Compiled by Jennifer C. Post
General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements
General
Bas-Rabérin, Philippe. 1994. Blues, les incontournables.
Paris: Filipacchi, 237 pp., discogs., illus.
Bebbington, Warren A. 1992. Sound and Reason: Music and
Essays in Honour of Gordon D. Spearitt. St. Lucia: The University of
Queensland, x, 235 pp., bibliogs., maps, music, photos.
Blacking, John. 1995. Music, Culture, and Experience:
Selected Papers of John Blacking. Chicago Studies in Ethnomusicology,
Chicago: University of Chicago Press, xii, 269 pp., bibliog., illus.
Cerny, Miroslav K. 1994. "Some Musicological Remarks on
the Old Mesopotamian Music and Its Terminology." Archiv Orientalni
62 (1):17- 26.
Cowdery, James, Dane L. Harwood, James Kippen, Michele
Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, Ingrid Monson, John
Shepherd, Christopher Small, and Christopher A. Waterman. 1995.
"Responses." Ethnomusicology 39 (1):73-96. Bibliog. The Theory
of Participatory Discrepancies.
Dibango, Manu. 1994. Three Kilos of Coffee: An
Autobiography. Chicago: University of Chicago Press, xi, 146 pp., discog.,
illus. Translation of Trois kilos de café.
"Dr. Rose Brandel." 1994. In To the Four
Corners, edited by E. C. Leichtman, xv-xxiii. Bibliog., music.
Finnegan, Ruth. 1994. "The Poetic and the Everyday:
Their Pursuit in an African Village and an English Town." Folklore
105 (1):3-14.
Jarvinen, Topi. 1995. "Tonal Heirarchies in Jazz
Improvisation." Music Perception 12 (4):415-37. Bibliog., graphs.
Keil, Charles. 1995. "The Theory of Participatory
Discrepancies: A Progress Report." Ethnomusicology 39 (1):1-19.
Bibliog.
Keil, Charles, and J. A. Prögler. 1995.
"Rejoinders." Ethnomusicology 39 (1):97-104. Bibliog. The
Theory of Participatory Discrepancies.
Kuckertz, Josef. 1995. "Ethnomusikologie im Umkreis der
Wissenschaften." Die Musikforschung 48 (2):117-30.
Kulenovich, Vuk. 1993. "The Lydian Concept." Sonus
14 (1):55-64. Music. "Jazz Today" issue.
Kurath, Gertrude P. 1994. "Music and Dance Unite in
Earthward Plunge and Skyward Flight." In To the Four Corners,
edited by E. C. Leichtman, 257-68. Bibliog., illus., photo.
Leichtman, Ellen C., ed. 1994. To the Four Corners: A
Festschrift in Honor of Rose Brandel. Michigan: Harmonie Park, xii, 307
pp., bibliogs., diagr., music.
Mastnak, Wolfgang. 1993. "Non-Western Practices of
Healing-Music and Applications for Modern Psychotheraphy." International
Review of the Aesthetics and Sociology of Music 24 (1):77-84. Bibliog.
McCarron, Kevin. 1993. "Second that Emotion: Popular
Music and Critical Theory." Critical Survey 5 (1):18-24.
Myers, Helen, ed. 1993. Ethnomusicology: Historical and
Regional Studies. New York; London: W. W. Norton, xviii. 541 pp.,
bibliogs., facsims., photos.
Nahumck, Nadia Chilkovsky. 1994. "A Dancer Faces Two
Worlds of Dance: Reality and Illusion." In To the Four Corners,
edited by E. C. Leichtman, 269-88. Bibliog., dance not., photos.
Nattiez, J. 1993. "Simha Arom and the Return of
Analysis to Ethnomusicology." Music Analysis 12 (2):241-65.
Ocasio, Rafael. 1990. "Africa, the Caribbean, and
Modern Musical Folklore: A Study in the Development of National
Identities." Archiv Orientalni 58 (3):266-76.
Oliveira Pinto, Tiago de. 1994. "Une expérience
transculturelle: Entretien avec Gerhard Kubik." Cahiers de musiques
traditionnelles 7 : 211-27. Bibliog.
Pahaut, Serge. 1993. "Une voix plurielle. Entretien
avec Simha Arom." Cahiers de musiques traditionnelles 6 :185-99.
Bibliog., discog., filmog., photo. Annexe: L'association Polyphonies vivantes,
par Christian Meyer.
Seroussi, Edwin. 1991-92. "Edith Gerson-Kiwi: In
Memoriam." Musica Judaica 12 :75-77.
Siron, Jacques. 1993. "Enchevêtrement de voies. Au
carrefour de la polyphonie et des musiques improvisées contemporaines." Cahiers
de musiques traditionnelles 6 :119-38. Bibliog., photos. English summary.
Slobin, Mark. 1995. "Learning the Lessons of Studying
Jewish Music." Judaism 44 (2):220-25.
Smith, Gregory. 1993. "Past, Present, Future:
Contemplating Music, Time and Heidegger." Sonus 14 (1):1-28.
Bibliog. "Jazz Today" issue.
Tillis, Frederick. 1993. "Jazz Today." Sonus
14 (1):78-100.
Toivaianen, Petri. 1995. "Modeling the Target-Note
Technique of Bebop- Style Jazz Improvisation: An Artificial Neural
Network." Music Perception 12 (4):399-413. Bibliog., diagr., music.
1992. "The Works of Gordon Spearitt: A Bibliography and
Discography." In Sound and Reason, edited by W. A. Bebbington,
229-34.
Zemtsovsky, Izaly. 1993. "Dialogie musicale." Cahiers
de musiques traditionnelles 6 :23-27. Photo. English summary.
Africa
Avorgbedor, Daniel. 1994. "Un voyage vers l'inconnu:
Conventions esthétiques dans la musique des Anlo Ewe du Ghana." Cahiers
de musiques traditionnelles 7 :105-20. Bibliog., photos. English summary.
Demolin, Didier. 1993. "Les rêveurs de la forêt.
Polyphonies des Pygmées Efe de l'Ituri." Cahiers de musiques
traditionnelles 6 :139- 51. Bibliog., photos. English summary.
IJzermans, Jan J. 1995. "Music and Theory of the
Possession Cult Leaders in Chibale, Serenje District, Zambia." Ethnomusicology
39 (2): 245-74. Bibliog., music.
Kubik, Gerhard. 1994. Theory of African Music: Volume I.
Intercultural Music Studies, 7. Wilhelmshaven: Florian Noetzel Verlag, 464 pp.,
bibliog., illus., maps, music, photos + 1 sound disk.
Nhlapho, P. J. 1993. Choral Music: The Voice of African
Song. Braamfontein: Skotaville Publishers; Johannesburg: Thorold's Africana
Books, 1 v., bibliog., illus.
Nketia, J. H. Kwabena. 1994. "Generative Processes in
Seperewa Music." See General section. In To the Four Corners,
edited by E. C. Leichtman, 117-51. Bibliog., music, photo.
Shelemay, Kay Kaufman, and Peter Jeffrey, ed. 1993. Ethiopian
Christian Liturgical Chant: An Anthology. Madison: A-R Editions, 1 score,
illus.
Stone, Ruth M. 1994. "Dynamic Exchange in Kpelle Epic
Songs: An Exploration of Rhythmic Issues." See General section. In To
the Four Corners, edited by E. C. Leichtman, 107-16. Bibliog.
Tshiala, Lay. 1994. "De la représentation du vécu à la
thérapie musicale: A propos du mfung-a-miti et du nkir des Ding du
Zaïre." Cahiers de musiques traditionnelles 7 :121-40.
Bibliog., diagr., photos . English summary.
Waterman, Christopher. 1993. "Africa." See General
section. In Ethnomusicology: Historical and Regional Studies, edited by
H. Myers, 240-59. Bibliog.
Wendt, Caroline Card. 1994. "Regional Style in Tuareg Anzad
Music." See General section. In To the Four Corners, edited by E.
C. Leichtman, 81-106. Bibliog., map, music, photos.
Zanetti, Vincent. 1993. "La nouvelle génération des griots.
Entretien avec Bassi Kouyaté." Cahiers de musiques traditionnelles
6 :201-209. Photo.
Americas
Aharonián, Goriún. 1995. "Factores de identidad musical
latinoamericana tras cinco siglos de conquista, dominación y mestizaje." Latin
American Music Review 15 (2):189-225. Bibliog.
Alén, Olavo. 1995. "Rhythm as Duration of Sounds in Tumba
Francesca." Ethnomusicology 39 (1):55-71. Bibliog., tables.
Cuba.
Allahyar, Behzad. 1994. "Social Aspects of Persian
Music in Los Angeles." In Musical Aesthetics and Multiculturalism in
Los Angeles, edited by S. Loza, 163-81. Bibliog.
Amédeé, Alourdes. 1993. "Les chanteuses haïtiennes à
Montréal: des témoins d'une culture." Canadian Folklore Canadien 15
(2):95-106.
Ancelet, Barry Jean, Jay D. Edwards, and Glen Pitre. 1991. Cajun
Country. Folklife in the South Series, Jackson; London: University Press of
Mississippi, xxiv, 256 pp., bibliog., diagrs., illus., maps, photos.
Austin, Aleine. 1991. "Zilphia." Social Policy
21 (3):48-52. Zilphia Horton and the Highlander Folk School.
Baker, Houston A. 1993. Black Studies, Rap, and the
Academy. Black Literature and Culture, Chicago: University of Chicago
Press, xi, 110 pp., photos.
Baraka, Amiri. 1995. "Jazzmen: Diz and Sun Ra." African
American Review 29 (2):249-55.
Barlow, William. 1995. "Black Music on Radio during the
Jazz Age." African American Review 29 (2):325-28.
Béhague, Gerard. 1993. "Latin America." See
General section. In Ethnomusicology: Historical and Regional Studies,
edited by H. Myers, 472-94. Bibliog.
Bernard-Donals, Michael. 1994. "Jazz, Rock 'n' Roll,
and Politics." Journal of Popular Culture 28 (2):127-38. Bibliog.
Blaustein, Richard. 1995. "Old Time Fiddling and
Country Dancing in America." In Communities in Motion, edited by S.
E. Spalding and J. H. Woodside, 191-202.
Bohlman, Philip. 1993. "Die 'Pennsylvanische Sammlung
von Kirchen- Musik': Ein Lehrbuch zur Deutsch-Amerikanisierung." Jahrbuch
für Volksliedforschung 38 :90-109. Facsim. English summary.
Broere, Bernard J. 1993. "Formes de dans la musique
instrumentale des Indiens Cuna d'Arquía." Cahiers de musiques
traditionnelles 6 :153-61. Bibliog., diagrs., illus. English summary.
Carawan, Guy, and Candie Carawan. 1991. "I'm Gonna Let
it Shine: Singing at Highlander." Social Policy 21 (3):44-47. Tennessee.
Carlin, Richard. 1995. "Yuppies Invaded My Tradition at
Midnight: A Sociological Study of a Contemporary American Contra Dance."
In Communities in Motion, edited by S. E. Spalding and J. H. Woodside,
221-36. Tables.
Carlini, Alvaro Luis Ribeiro da Silva. 1993. Cachimbo e
maracá: o catimbó da missao (1938). Sao Paulo: Acervo Histórico Discoteca
Oneya Alvarenga, Centro Cultural Sao Paulo, 221 pp., bibliog., illus., music.
Cavour Aramayo, Ernesto. 1994. Instrumentos musicales de
Bolivia. La Paz, Bolivia: Producciones Cima, 438 pp., bibliog., illus.
Ching, Barbara. 1993. "Acting Naturally: Cultural
Distinction and Critiques of Pure Country." Arizona Quarterly 49
(3)
Cogan, Robert. 1993. "Mingus: Oppositional Design,
Composition, and Improvisation." Sonus 14 (1):29-54. Graphs, music,
tables.
Cohen, Ronald D. 1995. "Wasn't That a Time!":
Firsthand Accounts of the Folk Music Revival. Metuchen, NJ; London:
Scarecrow Press, 232 pp., bibliog., illus., photos.
Cornelius, Steven. 1995. "Personalizing Public Symbols
through Music Ritual: Santería's Presentation to Aña." Latin American
Music Review 16 (1):42-57. Bibliog.
Correa, Fabio. 1995. "Quitarse la ropa y cantando al
sexo: Gloria Trevi y la trampa rockera de la juventud mexicana." Latin
American Music Review 16 (1):78-92. Bibliog.
Dalsemer, Robert G. 1995. "Collecting Traditional
Appalachian Square Dances." In Communities in Motion, edited by S.
E. Spalding and J. H. Woodside, 239-44.
Davis, Martha Ellen. 1994. "'Bi-Musicality' in the
Cultural Configurations of the Caribbean." Black Music Research Journal
14 (2): 145-60. Bibliog., photos.
Day, Douglas. 1995. "Folk Dance in the Early Years of
the John C. Campbell Folk School." In Communities in Motion, edited
by S. E. Spalding and J. H. Woodside, 179-90.
Diaz Roig, Mercedes. 1990. Romancero tradicional de
America. Serie Estudios de linguistica y literatura, 19. Mexico: Colegio de
Mexico, Centro de Estudios Linguisticos y Literarios, 328 pp., bibliog.
Dunn, Christopher. 1994. "Between Markets and Patrons:
The Field of Afro-Bahaian Carnival Music." Lucero 5 :47-56.
Ellison, Curtis W. 1995. Country Music Culture: From Hard
Times to Heaven. Studies in Popular Culture, Jackson: University Press of
Mississippi, xxiii, 314 pp., bibliog., illus.
Estival, Jean-Pierre. 1993. "Quelques aspects des
polyphonies instrumentales tule des Asurini du Moyen-Xingu." Cahiers
de musiques traditionnelles 6 :163-79. Bibliog., graphs., illus., music,
photos. English summary.
Fenster, Mark. 1995. "Commercial (and/or?) Folk: The
Bluegrass Industry and Bluegrass Traditions." South Atlantic Quarterly
94 (1): 81-108.
Feyock, Merry. 1995. "Dance, Our Dearest Diversion:
Historical Dance Reconstruction in Colonial Williamsburg." In Communities
in Motion, edited by S. E. Spalding and J. H. Woodside, 203-20. Photos.
Figueroa, Frank M. 1994. Encyclopedia of Latin American
Music in New York. St. Petersburg, FL: Pillar Publications, xiii, 237 pp.,
bibliog., discog.
Fine, Elizabeth. 1995. "Stepping, Saluting, Crackling,
and Freaking: The Cultural Politics of African American Step Shows." In Communities
in Motion, edited by S. E. Spalding and J. H. Woodside, 51-71. Music,
photos.
García Flores, Raúl. 1993. Pure mitote!: la música, el
canto y la danza entre los chichimecas del Noreste. Monterrey: Fondo
Editorial Nuevo León, 199 pp., bibliog.
Gendron, Bernard. 1993. "Moldy Figs and Modernists:
Jazz at War (1942- 1946)." Discourse 15 (3):130-57.
Gentry, Theodore L. 1993. "The Origins of Evangelical
Pianism." American Music 11 (1):90-111.
Gladney, Marvin J. 1995. "The Black Arts Movement and
Hip-Hop." African American Review 29 (2):291-301. Bibliog., discog.
Gombert, Greg. 1994. A Guide to Native American Music
Recordings. Fort Collins, CO: Multi Cultural Publishing, ix, 134 pp.,
discog., photos.
Govenar, Alan. 1994. "L'enregistrement du blues:
critallisation d'un genre." Cahiers de musiques traditionnelles 7
:141-56. Bibliog., photos. English summary.
Grace M. 1994. "Outside-in: Lost in L.A. with Bobby
Bradford." In Musical Aesthetics and Multiculturalism in Los Angeles,
edited by S. Loza, 223-33. Bibliog., discog.
Guangming Li. 1994. "Music in the Chinese Community of
Los Angeles: An Overview." In Musical Aesthetics and Multiculturalism
in Los Angeles, edited by S. Loza, 105-27. Bibliog., facsims., photos.
Guilbault, Jocelyne. 1994. "Créolité and the New
Cultural Politics of Difference in Popular Music of the French West
Indies." Black Music Research Journal 14 (2):161-78. Bibliog.,
diagr., music.
Hampton, Barbara L. 1994. "Lifting the Spirit:
African-American Women in the Music Ministry." See General section. In To
the Four Corners, edited by E. C. Leichtman, 155-68. Bibliog., diagr.
Haro, Carlos Manuel, and Steven Loza. 1994. "The
Evolution of Banda Music and the Current Banda Movement in Los Angeles."
In Musical Aesthetics and Multiculturalism in Los Angeles, edited by S.
Loza, 59- 71. Bibliog., diagrs., discog.
Hartigan, Royal. 1995. "The Heritage of the
Drumset." African American Review 29 (2):234-36. Bibliog.
Hawes, Bess Lomax. 1995. "Reminscences and
Exhortations: Growing Up in American Folk Music." Ethnomusicology
39 (2):179-92.
Henderson, David. 1995. "Jimi Hendrix Deep Within the
Blues and Alive Onstage at Woodstock--25 Years After Death." African
American Review 29 (2):213-16.
Herrera-Sobek, María. 1990. "Mulas, gallinas and
sapos: Women, Animal Metaphors, and Humor in Mexican Chicano canciones
and corridos." See Europe section. In Recent Ballad Research,
edited by T. Cheesman, 19- 33. Bibliog .
Jackson, Joyce Marie. 1995. "The Changing Nature of
Gospel Music: A Southern Case Study." African American Review 29
(2):185-200. Bibliog.
Jamison, Phil. 1995. "The Green Grass Cloggers: The
Appalachian Spirit Goes International." In Communities in Motion,
edited by S. E. Spalding and J. H. Woodside, 169-74.
1995. "Jass and Jassism [1918]." African
American Review 29 (2):231- 32. Reprinted from The New Orleans
Times-Picayne.
Krasner, David. 1995. "Parody and Double Consciousness
in the Language of Early Black Musical Theatre." African American
Review 29 (2):317- 23. Bibliog.
Largey, Michael. 1994. "Composing a Haitian Cultural
Identity: Haitian Elites, African Ancestry, and Musical Discourse." Black
Music Research Journal 14 (2):99-117. Bibliog., facsim., music.
Lee, Dorothy Sara. 1993. "Native American." See
General section. In Ethnomusicology: Historical and Regional Studies,
edited by H. Myers, 19-36. Bibliog., photos.
Leichtmen, Ellen C. 1994. "Bolivian Andean Indian Music
and Performance." See General section. In To the Four Corners,
edited by E. C. Leichtman, 225-54. Bibliog., diagr., music, photos.
Leonard, Herman. 1995. "Photographs." African
American Review 29 (2): 222-30. Jazz.
Lieberfeld, Daniel. 1995. "Million-Dollar Juke Joint:
Commodifying Blues Culture." African American Review 29 (2):217-21.
Bibliog.
Limón, José Eduardo. 1994. Dancing with the Devil:
Society and Cultural Poetics in Mexican-American South Texas. New
Directions in Anthropological Writing, Madison: University of Wisconsin Press,
xii, 240 pp., bibliog., map.
Lipsitz, George. 1994. "The Bands of Tomorrow Are Here
Today: The Proud, Progressive, and Postmodern Sounds of Las Tres and Goddess
13." In Musical Aesthetics and Multiculturalism in Los Angeles,
edited by S. Loza, 139-47. Bibliog.
Liverpool, Hollis Urban. 1994. "Researching Steelband
and Calypso Music in the British Caribbean and the U.S. Virgin Islands." Black
Music Research Journal 14 (2):179-201. Bibliog.
Long, Worth. 1995. "The Wisdom of the Blues--Defining
Blues as the True Facts of Life: An Interview with Willie Dixon." African
American Review 29 (2):207-12.
Loza, Steven. 1994. "Identity, Nationalism, and
Aesthetics among Chicano/Mexicano Musicians in Los Angeles." In Musical
Aesthetics and Multiculturalism in Los Angeles, edited by S. Loza, 51-58.
Bibliog., discog.
Loza, Steven. 1994. "Musical Aesthetics and
Multiculturalism in Los Angeles: An Introduction." In Musical
Aesthetics and Multiculturalism in Los Angeles, edited by S. Loza, 1-13.
Bibliog.
Loza, Steven, ed. 1994. Musical Aesthetics and
Multiculturalism in Los Angeles. Selected Reports in Ethnomusicology, 10.
Los Angeles: Department of Ethnomusicology and Systematic Musicology,
University of California, Los Angeles, iii, 235 pp., bibl iogs., discogs.,
facsims., graphs, music, photos, tables.
Loza, Steve, Milo Alvarez, Josefina Santiago, and Charles
Moore. 1994. "Los Angeles Gangsta Rap and the Aesthetics of
Violence." In Musical Aesthetics and Multiculturalism in Los Angeles,
edited by S. Loza, 149-61. Bibliog., discog.
Maquet, Jacques. 1994. "L.A.: One Society, One Culture,
Many Options." In Musical Aesthetics and Multiculturalism in Los
Angeles, edited by S. Loza, 15-21. Bibliog.
Matthews-DeNatale, Gail. 1995. "Carrying on the Old
Mountain Clog Dance: Thoughts about Freestyle Clogging: An Interview with Bob
Phillips." In Communities in Motion, edited by S. E. Spalding and
J. H. Woodside, 127-31.
Matthews-DeNatale, Gail. 1995. "Wild and Yet Really
Subdued: Cultural Change, Stylistic Diversification, and Personal Choice in
Traditional Appalachian Dance." In Communities in Motion, edited by
S. E. Spalding and J. H. Woodside, 111-25. Diagrs.
Maultsby, Portia K. 1995. "A Map of the Music:
Evolution of African American Music." African American Review 29
(2):183-84.
McAllester, David P. 1994. "The Music of R. Carlos
Nakai." See General section. In To the Four Corners, edited by E.
C. Leichtman, 189-210. Bibliog., photos.
McDaniel, Lorna. 1994. "Memory Spirituals of the
Ex-Slave: American Soldiers in Trinidad's 'Company Villages'." Black
Music Research Journal 14 (2):119-43. Bibliog., music, tables.
McDonald, Michael Bruce. 1995. "Training the Nineties,
Or the Present Relevance of John Coltrane's Music of Theophany and
Negation." African American Review 29 (2):275-82. Bibliog., discog.,
filmog.
Moore, J. Kenneth. 1994. "The Mixing and Miking of
Broadway: Changing Values of a Sound/Music Aesthetic." See General
section. In To the Four Corners, edited by E. C. Leichtman, 169-88.
Bibliog., diagr.
Myers, Brenda T. 1995. "An Afternoon with Dick Griffey:
His Philosophy and Thoughts on Business, with Reflections." African
American Review 29 (2):341-46.
Myers, Helen. 1993. "British-Americans." See
General section. In Ethnomusicology: Historical and Regional Studies,
edited by H. Myers, 36-45. Bibliog., photos.
Myers, Helen. 1993. "North America." See General
section. In Ethnomusicology: Historical and Regional Studies, edited by
H. Myers, 401-60. Bibliogs. Native-American Music, African-American Music,
Hispanic American Music, British-American Folk Music , and European- American
and Asian-American Folk Music.
Myers, Helen. 1993. "The West Indies." See General
section. In Ethnomusicology: Historical and Regional Studies, edited by
H. Myers, 461-71. Bibliog.
Narváez, Peter. 1994. "The Influences of Hispanic Music
Cultures on African-American Blues Musicians." Black Music Research
Journal 14 (2):203-24. Bibliog.
Nehring, Neil. 1993. "Rock around the Academy." American
Literary History 5 (4):764-91.
Nielsen, Aldon L. 1993. "Clark Coolidge and a Jazz
Aesthetic." Pacific Coast Philology 28 (1):94-112.
O'Connor, Patrick Joseph. 1993. "The Black Experience
and the Blues in 1950s Wichita." Mid-America Folklore 21 (1):1-17.
Outlaw, Paul. 1995. "If That's Your Boyfriend (He
Wasn't Last Night)." African American Review 29 (2):347-50.
Bibliog.
Pearlman, Steven. 1994. "Context-Dependent Aesthetics:
Mariachi Music in Los Angeles." In Musical Aesthetics and
Multiculturalism in Los Angeles, edited by S. Loza, 183-205. Bibliog.,
graphs, music, photos, tables.
Perez, Glafiro, and Emily Vance. 1993. "Glafiro: A
Young Yoeme Deer Dancer." Native Peoples: The Arts and Lifeways 6
(2):46-50.
Pérez Bugallo, Rubén. 1993. Catálogo ilustrado de
instrumentos musicales argentinos. Biblioteca de cultura popular, 19. Buenos
Aires, Argentina: Ediciones de Sol, 163 pp., bibliog., illus.
Peterson, Jerry. 1994. "The Police in the Blues,
Freedom Songs, and Rap." The Mid-Atlantic Almanac 3 :109-25.
Pineda de Valle, César, comp. 1994. Antología de la
marimba en América. Guatemala: Librería Artemis-Edinter, 376 pp., bibliog.,
illus.
Plisson, Michel. 1994. "Musique et musique savante en
Amérique latine: Entretien avec Isabel Aretz." Cahiers de musiques
traditionnelles 7 :229-43. Bibliog., photo.
Prögler, J. A. 1995. "Searching for Swing:
Participatory Discrepancies in the Jazz Rhythm Section." Ethnomusicology
39 (1):21-54. Bibliog., graphs.
Quigley, Colin. 1995. "Anglo-American Dance in
Appalachia and Newfoundland: Toward a Comparative Framework." In Communities
in Motion, edited by S. E. Spalding and J. H. Woodside, 73-86.
Rice, Timothy et al. 1994. "Music at the 1993 Los
Angeles Marathon: An Experiment in Team Fieldwork and Urban
Ethnomusicology." In Musical Aesthetics and Multiculturalism in Los
Angeles, edited by S. Loza, 73- 103.
Richter, Stephen. 1995. "The Beauty of Building,
Dwelling, and Monk: Aesthetics, Religion, and the Architectural Qualities of
Jazz." African American Review 29 (2):259-68. Bibliog., discog.
Riviere, Herve. 1994. "Les Instruments de musique des
Indiens Wayana du Litani: Surinam." Anthropos 89 (1-3):51-60.
Bibliog.
Robbins, James. 1993. "Canada." See General
section. In Ethnomusicology: Historical and Regional Studies, edited by
H. Myers, 63-76. Bibliog., photos.
Rodriguez de Ayestarán, Flor de Maria. 1994. La danza
popular en el Uruguay: desde sus orígenes a 1900. Montevideo, Uruguay: Cal
y Canto, 296 pp., bibliog., illus.
Rosemain, Jacqueline. 1993. Jazz et biguine: les musiques
noires du Nouveau-Monde. Paris: L'Harmattan, 154 pp., bibliog., music.
Saakana, Amon Saba. 1995. "Culture, Concept,
Aesthetics: The Phenomenon of the African Music Universe in Western Musical
Culture." African American Review 29 (2):329-40. Bibliog.
Sacks, Howard. 1993. Way Up North in Dixie: A Black
Family's Claim to the Confederate Anthem. Washington: Smithsonian
Institution Press, xi, 259 pp., bibliog., illus.
Sancho-Velázquez, Angeles. 1994. "Interpreting
Metaphors: Cross- Cultural Aesthetics as Hermeneutic Project." In Musical
Aesthetics and Multiculturalism in Los Angeles, edited by S. Loza, 37-50.
Bibliog.
Savage, Roger W. H. 1994. "Music and the Cultural
Imagination." In Musical Aesthetics and Multiculturalism in Los Angeles,
edited by S. Loza, 23-36. Bibliog.
Sawyer, Charles. 1993. "The Legacy of B. B. King."
Sonus 14 (1):66-76.
Seeger, Mike. 1995. "How to Document Dance: From the
Notes to Talking Feet." In Communities in Motion, edited by
S. E. Spalding and J. H. Woodside, 245-48.
Shank, Barry. 1994. Dissonant Identities: The Rock'n'roll
Scene in Austin, Texas. Hanover, NH: University Press of New England, xv,
294 pp., bibliog, map.
Singer, Roberta L. 1994. "The Power of Plena." See
General section. In To the Four Corners, edited by E. C. Leichtman,
211-23. Bibliog., photos.
Smith, Catherine Parsons. 1994. "'Popular Prices Will
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Shiloah, Amnon. 1994. "Notions d'esthétique dans les
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Zemp, Hugo. 1995. Ecoute le bambou qui pleure. Récits de
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Breton, Luc. 1994. "Quelques remarques sur les cadences
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Fleming, Mary. 1995. Clarsach, Cramasie and Crowdie: A
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Acknowledgements
Joseph C. Hickerson, Patricia Rolston, Hugo Zemp.