor, and Patricia Cukor-Avila, 155-71. Amsterdam; Philadel phia: John Benjamins Publishing Company.

Broonzy, Big Bill. 1992. Big Bill Blues: William Broonzy's Story as Told to Yannick Bruynoghe. Reprint. New York: Da Capo Press, 176 pp., discog., illus. Republication of the 1964 edition.

Calt, Stephen. 1988. King of the Delta Blues: The Life and Music of Charlie Patton. Newton, NJ: Rock Chapel Press, 341 pp., bibliog., discog., illus.

Canzio, Riccardo. 1992. "Mode de fonctionnement rituel et production musicale chez les Bororo du Mato Grosso." Cahiers de Musiques Traditionnelles 5 : 71-95. Bibliog., photos.

Castro, Donald S. 1990. "The Soul of the People: The Tango as a Source for Argentine Social History." Studies in Latin American Popular Culture 9 : 279-95.

Constance, Zeno Obi. 1991. Tassa, Chutney & Soca: The East Indian Contribution to the Calypso. San Fernando, Trinidad & Tobago: Z. O. Constance, 100 pp., bibliog., illus.

Cummins, Marjorie W. 1992. How Coyote Stole the Sung: The Myth, the Music, and Other Features of the Yokuts Culture. Fresno, CA: Fresno City College, xviii, 163 pp., bibliog., illus.

De Lerma, Dominique-Rene. 1989. Black Music and Musicians in The New Grove Dictionary of American Music and The New Harvard Dictionary of Music. CBMR Monographs, No. 1. Chicago: Center for Black Music Research, Columbia College Chicago, vi, 56 pp.< P> Ergood, Brude. 1991. "Os Blocos de Santa Rita do Sapucai: Carnival Clubs in a Small Brazilian City: More than Culture Producers." Studies in Latin American Popular Culture 10 : 141-58.

Fisher, Alfred J. 8. "Searching for the Authentic: The True North and the True Composer." Canadian Journal of Native Studies 2 (1988): 165- 71. French summary.

Le Floc'h, Joseph. 1992. "La Blanche Biche--Variations poétiques et musicales franco-canadiennes." Canadian Folklore Canadien 14 (2): 75- 93. Music.

García Miranda, Juan José. 1991. Huamanga en los cantos de arrieros y viajantes. Lima: Lluvia Editores, 65 pp., bibliog.

Goddard, George. 1991. Forty Years in the Steel Bands, 1939-1979. London: Karia Press, 249 pp., illus.

Goodman, Linda J. 1992. "Aspects of Spiritual and Political Power in Chiefs' Songs of the Makah Indians." The World of Music 34 (2): 23-42.

Guthrie, Woody. 1991. Roll On Columbia: The Columbia River Collection. Bethlehem, PA: Sing Out Publications, 92 pp., illus., music.

Jean-Louis, Marie-Paule. 1989. Musiques en Guyane: 29 septembre-25 novembre 1989, Cayenne, Galerie de l'ARDEC. Cayenne: Bureau du patrimoine ethnologique, Conseil regional Guyane, 109 pp., bibliog., discog., illus.

Johnston, Thomas F. 1992. "The Socio-Mythic Contexts of Music in Tlingit Shamanism and Potlatch Ceremonials." The World of Music 34 (2): 43-71.

Keeling, Richard. 1992. Cry for Luck: Sacred Song and Speech among the Yurok, Hupa, and Karok Indians of Northwestern California. Berkeley: University of California Press, xii, 325 pp., bibliog., illus.

Keeling, Richard. 1992. "The Sources of Indian Music: An Introduction and Overview." The World of Music 342 (2): 3-21.

Keil, Charles, and Angeliki Keil. 1992. Polka Happiness. Visual Studies, Philadelphia: Temple University Press, xii, 221 pp., bibliog., illus.

Knauer, Wolfram. 1990. Zwischen Bebop und Free Jazz: Komposition und Improvisation des Modern Jazz Quartet. 2 vols. Mainz: Schott, Bibliog., discog.

Kolstee, Anton. 1988. "The Historical and Musical Significance of Northwest Coast Indian Hamaca Songs." Canadian Journal of Native Studies 8 (2): 173-82. Bibliog., music. French summary.

Lederman, Anne. 1988. "Old Indian and Metis Fiddling in Manitoba: Origins, Structure and Question of Syncretism." Canadian Journal of Native Studies 8 (2): 205-30. Bibliog., music. French summary.

Lees, Gene. 1991. Waiting for Dizzy. New York: Oxford University Press, vii, 251 pp.

Leighton, Alexander H., and Dorothea C. Leighton, comp. 1992. Lucky, the Navajo Singer. Albuquerque: University of New Mexico Press, xxvi, 240 pp., bibliog., illus., map.

Linttell, Perry. 1988. "The History of CBC Northern Service Broadcast Recordings." Canadian Journal of Native Studies 8 (2): 291-93. French summary.

Llorens, Jose A. 1991. "Andean Voices on Lima Airwaves: Highland Migrants and Radio Broadcasting in Peru." Studies in Latin American Popular Culture 10 : 177-89.

Lomax, Alan. 1993. The Land Where Blues Began. New York: Pantheon, xv, 539 pp., bibliog., discog., filmog., illus.

Loza, Steven Joseph. 1993. Barrio Rhythm: Mexican American Music in Los Angeles. Music in American Life, Urbana: University of Illinois Press, xx, 320 pp., bibliog., discog., illus.

Loza, Steven Joseph. 1992. "From Veracruz to Los Angeles: The Reinterpretation of the Son Jarocho." Latin American Music Review 13 (2): 179-94. Bibliog., diagr., music.

Martin, Patricia Preciado. 1992. Songs My Mother Sang to Me: An Oral History of Mexican American Women. Tucson: University of Arizona Press, xxv, 224 pp., illus.

Monsalvo, Sergio. 1989. La canción del inmigrante: de Aztlán a Los Lobos. Mexico: Tinta Negra Editores, 157 pp., bibliog., disocg., illus.

Myers, Robert. 1990. "Brazilian Popular Music in Bahia: 'The Politics of the Future': An Interview with Gilberto Gil." Studies in Latin American Popular Culture 9 : 297-309.

Neilands, Colin. 1992. "A Drop of the Irish: The Influence of Irish Folksong on Newgfoundland's Song Tradition." Canadian Folklore Canadien 14 (2): 45-74.

O'Donnell, John C. 1992. "'Join the Union or You'll Die': Songs Relating to the Labour Union Movement in Canada's Coal Mining Communities." Canadian Folklore Canadien 14 (2): 113-36.

Ogg, Arden C. 1988. "Four Cree Love Songs: The Interaction of Text and Music." Canadian Journal of Native Studies 8 (2): 231-50. Bibliog., graph, music. French summary.

Oliveira Pinto, Tiago de. 1992. "Marimba de Sao Sebastiao: Ein vergessenes afro-brasilianisches Xylophon." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 385-94. Bibliog., illus.

Oliveira Pinto, Tiago de. 1992. "La musique dans le rite et la musique comme rite dans le candomblé brésilien." Cahiers de Musiques Traditionnelles 5 : 53-70. Bibliog., photos, table.

Oliveira Pinto, Tiago de, and Dud Tucci. 1992. Samba und Sambistas in Brasilien. Musikbogen, 2. Wilhelmshaven: Florian Noetzel Verlag, 91 pp., photos, charts, illus., map, music + 1 audio cassette.

Orozco González, Danilo. 1992. "Procesos socioculturales y rasgos de indentidad en los géneros musicales con referencia especial a la música cubana." Latin American Music Review 13 (2): 158-78. Bibliog.

Ortíz Ramos, Pablo Marcial. 1991. A tres voces y guitarras: los tríos en Puerto Rico. San Juan: n.p., 431 pp., bibliog., illus.

Paradis, Roger. 1992. "Lisa--La jeune esclave indienne/A Young Indian Slave." Canadian Folklore Canadien 14 (2): 95-112.

Pascal, Richard. 1990. "Walt Whitman and Woody Guthrie: American Prophet-Singers and Their People." Journal of American Studies 24 (1): 41-59.

Peere, Isabelle. 1992. "More, mentalité et tradition à la lumière des ballades de Terre-Neuve." Canadian Folklore Canadien 14 (2): 137-58.

Pegley, Karen. 1992. "'Much' Media: Towards an Understanding of the Impact of Videos on Canadian Pre-Adolescent Identities." Canadian Folk Music Journal 20 : 33-39. Bibliog.

Perrone, Charles A. 1990. "Changing of the Guard: Questions and Contrasts of Brazilian Rock Phenomena." Studies in Latin American Popular Culture 9 : 65-83.

Pescatello, Ann M. 1992. Charles Seeger: A Life in American Music. Pittsburgh: University of Pittsburgh Press, xii, 346 pp., bibliog., illus.

Peters, Erskine, ed. 1993. Lyrics of the Afro-American Spiritual: A Documentary Collection. The Greenwood Encyclopedia of Black Music, Westport, CT: Greenwood Press, xxxi, 463 pp., bibliog.

Pineda del Valle, César. 1990. Fogarada: antología de la marimba. Tuxtla Gutiérrez, Mexico: Gobierno del Estado de Chiapas, Consejo Estatal de Fomento a la Investigacíon y Difusión de la Cultura, Insituto Chiapane co de Cultura, 451 pp., bibliog., illus.

Posen, I. Sheldon. 1992. "English-French Macaronic Songs in Canada: A Research Note and Query." Canadian Folklore Canadien 14 (2): 35-43.

Ramón y Rivera, Luis Felipe. 1992. Memorias de un andino. Caracas: Fundación Internacional de Etnomusicología y Folklore (FINIDEF), 130 pp., bibliog., illus.

Reagon, Bernice Johnson, ed. 1992. We'll Understand It Better By and By: Pioneering African American Gospel Composers. Washington: Smithsonian Institution Press, xii, 384 pp., bibliog., discog., illus.

Restropo Duque, Hernán. 1991. Las cien mejores canciones colombianas y sus autores. Colombia: ACN; Sonolux, x, 136 pp.

Riano-Alcaca, Pilar. 1991. "Urban Space and Music in the Formation of Youth Cultures: The Case of Bogata, 1920-1980." Studies in Latin American Popular Culture 10 : 87-106.

Ridington, Robin. 1988. "Why Baby Why: Howard Broomfield's Documentation of the Dunne-za Soundscape." Canadian Journal of Native Studies 8 (2): 251-74. Bibliog. French summaries.

Robbins, James. 1992. "Lessons Learned, Questions Raised: Writing a History of Ethnomusicology in Canada." Canadian Folk Music Journal 20 : 3-8. Bibliog.

Romero, Raúl R. 1992. "Preservation, the Mass Media and Dissemination of Traditional Musics: The Case of the Peruvian Andes." In World Music, Musics of the World, edited by M. P. Baumann, 191-210.

Sommers, Laurie Kay. 1991. "Latinismo and Ethnic Nationalism in Cultural Performance." Studies in Latin American Popular Culture 10 : 75-86.

Steagall, Red. 1993. Ride for the Brand. Fort Worth: Texas Christian University Press, xvii, 168 pp., illus.

Stewardson, Richard. 1992. "Altered Guitar Tuning in Canadian Folk and Folk-Related Music." Canadian Folk Music Journal 20 : 19-32. Tables.

Thompson, Donald, and Annie F. Thompson. 1991. Music and Dance in Puerto Rico from the Age of Columbus to Modern Times: An Annotated Bibliography. Studies in Latin American Music, No. 1. Metuchen, NJ: Scarecrow Press, xv, 339 pp.

Toelken, Barry. 1991. "Ethnic Selection and Intensification in the Native American Powwow." In Creative Ethnicity: Symbols and Strategies of Contemporary Ethnic Life, edited by Stephen Stern and John Allan Cicala, 137-56. Logan, UT: Utah State Univ ersity Press.

Trigo, Abril. 1991. "Words and Silences in Uruguayan Canto Popular/ Popular Song." Studies in Latin American Popular Culture 10 : 215-37.

Tumas-Serna, Jane. 1992. "The 'Nueva Canción' Movement and Its Mass- Mediated Performance Context." Latin American Music Review 13 (2): 139-57. Bibliog.

Turino, Thomas. 1990. "Somas el Peru (We Are Peru): 'Cumbia Andina' and the Children of Andean Migrant in Lima." Studies in Latin American Popular Culture 9 : 15-37.

Vidal, Lux Boelitz. 1992. "Recent Research on Amazonian Ethnology and Indigenous History: A Musical Approach." In World Music, Musics of the World, edited by M. P. Baumann, 281-94.

Vila, Pablo. 1991. "Tango to Folk: Hegemony Construction and Popular Identities in Argentina." Studies in Latin American Popular Culture 10 : 107-39.

Von Rosen, Franziska. 1992. "-Micmac Storyteller: River of Fire--The Co-Creation of an Ethnographic Video." Canadian Folk Music Journal 20 : 40-46. Bibliog.

Webb, Jeff A. 1992. "Cultural Intervention: Helen Creighton's Folksong Broadcasts, 1938-1939." Canadian Folklore Canadien 14 (2): 159-70.

Welch, Richard. 1990. "Rock 'n' Roll and Social Change." History Today 40 : 32-39. Bibliog., photos.

White, Charles W. 1992. "Report on Music in Cuba Today." Latin American Music Review 13 (2): 234-42.

Wickwire, Wendy C. 8. "James A. Teit: His Contribution to Canadian Ethnomusicology." Canadian Journal of Native Studies 2 (1988): 183- 204. Bibliog. French summary.

Williams, Sherley Anne. 1991. "Returning to the Blues: Esther Phillips and Contemporary Blues Culture." Callaloo 14 (4): 816-28.

Wolfe, Charles K., and Kip Lornell. 1992. The Life and Legend of Leadbelly. New York: HarperCollins, xv, 333 pp., bibliog., discog., illus.

Zlotchew, Clark M. 1990. "Tango, Iunfardo, and the Popular Culture of Buenos Aires: Interview with José Gobello." Studies in Latin American Popular Culture 9 : 271-85.

Asia & Oceania

Alexeyev, Ivan. 1992. "[The School for Playing the Yakut Komus]." Koukin Journal 4 : 16-19. Illus., table. English summary p. 32.

Arnold, Alison. 1992-3. "Aspects of Production and Consumption in the Popular Hindi Folk Song Industry." Asian Music 24 (1): 122-36. Bibliog., facsim, photos.

Bhagyalekshmy, S. 1991. Lakshanagrandhas in Music. Trivendrum: CBH Publications, ix, 218 pp.

Bröcker, Marianne. 1992. "Zur Tradition von Blumentrommelliedern in Fengyang." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 103-17. Music.

Brude, Wolgfang. 1989. "The Korean Poeple's Attitude to Music." Koreana 3 (2): 48-51.

Chaudhuri, Shubha. 1992. "Aspects of Documentation and Mass Media: A Viewpoint from India." In World Music, Musics of the World, edited by M. P. Baumann, 229-41.

Chou, Michaelyn P., ed. 1990. Hawaiian Sheet Music Index: A Union Catalog. 2 Vols. Honolulu: University of Hawaii at Manoa,

Christensen, Dieter. 1992. "Music Worlds and Music of the World: The Case of Oman." In World Music, Musics of the World, edited by M. P. Baumann, 107-22.

Crowe, Peter. 1992. "La naissance du chant à Maewo (Vanuatu). Etude d'une musique mélanésienne." Cahiers de Musiques Traditionnelles 5 : 183-204. Bibliog., map, music, photos.

Cutananta. 1991. Attamum amaippum: oru nattuppura nikalkalai parriya ayvu. Patippu, 114. Naturai: Naturai Kamaracar Palkalaikkalalam, 115, [10] pp., bibliog., illus.

Deutsch, Werner; Franz Födermayr. 1992. "Zum Problem des zweistimmigen Sologesanges mongolischer und Turkvölker." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 133-45. Bibliog., diagr., graphs.

Durga, S. A. K. 1992. "Bharata's Methodology in Natyasastra (A Treatise on Dramaturgy)." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 147-56. Bibliog.

During, Jean. 1992. "The Organization of Rhythm in Baluchi Trance Music." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 282-302.

El-Mallah, Issam. 1992. "Die Vorbereitung des Felles als Teil musikalischer Darbietungen in den arabischen Golfländern." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 305-10. Bibliog., illus.

Ellis, Catherine J. 1992. "Documentation as Disintegration: Aboriginal Australians in the Modern World." In World Music, Musics of the World, edited by M. P. Baumann, 259-80.

Ellis, Catherine J. 1992. "Transposition in South Australian Aboriginal Songs: Frequency Ratio or Frequency Difference?" In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 157-81. Bibliog., music, tables.

Elsner, Jürgen. 1992. "Trommeln und Trommelspiel im Jemen." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 183-205. Bibliog., illus., music, tables.

Flora, Reis. 1992. "Observations on the Hindustani sahnai: Its Structure and Performance Techniques." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 207-16. Bibliog.

Gopalam, Sharada. 1991. Facets of Notation in South Indian Music. Delhi: Sundeep Prakashan, 112 pp., bibliog.

Grau, Andrée. 1992. "Danses rituelles tiwi." Cahiers de Musiques Traditionnelles 5 : 205-16. Bibliog., music, photos.

Guignard, Silvain. 1992. "Aspekte der Zeitgestaltung in einer japanischen Balladengattung." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 217-31. Music.

Gutzwiller, Andreas. 1992. "Rhythm in shakuhachi honkyoku." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 269-81.

Hae-Kyung Um. 1992. "Changing Views on the Aesthetics of p'ansori with Special Reference to "Ch'unhyang-ga" ("The Song of Ch'unhyang")." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 189-98.

Hawley, John Stratton. 1988. Songs of the Saints of India. New York: Oxford University Press, xii, 244 pp., bibliog., illus.

Helffer, Mireille. 1992. "An Overview of Western Work on Ritual Music of Tibetan Buddhism (1960-1990)." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 87- 101.

Howard, Keith. 1992. "Musicology as a Science? Thirty Years of Indigenous Korean Music Studies." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 52- 66.

Hughes, David W. 1992. "'Esashi Oiwake' and the Beginnings of Modern Japanese Folk Song." The World of Music 34 (1): 35-56. Bibliog., music, photos.

Jackson, William. 1992-3. "Features of the Kriti: A Song Form Developed by Tyagaraja." Asian Music 24 (1): 19-66. Bibliog.

Jairazbhoy, Nazir Ali. 1991. The Bake Restudy in India, 1938-1984: The Preservation and Transformation of Performance in Tamilnadu, Kerala, and Karnataka: An Ethnographic Video Monograph. Van Nuys, CA: Apsara Media for Intercultural Education, xii, 172 pp. + 1 videocassette.

Karira, Aisa. 1991. Wadana parabina. Patiala: Pabalikeshana Biuro, Panjabi Yuniwarasiti, xiv, 880 pp., music.

Kartomi, Margaret J. 1992. "Experience-Near and Experience-Distant Perceptions of the Daboih Ritual in Aceh, Sumatra." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 247-60. Bibliog., graph, music.

Kawanishi Masayuki. 1992. "[Following the Fesitivities of the Lisu People in Yunnan Province]." Koukin Journal 4 : 4-7. Photo. English summary p. 32.

Keeler, Ward. 1987. Javanese Shadow Plays, Javanese Selves. Princeton: Princeton University Press, xi, 282, [12] pp., bibliog., illus.

Keeler, Ward. 1992. Javanese Shadow Puppets. Singapore; New York: Oxford University Press, vii, 72 pp., bibliog., illus.

Kim Eung-Suk. 1989. "Creating Sacred Sound of Drum." Koreana 3 (2): 38-44.

Kölver, Ulrike; Gert-Matthias Wegner. 1992. "Newarische Trommel'sprache'." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 261-68. Bibliog.

Kouwenhoven, Frank. 1992. "Redonner vie aux mélodies de la Chine ancienne. Laurence Picken et les Secrets de la musique médiévale d'Extreme-Orient." Cahiers de Musiques Traditionnelles 5 : 217-45. Bibliog., photos.

Kouwenhoven, Frank, and Antoinet Schimmelpennick. 1992. "Chasing a Folk Tune in Southern Jiangsu, China." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 247-68.

Liao Yen Lü-Fen. 1987. "Das Volkslied der Hakka-Chinesen auf Taiwan." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 269-82. Bibliog., map, music.

Mabuchi Usaburo. 1992. "Noch einmal zur musikhistorischen Bedeutung von Sugagaki: Ein forschungsgeschichtlicher Rückblick." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 295-304. Music.

Maceda, José. 1992. "Acculturation and Internationalization: The Philippine Situation." In World Music, Musics of the World, edited by M. P. Baumann, 295-306.

Manuel, Peter Lamarche. 1993. Cassette Culture: Popular Music and Technology in India. Chicago Studies in Ethnomusicology, Chicago: University of Chicago Press, xix, 302 pp., bibliog., illus.

Manuel, Peter Lamarche. 1992-3. "Popular Music and Media Culture in South Asia: Prefatory Considerations." Asian Music 24 (1): 91-100. Bibliog.

Marcus, Scott. 1992-3. "Recycling Indian Film-Songs: Popular Music as a Source of Melodies for North Indian Folk Musicians." Asian Music 24 (1): 101-10. Bibliog.

Massoudieh, Mohammad Taghi. 1992. "Der Begriff des Maqam in der persischen Volksmusik." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 311-34. Music.

Mohd. Anis Md. Nor. 1993. Zapin, Folk Dance of the Malay World. South- East Asian Social Science Monographs, Singapore; New York: Oxford University Press, xxiv, 166 pp., bibliog., illus., maps.

Moutal, Patrick. 1991. A Comparative Study of Selected Hindustani Rada-s; Based on Contemporary Practice. New Delhi: Munshiram Manoharlal Publishers, 580 pp., bibliog., illus.

Moutal, Patrick. 1991. Hindustani Raga-s Index: Bibliographic References on Descriptions, Compositions, and Vistara-s of Hindustani Raga-s Based on Selected Major Contemporary Works in Devanagari. New Delhi: Munshiram Manoharlal, 339 pp., bibliog., illus.

Nakagawa Shin. 1992. "Time and Space of Bon-odori (Bon Dance)." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 355-67. Bibliog., diagr.

Nath, Madhu Natisar. 1992. A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, Rajasthan. Berkeley: University of California Press, xx, 368 pp., bibliog., illus.

Nguyên Thuyêt Phong. 1989. Thê Giói Am Thanh Viêt Nam: 12 nhac luân vê nhung vân dê hôm nay. San Jose, CA: Hoa Cau, 191 pp., biblog., illus., music.

Nijenhuis, Emmie Te. 1992. "Historical Development of the Musical Forms in India with Reference to the Religious History." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 377-84.

Phaibun Phængngoen. 1991. Klonlam-phumipanya khong 'Isan. Krung Thep Maha Nakhon: Samnakphim 'Odian Sato, 215, [10] pp., bibliog., illus.

Picard, François. 1991. La musique chinoise. Collection Musique ouverte, [Paris]: Minerve, 215 pp., bibliog., discog., illus.

Plater, Ormonde, Cynthia Speyrer, and Rand Speyrer. 1993. Cajun Dancing. Gretna, LA: Pelican Publishing Company, 191 pp., illus.

Qureshi, Regula Burckhardt. 1992-3. "'Muslim Devotional:' Popular Religious Music and Muslim Identity under British, Indian, and Pakistani Hegemony." Asian Music 24 (1): 111-21. Bibliog., music.

Qureshi, Regula Burckhardt. 1992. "Localiser l'islam. la sama dans la cour royale des saints chishti." Cahiers de Musiques Traditionnelles 5 : 127-50. Bibliog., music, photos.

Ramakrsna Acar, Paltadi. 1992. Janapada kunitagalu. Muliya Krsna Bhatta smaraka pustaka male, 14. Putturu, Daksina Kannada: Karnataka Sangha, 38 pp., bibliog., illus.

Rault-Leyrat, Lucie. 1992. "L'harmonie du centre. Aspects rituels de la musique dans la Chine ancienne." Cahiers de Musiques Traditionnelles 5 : 111-25. Bibliog., illus.

Raya, Buddhadeba, ed. 1991. Arao svaralipi, lokagiti. Kalikata: Paribesaka Natha Bradarsa, 199 pp., music.

Reinhard, Kurt, and Christian Ahrens. 1992. "Musikdarstellungen auf türkischen Miniaturen." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 423-30.

Reinhard, Ursula. 1992. "Ist die türkische Volksmusik über die Jahrhunderte konstant geblieben?" In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 432-38. Music, table.

Schippers, Huib. 1992. "Ali Akbar Khan, le maitre du sarod indien." Cahiers de Musiques Traditionnelles 5 : 257-6. Discog., gloss., photos.

Schumacher, Rüdiger. 1992. "'Bala Ugu' und 'Aji Kembang': Zwei balinesische Gesänge zwischen den Gattungen." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 465-86. Bibliog., music.

Schwörer-Kohl, Gretel. 1992. "Liebeslieder der LA HU in Nordthailand: Ein Vergleich der Gesangsstile verschiedener Untergruppen." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 487-512. Bibliog., music, table.

Simms, Robert. 1992-3. "Aspects of Cosmological Symbolism in Hindusthani Musical Forms." Asian Music 24 (1): 67-89. Bibliog.

Singer, Noel F. 1992. Burmese Puppets. Singapore; New York: Oxford University Press, xii, 98, [16] pp., bibliog., illus., map.

Sumit Thepphawong. 1991. Chuichai. Krung Thep: Samnakphim 'Odian Sato', 108 pp., bibliog., illus.

Tadagawa Leo. 1992. "[An Account of a Journey 4: Yunnan Province, China]." Koukin Journal 4 : 3. Photo. English summary p. 32.

Tadagawa Leo. 1992. "[A Report on the 2nd International Congress on Koukin Music Part 2]." Koukin Journal 4 : 12-15. Photos. English summary p. 32.

Tan Sooi Beng. 1993. Bangaswan: A Social and Stylistic History of Popular Malay Opera. South-East Asian Social Science Monographs, Singapore; New York: Oxford University Press, xxiii, 261 pp., bibliog., illus.

Thomas, Allan. 1988. Report on Survey of Music in Tokelau, Western Polynesia. Working Papers in Anthropology, Archaeology, Linguistics, Maori Studies, No. 79. Auckland, N.Z.: Dept. of Anthropology, University of Auckland, 20 l., bibliog., illus.

Thompson, Gordon. 1992-3. "The Barots of Gujarati-Speaking Western India: Musicianship and Caste Identity." Asian Music 24 (1): 1-17. Bibliog., photos.

Touma, Habib Hassan. 1992. "Das Maximale und das Minimale in der Musik: Ein Beitrad zur musikalischen Mentalität der Araber." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 545-49.

Trân Vân Khê. 1992. "The Concept of Diêu in Vietnamese Musical Tradition." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 551-60. Bibliog.

Trewin, Mark. 1992. "Musical Studies in Western Tibet (Ladakh): Some Historical and Comparative Aspects of the Pioneering Work of August Hermann Francke." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 69- 86.

Tsao Penyeh. 1992. "Media Technology and its Impact on the Dynamics of Musical Culture: The Hong Kong/China Phenomena." In World Music, Musics of the World, edited by M. P. Baumann, 243-56.

Tsuge Gen'ichi. 1992. "[About the Iranian Koukin and Their Names]." Koukin Journal 4 : 2021. Illus., photo. English summary p. 32.

Upadhyaya, Susheela P. 1992. "The Tulu Folk Music." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 561-67. Bibliog.

Wegner, Gert-Matthias. 1992. "Wie ich mit den Flöhen in Bhaktapur zurechtkomme: Eine sportliche Anleitung für Newar-Forscher." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 597-98.

Weiss, Barbara. 1992. Song of India. St. Paul: Schubert Club Museum, 38 pp., bibliog., illus. Catalog of a musical instrument exhibition.

Yamaguti Osamu. 1992. "Gedanken zu Zeit und Raum in japanischer Tonkunst." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 581-88. Bibliog.

Yamamoto Hiroko. 1992. "[Koukin from Tenganan, Bali, Indonesia]." Koukin Journal 4 : 21-23. Illus., photo. English summary p. 32.

Zanten, Wim van. 1989. Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda. Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, 140. Dordrecht, Holland; Providence: Foris Publ ications, xii, 246 pp., illus.

Zanten, Wim van. 1989. Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tambung Sunda. Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, 40. Dodrecht, Holland; Providence: Foris Public ations, xii, 246 pp., bibliog., illus., map.

Zeranska-Kominek, Slawomira. 1992. "The Turkmen Bakhshy: Shaman and/or Artist." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 303-16.

Europe

Allpere, Anne. 1988. Cantometrics: Applied on Estonian Runo Songs. Tallinn: [Eesti Teaduste Akadeemia], 27 pp., bibliog., graph, tables.

Allpere, Anne. 1989. Estonian Cantomentric Attempt II: The Scared and the Profane - Can It Be Heard? Tallinn: Eesti Teaduste Akadeemia, 35 pp., graphs, music, tables.

Arvidsson, Alf. 1991. Sagarnas sang: folkligt musicerande i sagverkssamlället Holmsund 1850-1980. Acta Universitatis Umensis. Umea Studies in the Humanities, 101. Umea: Universitetet i Umea; Stockholm: Distribution, Almqvist & Wiksell Inte rnational, 191 pp., bibliog., illus. English summary.

Baltreniene, Marija. 1991. Lietuviu liaudies muzikos instrumentai. Vilnius: Mintis, 181 pp., bibliog., illus.

Bezic, Jerko. 1990. "Dvoglasni napjevi epskih pripovjednih pjesama u sjevernoj Dalmaciji" [Two-part singing of epic narrative songs in northern Dalmatia]. Narodna umjetnost 27 : 189-97.

Bezic, Jerko. 1989. "Adherence to Norms and Their Modifications in the Manufacture of Folk Musical Instruments According to Their Social Function." Studia Instrumentorum musicae popularis 9 : 60-63.

Bezic, Jerko. 1991. "Cetiri razdoblja u etnomuzikoloskom radu Vinka Zganca" [Four periods of the ethnomusicological work of Vinko Zganec]. In Rasprave i prilozi uz stogodisnjicu rodenja Vinka Zganca, edited by J. Bezic, 31-37.

Bezic, Jerko. 1988. "Contemporary Trends in the Folk Music of Yugoslavia." In Contributions to the Study of Contemporary Folklore in Croatia, edited by Zorica Rajkovic, 49-73. Zagreb: Zavod za istrazivanje folklora. Bibliog., music.

Bezic, Jerko. 1991. "Folklorna glazba otoka Solte" [Traditional music of the island of Solta]. Narodna umketnost 28 : 9-48.

Bezic, Jerko. 1990. "Kurze Melodieabschnitte (kürzer als eine Melodiezeile) Muzikaufbauelement in der vokalen Volksmusik Kroatiens." In Probleme der Volksmusikforschung, edited by H. Braun, 185-90. Freiburg: Peter Lang AG.

Bezic, Jerko. 1990. "O folklornoj glazbi Like" [Traditional music of Lika]. In Rad 37. kongresa Saveza udruzenja folklorista Jugoslavije - Plitvicka jezera, 1990, edited by Tomislav Duric, 8-14. Zagreb: Hrvatsko drustvo folklorista.

Bezic, Jerko. 1988. "Objavljeni notni zapisi napjeva narikalji u Hrvatskoj" [Published musical transcriptions of laments in Croatia]. In Zbornik radova 35 kongresa Saveza udruzenja folkloreista Jugoslavije - Rozaje 1988, edited by Vuk Minic, 166-71 . Titograd: Udrukenje folkloreista Crne gore. English summary.

Bezic, Jerko. 1990. "Ungleiche Zählzeiten in rhythmisch gebundenen Liedern und sinnlich fassbare Teile der freirhythmischen Lieder in Kroatien." In Rhythmik und Metrik in traditionellen Musikkulturen, edited by Oskar Elschek, 81-85. Bratislava : VEDA - Vydavatel'stvo Slovenskej akadémie vied.

Bezic, Jerko. 1990. "Urban Folk Songs in Croatia: 1880-1980." Zbornik Matice srpske za scenske umetnosti i muziku 6-7 : 223-31.

Bezic, Jerko. 1991. "Vokalna i vokalno-instrumentalna folklorna glazba otoka Hvara" [Vocal and vocal-instrumental music on the island of Hvar. In Zbornik radova 29. kongresa Saveza udruzenja folklorista Jugoslavije, Hvar, edited by Tomislav Duric, 53-60. Zagreb: Hrvatsko drustva folklorista.

Bezic, Jerko, ed. 1988. Etnomuzikologija, etnoorganologija i etnokoreologija u SFR Jugoslaviji 1988: informativni bilten sa bibliografijom. Zagreb: Zavod za istrazivanje folklora, 101 pp., bibliog.

Bezic, Jerko, ed. 1991. Rasprave i prilozi uz stogodisnijicu rodenja vinka Zganca - Narodna umjetnost, Posebno izdanje 3 [Proceedings and contributions on the occasion of the 100th anniversary of Vinko Zganec's birth]. Zagreb: Institut za etnologij u i folkloristiku, 414 pp., bibliog., music. English summaries.

Boiko, Martins. 1992. "On the Interaction Between Styles in Baltic Folk Music: Sutartines Polyphony and East Balti Refrain Songs." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 218-36.

Bonifacic, Ruza. 1991. "Mi cemo zak'antat glason od slavica: Koncepcije izvodaca o tradicijskom pjevanju u Puntu na otoku Krku" ['We will sing with the voice of nightingale': conceptions on traditional singing help by performers on the island of Krk]. Narodna umjetnost 28 : 49-85. Bibliog., music. English summary.

Bonifacic, Ruza. 1987. "O promjenama i nestajanju narodnih glazbenih termina (na primjeru grade s otoka Krka)" [About the changes and disappearance of folk music terms (on the example of the material from the island of Krk)]. In Zbornik radova 34. kong resa SUFJ - Tuzla 1987, edited by Miroslava Fulanovic-Sosic, 443-49. Sarajevo: Udruzenje folklorista Bosne i Hercegovine. Bibliog., music. English summary.

Bonifacic, Ruza. 1991. "Prilog istrazivanju bimuzikalnosti na primjerima pjevacica iz Punta na otoku Krku" [A contribution to the research of bi-musicality based on the examples of singers from Punat on the island of Krk]. In Folklorinjegova umetnicka transpozicija, edited by V. Pericic et al, 35-46 [47-63]. Beograd: Fakultet muzicke umetnosti. Bibliog., music.

Bonifacic, Ruza. 1987. "Solo popijevke Vladimira Berse" [Vladimir Bersa's solo songs]. Arti musices 13 : 3-54. Bibliog., music. English and German summaries.

Bonifacic, Ruza. 1988. "Tar'ankanje na otoku Krku" [Tar'ankanje on the island of Krk]. In Zbornik radova 35. kongresa SUFJ - Titograd 1988, edited by Ibis Kujevic, 357-65. Titograd: Udruzenje folkloreista Crne Gore. Bibliog., music. English summary .

Bonifacic, Ruza. 1989. "Umetnuti slogovi unutar pjevanih rijeci melopoetskih oblika" [Inserted syllables within the words of songs]. In Zbornik radova 36. kongresa SUFJ - Sokobanja 1989, edited by Dragoslav Antonijevic, 375-80. Beograd: Udruzenje f olklorista Srbije. Bibliog., music. English summary.

Bónis, Ferenc. 1992. "Die weggelassenen Stücke aus Bartóks Klavierwerk 'Für Kinder'." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 29-41. Music.

Bono, Marcello. 1989. La ghironda: storia, repertorio, tecnica esecutiva e costruzione. Tradizioni musicali, 5. Sala Bolognese: Arnaldo Forni editore, 215 pp.

Brandl, Rudolf M. 1992. "Die 'Schwebungsdiafonie' im Epiros und verwandte Stile im Lichte der Psychoakustik." In Von der Vielfalt musikalischer Kultur, edited by R. Schumacher, 43-80. Bibliog., graph, tables.

Bröcker, Marianne. 1987. "Documentation of Traditional Musical Instruments Used Today." In Contributions to the Study of Traditional Musical Instruments in Museums, edited by F. Hellwig, P. Kurfürst, and I. Macák, 54-60.

Bynum, David E. 1993. Serbo-Croatian Heroic Poems: Epics from Bihac, Cazin, and Kulen Vakuf. Milman Parry Studies in Oral Tradition, New York: Garland, 832 pp., bibliog., illus.

Cameron, Francis. 1992. "The Teaching of Ethnomusicology in United Kingdom Universities." In European Studies in Ethnomusicology, edited by M. P. Baumann, A. Simon, and U. Wegner, 26-41.

Cannon, Roderick D. 1988. The Highland Bagpipe and Its Music. Edinburgh: Donald, xi, 203, [8] pp., bibliog., illus., music.

Castelo-Branco, Salwa El-Shawan. 1992. "Safeguarding Traditional Music in Contemporary Portugal." In World Music, Musics of the World, edited by M. P. Baumann, 177-90.

Caufriez, Anne. 1992. "Le pionnier de l'ethnomusicologie portugaise nous a quittés. Michel Giacometti (1929-1990)." Cahiers de Musiques Traditionnelles 5 : 246-55. Bibliog., discog., photos.

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Acknowledgements

The compilers of "CBD&F" are greatly indebted to the following individuals for their contributions and assistance to this issue's compilations: Kenneth Bilby, Rebecca Binder, Noemi Garcia, Joseph C. Hickerson, Svanibor Pettan, Rüdiger Schumacher, Joy ce Terstiege, Bob Witmer, Frederick B. Crane.