Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Banks, Jack. 1996. "Music Video Cartel: A Survey of Anti-Competitive Practices of MTV and Major Record Companies." Popular Music and Society 20 (2): 173-96. Bibliog.

Barwick, Linda. 1996. "Catharine Ellis 1935-1996." Yearbook for Traditional Music 28 : xi-xii. Bibliog.

Blashill, Pat. 1996. Noise From the Underground. New York: Simon & Schuster, 160 pp., discog., illus.

Branwyn, Gareth. 1996. "Never Mind the Broadcast: In Search of the Art of Music Video." Popular Music and Society 20 (3): 95-117.

Bryant, Wanda. 1996. "Music Resources on the Internet." Popular Music and Society 20 (1): 93-122. Bibliog.

Büsser, Martin. 1996. ...if the kids are united... von Punk zu Hardcore und zurück. Mainz: Dreieck-Verlag, 145 pp., bibliog., illus.

Darol, Guy. 1996. Frank Zappa: la parade de l'homme-wazoo. "Tombeau", Nouvelle série, no. 3. Bordeaux: Le Castor astral, 157 pp., bibliog., discog., filmog., illus.

DeVeaux, Scott. 1996. "What Did We Do to Be So Black and Blue?" The Musical Quarterly 80 (3): 390-430. Music. Review essay.

Domanski, Wojciech. 1995. "Poglady Kolberga na przedmiot, zakres i cel etnografii." In Oskar Kolberg: Prekursor antropologii kultury, edited by Ludwig Bielawski et al, 73-96. Warszawa: Instytut Sztuki PAN.

Edström, Olle. 1997. "Fr-a-g-m-e-n-ts: A Discussion on the Position of Critical Ethnomusicology in Contemporary Musicology." Svensk tidskrift for musikforskning 79 (1): 9-68.

Euba, Akin. 1996. "The African Composer in Europe: The Challenge of Interculturalism." Journal of the Indian Musicological Society 27 : 59-71. Bibliog.

Faller, Greg S. 1996. "From Sitney to TV: Classical Experimental Style in Contemporary Music Videos." Popular Music and Society 20 (1): 175-89. Bibliog.

Farrell, Antony et al. 1996. My Generation: Rock 'n Roll Remembered: An Imperfect History. Dublin: Lilluput Press, xii, 339 pp., discog.

Fawcett, Daniel Clemence. 1996. Möbius Music: The European and Afro-American Flute Traditions. Burlington, Ontario: Brighton Music Publications, v, 187 pp., bibliog., discog., illus.

Feldmann-Bürgers, Johannes. 1996. Tango und Jazz: kulturelle Wechselbeziehungen? Münster: Lit, 177 pp., bibliog., discog., illus., music.

Glickman, Toby. 1996. "Intercultural Music Education: The Early Years." Journal of the Indian Musicological Society 27 : 52-58.

Grässer, Hanno. 1996. Der Jazzgeiger Stéphane Grappelli: Untersuchungen zur Entwicklung seines Personalstils und zu seiner Violintechnik. Theorie und Forschung, Bd. 418. Regensburg: Roderer, 178 pp., bibliog., discog., filmog., illus.

Greenhill, Pauline. 1997. "Making Morris (Fe)Male: Gender and Dancing Bodies." Canadian Folklore Canadien 19 (1): 113-27. Bibliog.

Groce, Nancy. 1996. "Knowing the Score: The Transmission of Musician Jokes among Professional and Semi-Professional Musicians." New York Folklore 22 (1-4): 37-47.

Groom, Nick. 1996. "The Condition of Muzak." Popular Music and Society 20 (3): 1-17. Bibliog., discog.

Guilbault, Jocelyne. 1997. "Interpreting World Music: A Challenge in Theory and Practice." Popular Music 16 (1): 31-44. Bibliog.

Gunzenhauser, Margot. 1996. The Square Dance and Contra Dance Handbook: Calls, Dance Movements, Music, Glossary, Bibliography, and Directories. Jefferson: McFarland, xv, 304 pp., bibliog., discog., illus., music.

Harker, Dave. 1997. "The Wonderful World of IFPI: Music Industry Rhetoric, the Critics and the Classical Marxist Critique." Popular Music 16 (1): 45-78. Bibliog., graphs, tables. International Federation of Phonographic Industries.

Herbert, Trevor, and Margaret Sarkissian. 1997. "Victorian Bands and Their Dissemination in the Colonies." Popular Music 16 (2): 154-79. Bibliog.

Jakobs, Michael. 1996. All That Jazz: Die Geschichte einer Musik. Stuttgart: Reclam, 332 pp., bibliog., discog., illus.

Kingsbury, Henry. 1997. "Henry Kingsbury's Response." Ethnomusicology 41 (2): 258-59. Call and Response: Should Ethnomusicology be Abolished?

Kingsbury, Henry. 1997. "Should Ethnomusicology be Abolished? (reprise)." Ethnomusicology 41 (2): 243-49.

Langenberg, Mechtild. 1997. "On Understanding Music Therapy: Free Musical Improvisation as a Method of Treatment." The World of Music 39 (1): 97-109. Bibliog., diagr.

Leeder, John and George W. Lyon. 1997. "'That's World Beat, for Sure!': Daniel Thonon and Pierre Imbert, Ad Vielle Que Pourra." Canadian Folk Music Bulletin 31 (1): 8-15. Discog., music, photos.

Lynggaard, Klaus. 1995. Febertid: essays 1989-1995. Copenhagen: Borgen, 192 pp.

Lysloff, René T. A. 1997. "Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation." Ethnomusicology 41 (2): 206-19. Bibliog.

Malm, William P. 1996. Music Cultures of the Pacific, the Near East, and Asia. 3rd ed. Upper Saddle River: Prentice Hall, xxiii, 278 pp.

Miller, Elzbieta. 1995. "Kolbergowskie metody zbierania i wydawania tekstow ludowych w swietle rekopisow." In Oskar Kolberg: Prekursor antropologii kultury, edited by Ludwik Bielawski, 15-36. Warszawa: Instytut Sztuki PAN.

Nehring, Neil. 1997. Popular Music, Gender, and Postmodernism: Anger is an Energy. Thousand Oaks, CA; London: Sage, xxxi, 203 pp., bibliog.

Nicolaisen, W. F. H. 1996. "Kenneth S. Goldstein, 1927-1995." Folklore 107 : 92.

Oakley, Giles. 1997. The Devil's Music: A History of the Blues. 2nd ed., updated. New York: Da Capo Press, 311 pp., bibliog., discog., illus. Originally published: London, 1983.

Price, Charles Gower. 1997. "Sources of American Styles in the Music of the Beatles." American Music 15 (2): 208-32. Tables.

Radwan, Jon. 1996. "A Generic Approach to Rock Film." Popular Music and Society 20 (2): 155-71. Bibliog.

Rahn, Jay. 1997. "Using Single-Chord Pieces in Elementary School Music: Prospects for Contemporary Musicianship and Related Cultural Concerns." Canadian Folk Music Bulletin 31 (1): 3-7. Bibliog., music.

Reck, David Benedict. 1997. Music of the Whole Earth. Reprint. New York: Da Capo Press, xi, 545 pp., bibliog., illus.

Romney, Jonathan and Adrian Wootton, ed. 1995. Celluloid Jukebox: Popular Music and the Movies since the 1950s. London: British Film Insitute, vii, 163 pp., bibliog., filmog., illus.

Seeger, Anthony. 1997. "A Reply to Henry Kingsbury." Ethnomusicology 41 (2): 250-52. Call and Response: Should Ethnomusicology be Abolished?

Stock, Jonathan P. J. 1996. World Sound Matters: An Anthology of Music from Around the World. London: Schott Educational,

Sugarman, Jane C. 1997. Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, xix, 395 pp., bibliog., discog., illus., maps, music + 1 sound disc.

Swedenburg, Ted. 1997. "Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border." The Musical Quarterly 81 (1): 81-108.

Symes, Colin. 1997. "Beating Up the Classics: Aspects of a Compact Discourse." Popular Music 16 (1): 81-95. Bibliog., discog., facsim.

Szlagowska, Danuta. 1996. Kultura muzyczna antyku [Musical culture of antiquity]. Skrypty i podreczniki, No. 26. Gdansk: Akademia Muzyczna im. Stanislawa Moniuszki,

Titon, Jeff Todd. 1997. "Ethnomusicology and Values: A Reply to Henry Kingsbury." Ethnomusicology 41 (2): 253-57. Call and Response: Should Ethnomusicology be Abolished?

Zemtsovsky, Izaly. 1997. "An Attempt at a Synthetic Paradigm." Ethnomusicology 41 (2): 185-205. Bibliog.

Zeranska-Kominek, Slawomira. 1995. Muzyka e kulturze: Wprowadzenie do etnomuzykologii. Warszawa: Wydarnictwa Uniwersytetu Warszawskiego, 347 pp., bibliog., diagr., maps, music.

Africa

Adegbija, Efurosibina. 1994. "Survival Strategies of Minority Languages: A Case Study of Oko (Ogori) in Nigeria." ITL: Review of Applied Linguistics 103-104 : 19-38.

Adinku, W. Ofotsu. 1994. African Dance Education in Ghana. Accra: Ghana University Press, vii, 76 pp., bibliog.

al-Faruqi, Lois Lamya and Yusuf al-Qaradawi. 1994. Music, an Islamic Perspective. Minna, Niger State, Nigeria: Islamic Education Trust, 14 pp.

Bender, Wolfgang. 1994. "Das Nigerphone Label: Afrikanische Musik braucht Keine Hilfe." In Afrika hilft sich selbst: Prozesse und Institutionen des Selbsorganisation, edited by A. M. Brandstetter et al, 482-96. Munster: Lit.

Cooke, Peter. 1996. "Music in a Ugandan Court." Early Music 24 (3): 439-52.

Davis, Ruth. 1996. "Arab-Andalusian Music in Tunisia." Early Music 24 (3): 423-37.

Davis, Ruth. 1997. "Cultural Policy and the Tunisian Ma'luf: Redefining Tradition." Ethnomusicology 41 (1): 1-21. Bibliog., music.

Euba, Akin. 1994. "Drumming for the Egungun: The Poet-musician in Yoruba Masquerade Theater." In The Yoruba Artist: New Theoretical Perspectives on African Art, edited by Rowland Abiodun et al, 161-69. Washington, DC: Smithsonian Institution Press.

Gecau, K. 1995. "Popular Song and Social Change in Kenya." Media Culture and Society 17 (4): 557-75.

Hanna, Judith Lynne. 1997. "Problems and Dilemmas in Classifying African Dances." In The Spirit's Dance in Africa: Evolution, Transformation and Continuity in Subsaharan Africa, edited by Ester A. Dagan, 90-93. Westmount, Canada: Galerie Amrad Afri can Arts Publications. Bibliog., illus., tables.

Hanna, Judith Lynne. 1997. "Ubakala, We Are Coming: Searching for Meaning in Dance." In The Spirit's Dance in Africa: Evolution, Transformation and Continuity in Subsaharan Africa, edited by Ester A. Dagan, 210-15. Westmount, Canada: Galerie Amrad African Arts Publications. Bibliog., tables.

Jegede, Tunde. 1994. African Classical Music and the Griot Tradition. London: Diabaté Arts, 64 pp., illus., maps, music.

Land, F. M. 1995. "Reggae, Resistance and the State: Television and Popular Music in the Cote d'Ivoire." Critical Studies in Mass Communication 12 (4): 438-54.

Lange, Siri. 1995. From Nation-building to Popular Culture: The Modernization of Performance in Tanzania. Bergen: Chr. Michelsen Institute, ix, 182 pp., bibliog., illus., maps.

Omojoh, Bode. 1995. Nigerian Art Music: With an Introductory Study of Ghanaian Art Music. Abadan: IFRA, Institute Français de Recherche en Afrique, x, 183 pp., bibliog., illus.

Rasmussen, Susan J. 1997. "Between Ritual, Theater, and Play: Blacksmith Praise at Tuareg Marriage." Journal of American Folklore 110 (435): 3-27. Bibliog. Smith tebategh dance.

Tchebwa, Manda. 1996. Terre de la chanson: la musique zaïreoise, hier et aujourd'hui. Louvain-la-Neuve: Duculot, 366 pp., bibliog., illus.

Americas

Allen, Ernest Jr. 1996. "Making the Strong Survive: The Contours and Contradictions of Message Rap." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 159-91.

Austerlitz, Paul. 1997. Merengue: Dominican Music and Dominican Identity. Philadelphia: Temple University Press, xvii, 195 pp., bibliog., illus.

Averill, Gage. 1997. A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, xxix, 276 pp., bibliog., discog., illus., photos.

Bennighof, James. 1997. "Some Ramblings on Robert Johnson's Mind: Critical Analysis and Aesthetic Value in Delta Blues." American Music 15 (2): 137-58. Music.

Berg, Wesley. 1996. "Hymns of the Old Colony Mennonites and the Old Way of Singing." The Musical Quarterly 80 (1): 77-117. Music.

Berger, Harris M. 1997. "The Practice of Perception: Multi-Functionality and Time in the Musical Experience of a Heavy Metal Drummer." Ethnomusicology 41 (3): 464-88. Bibliog.

Bowman, Rob. 1996. "Stax Records: A Lyrical Analysis." Popular Music and Society 20 (1): 71-92. Bibliog.

Brown, Rodger Lyle. 1997. Ghost Dancing on the Cracker Circuit: The Culture of Festivals in the American South. Jackson: University Press of Mississippi, xxiii, 204 pp., bibliog., illus.

Buck, Elizabeth Bentzel. 1993. Paradise Remade: The Politics of Culture and History in Hawai'i. Philadelphia: Temple University Press, viii, 242 pp., bibliog., gloss., illus., photos.

Burton, Alan. 1996. Rave On: Classic Texas Music Quotes. Lubbock, TX: Texas Tech University Press, x, 181 pp., bibliog., illus.

Campbell, Gavin James. 1997. "'Old Can Be Used Instead of New': Shape-Note Singing and the Crisis of Modernity in the New South, 1880-1920." Journal of American Folklore 110 (436): 169-88. Bibliog.

Carr, Joe and Alan Munde. 1995. Prairie Nights to Neon Lights: The Story of Country Music in West Texas. Lubbock, TX: Texas Tech University Press, x, 243 pp., photos.

Cooper, B. Lee and Wayne S. Haney. 1997. Rock Music in American Popular Culture II: More Rock 'n' Roll Resources. New York: Harrington Park Press, xvi, 404 pp., bibliog., discog.

Del Barco, Mandalit. 1996. "Rap's Latino Sabor." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 63-84.

Eberhart, George M. 1996. "Stack Lee: The Man, the Music, and the Myth." Popular Music and Society 20 (1): 1-70. Photos., tables.

Erasmus, Peter. 1997. "...a rollicking melody that expressed my own feeling of joy and freedom of the prairies..." Canadian Folk Music Bulletin 31 (2): 10-15. Music, photo.

Flores, Juan. 1996. "Puerto Rocks: New York Ricans Stake Their Claim." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 85-114. Photos.

Freund, Hugo A. 1995. "Working the Seams: African American Professional Performers Moving between White Public Culture and African American Private Culture." Pennsylvania Folklife 45 (2): 91-97.

Garman, Bryan. 1996. "The Ghost of History: Bruce Springsteen, Woody Guthrie, and the Hurt Song." Popular Music and Society 20 (2): 69-120. Bibliog.

Grimes, Robert R. 1996. How Shall We Sing in a Foreign Land? : Music of Irish-Catholic Immigrants in the Antebellum United States. Notre Dame, IN: University of Notre Dame Press, xi, 237 pp.

Guevera, Nancy. 1996. "Women Writin' Rappin' Breakin'." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 48-62.

Haralambos, Michael. 1994. Right On: From Blues to Soul in Black America. Ormskirk: Causeway, 187 pp., bibliog., discog., illus., map, photos. Originally published: London: Eddison Press, 1974.

Harris, Wilson. 1995. "The Limbo Gateway." In The Post-Colonial Studies Reader, edited by Bill Ashcroft et al, 378-82. London: Routledge.

Hazzard-Donald, Katrina. 1996. "Dance in Hip Hop Culture." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 220-35.

Herrera, Juan Felipe. 1997. Mayan Drifter: Chicano Poet in the Lowlands of America. Philadelphia: Temple University Press, xi, 272 pp., bibliog., illus.

Holm-Hudson, Kevin. 1996. "John Oswald's Rubaiyat (Elektrax) and the Politics of Recombinant Do-Re-Mi." Popular Music and Society 20 (3): 19-36. Bibliog., discog., music.

Hoskyns, Barney. 1996. Waiting for the Sun: Strange Days, Weird Scenes, and the Sound of Los Angeles. New York: St. Martin's Press, xii, 356 pp., bibliog., illus., map.

Johnson, Vera. 1996. "Fowkelore." Canadian Folk Music Bulletin 30 (4): 7-21. Bibliog., music, photos.

Jones, Judy and Loran Olsen. 1996. "Women and Music in the Plateau." In A Song to the Creator: Traditional Arts of Native American Women of the Plateau, edited by Lillian A. Ackerman, 142-55. Norman: University of Oklahoma Press.

Keeling, Richard. 1997. North American Indian Music: A Guide to Published Sources and Selected Recordings. Garland Library of Music Ethnology, vol 1440; Garland Reference Library of the Humanities, vol. 1440. New York: Garland, xlix, 420 pp., bibli og.

Kelley, Robin D. G. 1996. "Kickin' Reality, Kickin' Ballistics: Gangsta Rap and Postindustrial Los Angeles." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 117-58.

Larco, Laura. 1997. "Encounters with the Huacas: Ritual Dialogue, Music and Healing in Northern Peru." The World of Music 39 (1): 35-59. Bibliog., photos.

List, George. 1997. "Hopi Kachina Dance Songs: Concepts and Context." Ethnomusicology 41 (3): 413-32. Bibliog., music.

Longhi, Jim. 1997. Woody, Cisco, & Me: Seamen Three in the Merchant Marine. Music in American Life, Urbana: University of Illinois Press, 277 pp., illus. Woody Guthrie and Cisco Houston.

Luft, Murray. 1996. "La musique contestaire Latino-américaine." Canadian Folk Music Bulletin 30 (3): 20-22.

Luft, Murray. 1996. "Latin American Protest Music: What Happened to 'The New Songs?'." Canadian Folk Music Bulletin 30 (3): 10-18. Bibliog., photos.

Matthews, Washington. 1997. The Mountain Chant: A Navajo Ceremony. Reprint. Salt Lake City: University of Utah, xxvii, 89 pp., bibliog., illus. Originally published: Washington, DC: U.S. Bureau of American Ethnology, 1887.

Matthews, Washington. 1995. The Night Chant: A Navaho Ceremony. Reprint. Salt Lake City: University of Utah Press, xlviii, 332 pp., bibliog., illus. Originally published: New York: Knickerbocker Press, 1902.

Miller, Norma and Evette Jensen. 1996. Swingin' at the Savoy: The Memoir of a Jazz Dancer. Philadelphia: Temple University Press, xxix, 261 pp.

Morrison, Craig. 1996. Go Cat Go!: Rockabilly Music and Its Makers. Music in American Life. Urbana: University of Illinois Press, xii, 326 pp., bibliog., illus.

Narváez, Peter. 1996. "'From New York City Down to the Gulf of Mexico': Highway 61 in African-American Blues, Bob Dylan Songs and Canadian Film." New York Folklore 22 (1-4): 1-36. Bibliog., discog.

Oliveira Pinto, Tiago de. 1997. "The Healing Process as Musical Drama: Remarks on the Ebó Ceremony in Bahian Candomblé." The World of Music 39 (1): 11-33. Bibliog., diagr., music, photos, tables. Brazil.

Olstad, Rod. 1997. "Country Opries of Barrhead, Alberta and Area: The Possibility for Diversity and Preservation of Rural Musical Identities." Canadian Folk Music Bulletin 31 (2): 3-6. Photos.

Pacini Hernandez, Deborah. 1995. Bachata: A Social History of a Dominican Popular Music. Philadelphia: Temple University Press, xxiii, 267 pp., bibliog., discog., illus.

Pekkola, Sari. 1996. Magical Flutes: Music Culture and Music Groups in a Changing Bolivia. Lund Dissertations in Sociology, 10. Lund: Lund University Press; Chartwell-Bratt, 254 pp., bibliog., gloss., illus.

Peretti, Burton W. 1997. Jazz in American Culture. Chicago: Ivan R. Dee, 199 pp., bibliog.

Perkins, William Eric, ed. 1996. Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia: Temple University Press, ix, 276 pp.

Perkins, William E. 1996. "The Rap Attack: An Introduction." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 1-45.

Perkins, William Eric. 1996. "Youth's Global Village: An Epilogue." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 258-73.

Pizanias, Caterina. 1996. "(Re)thinking the Ethnic Body: Performing 'Greekness' in Canada." Journal of the Hellenic Diaspora 22 (1): 7-60.

Roberts, Robin. 1996. "Independence Day: Feminist Country Music Videos." Popular Music and Society 20 (1): 135-54. Bibliog.

Rose, Tricia. 1996. "Hidden Politics: Discursive and Institutional Policing of Rap Music." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 238-57.

Ryan, John, Legare H., Calhoun III, and William M. Wentworth. 1996. "Gender or Genre? Emotion Models in Commercial Rap and Country Music." Popular Music and Society 20 (2): 121-54. Bibliog., tables.

Sample, Tex. 1996. White Soul: Country Music, the Church, and Working Americans. Nashville, TN: Abingdon Press, 208 pp., bibliog.

Spencer, Jon Michael. 1997. The New Negroes and Their Music: The Success of the Harlem Renaissance. Knoxville: University of Tennessee Press, xii, 171 pp., bibliog.

Spring, Howard. 1997. "Swing and the Lindy Hop: Dance, Venue, Media, and Tradition." American Music 15 (2): 183-207.

Sterne, Jonathan. 1997. "Sounds Like the Mall of America: Programmed Music and the Architechtonics of Commercial Space." Ethnomusicology 41 (1): 22-50. Bibliog.

Stobart, Henry. 1996. "The Llama's Flute: Musical Misunderstandings in the Andes." Early Music 24 (3): 471-82.

Sweet, Stephen. 1996. "Bluegrass Music and Its Misguided Representation in Appalachia." Popular Music and Society 20 (3): 37-51. Bibliog., discog.

Thompson, Carol L. 1996. "Yodeling of the Indiana Swiss Amish." Anthropological Linguistics 38 (3): 495-520.

Thompson, Robert Farris. 1996. "Hip Hop 101." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 211-19.

Treece, David. 1997. "Guns and Roses: Bossa Nova and Brazil's Music of Popular Protest, 1958-68." Popular Music 16 (1): 1-29. Bibliog., discog., music.

Watson, Reverend Franceene. 1997. "Red River Valley Fiddler Andy De Jarlis: His Musical Legacy Touched by New Dimensions." Canadian Folk Music Bulletin 31 (2): 16-22. Bibliog., music, photos.

White, Armond. 1996. "Who Wants to See Ten Niggers Play Basketball?" In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, edited by W. E. Perkins, 192-208.

Asia & Oceania

Amir, Dorit. 1997. "Understanding the Role of Folksongs in Jewish-Israeli Culture: Implications for Music Therapy." The World of Music 39 (1): 111-30. Bibliog., music.

Annapoorna, L. 1996. Veena Tradition in Indian Music. New Delhi: Kanishka Publishers, 103 pp.

Asai, Susan. 1997. "Origins of the Musical and Spiritual Syncretism of Nomai in Northern Japan." Asian Music 28 (2): 51-71. Bibliog., music photos.

Attisani, Antonio. 1996. "Facets of Tibetan Traditional Theatre." Tibet Journal 21 (2): 128-39.

Bender, Mark. 1996. "Keys to Performance in Kunming Storytelling." CHINOPERL Papers 19 : 21-37.

Besio, Kimberly. 1995. "Enacting Loyalty: History and Theatricality in The Peach Orchard Pledge." CHINOPERL Papers 18 : 61-82.

Booth, Gregory D. 1996. "The Madras Corporation Band: A Story of Social Change and Indigenization." Asian Music 28 (1): 61-86. Bibliog., photos., tables.

Booth, Gregory D. 1997. "Socio-Musical Mobility among South Asian Clarinet Players." Ethnomusicology 4 (13): 489-516. Bibliog., diagr., photos.

Bordahl, Vibeke. 1995. "Narrative Voices in Yangzhou Storytelling." CHINOPERL Papers 18 : 1-32.

Bordahl, Vibeke. 1996. The Oral Tradition of Yangzhou Storytelling. Nordic Institute of Asian Studies, Monograph Series, No. 73. Richmond, UK: Curzon Press,

Brandl, Rudolf. 1991. Nuo Geistermasken aus Anhui [Nuo spirit masks from Anhui]. Austellung des musikwissenschaftlichen und Ostasiastischen Seminars der Universitat Gottingen, Gottingen: Edition Re,

Caudhari, Subhadra. 1997. Time Measure and Compositional Types in Indian Music: A Historical and Analytical Study of tala, chanda, and nibaddha Musical Forms. New Delhi: Aditya Prakashan, xvii, 529 pp., bibliog. Translation of Bharatiya sangita mem tala aura rupa-vidhana.

Cerkin, Melissa. 1992. "In Response to the (In)authentic." Journal of the Hellenic Diaspora 18 (1): 113-26. Turkey.

Collinge, Ian. 1996. "Developments in Musicology in Tibet: The Emergence of a New Tibetan Musical Lexicon." Asian Music 28 (1): 87-114. Bibliog., gloss., tables.

Cook, Pat Moffitt. 1997. "Sacred Music Therapy in North India." The World of Music 39 (1): 61-83. Bibliog., photos.

Davis, Ruth. 1997. "Traditional Arab Music Ensembles in Tunis: Modernizing Al-Turath in the Shadow of Egypt." Asian Music 28 (2): 73-108. Bibliog., photos.

Deshpande, Vamanrao H. 1995. "The Change in Arts: Recent Trends in Hindustani Music: An Appraisal." Journal of the Indian Musicological Society 26 : 14-27. Seminar paper read in 1966.

Dibello, Michelle. 1996. "Longing for Wordly Pleasures: An Example of the Sacred vs the Profane in Contemporary Chinese Drama." CHINOPERL Papers 19 : 67-78.

Du Wenwei. 1995. "Xuetou: Comic Elements as Social Commentary in Suzhou Pinghua Storytelling." CHINOPERL Papers 18 : 33-44.

Du Yaxiong. 1993. Zhongguo ge shaoshu minzu minjian yinyue gaishu [A survey of the folk music of each of Chinese minority nationalities]. 3 vols. Beijing: Renmin yinyue chubanshe.

Dunbar-Hall, Peter. 1996. "Rock Songs as Messages: Issues of Health and Lifestyle in Central Australian Aboriginal Communities." Popular Music and Society 20 (2): 43-67. Bibliog., discog., map, photo.

Durga, S. A. K. 1996. "'Nottuswara Sahitya' of Muthuswami Dikshitar: An Intercultural Musical Form." Journal of the Indian Musicological Society 27 : 84-87.

Eugenio, Damiana L. 1996. The Folk Songs. Philippine Folk Literature Series, vol. 7. Malate, Manila, Philippines: De La Salle University Press, xlviii, 691 pp., bibliog., music.

Farrell, Gerry. 1997. Indian Music and the West. Oxford: Clarendon Press; New York: Oxford University Press, xi, 241 pp., bibliog., discog., illus.

Finegold, Eliezer Moshe. 1996. Musika mizrahit: From the Margins to the Mainstream. Harvard Judaica Student Research Papers, no. 2. Cambridge, MA: Harvard College Library, 41 pp., bibliog., discog.

Fritsch, Ingrid. 1996. Japans blinde Sänger im Schutz der Gottheit Myoon-Benzaiten. München: Iudicium-Verlag, 311 pp., bibliog., illus.

Furuhashi Nobuyoshi et al. 1996. Kayo. Kodai bungaku koza, 9. Tokyo: Benseisha, 254 pp., bibliog., illus. Japan.

Ganeshan, Anyampatti S. 1995. "The Forgotten Art of Jalatarangam." Journal of the Indian Musicological Society 26 : 70-72.

Glazerson, Matityahu. 1997. Music and Kabbalah. Northvale, NJ: Jason Aronson, xii, 109 pp. Translation of Musikah ve-kabalah. Originally published: Music and Kabbala. Jerusalem: M. Glazerson, 1988.

Grover, Mary and Amy Catlin-Jairazbhoy. 1996. "Voice Therapy: A Case Study Combining Eastern and Western Techniques." Journal of the Indian Musicological Society 27 : 17-26. Bibliog.

Gunzel, Marcus. 1994. Die Morgen- und Abend-liturgie der Chinesischen Buddhisten. Gottingen: Seminar für Indologie und Buddhismusikunde,

Güngör, Ramazan and Savas Ekici. 1993. Ramazan Güngör ve üc telli kopuzu. Ankara: Kültür Bakanligi, 71 pp., bibliog., illus., music.

Harbeck, James. 1996. "The Quaintness--and Usefulness--of the Old Chinese Traditions: The Yellow Jacket and Lady Precious Stream." Asian Theatre Journal 13 (2): 238-47.

Harnish, David. 1997. "I Made Lebah (1905?-1996)." Ethnomusicology 41 (2): 261-64. Bibliog., photo.

Hung Chang-tai. 1996. "The Politics of Songs: Myths and Symbols in the Chinese Communist War Music." Modern Asian Studies 30 (4): 901-30.

Johnson, Geir. 1995. "En rituel magiker: Vesten i sten er tema i den kinesiske komponist Tan Duns musik" [Ritual magic: Western and Eastern themes in the music of the Chinese composer Tun Dun]. Dansk musik tidsskrift 70 (8): 264-68.

Johnson, Henry M. 1996. "A Koto By Any Other Name: Exploring Japanese Systems of Musical Instrument Classification." Asian Music 28 (1): 43-59. Bibliog.

Jones, Stephen. 1996. "Source and Stream: Early Music and Living Traditions in China." Early Music 24 (3): 374-88.

Katz, Jonathan. 1996. "Music and Aesthetics: An Early Indian Perspective." Early Music 24 (3): 407-20.

Kuzay, Stefan. 1995. Das Nuo von Guichi: Eine Untersuchung zu religiosen Maskenspielen im sudlichen Anhui. Frankfurt am Main: Peter Lang,

Laade, Wolfgang. 1995. "Documenting the Musical Traditions of the Adivasi: A Swiss-Indian Cooperation Project for the United Nations International Decade of the World's Indigenous People." Bulletin of the International Committee on Urgent Anthropologic al and Ethnological Research 37-38 : 33-42.

Lam, Joseph S. C. 1995. "Musical Relics and Cultural Expressions: State Sacrificial Songs from the Southern Song Court." Journal of Sung-Yuan Studies 25 : 1-27.

Lee, Elsa. 1997. "An Introduction to the Gushi Drummer of the Chuanju Percussion Ensemble." Asian Music 28 (2): 1-26. Bibliog.

Lei, Daphne Pi-Wei. 1996. "Wang Zhaojun on the Border: Gender and Intercultural Conflicts in Premodern Chinese Drama." Asian Theatre Journal 13 (2): 229-37.

Liu Guiteng. 1996. "Shamanism and the Musical Instruments Used in the Manchurian Shamanistic Sacrificial Rituals (tiaoshen): An Ethnomusicological Examination of Shengu (Shamanic Drum) and Yaoling (Waistbell)." ACMR Reports 9 ( 2): 1-20.

Maceda, Jose. 1995. "A Logic in Court Music of the Tang Dynasty." Acta Musicologia 67 (2): 109-41.

Mackerras, Colin. 1996. "Chinese Traditional Theatre: A Revival in the 1900's?" CHINOPERL Papers 19 : 79-94.

Magriel, Nicolas. 1997. "The Barhat Tree." Asian Music 28 (2): 109-33. Bibliog., diagrs., tables. India.

Maring, Joel M. and Lillian E. Maring. 1997. "Japanese Erotic Folksong: From Shunka to Karaoke." Asian Music 28 (2): 27-49. Bibliog.

Mark, Lindy Li. 1996. "Conference Report: International Workshop on Oral Literature in Modern China, Copenhagen, August 29-31, 1996." CHINOPERL Papers 19 : 109-22.

Mark, Lindy Li. 1995. "Food, Political Satire: Two Themes in Sichuan Mulian Ritual Drama." CHINOPERL Papers 18 : 95-114.

Micic, Peter. 1996. "Pop Music Commands a Huge Audience Today: An Interview with the Young Composer Li Lifu." CHINOPERL Papers 19 : 95-104.

Narayan, Radhika Raj. 1995. "Forgotten Traditions and Techniques of Vina Playing." Journal of the Indian Musicological Society 26 : 39-43.

Narsinhan, Sakuntala. 1995. "Vanishing Traditions in Music: An Overview." Journal of the Indian Musicological Society 26 : 1-13. India.

Peng Jinsong. 1996. "Chaichai (Tea Picking) Opera." Chinese Music 19 (3): 49-50.

Perlman, Marc. 1996. "Conflicting Interpretations: Indigenous Analysis and Historical Change in Central Javanese Music." Asian Music 28 (1): 116-40. Bibliog.

Pesch, Ludwig. 1996. "About the Intercultural Aspect of South Indian Music." Journal of the Indian Musicological Society 27 : 72-79. Photos.

Qin Shao. 1996. "The Mismatch: Ouyang Yuqian and Theater Reform in Nantong, 1919-1922." CHINOPERL Papers 19 : 39-65.

Raman, Indu. 1995. "Vanishing Traditions: Bhagavatha Mela Natakams of Melattur." Journal of the Indian Musicological Society 26 : 52-64.

Ranade, Ashok. 1996. "Music and Bombay." Journal of the Indian Musicological Society 27 : 80-83.

Reed, Thomas R. 1996. "Two Birds from China." Music Notation News 6 (4): 22-28.

Salter, Denis. 1996. "China's Theatre of Dissent: A Conversation with Mou Sen and Wu Wenguang." Asian Theatre Journal 13 (2): 218-28.

Sasamori, Takefusa. 1997. "Therapeutic Rituals Performed by Itako (Japanese Blind Female Shamans)." The World of Music 39 (1): 85-96. Bibliog., music, photos.

Sastry, B. V. K. 1995. "Vanishing Traditions in Music: Reminiscences of Music in Mysore." Journal of the Indian Musicological Society 26 : 44-51.

Schimmelpennick, Antoinet and Frank Kouwenhoven. 1995. "Female Folk Singers in Jiangsu, China." In Ethnomusicology in the Netherlands: Present Situation and Traces of the Past, edited by Wim van Zanten and Marjolijn J. van Roon, 261-74. Leiden: Cen tre of Non-Western Studies, Leiden University.

Shen Sin-yan. 1996. "Li Guoquan Remembered." Chinese Music 19 (3): 56-58.

Shen Sin-yan. 1996. "Principal Works of Liu Ming-Yuan (1931-1996)." Chinese Music 19 (3): 47-48.

Simha, Jayadeva. 1995. Indian Music. Sangeet paridashini series, 2. Calcutta; Varanasi: Sangeet Research Academy, xliv, 536 pp.

Siu Wang-Ngai. 1997. Chinese Opera: Images and Stories. Vancouver: UBC Press; Seattle: University of Washington Press, xiii, 239 pp., bibliog., illus., maps.

Steen, Andreas. 1996. Der Lange Marsch des Rock 'n Roll: Pop- und Rockmusik in der Volksrepublik China. Berliner China-Studien, 32. Hamburg, Munster: LIT-Verlag, 260 pp.

Stock, Jonathan P. J. 1996. Musical Creativity in Twentieth Century China: Abing, His Music, and Its Changing Meanings. Eastman Studies in Music. Rochester: University of Rochester Press, xii, 209 pp., bibliog., illus. + 1 sound disc.

Subramanyam, Avydayarkoil H. 1995. "The Vanishing Gethu Vadhyam (Jhallari)." Journal of the Indian Musicological Society 26 : 73-77.

Sun Mei. 1996. "Performances of Nanxi." Asian Theatre Journal 13 (2): 141-66.

Sundram, B. M. 1995. "The Vanishing Art of Konakol." Journal of the Indian Musicological Society 26 : 65-69.

Tan Sooi Beng. 1996. "The 78 rpm Record Industry in Malaya Prior to World War II." Asian Music 28 (1): 1-41. Bibliog., facsims., tables.

Thielemann, Selina. 1996. "Offering, Blessing, Expression of Divine Love: The Role of Music in Several Religious Contexts in India." Journal of the Indian Musicological Society 27 : 1-16. Bibliog.

Vanness Simmons, Richard. 1995. "The Oral Transmission of a Late Nineteenth-Century Harngjou Lyric." CHINOPERL Papers 18 : 45-60.

Venkataram, Bangalore K. 1995. "Vanishing Traditions in Tala." Journal of the Indian Musicological Society 26 : 28-38.

Vijay Lakshmi, M. 1996. A Critical Study of Sangita Makaranda of Narada. New Delhi: Gyan Publishing House, 282 pp., bibliog.

Wang Ch'iu Kuei. 1995. "Studies in Chinese Ritual and Ritual Theater: A Bibliographical Report." CHINOPERL Papers 18 : 115-30.

Widdess, Richard. 1996. "The Oral in Writing: Early Indian Music Notations." Early Music 24 (3): 391-405.

Witzleben, J. Lawrence. 1997. "Whose Ethnomusicology? Western Ethnomusicology and the Study of Asian Music." Ethnomusicology 41 (2): 220-42. Bibliog.

Wright, Astri. 1995. "Ancient Symbols, Present Tense: Mountain, Tree, Dance." Asian Art & Culture 8 (1): 53-73. Indonesia.

Yano, Christine. 1996. "The Floating World of Karaoke in Japan." Popular Music and Society 20 (2): 1-17. Bibliog.

Ying Zhangxiao, and Zhang Xiao. 1996. "On the Cultural Receptiveness of Chinese and American Societies." Chinese Music 19 (3): 44-46.

Yu Shiao-Ling. 1997. Chinese Drama Since the Cultural Revolution: An Anthology. China Studies, vol. 3. Lewiston, NY: Edwin Mellin Press, 494 pp., bibliog., illus.

Zha Jianying. 1995. China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture. New York: The New Press, x, 210 pp.

Zoller, Claus Peter. 1995. "Oral Epic Poetry in the Central Himalayas (Garhwal and Kumaon)." European Bulletin of Himalayan Research 9 : 1-7.

Zuo Chang-yang. 1996. Chinese Art Song: A Melodic Analysis. 2nd ed. Teipei: Yueh Yuhn,

Europe

Aksdal, Bjorn and Sven Nyhus, ed. 1993. Fanitullen, innforing i norsk og samisk folkemusikk. Oslo: Universitetsforlaget, 448 pp., bibliog., illus.

Bennett, Andrew. 1997. "'Going Down the Pub': The Pub Rock Scene as a Resource for the Consumption of Popular Music." Popular Music 16 (1): 97-103. Bibliog.

Bythell, Duncan. 1997. "Provinces versus Metropolis in the British Brass Band Movement in the Early Twentieth Century: The Case of William Rimmer and His Music." Popular Music 16 (2): 151-63. Bibliog., discog.

Carson, Ciarán. 1997. Last Night's Fun: In and Out of Time with Irish Music. New York: North Point Press, 197 pp., bibliog.

Cloonan, Martin. 1996. Banned! Censorship of Popular Music in Britain: 1967-92. Popular Cultural Studies, 9. Aldershot: Arena, xi, 321 pp.

De Meyer, Gust. 1996. "Cultural Globalization and Local Identity: The Case of Belgian Popular Music." Popular Music and Society 20 (1): 123-34. Bibliog.

Eva, Phil. 1997. "Home Sweet Home? The 'Culture of Exile' in Mid-Victorian Popular Song." Popular Music 16 (2): 131-50. Bibliog., facsims.

Evans, D. Ellis. 1997. "John Lorne Campbell, 1906-1996." Folklore 108 : 103.

Goertzen, Chris. 1997. Fiddling for Norway: Revival and Identity. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, xv, 347 pp., illus., maps.

Gruel-Apert, Lise. 1995. La tradition orale russe. Paris: Presses Universitaires de France, 300 pp., bibliog., illus.

Kreuger, Frederik H. 1996. Zigeunermuziek: geschiedenis en beleving van de zigeunermuziek. Delft: Delftse Universitaire Pers, 120 pp., bibliog., illus.

Lange, Barbara Rose. 1997. "'What Was That Conquering Magic...': The Power of Discontinuity in Hungarian Gypsy Nóta." Ethnomusicology 41 (3): 517-37. Bibliog., music.

Lippus, Urve. 1995. Linear Music Thinking: A Theory of Musical Thinking and the Runic Song Tradition of Baltic-Finnish Peoples. Helsinki: University of Helsinki, Department of Musicology, 169 pp., bibliog., illus.

Lysaght, Patricia. 1997. "Caoineagh os Cionn Coirp: The Lament for the Dead in Ireland." Folklore 108 : 65-84. Bibliog., music.

McAlpine, Kaye. 1996. "'I'd Gie Them A': The Formula in 'Geordie' and Other Ballads." Folklore 107 : 71-76. Bibliog.

Mukharinskaia, Lidiia and Inna Dmitrievna Nazina. 1996. Prablemy etnamuzykalohii i historyi muzyki u suchasnykh dasledavanniakh: zbornik dakladau III navukovykh chytanniau pamiatsi L. S. Mukharynskai, h. Minsk, 24-25 sakavika 1994 h. Minsk: Belarus kaia akademiia muzyki, 141 pp., bibliog., illus., music.

Olson, Ian A. 1997. "Peter Andrew Hall, 1936-1996." Folklore 108 : 104.

Pasler, Jann. 1996. "India and its Music in the French Imagination before 1913." Journal of the Indian Musicological Society 27 : 27-51. Bibliog.

Pasqualino, Caterina. 1996. "The Cock and the Hen: Metaphors of Sex and Fertility at Gitano Flamenco Fiestas." Journal of the Gypsy Lore Society 6 (2): 73-87.

Paterson, Wilma and Alasdair Gray. 1996. Songs of Scotland: A Hundred of the Best. Edinburgh: Mainstream Publishing, xiii, 220 pp., illus.

Pickering, Michael. 1997. "John Bull in Blackface." Popular Music 16 (2): 181-201. Bibliog., facsims.

Ross, Peter G. 1996. "An Organizational Analysis of the Emergence, Development, and Mainstreaming of British Punk Rock Music." Popular Music and Society 20 (1): 155-73. Bibliog.

Smith, Graeme. 1997. "Modern-Style Irish Accordion Playing: History, Biography, and Class." Ethnomusicology 41 (3): 433-63. Bibliog., discog., music, photo.

Suutari, Pekka. 1997. "Indentiteetin kasitteesta etnomusikologiassa ja kultuurintutkimuksessa: Ruotsinsuomalaisen musiikin tapaustutkimus." Musiikki 27 (1): 76-95. Finnish music in Sweden.

Symon, Peter. 1997. "Music and National Identity in Scotland: A Study of Jock Tamson's Bairns." Popular Music 16 (2): 203-16. Bibliog., discog.

Szemere, Anna. 1996. "Subcultural Politics and Social Change: Alternative Music in Postcommunist Hungary." Popular Music and Society 20 (2): 19-41. Bibliog.

van Elteren, Mel. 1996. "Country Music in the Netherlands: Why Is It Still Marginal?" Popular Music and Society 20 (3): 53-93. Bibliog.

Washabaugh, William. 1997. "Flamenco Music and Documentary." Ethnomusicology 41 (1): 51-67. Bibliog., filmog.

Acknowledgements

Judith Lynne Hanna, Joseph C. Hickerson, Wolfgang Laade, Sue Touhy.