Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Allerstrand, Sven. 1992. "Unesco Report: Legal Questions Facing Audiovisual Archives." Phonographic Bulletin 61 :63-67.

Aubert, Laurent. 1991. Musiques traditionelles: guide du disque. Geneva: Georg Éditeur, xviii, 255 pp., discog.

Aubert, Laurent. 1991. The World of Music: Musical Instruments from the Five Continents. Ivrea, Italy: Priuli & Verlucca, 143 pp., bibliog., illus. Translation of Planete musicale.

Blacking, John. 1992. "The Biology of Music-making." In Ethnomusicology: An Introduction, edited by H. Myers, 301-14. Bibliog.

Blum, Stephen. 1992. "Analysis of Musical Style." In Ethnomusicology: An Introduction, edited by H. Myers, 165-218. Bibliog., photos.

Borras, Gerard. 1992. "La 'Musique des Andes' en France: 'L'Indianite' ou comment la recuperer." Cahiers du Monde Hispanique et Luso-Bresilien/Caravelle 58 :141-50.

Brandl, Rudolf Maria. 1989. "Konstantinopolitanische Makamen des 19. Jahrhunderts in Neumen: Die Musik der Fanarioten." In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 156-69. Bibliog., music.

Cardozo, Abraham Lopes. 1991. Selected Sephardic Chants. Cedarhurst, NY: Tara Publications, 64 pp., music, illus.

Carpitella, Diego. 1992. Conversazioni sulla musica: lezioni, conferenze, transmissioni radiofoniche, 1955-1990. Florence: Ponte alle Grazie, 220 pp., photos.

Carter, Jeanne Wilmot. 1993. "Dancing Lessons." Antæus 71-72 : 214-16.

Chaudhuri, Shubha. 1992. "Preservation of the World's Music." In Ethnomusicology: An Introduction, edited by H. Myers, 365-74. Bibliog., photos.

Cook, Susan C., and Judy S. Tsou, ed. 1994. Cecilia Reclaimed: Feminist Perspectives on Gender and Music. Urbana: University of Illinois Press, xii, 241 pp., bibliogs., music, tables.

Dobszay, László. 1991. Kodály után: tunodések a zenepedagógiáról. Kecskemét: Kodály Zoltán Zenepedagógiai Intézet, 131 pp., bibliog., illus.

Dournon, Geneviève. 1992. "Organology." In Ethnomusicology: An Introduction, edited by H. Myers, 245-300. Bibliog., illus., photos.

Ellingson, Ter. 1992. "Notation." In Ethnomusicology: An Introduction, edited by H. Myers, 153-64. Bibliog., table.

Ellingson, Ter. 1992. "Transcription." In Ethnomusicology: An Introduction, edited by H. Myers, 110-52. Bibliog., facsim., graph, music.

Elsner, Jürgen. 1989. "Zum maqam-Prinzip. Tongruppenmelodik als Grundlage und Baustein musikalisher Produktion/The Maqam Principle: Melodics of Tonegroups as Base and Building Stone for Musical Production." In Maqam. Raga. Zielenmelodik, edite d by J. Elsner, 7-39. Bibliog., music.

Elsner, Jürgen, ed. 1989. Maqam. Raga. Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion: Materialien der 1. Arbeitstagung der Study Group "maqam" beim International Council for Traditional Music vom 28. Juni bis 2. Juli 1988 in Berli n. Berlin: Nationalkomitee DDR des International Council for Traditional Music in Verbindung mit dem Sekretariat Internationale Nichtstaatliche Musikorganizationen, 344 pp., bibliogs., diagrs., music, table.

Epskamp, Kees P., and Feri de Geus. 1993. "The Pelvis as Shock Absorber: Modern and African Dance." Journal of Popular Culture 27 (1):55-65. Bibliog. Also in Theatre Intercontinental edited by C. C. Barfoot and Cobi Bordewijz. Amsterdam: Rod opi, 1993, 140- 54.

Felder, Rachel. 1993. "The Girls in the Band: A Profile of Women in Alternative Music." Antæus 71-72 :197-203.

Figueroa, Rafael, comp. 1992. Salsa and Related Genres: A Bibliographical Guide. Music Reference Collection, No. 38. Westport, CT: Greenwood, xii, 109 pp., bibliog.

Francis, André. 1991. Jazz: l'histoire, les musiciens, les styles, les disques. Paris: Seuil, 379 pp., bibliog., discog., illus.

Ganesan, Indira. 1993. "Musical Heroes: A Memoir." Antæus 71-72 : 211-13.

Garofalo, Reebee. 1992. "Nelson Mandela, the Concerts: Mass Culture as Contested Terrain." In Rockin' the Boat, edited by R. Garofalo, 55-65. Photo.

Garofalo, Reebee. 1992. Rockin' the Boat: Mass Music and Mass Movements. Boston, MA: South End Press, viii, 333 pp., bibliog., photos.

Garofalo, Reebee. 1992. "Understanding Mega-Events: If We Are the World, Then How Do We Change It?" In Rockin' the Boat, edited by R. Garofalo, 15-35. Photo.

Giannattasio, Francesco. 1992. Il concetto di musica: contributi prospettive della ricera etnomusicologica. Studia superiori NIS, 131. Roma: La Nuova Italia Scientifica, 319 pp., bibliog., illus.

Gridley, Mark C. 1994. Jazz Styles: History & Analysis. 5th ed. Englewood Cliffs, NJ: Prentice Hall, xxii, 442 pp., bibliog., illus. + 2 sound cassettes.

Hanna, Judith Lynne. 1992. "Dance." In Ethnomusicology: An Introduction, edited by H. Myers, 315-26. Bibliog., illus.

Kassler, Jamie C. 1991. Metaphor: A Musical Dimension. Australian Studies in the History, Philosophy and Social Studies of Music, 1. Sydney: Currency Press, xii, 238 pp., bibliogs., music, illus.

Kowalska, Jolanta. 1991. Taniec drzewa zycia: uniwersalia kulturowe w tancu. Seria monografii Instytutu Historii Kultury Materialnej Polskiej Akademii Nauk, Warszawa: Instytut Historii Kultury Materialnej, 210 pp., bibliog., illus. English summary.

Ladzekpo, Kobla; Alan Eder. "Agahu: Music across Many Nations." See Africa section. In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 181-90.

Libin, Laurence. 1992. "Major Instrument Collections." In Ethnomusicology: An Introduction, edited by H. Myers, 423-43. Bibliog.

Malm, Krister. 1992. "The Music Industry." In Ethnomusicology: An Introduction, edited by H. Myers, 349-64. Bibliog., diagr., photos., tables.

Malm, Krister. 1993. "Music on the Move: Traditions and Mass Media." Ethnomusicology 37 (3):339-52. Bibliog., diagr., illus.

Malm, Krister, and Roger Wallis. 1992. Media Policy and Music Activity. London: Routledge, 271 pp., bibliog., illus.

Maurin, Bernard. 1992. Nature-culture en musique, ou, Cheminements de l'homo musicus. Béziers: Société de musicologie de Languedoc, 127 pp., bibliog., illus.

McQueen, Hector L. 1992. "AV Media and International Intellectual Property." Phonographic Bulletin 61 :48-55.

Meadows, Eddie S. 1992. "Africa and the Blues Scale: A Selected Review of the Literature." See Africa section. In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 263-76.

Metcalf, Steve. 1993. "Just Listening: A Musical Memoir of the Fifties." Antæus 71-72 :204-10.

Mignon, Patrick, and Antoine Hennion. 1991. Rock: de l'histoire au mythe. Paris: Anthropos: Diffiusion, Economica, 283 pp., bibliog., illus.

Mitchell, Tony. 1993. "World Music and the Popular Music Industry: An Australian View." Ethnomusicology 37 (3):309-38. Bibliog., discog.

Moisala, Pirkko. 1993. "Cognitive Study of Music as Culture: Basic Premises for 'Cognitive Ethnomusicology'." In Proceedings of the First International Conference on Cognitive Musicology, edited by Jouko Laaksamo and Jukka Louhivuori, 186-98. Finla nd: University of Jyväskylä.

Monson, Ingrid. 1994. "Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology." Critical Inquiry 20 (2):283-313. Music.

Myers, Helen. 1992. "Ethnomusicology." In Ethnomusicology: An Introduction, edited by H. Myers, 3-18. Bibliog., photos.

Myers, Helen. 1992. "Field Technology." In Ethnomusicology: An Introduction, edited by H. Myers, 50-87. Bibliog., diagr., photo.

Myers, Helen. 1992. "Fieldwork." In Ethnomusicology: An Introduction, edited by H. Myers, 21-49. Bibliog., photos.

Myers, Helen, ed. 1992. Ethnomusicology: An Introduction. The New Grove Handbooks in Music, London: Macmillan, xxiv, 487 pp., bibliogs., diagr., music, photos, tables.

Nettl, Bruno. 1992. "Recent Directions in Ethnomusicology." In Ethnomusicology: An Introduction, edited by H. Myers, 375-99. Bibliog.

Nettl, Bruno. 1993. "Words and Song, Language and Music: An Enduring Issue in Ethnomusicology." In Text, Tone, and Tune, edited by B. C. Wade, 107-19. Bibliog.

Niles, Don. 1992. "Traditional and Contemporary Considerations Relating to Copyright in Papua New Guinea." Phonographic Bulletin 61 :55-62. Bibliog.

Oja, Carol. 1990. Colin McPhee: A Composer in Two Worlds. Washington: Smithsonian Institution Press, xix, 353 pp., bibliog., gloss., music, photos.

Post, Jennifer C. 1994. "Erasing the Boundaries between Public and Private in Women's Performance Traditions." In Cecilia Reclaimed, edited by S. C. Cook and J. S. Tsou, 35-51. Bibliog., tables.

Post, Jennifer C. 1992. "Research Resources in Ethnomusicology." In Ethnomusicology: An Introduction, edited by H. Myers, 403-22. Bibliog.

Sarkissian, Margaret. 1992. "Gender and Music." In Ethnomusicology: An Introduction, edited by H. Myers, 337-48. Bibliog.

Seebass, Tilman. 1992. "Iconography." In Ethnomusicology: An Introduction, edited by H. Myers, 238-44. Bibliog.

Seeger, Anthony. 1992. "Ethnography of Music." In Ethnomusicology: An Introduction, edited by H. Myers, 88-109. Bibliog., diagr.

Shepherd, John. 1991. Music as Social Text. Cambridge: Polity Press, viii, 245 pp., bibliog.

Simon, Artur. 1993. "100 Jahre Ethnomusikologie. Die 'Garland Library of Readings in Ethnomusicology'." Anthropos 88 (4-6):528- 38.

Slobin, Mark. 1992. "Ethical Issues." In Ethnomusicology: An Introduction, edited by H. Myers, 329-36. Bibliog.

Smith, Paul. 1992. "Playing for England." See Americas section. In Present Tense, edited by A. DeCurtis, 101-16.

Stewart, Polly. 1993. "Wishful Willful Wily Women: Verbal Strategies for Female Success in the Child Ballads." In Feminist Messages: Coding in Women's Folk Culture, edited by Joan Newlon Radner, 54-73. Urbana: University of Illinois.

Stock, Brian. 1990. Listening for the Text: On the Uses of the Past. Baltimore; London: The Johns Hopkins University Press, x, 191 pp.

Syndergaard, Larry. 1993. "Incest Ballads in the English and Scottish Popular Ballads: Pattern and Meaning." Southern Folklore 50 (2):127-41. Bibliog.

Tucci, Roberta, ed. 1992. Diego Carpitella: bibliografia con un appendice nastro-disco-videofilmografica. Rome; Turin: Nuovi Eri Edizioni RAI Radiotelevisione Italiana, Reprinted from Nuova Rivista Musicale Italiana 26, 523-72.

Ullestad, Neal. 1992. "Diverse Rock Rebellions Subvert Mass Media Hegemony." In Rockin' the Boat, edited by R. Garofalo, 37-53. Photo.

Vaughn, Kathryn. 1992. "Pitch Measurement." In Ethnomusicology: An Introduction, edited by H. Myers, 462-68. Bibliog.

von Hornbostel, Erich M., and Curt Sachs. 1992. "Classification of Musical Instruments [1914 & 1961]." In Ethnomusicology: An Introduction, edited by H. Myers, 444-61.

Wade, Bonnie C. 1993. "Prolegomenon to Texts, Tone and Tunes: Issues and Themes from a Meeting of Minds." In Text, Tone, and Tune, edited by B. C. Wade, 1-14.

Wade, Bonnie C., ed. 1993. Text, Tone, and Tune: Parameters of Music in Multicultural Perspective. New Delhi: Oxford & IBH Publishing Company, xiv, 246 pp., bibliogs., charts, graphs, music + 1 audio cassette.

Walser, Robert. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: University Press of New England, xviii, 222 pp., bibliog., discog., illus.

Weber, Michael. 1992. "With a Solar Panel in Madagascar; A Technical Report." IASA: International Association of Sound Archives 60 :30-36. Bibliog., photo.

Widdes, Richard. 1992. "Historical Ethnomusicology." In Ethnomusicology: An Introduction, edited by H. Myers, 219-37. Bibliog., music.

Williams, Mervyn, Narsaloo Ramaya, and Merle Albino-de Coteau. 1991. Bhajans. East Indian Songs, Vol. 1. Republic of Trinidad and Tobago: Ministry of Youth, Sport, Culture, and Creative Arts, vi, 81 pp., music.

Zemtsovskii, I. I. 1989. Narodnaia muzyka, istoriia, i tipologiia: pamiati professora E. V. Gippiusa, 1903-1985: sbornik nauchnykh trudov. Leningrad: Leningradskii gos. in-t teatra, muzyki i kinematografii im. N. K. Cherkasova, 185 pp.

Africa

Aguilar, Mario I. 1993. "The Role of the Sarki Dance in Waso Boorana / Somali Symbiosis and Conflict." Anthropos 88 (1-3):184- 90. Bibliog.

Akinyemi, A. 1992. "Rárà Chanters: Yorùbá Royal Image Makers." Afrikanistische Arbeitspapiere/AAP 31 :69-90.

Barber, Karin. 1991. I Could Speak Until Tomorrow: Oríki, Women and the Past in a Yoruba Town. International African Library, 7. Edinburgh: University of Edinburgh Press; Washington, DC: Smithsonian Institution Press, 354 pp., diagrs., maps. , photos., tables.

Bourgeot, André. 1990. "Identité touarègue: de l'aristocratie à la révolution." Études rurales 120 :129-62. English summary.

Boyd, Raymond, and Richard Fardon. 1992. "Bìsíwéérí: The Songs and Times of a Muslim Chamba Woman." African Languages and Cultures 5 (1):11-41. Map, photo.

Collins, John. 1992. "Some Anti-Hegemonic Aspects of African Popular Music." See General section. In Rockin' the Boat, edited by R. Garofalo, 185-94. Photos.

Coplan, David. 1993. "Songs of the Adventurers: Sound and Sentiment in the Sung Poetry of Lesotho Migrants." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 185-99. Bibliog.

Cullman, Brian. 1993. "Cheb Khaled & the Politics of Pleasure." Antæus 71-72 :261-70.

DjeDje, Jacqueline Cogdell. 1992. "Music and History: An Analysis of Hausa and Dagbamba Fiddle Traditions." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 151-80.

DjeDje, Jacqueline Cogdell. 1992. African Musicology: Current Trends, Volume II. Los Angeles: International Studies Overseas Program/The James S. Coleman African Studies Center University of California, Los Angeles, 283 pp.

Erim, E. O. 1990. "Songs as Sources of History." West African Journal of Archaeology 20:54-62.

Eúbà, Akin. "Yoruba Music in the Church: The Development of a Neo-African Art among the Yoruba of Nigeria." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 45-64.

Fabian, Johannes. 1990. Power and Performance. Ethnographic Explorations through Proverbial Wisdom and Theatre in Shaba, Zaire. New Directions in Anthropological Writing, Madison: University of Wisconsin Press, xx, 287 pp., bibliog., maps.

Farias, P. F. de Moraes. 1992. "History and Consolation: Royal Yorùbá Bards Comment on Their Craft." History in Africa 19 :263- 97.

Groenewald, H.C., and Staupitz Makopo. 1992. "Urban Folklore: The Political Song." South African Journal of African Languages 12 (4):131-38.

Guennoun, Saïd. 1991. "Littérature des Berbères de la Haute Moulouya." Études et documents berbères 8 :113-34. Table.

Hampton, Barbara L. 1992. "Music and Gender in Ga Society: Adaawe Song Poetry." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 135-50.

Hood, Ji Mantle. 1992. "Voiceprints of Omani Traditional Music." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 191-244.

Janzen, John M. 1991. "Doing 'ngoma' : A Dominant trope in African Religion and Healing." Journal of Religion in Africa 21 (4):290-308.

Knight, Roderic C. 1992. "Kora Music of the Mandinka: Source Material for World Musics." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 81-98.

Kwami, Robert. 1992. "Songs from the Akwa Ibom and Cross River States of Nigeria." African Languages and Cultures 5 (2):133-56. Music.

Lonoh Malangi Bokelenge. 1990. Negritude, africanite et musique africaine. Kinshasa: Centre de recherches pedagogiques, 79 pp., bibliog.

Martin, Denis-Constant. 1992. "En noir et blanc ou en couleurs, que voir dans les clips sud-africains?" Politique africaine 48 : 67-88. Music video. English summary.

Martin, Denis-Constant. 1992. "Music Beyond Apartheid." See General section. In Rockin' the Boat, edited by R. Garofalo, 195- 207.

Mensah, Atta Annan. "The Arts of Africa: Dawn of Twilight? Music." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 11-26.

Norborg, Ake. 1992. The Musical Instruments of the Edo-speaking Peoples of South-western Nigeria. Musikmuseets skrifter, 22. Stockholm: Musik-museet, x, 219 pp., bibliog., discog., filmog., illus., maps.

Nzewi, Meki. 1991. Musical Practice and Creativity: An African Traditional Perspective. Bayreuth: Iwalewa-Haus, University of Bayreuth, 164 pp., bibliog., music, photos.

Omíbîyí-Obidike, Mosúnmólá A. "The Process of Education and the Search for Identity in Contemporary African Music." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 27-44.

Opefeyitimi, Ayp. 1989. "Becoming An Ancestor in Ijesa Culture: Insight from Funeral Dirges Performed by Ijesa Women." Odu 36 : 137-49.

Ottenberg, Simon. 1993. "One Face of a Culture: Two Musical Ensembles in a Limba Chiefdom, Sierra Leone." In Carrefour de Cultures. Melanges offerts a Jacqueline Leiner, edited by Regis Antoine, 57-75. Tubingen: Gunter Narr Verlag. Bibliog., photos .

Rasmussen, Susan J. 1991. "Modes of Persuasion: Gossip, Song, and Divination in Tuareg Conflict Resolution." Anthropological Quarterly 64 (1):30-46. Bibliog.

Rasmussen, Susan J. 1992. "Speech By Allusion: Voice and Authority in Tuareg Verbal Art." Journal of Folklore Research 29 (2):155-75. Bibliog.

Shelemay, Kay Kaufman. 1992. "The Musician and Transmission of Religious tradition: The Multiple Roles of the Ethiopian däbtära." Journal of Religion in Africa 22 (3):242-60.

Sievers, Bernhard. 1992. Musik in Sierra Leone: Tradition, Wandel und Indentitätsverlust einer Musikkultur in Westafrika. Musikethnologie, Bd. 1; Sozial- und Wirtschaftsgeschichte, Bd. 3. Münster: Lit, iii, 245 pp., bibliog., discog., fil mog. In German and English.

Swanepoel, C. F. 1991. "Sefela sa Mokone Matabola: The Composition of a Taped Performance." South African Journal of African Languages 11 (4):124-29. Music.

Turkson, Adolphus R. "Contrafactum and Parodied Song Texts in Religious Music: A Discussion of Problems and Challenges in Contemporary African Music." In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 65-80.

Verbeek, Léon. 1992. "L'histoire dans les chants et les danses populaires: la zone culturelle Bemba du Haut-Shaba." Enquêtes et documents d'histoire africaine 10 :137 pp. Map, music.

Wagner-Glenn, Doris. 1992. Searching for a Baby's Calabash: A Study of Arusha Maasai Fertility Songs as Crystalized Expressions of Central Cultural Values. Affalterbach: Philipp Verlag, vi, 251 pp., bibliog., gloss., music, photos + 1 audio cassett e.

Americas

Ainslie, Scott. 1992. "George Higgs Blues Musician and Singer." North Carolina Folklore Journal 39 (2):48-49.

Allen, Steve. 1993. "Madonna." Journal of Popular Culture 27 (1): 1-11.

Amiotte, Arthur. 1992. "The Sun Dance." In Native American Dance, edited by C. Heth, 135-37. Photos.

Ancelet, Barry. 1991. "The Center for Acadian and Creole Folklore: An Experiment in Guerrilla Academics." In Sounds of the South, edited by D. W. Patterson, 148-54.

Asociación Cravo Norte. 1990. Cantan los alcaravanes. Bogotá: Empresa Colombiana de Petróleos: Occidental de Colombia: Compañía Shell de Colombia, 300 pp., bibliog., illus. + 1 sound cassette.

Baraka, Amiri. 1993. "Diz." Antæus 71-72 :116-21.

Berry, Venise T. 1994. "Feminine or Masculine: The Conflicting Nature of Female Images in Rap Music." See General section. In Cecilia Reclaimed, edited by S. C. Cook and J. S. Tsou, 183-201. Bibliog.

Blaustein, Richard. 1993. "Folk Music Revivals in Comparative Perspective." Tennessee Folklore Society Bulletin 56 (2):54-63.

Blaustein, Richard. 1991-92. "Jake and Lena Hughes: Grassroots Promoters of the Old-Time Fiddling Revival in Missouri and the Great Plains Region." Missouri Folklore Society Journal 13-14 :1- 16. Photos.

Blaustein, Richard. 1991. "Listen to the Music in the Air: Early Radio Days in East Tennessee." Now and Then 8 (3):27-29.

Blaustein, Richard. 1993. "Rethinking Folk Revivalism: Grass- roots Preservationism and Folk Romanticism." In Transforming Tradition, edited by N. V. Rosenberg, 258-74.

Branscomb, H. Eric. 1993. "Literacy and a Popular Medium: The Lyrics of Bruce Springsteen." Journal of Popular Culture 27 (1): 29-42. Bibliog.

Bratton, William. 1993. "A Note on Doc Pomus." Antæus 71-72 :149- 52. Photos.

Brown, Ernest D. 1992. "The Africa/African American Idiom in Music: Family Resemblances in Black Music." See African section. In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 115-34.

Buckley, John H. 1993. "Country Music and American Values." In All That Glitters, edited by G. H. Lewis, 198-207. Bibliog.

Burguete, Jaime Torres. 1992. "The Music and Dance that Nourishes and Gladdens the Deities of the Tzotziles and Tzeltales." In Native American Dance, edited by C. Heth, 49-51. Photos.

Burton, Bryan. 1993. Moving within the Circle: Contemporary Native American Music and Dance. Danbury, CT: World Music Press, 169 pp., dance not., illus., music, maps.

Cairney, C. Thomas. 1991-92. "'That Evil Fiddle': Scotch-Irish Folk Religion and Ethnic Boundary Maintenance in Southern Missouri." Missouri Folklore Society Journal 13-14:17-30.

Calder, Jeff. 1992. "Living by Night in the Land of Opportunity: Observations on Life in a Rock & Roll Band." In Present Tense, edited by A. DeCurtis, 271-301.

Cansler, Loman D. 1991-92. "The Fiddle and Religion." Missouri Folklore Society Journal 13-14 :31-43. Photo.

Cantwell, Robert. 1993. "Mimesis in Bill Monroe's Bluegrass Music." In All That Glitters, edited by G. H. Lewis, 9-21. Bibliog.

Cantwell, Robert. 1993. "When We Were Good: Class and Culture in the Folk Revival." In Transforming Tradition, edited by N. V. Rosenberg, 35-60.

Carruth, Hayden. 1993. "Good Old Wagon." Antæus 71-72 :140-45. Bessie Smith.

Carter, Thomas. 1991. "Looking for Henry Reed: Confessions of a Revivalist." In Sounds of the South, edited by D. W. Patterson, 73-89. Photos.

Casey, Michael T. 1991. "The History of the Southern Folklife Collection: Recent Developments." In Sounds of the South, edited by D. W. Patterson, 133-39.

Cobb, James C. 1993. "Country Music and the 'Southernization' of America." In All That Glitters, edited by G. H. Lewis, 75-80. Bibliog.

Cohen, Jeffrey H. 1993. "Danza de la Pluma: Symbols of Submission and Separation in a Mexican Fiesta." Anthropological Quarterly 66 (3):149-58. Bibliog.

Cohen, Norm. 1991. "The John Edwards Memorial Foundation: Its History and Significance." In Sounds of the South, edited by D. W. Patterson, 113-26. Photos.

Collins, Willie R. 1992. "An Ethnography of the Moan-and-Prayer Event in Two African American Baptist Churches in Southeast Alabama." See Africa section. In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 245-62.

Collins, Willie R., ed. 1992. African-American Traditional Arts and Folklife in Oakland and the East Bay. Oakland: Sagittarian Press, iv, 21 pp., bibliog., photos.

Cook, Susan C. 1994. "'Cursed Was She': Gender and Power in American Balladry." See General section. In Cecilia Reclaimed, edited by S. C. Cook and J. S Tsou, 202-24. Bibliog., music.

Cooley, Timothy J. 1991-92. "When a Tune Becomes and Folk Tune: Fiddling in Southern Illinois." Missouri Foklore Society Journal 13-14 :45-79. Music, photos.

Cusic, Don. 1993. "Comedy and Humor in Country music." Journal of American Culture 16 (2):45-50. Bibliog.

Danielson, Linda L. 1991-92. "Oregon Fiddling: The Missouri Connection." Missouri Folklore Sociey Journal 13-14 :81-100.

DeCurtis, Anthony. 1992. "The Eighties." In Present Tense, edited by A. DeCurtis, 1-12.

DeCurtis, Anthony, ed. 1992. Present Tense: Rock & Roll and Culture. Durham: Duke University Press,

Deffaa, Chip. 1992. Voices of the Jazz Age: Profiles of Eight Vintage Jazzmen. Music in American Life, Urbana: University of Illinois Press, xix, 255 pp., bibliog. photos.

Delfino, Jean Paul. 1988. Brasil Bossa Nova. Aix-en Provence: Édisud, 175 pp., bibliog., discog., photos.

Dery, Mark. 1992. "Signposts on the Road to Nowhere: Laurie Anderson's Crisis of Meaning." In Present Tense, edited by A. DeCurtis, 149-65.

DjeDje, Jacqueline C. 1992. "The Beginnings of Gospel Music in the Bay Area." In African-American Traditional Arts and Folklife in Oakland the the East Bay, edited by W. R. Collins, 1-3. Photos.

DjeDje, Jacqueline Cogdell. 1993. "Los Angeles Composers of African American Gospel Music: The First Generation." American Music 11 (4):412-57. Bibliog., music, photos.

Dunne, Michael. 1993. "Romantic Narcissism in 'Outlaw' Country Music." In All That Glitters, edited by G. H. Lewis, 226-38. Bibliog.

Ebinger, Virginia Nylander. 1993. Niñez: Spanish Songs, Games, and Stories of Childhood. Santa Fe: Sunstone Press, 80 pp.

Eure, Joseph D., and James G. Spady, ed. 1991. Nation Conscious Rap. AfroAmericanization of Knowledge Series, 3. New York: PC International Press, xxxi, 434 pp., bibliog., illus.

Evans, Paul. 1992. "Los Angeles, 1999." In Present Tense, edited by A. DeCurtis, 183-95.

Feintuch, Burt. 1993. "Musical Revival as Musical Transformation." In Transforming Tradition, edited by N. V. Rosenberg, 183-93.

Fenster, Mark. 1993. "Alison Krauss and the Contemporary Traditional Conflict in Modern Bluegrass." In All That Glitters, edited by G. H. Lewis, 317-28. Bibliog.

Flores Calderón, Oscar. 1991. Historia y belleza del criollismo, 1713-1990. Lima: Ediciones Flocal, 139 pp., illus. Peru.

Fox, Aaron. 1993. "Split Subjectivity in Country Music and Honky- Tonk Discourse." In All That Glitters, edited by G. H. Lewis, 131-39. Bibliog.

Francisco Zea, Lucía de. 1991. Manual de coreografías de la zona andina. Bogotá: Clegio Máximo de las Academias Colombianas: Patronato Colombiano de Artes y Ciencias: Fundación Joaquín Piñeros Corpas , 293 pp., illus.

Fryer, Paul. 1993. "Local Styles and Country Music." In All That Glitters, edited by G. H. Lewis, 62-74. Bibliog., graphs, tables.

Funk, Ray. 1991. "Research Approaches to Black Gospel Quartets." In Sounds of the South, edited by D. W. Patterson, 90-109. Photos.

Ganteaume, Cécile R. 1992. "White Mountain Apache Dance: Expressions of Spirituality." In Native American Dance, edited by C. Heth, 65-76, 79-81. Photos.

Garofalo, Reebee. 1992. "Popular Music and the Civil Rights Movement." See General section. In Rockin' the Boat, edited by R. Garofalo, 231-40. Photos.

Gass, Glenn. 1992. "Why Don't We Do It In the Classroom." In Present Tense, edited by A. DeCurtis, 93-100.

Gates, David. 1993. "Are You Sure Hank Done It This Way?" In All That Glitters, edited by G. H. Lewis, 314-16.

George, Nelson. 1992. Buppies, B-boys, Baps & Bohos: Notes on Post-soul Black Culture. New York: Harper Collins, xii, 329 pp.

Giffoni, Maria Amália Corrêa. 1989. Reinado do Rosário de Itapecerica. Sao Paulo: Associaçao Palas Athena do Brasil, 181 pp., diagrs., facsims., music, photos.

Goldstein, Kenneth S. 1993. "A Future Folklorist in the Record Business." In Transforming Tradition, edited by N. V. Rosenberg, 107-21.

Gómez de Rodríguez Britos, Marta. 1991. Juegos infantiles tradicionales en la provincia de Mendoza. 2 v. Mendoza: Editorial de la Facultad de Filosofía y Letras, Universidad Nacional de Cuyo, Bibliog., illus.

Gonzalez, Babs. 1993. "Paying Dues." Antæus 71-72 :99-108.

Gower, Herschel. 1992. "For Singin' and No for Readin': Scottish Ballads in America." Now and Then 9 (2):31-33.

Green, Archie. 1991. "Afterword: 'Our Music': Exit Ahead." In Sounds of the South, edited by D. W. Patterson, 183-88.

Green, Archie. 1993. "The Campus Folksong Club: A Glimpse of the Past." In Transforming Tradition, edited by N. V. Rosenberg, 61- 72.

Green, Rayna. 1992. "Cherokee Stomp Dance: Laughter Rises Up." In Native American Dance, edited by C. Heth, 177. Photos.

Greenhill, Pauline. 1993. "'The Folk Process' in the Revival: 'Barrett's Privateers' and 'Baratt's Privateers'." In Transforming Tradition, edited by N. V. Rosenberg, 137-59.

Guilbault, Jocelyne. 1993. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology, Chicago: University of Chicago Press, xxv, 279 pp., illus.

Guillermoprieto, Alma. 1993. "Samba." Antæus 71-72 :240-60.

Halker, Clark D. 1991. For Democracy, Workers, and God: Labor Song-poems and Labor Protest. Working Class in American History, Urbana: University of Illinois Press, xiii, 243 pp., bibliog.

Hawes, Bess Lomax. 1991. "Evaluating Our Work and Ourselves." In Sounds of the South, edited by D. W. Patterson, 31-40.

Hendrickson, Charles Cyril, and Kate van Winkle Keller. 1992. Social Dances from the American Revolution. Sandy Hook, CT: The Hendrickson Group, 48 pp., bibliog., music.

Heth, Charlotte. 1992. "American Indian Dance: A Celebration of Survival and Adaptation." In Native American Dance, edited by C. Heth, 1-17. Photos.

Heth, Charlotte, ed. 1992. Native American Dance: Ceremonies and Social Traditions. Washington, DC: National Museum of the American Indian, Smithsonian Institution, with Starwood Publishers, ix, 196 pp., bibliog., discog., photos, videog.

Hildebrand, Lee. 1992. "Jimmie McCracklin's Oakland Blues." In African-American Traditional Arts and Folklife in Oakland and the East Bay, edited by W. R. Collins, 9-11. Photos.

Hill, Trent. 1992. "The Enemy Within: Censorship in Rock Music in the 1950s." In Present Tense, edited by A. DeCurtis, 39-71.

Hodes, Art, and Chadwick Hansen. 1992. Hot Man: The Life of Art Hodes. Music in American Life, Urbana: University of Illinois Press, xii, 160 pp., discog., photos.

Hoffman, Jan. 1993. "Rosanne Cash Walks Her Own Line." In All That Glitters, edited by G. H. Lewis, 329-38.

Huenemann, Lynn F. 1992. "Northern Plains Dance." In Native American Dance, edited by C. Heth, 125-34, 138-41, 144-47. Photos.

Jackson, Bruce. 1993. "The Folksong Revival." In Transforming Tradition, edited by N. V. Rosenberg, 73-83.

James, David E. 1991. "The Vietnam War and American Music." In The Vietnam War and American Culture, edited by John Carlos Rowe and Rick Berg, 226-54. New York: Columbia University Press. Facsims.

Jaret, Charles. 1993. "Characteristics of Successful and Unsuccessful Country Music Songs." In All That Glitters, edited by G. H. Lewis, 174-85. Bibliog., tables.

Jarrett, Keith. 1993. "In Search of Folk Roots." Antæus 71-72 : 109-15. Interviewed by Kimihiko Yamashita.

Jarrett, Michael. 1992. "Concerning the Progress of Rock & Roll." In Present Tense, edited by A. DeCurtis, 167-82.

Jáuregui, Jesús. 1992. Tres mariachis jaliscienses olvidados en su tierra. Cuadernos de estudios jaliscienses, 9. Zapopan, Jalisco: El Colegio de Jalisco, 33 pp.

Jensen, Joli. 1993. "Honky-Tonking: Mass Mediated Culture Made Personal." In All That Glitters, edited by G. H. Lewis, 118-30. Bibliog.

Jensen, Joli. 1993. "Patsy Cline, Musical Negotiation, and the Nashville Sound." In All That Glitters, edited by G. H. Lewis, 38-50. Bibliog.

Jeremiah, Milford A. 1992. "Rap Lyrics: Instruments for Language Arts Instruction." Western Journal of Black Studies 16 :98-102. Bibliog., tables.

Johns, Donald. 1993. "Funnel Tonality in American Popular Music, ca. 1900-70." American Music 11 (4):458-72. Diagr., music.

Jones, Rosalie M. 1992. "Modern Native Dance beyond Tribe and Tradition." In Native American Dance, edited by C. Heth, 169-76, 78-83. Photos.

Kartchner, Kenner Casteel. 1990. Frontier Fiddler: The Life of a Northern Arizona Pioneer. Tucson: University of Arizona Press, xxv, 280 pp., illus.

Kavanaugh, Thomas W. 1992. "Southern Plains Dance: Tradition and Dynamics." In Native American Dance, edited by C. Heth, 105-15, 118-23. Photos.

Keeling, Richard. 1992. "Music and Culture History among the Yurok and Neighboring Tribes of Northwestern California." Journal of Anthropological Research 48 (1):25-48.

Keller, Kate Van Winkle. 1991. "If the Company Can Do It!": Technique in Eighteenth-century American Social Dance. Rev. ed. Sandy Hook, CT: Hendrickson Group, 48 pp., bibliog., illus.

Keyes, Cheryl L. 1993. "'We're More than a Novelty, Boys': Strategies of Female Rappers in the Rap Music Tradition." In Feminist Messages: Coding in Women's Folk Culture, edited by Joan Newlon Radner, 203-20. Urbana: University of Illinois.

Kohl, Paul R. 1993. "Looking through a Glass Onion: Rock and Roll as Modern Manifestation of Carnival." Journal of Popular Culture 27 (1):143-61. Bibliog., discog.

LaFrance, Ron. 1992. "Inside the Longhouse: Dances of Haudenosaunee." In Native American Dance, edited by C. Heth, 19- 23, 28-31. Photos.

Laroche, Maximilien. 1992. "Music, Dance, Religion." Callaloo 15 (3):797-810. Haiti.

Larson, Steve. 1993. "Dave McKenna's Performance of 'Have You Met Miss Jones?'." American Music 11 (3):283-315. Music.

Laura, Tomás Huanca. 1992. "The Aymara Fiesta: Linking Community Realities." In Native American Dance, edited by C. Heth, 56-57. Photos.

Lederman, Anne. 1993. "'Barrett's Privateers': Performance and Participation in the Folk Revival." In Transforming Tradition, edited by N. V. Rosenberg, 160-75.

Lenz, Mary Jane. 1992. "Dance Rattles of the Northwest Coast." In Native American Dance, edited by C. Heth, 155. Photos.

Leppart, Richard, and George Lipsitz. 1993. "Age, the Body and Experience in the Music of Hank Williams." In All That Glitters, edited by G. H. Lewis, 23-37. Bibliog.

Levine, Victoria Lindsay. 1993. "Musical Revitalization among the Choctaw." American Music 11 (4):391-411. Photos, table.

Lewis, George H. 1993. "The Commerical Art World of Country Music." In All That Glitters, edited by G. H. Lewis, 161-73. Bibliog.

Lewis, George H. 1993. "Mexican Musical Influences on Country Songs and Styles." In All That Glitters, edited by G. H. Lewis, 94-101. Bibliog.

Lewis, George H. 1993. "Tension, Conflict and Contradiction in Country Music." In All That Glitters, edited by G. H. Lewis, 208- 20. Bibliog.

Lewis, George H. 1993. "A Tombstone Every Mile: Country Music in Maine." In All That Glitters, edited by G. H. Lewis, 102-15. Bibliog.

Lewis, George H, ed. 1993. All That Glitters: Country Music in America. Bowling Green: Bowling Green State University Popular Press, 340 pp., bibliogs.

Light, Alan. 1992. "About a Salary or Reality?--Rap's Recurrent Conflict." In Present Tense, edited by A. DeCurtis, 219-34.

Lipsitz, George. 1992. "Chicano Rock: Cruising Around the Historical Bloc." See General section. In Rockin' the Boat, edited by R. Garofalo, 267-79. Photos.

Lisboa Júnior, Luiz Américo. 1990. A presença da Bahia na música popular brasileira. Brasília: MusiMed: Sóbrindes-Linha Gráfica e Editora, 206 pp., bibliog.

Logan, Linley B. 1992. "Dancing the Cycles of Life." In Native American Dance, edited by C. Heth, 24-27. Illus.

Lont, Cynthia M. 1992. "Women's Music: No Longer a Small Private Party." See General section. In Rockin' the Boat, edited by R. Garofalo, 241-53.

MacKay, Jock. 1993. "Populist Ideology and Country Music." In All That Glitters, edited by G. H. Lewis, 285-304. Bibliog.

MacLeod, Bruce A. 1993. Club Date Musicians: Playing the New York Party Circuit. Music in American Life, Urbana: University of Illinois Press, x, 213 pp., bibliog., illus.

Major, Alice. 1991. Ukrainian Shumka Dancers: Tradition in Motion. Edmonton: Reidmore Books, xv,, 125 pp., illus. Canada.

Malone, Bill C. 1991. "Country Music and the Academy: A Thirty- Year Professional Odyssey." In Sounds of the South, edited by D. W. Patterson, 41-56.

Malone, Bill C. 1993. "Elvis, Country Music and the South." In All That Glitters, edited by G. H. Lewis, 51-61.

Marcus, Greil. 1992. "A Corpse in Your Mouth: Adventures of a Metaphor, or Modern Cannibalism." In Present Tense, edited by A. DeCurtis, 73-92. Illus.

Marshall, Howard W. 1991-92. "'Marmaduke's Hornpipe': Speculations on the Life and Times of a Historic Missouri Fiddle Tune." Missouri Folklore Society Journal 13-14 :101-22. Music, photos.

Marshall, Howard W. 1991-92. "Skilled Fiddler and Local Historian: Thomas Arthur Galbraith (1909-1993)." Missouri Folklore Society Journal 13-14 :165-68. Photo.

Martin, Wayne. 1992. "Otho Willard: Oldtime Fiddler and Stringband Leader." North Carolina Folklore Journal 39 (2):45-47.

Meadows, William C., and Gus Palmer, Sr. 1992. "Tonkonga: The Kiowa Black Legs Military Society." In Native American Dance, edited by C. Heth, 116-17. Photos.

Mejía Sánchez, Ernesto. 1990. Romances y corridos nicaragüenses. Managua: Nueva Nicaragua, 122 pp., bibliog., illus., music.

Mello, Luiz Gonzaga de, and Alba Regina Mendonça Pereira. 1990. O pastoril profano de Pernambuco. Série Estudos e pesquisas, 67. Recife: Fundaçao Joaquim Nabuco, Editora Massangana, 135 pp., bibliog., illus.

Moloney, Mick. 1993. Irish Music on the American Stage. O Riada Memorial Lecture, 8. Cork: Irish Traditional Music Society, University College, Cork, 39 pp.

Morales, Manuel Rios. 1992. "Zapotec Dances and Music from the Northern Sierra of Oaxaca." In Native American Dance, edited by C. Heth, 38-39. Photos.

Nahwooksy, Fred. 1992. "Stoney." In Native American Dance, edited by C. Heth, 142-43. Photos.

Narváez, Peter. 1993. "Living Blues Journal: The Paradoxical Aesthetics of the Blues Revival." In Transforming Tradition, edited by N. V. Rosenberg, 241-57.

Neuenfeld, Karl. 1993. "Alienation and Single Musicians on the Honky-Tonk Circuit." In All That Glitters, edited by G. H. Lewis, 140-48. Bibliog.

Nusbaum, Philip. 1993. "Bluegrass and the Folk Revival: Structural Similarities and Experienced Differences." In Transforming Tradition, edited by N. V. Rosenberg, 203-19.

Osumare, Halifu. 1992. "Sacred Dance/Drumming: African Belief Systems in Oakland." In African-American Traditional Arts and Folklife in Oakland and the East Bay, edited by W. R. Collins, 17-21. Bibliog., photos.

Otis, Johnny. 1993. Upside Your Head!: Rhythm and Blues on Central Avenue. Hanover: University Press of New England, xxxv, 174 pp., illus., photos.

Palmer, Robert. 1992. "The Church of the Sonic Guitar." In Present Tense, edited by A. DeCurtis, 13-37.

Patterson, Daniel W. 1991. "The History of the Southern Folklife Collection: The Era of Surprise." In Sounds of the South, edited by D. W. Patterson, 127-32.

Patterson, Daniel W. 1991. Sounds of the South. Chapel Hill: University of North Carolina, xiv, 219 pp., photos, tables.

Peretti, Burton W. 1992. The Creation of Jazz, Music, Race, and Culture in Urban America. Music in American Life; Blacks in the New World, Urbana: University of Illinois Press, xiv, 277 pp., photos., table.

Perry, Edgar. 1992. "The Crown Dance." In Native American Dance, edited by C. Heth, 77-78. Photos.

Person-Lynn, Kwaku. 1992. "Rap Music: Afrikan Music Renaissance in America." See Africa section, In African Musicology: Current Trends, Volume II, edited by J. C. DjeDje, 99-114.

Planer, John H. 1993. "Function in the Country Song 'Tight Fittin' Jeans'." In All That Glitters, edited by G. H. Lewis, 188-95. Bibliog.

Pomus, Doc. 1993. "The Journals of Doc Pomus." Antæus 71-72 :157- 84.

Posen, I. Sheldon. 1993. "On Folk Festivals and Kitchens: Questions of Authenticity in the Folksong Revival." In Transforming Tradition, edited by N. V. Rosenberg, 127-36.

Pressley, Arthur. 1992. "Rap Music by Black Male Artists: A Psychotheological Interpretation." Western Journal of Black Studies 16 :92-97.

Rammel, Hal. 1990. Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias. Urbana: University of Illinois Press, xii, 165 pp., bibliog., illus.

Ramsey, Kate. 1992. The Making of a Mosaic: An Introduction to the Music and Dance of the Americas. New York: National Dance Institute, 160 pp., bibliog., illus., maps.

Ray, Robert B. 1992. "Tracking." In Present Tense, edited by A. DeCurtis, 135-48.

Rodriguez, David J., et al. 1993. Puerto Rico Recordings in the Archive of Folk Culture. Washington, DC: Archive of Folk Culture, American Folklife Center, Library of Congress, 9 pp., discog.

Rogers, Jimmie N., and Stephen A. Smith. 1993. "Country Music and Organized Religion." In All That Glitters, edited by G. H. Lewis, 270-84. Bibliog.

Rogin, Michael. 1992. "Blackface, White Noise: The Jewish Jazz Singer Finds His Voice." Critical Inquiry 18 (3):417-53. Photos.

Rosenberg, Neil V. 1993. "Country Music: Popular or Folk?" In All That Glitters, edited by G. H. Lewis, 151-60. Bibliog.

Rosenberg, Neil V. 1993. "Starvation, Serendipity, and the Ambivalence of Bluegrass Revivalism." In Transforming Tradition, edited by N. V. Rosenberg, 194-202.

Rosenberg, Neil V., ed. 1993. Transforming Tradition: Folk Music Revivals Examined. Urbana: University of Illinois Press, xiii, 340 pp., bibliog., discog.

Rosoff, Nancy, and Olivia Cadaval. 1992. "The Fiesta: Rhythm of Life in the Sierras of Mexico and the Altiplano of Bolivia." In Native American Dance, edited by C. Heth, 33-37, 40-48, 52-55, 58-63. Map, photos.

Rubey, Dan. 1992. "Voguing at the Carnival: Desire and Pleasure on MTV." In Present Tense, edited by A. DeCurtis, 235-70.

Salem, James M. 1993. "Death and the Rhythm-and-Bluesman: The Life and Recordings of Johnny Ace." American Music 11 (3):316-67. Discog., photos.

Santa Cruz, Maria Aurea. 1992. A musa sem máscara: a imagem da mulher na música popular brasileira. Rio de Janeiro: Editora Rosa dos Tempos, 111 pp.

Saucier, Karen. 1993. "Images of Women and Men in Country Music." In All That Glitters, edited by G. H. Lewis, 241-50. Bibliog., table.

Schreiner, Claus. 1993. Musica Brasileira: A History of Popular Music and the People of Brazil. New York; London: M. Boyars, viii, 306 pp., illus., music. Translation of Musica popular brasileira.

Schroeder, Rebecca B. 1991-92. "The Dean of Missouri Fiddle Music: Remembering R. P. Christeson (1911-1992)." Missouri Folklore Society Journal 13-14 :157-63. Photo.

Schroeder, Rebecca D. 1991-92. "Missouri Folksong Collector: Loman D. Cansler (1924-1992)." Missouri Folklore Society Journal 13-14 :151-56. Bibliog., photo.

Scott, Jimmy. 1993. "An Interview: On Himself and Doc Pomus." Antæus 71-72 :185-94. Interviewed by Jeanne Wilmot Carter.

Seeger, Anthony. 1993. "Systematic Relationships among Verbal Art Forms: Text, Time, Tone, and Tune in a Native Brazilian Community." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 121-32. Bibliog.

Seeger, Mike. 1992. Talking Feet: Buck, Flatfoot, and Tap: Solo Southern Dance of the Appalachian, Piedmont, and Blue Ridge Mountain Regions. Berkeley: North Atlantic Books, 142 pp., illus.

Seeger, Pete. 1993. Where Have All the Flowers Gone: A Singer's Stories, Songs, Seeds, Robberies. Bethlehem, PA: Sing Out, 287 pp., bibliog., discog.

Sekou, Lasana M., ed. 1992. Fête: Celebrating St. Martin's Traditional Festive Music. Philipsburg, St. Martin, Caribbean: House of Nehesi Publishers, 57 pp., illus.

Shumway, David R. 1992. "Rock & Roll as a Cultural Practice." In Present Tense, edited by A. DeCurtis, 117-33.

Simic, Charles. 1993. "No Cure for the Blues." Antæus 71-72 :133- 39.

Skillman, Amy E. 1991-92. "'She Oughta Been a Lady': Women Old- Time Fiddlers in Missouri." Missouri Folklore Society Journal 13- 14 :123-32.

Smith, Martha Nell. 1992. "Sexual Mobilities in Bruce Springsteen: Performance as Commentary." In Present Tense, edited by A. DeCurtis, 197-218.

Smith, Michael P. 1992. Spirit World: Pattern in the Expressive Folk Culture of African-American New Orleans. Gretna, LA: Pelican Publishing, 120 pp., illus. Originally published in 1984.

Solomon, Olivia, and Jack Solomon. 1991. "Honey in the Rock": The Ruby Pickens Tartt Collection of Religious Folk Songs from Sumter County, Alabama. Macon, GA: Mercer University Press, xxxvi, 176 pp., bibliog., discog.

Spector, Phil. 1993. "The Induction of Doc Pomus into The Rock and Roll Hall of Fame." Antæus 71-72 :153-56.

Spitzer, Nicholas. 1993. "Romantic Regionalism and Convergent Culture in Central Texas." In All That Glitters, edited by G. H. Lewis, 87-93. Bibliog.

Stafford, Tim. 1990. "Down Home and Upscale: The Evolution of Bluegrass Music." Now and Then 8 (2):24-27.

Stekert, Ellen J. 1993. "Cents and Nonsense in the Urban Folksong Movement: 1930-66." In Transforming Tradition, edited by N. V. Rosenberg, 84-106.

Stevens, Charles. 1992. "J. A. (Billboard) Jackson and the News: Pioneer in Black Musical Entertainment and Journalism." Western Journal of Black Studies 16 :30-38.

Stewart, Katie. 1993. "Engendering Narratives of Lament in Country Music." In All That Glitters, edited by G. H. Lewis, 221- 25. Bibliog.

Stilley, John, comp. 1992. "The Stilley Collection of Ozark Folk Songs." Mid-America Folklore 20 (1):1-64; 20(2): 77-109.

Stolen Marianne. 1992. "Codeswitching for Humour and Ethnic Identity: Written Danish-American Occasional Songs." Journal of Multilingual and Multicultural Development 13 (1-2):215-28.

Sweet, Jill D. 1992. "The Beauty, Humor, and Power of Tewa Pueblo Dance." In Native American Dance, edited by C. Heth, 83-72, 74- 103. Photos.

Swentzell, Rina, and Dave Warren. 1992. "Shadeh." In Native American Dance, edited by C. Heth, 93. Photos.

Taylor, Frederick Jerome. 1992. "The Philadelphia Tribune and Black Music and Musicians in Philadelphia." Western Journal of Black Studies 16 :39-48.

Thompson, Stephen. 1993. "Forbidden Fruit: Interracial Love Affairs in Country Music." In All That Glitters, edited by G. H. Lewis, 259-69. Bibliog.

Titon, Jeff Todd. 1993. "Reconstructing the Blues: Reflections on the 1960s Blues Revival." In Transforming Tradition, edited by N. V. Rosenberg, 220-40.

Tracy, Steven C. 1993. Going to Cincinnati: A History of the Blues in the Queen City. Urbana: University of Illinois Press, xxxii, 262 pp., bibliog., discog., illus.

Tucker, Ken. 1993. "The Old Sounds of New Country." In All That Glitters, edited by G. H. Lewis, 308-13.

Tucker, Mark. 1991. Ellington: The Early Years. Music in American Life, Urbana: University of Illinois Press, xvii, 343 pp., bibliog., music, photos.

Tullos, Allen. 1991. "Life as We Knew It." In Sounds of the South, edited by D. W. Patterson, 157-64. Photos.

Uri, Alex, and Françoise Uri. 1991. Musiques & musiciens de la Guadeloupe: le chant de Karukéra. Paris: Con brio, 167 pp., bibiog., discog., illus.

Vila, Pablo. 1992. "Rock Nacional and Dictatorship in Argentina." See General section. In Rockin' the Boat, edited by R. Garofalo, 209-29. Photos.

Wehmeyer-Shaw, Debra. 1993. "Rap Music: An Interview with DJ Romeo." Oral Tradition 8 (2):225-46. Photo.

West, Walter C., and Michael T. Casey. 1991. "Who's Got What: A Survey of Southern Traditional Music in Public Repositories." In Sounds of the South, edited by D. W. Patterson, 140-47. Tables.

Whisnant, David E. 1991. "Turning Inward and Outward: Retrospective and Prospective Considerations in the Recording of Vernacular Music in the South." In Sounds of the South, edited by D. W. Patterson, 165-81.

Williams, Maria. 1992. "Contemporary Alaska Native Dance: The Spirit of Tradition." In Native American Dance, edited by C. Heth, 149-54, 156-67. Photos.

Wright, John. 1993. Traveling the High Way Home: Ralph Stanley and the World of Traditional Bluegrass. Music in American Life, Urbana: University of Illinois Press, xiv, 273 pp., bibliog., discog., illus.

Youmans, Julie. 1991-92. "Warming the Cold Notes: Style and Boundaries in Old-Time Fiddling." Missouri Folklore Society Journal 13-14 :133-49.

Young, Al. 1993. "We Jazz June/We Die Soon: Jazz Film Thoughts." Antæus 71-72 :122-29.

Zook, Kristal Brent. 1992. "Reconstructions of Nationalist Thought in Black Music and Culture." See General section. In Rockin' the Boat, edited by R. Garofalo, 255-66. Photo.

Asia & Oceania

Akdemir, Hayrettin. 1991. Die neue türkische Musik: dargestellt an Volksliedbearbeitungen für medrstimmigen Chor. Berlin: Hitit, vii, 577 pp., bibliog., music.

And, Metin. 1991. Drama at the Crossroads: Turkish Performing Arts Link Past and Present, East and West. Istanbul: The Isis Press, vi, 185 pp., bibliog., illus., photos.

Aoyama Toshio. 1992. "[A Report on the Making of the Mukkuri from Stag Antler]." Koukin Journal 5 :19-21. Illus., photo. English summary.

Bayrak, Mehmet, ed. 1991. Kürt halk Tütküleri: inceleme-antoloji. Öz-Ge Yayinlari, 3. Ankara: Öz-Ge, 300 pp., discog., gloss., music. In Kurdish and Turkish.

Becker, Judith. 1991. "The Javanese Court Bedhaya Dance as a Tantric Analogy." See General section. In Metaphor: A Musical Dimension, edited by J. C. Kassler, 109-20. Bibliog., diagr., gloss., illus.

Brace, Tim, and Paul Friedlander. 1992. "Rock and Roll on the New Long March: Popular Music, Cultural Identity, and Political Opposition in the People's Republic of China." See General section. In Rockin' the Boat, edited by R. Garofalo, 115-27.

Breen, Marcus. 1992. "Desert Dreams, Media, and Interventions in Reality: Australian Aboriginal Music." See General section. In Rockin' the Boat, edited by R. Garofalo, 149-70. Photos.

Bwonwon Lee. 1993. "Contemporary Musical Culture." Korea Briefing :121-38.

Caspi, Mishael Maswari, and Julia Ann Blessing. 1993. "'O Bride Light of My Eyes': Bridal Songs of Arab Women in the Galilee." Oral Tradition 8 (2):355-80.

Caton, Steven C. 1993. "Icons of the Person: Lacan's 'Imago' in the Yemeni Male's Tribal Wedding." Asian Folklore Journal 52 (2): 359-81. Bibliog.

Chang, Lulu Huang. 1993. From Confucius to Kublai Khan: Music and Poetics through the Centuries. Wissenschaftliche Abhandlungen, Bd. 58. Ottawa: Institute of Mediaeval Music; Taipei: Asian- Pacific Cultural Center, xxi, 184 pp., bibliog., illus., m usic.

Djumaev, Alexander. 1993. "Power Structures, Culture Policy, and Traditional Music in Soviet Central Asia." Yearbook for Traditional Music 25 :43-50. Bibliog., facsim.

Dshani-Zade, Tamila. 1989. "Prinzipy konstruirovanija Azerbajdshanskogo mugama/Bauprinzipien des Azerbaidshanischen mugam." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 86-132. Bibliog., graph, music, tables.

During, Jean. 1989. "The Modal System of Azerbayjani Art Music. A Survey." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 133-47. Bibliog., music.

During, Jean. 1993. "Musique, National et Territoire en Asie Interieure." Yearbook for Traditional Music 25 :29-42. Bibliog.

During, Jean. 1992. Le Répertoire-modèle de la musique iranienne: Radif de tar et de setar de Mirza 'Abdollah. Version de Nur 'Ali Borumand. Tehran: Editions Soroush, 312, 42 pp + 6 audio cassettes.

During, Jean, and Sabine Trebinjac. 1991. Introduction au muqam ouïgour. Papers on Inner Asia, No. 17. Bloomington: Indiana University Press, 58 pp., bibliog., illus., map.

Feld, Steven. 1990. "Wept Thoughts: The Voicing of Kaluli Memories." Oral Tradition 5 (2-3):241-66. Bibliog.

Feldman, Walter. 1993. "Ottoman Sources on the Development of the Taksîm." Yearbook for Traditional Music 25 :1-28. Bibliog., diagr.

Ferguson, Daniel. 1993. "The Shândông Highwayman: Mechanisms of Inclusion and Resistance and the Predication of Cantonese Identity Through Cantonese Opera." Yearbook for Traditional Music 25 :67-80. Bibliog.

Firth, Raymond. 1990. "Sex and Slander in Tikopia Song: Public Antagonism and Private Intrique." Oral Tradition 5 (2-3):219-40. Bibliog., photos.

Flinn, Juliana. 1993. "Who Defines Custom? Dance and Gender in a Micronesian Case." Anthropological Forum 6 (4):557-66. Bibliog.

Goswami, Roshmi, ed. 1992. Man-and-music in India. Shimla: Indian Institute of Advanced Study; Delhi: Munshiram Manoharlal, xiii, 83 pp.

Hansen, Kathryn. 1992. Grounds for Play: The Nautanki Theatre of North India. Berkeley; Los Angeles: University of California Press, xviii, 367 pp., bibliog., music, photos.

Hassan, Scheherazade Qassim. 1989. "Some Islamic non-Arabic Elements of Influence on the Repertory of al-maqam al-'iraqi in Badgag." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 148-55. Bibliog.

Higuchi Akira. 1992. "[From Dhankuta, a Small Town in Nepal]." Koukin Journal 5 :16. Illus., photos. English summary.

Hsu Tsang-Houei, and Cheng Shui-Cheng. 1992. Musique de Taiwan. Paris: Éditions Guy Trédaniel, 314 pp., bibliog., illus., maps, music + 1 audio cassette.

Huntsman, Judith. 1990. "Fiction, Fact, and Imagination: A Tokelau Narrative." Oral Tradition 5 (2-3):283-315. Bibliog.

Iida Akiko. 1992. "[Visiting the Islands of Nusa Tenggara Timur, Indonesia]." Koukin Journal 5 :24-26. Illus., map, photos. English summary.

Isojima Emiko. 1992. "[Sakhalin, the Second Time Around]." Koukin Journal 5 :8-10. Photos. English summary.

Jackson, William J. 1991. Tyagaraja, life and lyrics. Delhi: Oxford University Press, xvii, 394, [6] pp., bibliog., illus., map.

Jung, Angelike. 1989. "The Maqam Principle and the Cyclic Principle in the Uzbek-Tajik Shashmaqam." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 200-15. Bibliog., diagr., music.

Kamala Rani. 1992. Kalaiyaraci Rukmani Tevi kanta kalaikkoyil. Madras: Kamala Rani: Kitaikkumitam Viññanap Panpattuk Kalakam, 132 pp., illus.

Kolosovskii, A. S. 1992. "[Musical Instruments of the Nivkh]." Koukin Journal 5 :6-8. Bibliog., illus. English summary.

Kuckertz, Josef. 1989. "Zum Gestaltungsprinzip der südindischen Musik." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 277-85. Music.

Lam, Joseph S. C. 1993. "Analyses and Interpretations of Chinese Seven-string Zither Music: The Case of the Lament of Empress Chen." Ethnomusicology 37 (3):353-85. Bibliog., facsims., gloss., music.

Lee, Joanna Ching-Yun. 1992. "All for Freedom: The Rise of Patriotic/Pro-Democratic Popular Music in Hong Kong in Response to the Chinese Student Movement." See General section. In Rockin' the Boat, edited by R. Garofalo, 129-47. Discog., photo.

Levin, Theodore. 1993. "The Reterritorialization of Culture in the New Central Asian States: A Report from Uzbekistan." Yearbook for Traditional Music 25 :51-59. Bibliog., diagr.

Lewis, George H. 1992. "Don' Go Down Waikiki: Social Protest and Popular Music in Hawaii." See General section. In Rockin' the Boat, edited by R. Garofalo, 171-83.

Liu Gui-teng. 1992. Dangu yimyue yanjiu [A study of Dangu music]. Shenyang: Chunfong Wenyi Chuban She, 267 pp., bibliog., music.

Love, Jacob Wainwright. 1992. Samoan Variations: Essays on the Nature of Traditional Oral Arts. Harvard Dissertations in Folklore and Oral Tradition, New York: Garland, xvii, 327 pp., bibliog., music.

Matjakubov, Otanasar. 1989. "Sasmaqam v XX veke/Der Sasmaqam im 20. Jahrhundert." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 181-99. Music.

Matyakubov, Otanazar. 1993. "A Traditional Musician in Modern Society: A Case Study of Turgun Alimatov's Art." Yearbook for Traditional Music 25 :60-66. Bibliog.

Mazur, Audrey R. 1992. "Researching Hakka Music in Taiwan." Music from China Newsletter 2 (1)

McLean, Mervyn. 1991. Catalogue of Radio New Zealand Recordings of Maori Events 1938-1950 RNZ 1-60. Auckland: Archive of Maori and Pacific Music, ii, 169 pp.

McLean, Mervyn. 1989. "Newsboy Cries: Wellington 1972." Bulletin of the International Association of Music Libraries (New Zealand Branch) 23 :7-8.

McLean, Mervyn. 1989. "Sound Archiving and Problems of Dissemination of Waiata." Oral History in New Zealand 2 :13-19.

McLean, Mervyn, and Jeny Curnow. 1992. Catalogue of McLean Collection Recordings of Traditional Maori Songs 1958-1979 McL 1- 1283. Auckland: Archive of Maori and Pacific Music, ii, 431 pp.

McLean, Mervyn, and Jeny Curnow. 1992. Catalogue of Museum of New Zealand Recordings of Traditional Maori Songs 1919-c. 1935. Auckland: Archive of Maori and Pacific Music, ii, 295 pp.

McMath, Marivee, and Teaea Parima. 1990. "Winged Tangi'ia: A Mangaian Dramatic Performance." Oral Tradition 5 (2-3):376-413. Bibliog., photos.

Miettinen, Jukka O. 1992. Classical Dance and Theatre in South- East Asia. Singapore: Oxford University Press, xx, 175 pp., bibliog., illus.

Moisala, Pirkko. 1991. Cultural Cognition in Music: Continuity and Change in the Gurung Music Culture of Nepal. Suomen Etnomusikologinen Seura, 4. Jyväskylä: Gummerus, 427 pp., bibliog., graphs, music, photos, tables.

Moyle, Richard M. 1993. "Drone, Melody, and Decoration--Paradigm Lost." Ethnomusicology 37 (3):387-405. Bibliog. Tongan music.

Mukhambetova, Asia. 1989. "Kyu and Makom." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 216-47. Illus., music.

Musleah, Rahel, comp. 1991. Be-kol 'arev: Songs of the Jews of Calcutta. Cedarhurst, NY: Tara Publications, 95 pp., illus., music.

Niles, Don. 1993. "Compiling and Annual Catalogue of Commercial Recordings of Papua New Guinea Music: Difficulties and Questions of Inclusion." IASA Journal 1 :76-82. Bibliog.

Ono Kenji. 1992. "[Baba Zoya's Koukin: A Report from Romanovka Village, North Sakhalin]." Koukin Journal 5 :4-6. Map, photo. English summary.

Orbell, Margaret. 1990. "'My Summit is Where I Sit': Form and Content in Maori Women's Love Songs." Oral Tradition 5 (2-3):185- 204. Bibliog.

Pacholczyk, Jozef. 1989. "Musical Determinants of Maqam in Sufyana Kalam of Kashmir." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 248-58. Bibliog., tables.

Pian, Rulan Chao. 1993. "Text Setting and the Use of Tune Types in Chinese Dramatic and Narrative Music." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 201-33. Bibliog., music.

Pond, Wendy. 1990. "Wry Comment from the Outback: Songs of Protest from the Niva Islands, Tonga." Oral Tradition 5 (2-3): 205-18. Bibliog., photos.

Powers, Harold. 1989. "'International segah' and Its Nominal Equivalents in Central Asia and Kashmir." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 40-84. Diagr., music, table.

Prasad, Onkar. 1993. "Text-Tune and Tone-Tune Relations in Santal Music: Some Preliminary Observations." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 235-41. Bibliog.

Puja, I. G. N. Arinton, I Made Seraya, and Ida Bagus Mayun. 1991. Nilai-nilai budaya Bali dalam pertunjukan tari Cakepung. Jakarta: Departemen Pendidikan dan Kebudayaan, Direktorat Jenderal Kebudayaan, Direktorat Sejarah dan Nilai Tradisional, Proy ek Penelitian dan Penkajian Kebudayaan Nusantara, viii, 77 pp., bibliog., illus., map.

Qureshi, Regula Burckhardt. 1989. "Is There a Muslim Raga Phenomenon in Hindustani Music?" See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 259-76. Music.

Qureshi, Regula Burckhardt. 1993. "Text, Tune, and Context: Analysing Urdu Ghazal." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 133-58. Bibliog., charts, music.

Ranade, Ashok Da. 1993. "Texts, Tunes, and Tones: An Indian Perspective." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 61-70.

Razieva, N. T. 1991. Uigurskie mukamy. Alma-Ata: "Gylym", 124 pp., music.

Sakata, Hiromi Lorraine. 1989. "Afghan Regional Melody Types and the Notion of Modes." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 170-80. Bibliog., music.

Samuel, G. John, ed. 1989. The Unsung Melodies: The Story of Palavecañ Cervaikkaran. Folklore of Tamilnadu Series, 3; Institute of Asian Studies, No. 8. Madras: Institute of Asian Studies, lxvii, 149 pp., bibliog.

Samuel, Geoffrey. 1991. "Music and Shamanic Power in the Gesar Epic." See General section. In Metaphor: A Musical Dimension, edited by J. C. Kassler, 89-108. Bibliog., gloss., music, table.

Sau Y. Chan. 1991. Improvisation In a Ritual Context: The Music of Cantonese Opera. Shatin, N.T., Hong Kong: Chinese University Press, 389 pp., bibliog., illus.

Sharma, Prem Lata. 1993. "The Indian Musicological Perspective on Text and Music." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 177-83.

Shiloah, Amnon. 1991. "Musical Modes and the Medical Dimension: The Arabic Sources (c.900-c.1600)." See General section. In Metaphor: A Musical Dimension, edited by J. C. Kassler, 147-59. Bibliog., gloss.

Simon, Artur. 1993. "Gondang, Gods and Ancestors, Religious Implications of Batak Ceremonial Music." Yearbook for Traditional Music 25 :81-88. Bibliog., photos.

Sissaouri, Vladislav. 1992. Cosmos, magie et politique: la musique ancienne de la Chine et du Japon. Paris: Éditions de la Maison des Sciences de l'Homme, viii, 198 pp., bibliog., gloss., illus.

Stillman, Amy Ku'uleialoha. 1993. "Prelude to a Comparative Investigation of Protestant Hymnody in Polynesia." Yearbook for Traditional Music 25 :89-99. Bibliog., map.

Stuart, Kevin, and Hu Jun. 1993. "That All May Prosper: The Mongour (Tu) nadun of the Guanting/Sanchuan Region, Qinghai, China." Anthropos 88 (1-3):15-27. Bibliog., illus.

Subramanian, Karaikudi S. 1993. "Interrelationships among Text, Tune, and Tone in Karnatak Music." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 159-75. Graphs.

Tadagawa Leo. 1992. "[Flight into the 21st Century: How the Plastic Koukin was Conceived and Completed]." Koukin Journal 5 : 22-23. Illus., photo. English summary.

Tadagawa Leo. 1992. "[In Search of Koukin in Sakhalin]." Koukin Journal 5 :10-12. Photos. English summary.

Tadagawa Leo. 1992. "[Kato Kei: Cambodia]." Koukin Journal 5 :17. Photo. English summary.

Tadagawa Leo. 1992. "[A Reconstruction of the Mukkuri Made of Sabita Wood]." Koukin Journal 5 :18-19. Illus., photo. English summary.

Thomas, Allan, and Ineleo Tiua. 1990. "Profile of a Composer: Ihaia Puka, a Pulotu of the Tokelau Islands." Oral Tradition 5 (2-3):267-82. Bibliog., photos.

Tingey, Carol. 1990. Heartbeat of Nepal: The Pañcai Baja. Kathmandu: Royal Nepal Academy, 239 pp., bibliog., maps, music.

Toru Mitsui. 1993. "The Reception of the Music of American Southern Whites in Japan." See Americas section. In Transforming Tradition, edited by N. V. Rosenberg, 275-93.

Turner, Ashley. 1991. "Belian as a Symbol of Cosmic Reunification." See General section. In Metaphor: A Musical Dimension, edited by J. C. Kassler, 121-46. Bibliog., diagr., gloss., map, photos. Sumatra.

Vajapeyi, Rasmi, ed. 1992. Kathaka prasanga. Nayi Dilli: Vani Prakasana, 192 pp., bibliog.

Wadley, Susan S. 1993. "Beyond Texts: Tunes and Contexts in Indian Folk Music." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 71-106. Bibliog., music.

Wen-hsiung Yen. 1989. "A Study of Si Ziang Qi." In Zhong Guo Yin Yue Wen Hua Yi Min Yao, 1-25. Taipei: Zhong Wen Book Co. Bibliog., gloss.

Wright, O. 1990. "Cargâh in Turkish Classical Music: History Versus Theory." Bulletin of the School of Oriental and African Studies 53 (2):224-44. Bibliog., music.

Zheng Au de San. 1992. "Taishan Muyu in America: An Unknown Treasure." Music from China Newsletter 2 (2)

Europe

Aleksieva, Ekaterina, and Dinna Ancheva. 1991. Ancient Magic in Bulgarian Folklore: Perls of Syncretic Folk Art, Village of Bistritsa, Bulgaria. Sofia, Bulgaria: "Kalimana" Publishing House, 82 pp., bibliog., dance not., illus., music.

Astakhova, Alla. 1992. "'Sound Shaping' of East Slavic Zagovory." Oral Tradition 7 (2):365-72. Bibliog.

Aulin, Suzanne, and Peter Vejleskov. 1991. Chasiklidika Rebetika. Copenhagen: Museum Tusculanum Press, University of Copenhagen, 154 pp., bibliog., discog.

Bannerman, John. 1991. "The Clarsach and the Clarsair." Scottish Studies 30 :1-17.

Bennett, Anthony. 1993. "Rivals Unravelled: A Broadside Song and Dance." Folk Music Journal 6 (4):420-45. Facsims., music.

Berthou-Bécam, Laurence. 1993. "L'enquête Ampère-Fortoul sur les poésies populaires de la France (1852-1876) [The Ampère-Fortoul study of popular poetry of France, 1852-1876]." Musique bretonne 123 :3-11.

Boidron, Jean-Jacques. 1993. "Gousperoù ar Raned" ha gourspered "Ar Rannoù": Enklask war ur ganaouenn hengounel/Les "Vêpres de Grenouilles" ou "Les Séries" des druides: Enquête sur un chant traditionnel breton ["The Ves pers of the Frogs" or "The Series" of the Druids: A Study of a traditional Breton song]. Rennes: Dastun, 540 pp., bibliog., maps, music. In Breton and French.

Bourke, Angela. 1993. "More in Anger than in Sorrow: Irish Women's Lament Poetry." In Feminist Messages: Coding in Women's Folk Culture, edited by Joan Newlon Radner, 160-82. Urbana: University of Illinois.

Bradley, Dick. 1992. Understanding Rock 'n' Roll: Popular Music in Britain 1955-1964. Popular Music in Britain, Buckingham; Phildelphia: Open University Press, vi, 191 pp., bibliog.

Burban, Alain et al. 1992. Conter et chanter en Pays de Redon: études d'ethnolinguistique et d'ethnomusicologie. Paris: Association Roger Bastide: Laboratoire d'ethnologie de Paris V- Sorbonne: Harmattan, 159 pp., bibliog., illus.

Coote, Mary P. 1992. "On the Composition of Women's Songs." Oral Tradition 7 (2):332-48. Bibliog.

Cvetko, Igor. 1991. "Otroska glasbili in zvocne igrace kot del glasbene (zvocne) tradicije otrok na Slovenskem: Children's Instruments and Musical Toys as Part of the Musical Tradition of Children in Slovenia." In Med Godci in Glasbili na Slovenskem, edited by I. Cvetko, 51-90. Bibliog., illus., photos.

Cvetko, Igor, ed. 1991. Med Godci in Glasbili na Slovenskem: Among Folk Musicians and Instruments in Slovenia. Ljubljana: Slovenski ethnografski muzej, 141 pp., bibliog. In English and Slovenian.

Diego Cuscoy, Luis. 1991. El folklore infantil y otros estudios etnográficos. Publicaciones científicas del Cabildo de Tenerife. Museo Ethnográfico, 7. Santa Cruz de Tenerife: ACT, Museo Etnográfico, Cabildo de Tenerife, 265 pp., bibliog,. illus.

Dobszay, László, and Janka Szendrei. 1992. Catalogue of Hungarian Folksong Types, Arranged According to Styles. Vol. 1. Budapest: Magyar Tudományos Akadémia Zenetudományi Intézet, 942 pp., map.

Dorado, Rosa María. 1991. Faciendo la via--: folklore tradicional de los Pedroches. Caja libro de bolsillo, 6. Córdoba: Obra Cultural de la Caja Provincial de Ahorros de Córdoba, 116 pp., bibliog., illus + 1 sound cassette.

Ellis, Osian. 1991. The Story of the Harp in Wales. Cardiff: University of Wales Press, vi, 79 pp., bibliog., illus., music.

Elschekova, Alica. 1989. "Modell und Modellvariation in der slowakischen Volksmusik." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 308-24. Bibliog., music.

Frith, Simon, and John Street. 1992. "Rock Against Racism and Red Wedge: From Music to Politics, from Politics to Music." See General section. In Rockin' the Boat, edited by R. Garofalo, 67- 80. Photo.

Gaitandzhiev, Gencho Stoianov. 1990. Populia rnata muzika. Sofiia: Durzh. izd-vo "Nar. prosveta", 156 pp., bibliog., illus.

García Lorca, Frederico. 1993. "Cante Jondo." Antæus 71-72 :219- 39.

Gillies, William. 1991. "Gaelic Songs of the 'Forty-Five'." Scottish Studies 30 :19-58.

Gilmore, David D. 1993. "The Democratization of Ritual: Andalusian Carnival After Franco." Anthropological Quarterly 66 (1):37-47. Bibliog.

Golez, Marjetka. 1991. "Glasbeni instrumenti v slovenski knjzevnosti: Musical Instruments in Slovene Literature." In Med Godci in Glasbili na Slovenskem, edited by I. Cvetko, 103-34. Illus.

1993. Guide de la musique bretonne. 2nd ed. Rennes: Dastum, 286 pp., bibliog., discog.

Hauser, Michael. 1993. "Folk Music Research and Folk Music Collecting in Greenland." Yearbook for Traditional Music 25 :136- 47. Bibliog., discog., filmog.

Hauser, Michael. 1992. Traditional Greenlandic Music. Acta Ethnomusicologica Danica, 7; Danish Folklore Archives, Skrifter, 8. Copenhagen: Forlaget Kragen, 295 pp., bibliogs., filmog., discog., map, music, photos + 1 sound disc.

Heaney, Michael. 1993. "'With Scarfes and Garters as You Please': An Exploratory Essay in the Economics of the Morris." Folk Music Journal 6 (4):491-505.

Iwasaki Kiyoshi. 1992. "[Pieter Breugel's Koukin]." Koukin Journal 5 :12-15. Illus. English summary.

Judge, Roy. 1993. "Merrie England and the Morris 1881-1910." Folklore 104 (1-2):124-43.

Koljevic, Svetozar. 1992. "Repetition as Invention in the Songs of Vuk Karadzic." Oral Tradition 7 (2):349-64.

Kononenko, Natalie. 1992. "Duma Pro Chornobyl': Old Genres, New Topics." Journal of Folklore Research 29 (2):133-54. Bibliog., music, photos.

Koudal, Jens Henrik. 1993. "Ethnomusicology and Folk Music Research in Denmark." Yearbook for Traditional Music 25 :100-25. Bibliog., music.

Lábska, Yvetta. 1990. Slovak Popular Music and Jazz. Bratislava CSFR: Music Information Centre of the Slovak Music Fund, 35 pp., bibliog., illus.

Lasbleiz, Bernard. 1993. "Le violon en Basse Bretagne: le cas du Trégor [The fiddle in Lower Brittany: the case of Tregor]." Musique bretonne 124 :3-13; 125: 7-12. Maps, music, photos.

Lekakes, Giorgos A. 1992. He Thessalonike sto Helleniko tragoudi. Athena: Synecheia, 316 pp., bibliog., discog., illus.

Lemogodeuc, Jean-Marie. 1991. "De la marginalite a l'integration: Etude socio-historique et socio-culturelle du flamenco et de la tauromachie." Iris (41-53)

Lemou, Pierrick. 1993. "Le violon en Bretagne [The fiddle in Brittany]." Ar Men 55 :22-35. Photos.

Llorens de Serra, Sara. 1992. El cançoner de Pineda: 238 cançons populars amb 210 tonades. El Pedrís, 26. Barcelona: Editorial Alta Fulla, 359 pp. Originally published in 1931.

Lord, Albert B. 1993. "Text, Tone, Tune, Rhythm, and Performance in South Slavic Sung Narrative." See General section. In Text, Tone, and Tune, edited by B. C. Wade, 15-60. Bibliog., music.

Lærum, Ole Didrik. 1991. Spelemannen Sjur Helgeland. Oslo: Norske samlaget, 143 pp., bibliog., illus.

Maideu i Puig, Joaquim. 1992. Llibre de cançons: crestomatia de cançons tradicionales catalanes: edició amb les melodies i els textos íntegres, revisats i comentats. Vic: Eumo Editorial, 585 pp., bibliog., music.

Marty, Ginette, and Georges Marty, comp. 1992. 13 siècles de chansons d'Ile-de-France. Paris: Tallandier, 357 pp., bibliog., illus., music.

Mázorová, Mária, and Kliment Ondrejka. 1991. Slovenské ludové tance. Bratislava: Slovenské pedagogické nakl, 383 pp., bibliog., illus. English, French, German and Russian summaries.

Michael-Dede, Maria. 1991. To asemno, aniero, hyvristiko sto Helleniko demotiko tragoudi: gamotragouda, parodia threskeutikon hymnon nekrophilika, haimomizia, eklyte zoe me oinoposia, koprika, hyvreis, se logo kai antilogo. Kritike-meletemata, 37. Athena: Ekdoseis Philippote, 134 pp., bibliog.

Muszkalska, Bozena. 1989. "Gestaltungsprinzipien des sardinischen canto a sa seria." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 286-307. Map, music.

Nathershina, F. A. 1992. Rukhi khazinalar: Asylykul, Dim, Orshak buiy bashqorttarynyng fol'klory. Ofo: Bashqortostan Respublikahy Mathaniat Ministerstvohy, Respublika khalyq izhady uthage, 76 pp., bibliog., music.

Nettheim, Nigel. 1993. "On the Accuracy of Musical Data with Examples from Gregorian Chant and German Folksongs." Computers and the Humanities 27 (2):111-20. Bibliog., music, tables.

O'Connor, Nuala. 1991. Bringing It All Back Home: The Influence of Irish Music. London: BBC Books, 176 pp., illus.

Oliver, Paul. 1991. "Overseas Blues: Europeans and the Blues." See Americas section. In Sounds of the South, edited by D. W. Patterson, 57-72. Photos.

Omerzel-Terlep, Mira. 1991. "Zvocna identiteta slovenskih ljudskih glasbil: The Sound Identity of Slovene Folk Instruments." In Med Godci in Glasbili na Slovenskem, edited by I. Cvetko, 7-26. Bibliog.

Petrovic, Radmila. 1989. Srpska narodna muzika: pesma kao izraz narodnog musickog misljenja. Beograd: Srpska akademija mauka i umetnosti: Muzikoloski institut, 158 pp., bibliog., illus.

Phardys, Nikolaos, ed. 1991. Ogdonta pente demotikes melodies apo ta kataloipa tou Nikolaou Phardy. Athena: Kentro Mikrasiatikon Spoudon, Mousiko Laographiko Archeio, xiii, 122 pp., bibliog., illus., music.

1993. "Polig Monjarret." Ar Men 53 :44-57. Photos. Traditional music collector and leader of Breton bagpipe band renaissance.

Ramovs, Mirko. 1991. "Ljudska instrumentalna glasba in ples: Instrumental Folk Music and Dance." In Med Godci in Glasbili na Slovenskem, edited by I. Cvetko, 91-102. Illus., music, photos. Slovenia.

Reeder, Roberta, ed. 1993. Russian Folk Lyrics. Bloomington: Indiana University Press, xvi, 189 pp., bibliog., illus., map. Revised edition of Down Along the Mother Volga published in 1975.

Reuer, Bruno B. 1991. Zoltán Kodály's Bühnenwerk ªHáry János´ Beiträge zu seinen volksmusikalischen und literarischen Quellen. Studia Hungarica, 37. Munich: Rudolf Trofenik, 208 pp., bibliog., music.& #170;

Rolland, Gaël. 1992 & 1993. "Les lyres en Bretagne [Lyres in Brittany]." Musique bretonne 118 :3-5; 122: 9-11. Photos.

Sarosi, Balint. 1989. "Forming of Variants in the Instrumental Music." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 325-30. Music. Hungary.

Sevag, Reidar. 1989. "Norwegian Fiddle Music: Structure and Conception." See General section. In Maqam. Raga. Zielenmelodik, edited by J. Elsner, 331-44. Bibliog., music.

Shields, Hugh. 1993. Narrative Singing in Ireland: Lays, Ballads, Come-all-yes and Other Songs. Blackrock, Co. Dublin: Irish Academic Press, ix, 283 pp., illus., map, music.

Société Française d'Ethnomusicologie. 1992. L'Ethnomusicologie en Europe: répertoire des institutions et ressources. Issy les Moulineaux: Muller Édition, xii, vi, 180 pp.

Sucena, Eduardo. 1992. Lisboa, o fado e os fadistas. Lisboa: Vega, 322 pp., illus.

Suna, Harijs. 1991. Latviesu sadzives horeografija. Riga: Zinate, 377 pp., bibliog., illus. German and Russian summaries.

Sutherland, Madeline. 1992. "La fraticida por amor: A Sixteenth- Century Spanish Ballad in the Modern Oral Tradition." Oral Tradition 8 (2):289-323. Bibliog.

Sykes, Richard. 1993. "The Evolution of Englishness in the English Folksong Revival, 1890-1914." Folk Music Journal 6 (4): 446-90.

Szemere, Anna. 1992. "The Politics of Marginality: A Rock Musical Subculture in Socialist Hungary." See General section. In Rockin' the Boat, edited by R. Garofalo, 93-114.

Tanja, Tomazic. 1991. "Ljudska glasba in sege: Folk Music and Customs." In Med Godci in Glasbili na Slovenskem, edited by I. Cvetko, 27-50. Photos.

Torp, Lisbet, and Anca Giurchescu. 1993. "Folk Dance Collections and Folk Dance Research in Denmark and the Færoe Islands." Yearbook for Traditional Music 25 :126-35. Bibliog.

Vrcon, Robert. 1991. "Bibliografija o ljudskih glasbilih in ljudski instrumentalni glasbi na Slovenskem: Bibliography on Folk Instruments and Instrumental Folk Music in Slovenia." In Med Godci in Glasbili na Slovenskem, edited by I. Cvetko, 135-41. Bibliog.

Wicke, Peter. 1992. "The Times They Are A-Changin': Rock Music and Political Change in East Germany." See General section. In Rockin' the Boat, edited by R. Garofalo, 81-92.

Wurzbach, Natascha. 1990. The Rise of the English Street Ballad, 1550-1650. European Studies in English Literature, Cambridge: Cambridge University Press, xiii, 354 pp., bibliog., illus.

Zemtsovskii, Isalii I., ed. 1989. Narodnaia muzyka: istoriia i tipologiia. Leningrad: Ministerstvo Kul'tury RSFSR, 186 pp., music.

Zemtsovskii, Isalii I., ed. 1990. Zrelishchno-igrovye formy narodnoye kultury: sbornik nauchnyekh stateye. Leningrad: Ministerstvo Kul'tury RSFSR, 239 pp., music, photos.

Acknowledgements

The compilers of "CBD&F" are greatly indebted to the following individuals for their contributions and assistance to this issue's compilations: Rebecca Binder, Kathleen Spears, Jacqueline Cogdell Djedje, Polly Grimshaw, Barbara L. Hampton, Joseph C. Hicke rson, Lois Kuter, Byongwon Lee, Mervyn McLean, Pirkko Moisala, and Simon Ottenberg.