Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Adell, Joan Elies. 1997. "La música popular contemporánea y la construcción de sentido: Más allá de la sociología y de la musicología." TRANS 3: Transcultural Music Review 3 : Available: http://www2. uji.es/trans/trans3/Adell.html. Bibliog. Transcultural Music Review is available at http:/ /www2.uji.es/trans.

Ayats, Jaume. 1997. "Dos situaciones de expresión sonora colectiva: las manifestaciones en la calle y en los estadios deportivos." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/trans/TRANSIberia1/Ayats.html. Bibli og. Transcultural Music Review is available at http:/ /www2.uji.es/trans.

Ballantine, Christopher John. 1995. "So Who Are We, and What Are We Doing?: Critical Reflections on the Annual Symposium on Ethnomusicology." Critical Arts [Johannesburg] 9 (2): 131-46.

Banks, Jack. 1997. "Video in the Machine: The Incorporation of Music Video into the Recording Industry." Popular Music 16 (3): 293-309. Bibliog.

Bekker, Peter O. E. 1997. The Story of the Blues. New York: Friedman/Fairfax Publishers, 64 pp., bibliog., discog., illus. + 1 sound disc.

Berlanga, Miguel Angel. 1997. "Tradición y renovación: Reflexiones en torno al antiguo y nuevo flamenco." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/trans/TRANSIberia1/%20Berlanga.html. Bibliog. Trans cultural Music Review is available at http:/ /www2.uji.es/trans.

Bohlman, Philip V. 1997. "World Musics and World Religions: Whose World?" In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 61-90. Cambridge, MA: Harvard University Center for the Study of World Religions. Bibli og., discog., music.

Boyce-Tillman, June. 1997. "Conceptual Frameworks for World Musics in Education." Philosophy of Music Education Review 5 (1): 3-13.

Bryson, Norman. 1997. "Cultural Studies and Dance History." In Meaning in Motion, edited by J. C. Desmond, 55-77.

Bucknum, Mary R. 1997. "International Council for Traditional Music Celebrates 50th Anniversary." Resound 16 (3): 1-6.

Bull, Cynthia Jean Cohen. 1997. "Sense, Meaning, and Perception in Three Dance Cultures." In Meaning in Motion, edited by J. C. Desmond, 269-87. Ballet, contact improvisation, and Ghanaian dance.

Clarke, Donald. 1995. The Rise and Fall of Popular Music. New York: St. Martin's Griffin, xv, 620 pp.

Clayton, Martin. 1996. "Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection." British Journal of Ethnomusicology 5 : 67-92.

Clayton, Martin. 1996. "Free Rhythm: Ethnomusicology and the Study of Music Without Metre." Bulletin of the School of Oriental and African Studies 59 : 323-32.

Colicci, Giuseppina. 1996. "Invocation in a Fishermen's Festival for the Madonna del Lume: San Diego, California and Porticello, Italy." Music & Anthropology 1 : Available: http://muspe1.cirfid.unibo.it/period/ma/index/number1/ colicci1/co1.htm . Bibliog., illus., photos + video examples. Music & Anthropology is available at http:// muspe1.cirfid.unibo.it/period/ma/index/.

Costa, Luis. 1997. "Práctica pedagógica y tradición musical." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/trans/TRANSIberia1/Costa.html. Bibliog. Transcultural Music Review is available at h ttp:/ /www2.uji.es/trans.

Daley, Mike. 1997. "Patti Smith's Gloria: Intertextual Play in a Vocal Performance." Popular Music 16 (3): 235-53. Bibliog., discog., music.

Danielson, Anne. 1997. "His Name was Prince: A Study of Diamonds and Pearls." Popular Music 16 (3): 275-91. Bibliog., discog.

Daniélou, Alain. 1995. Music and the Power of Sound: The Influence of Tuning and Interval on Consciousness. Rochester, VT: Inner Traditions, xiii, 172 pp., bibliog.

Desmond, Jane C., ed. 1997. Meaning in Motion: New Cultural Studies of Dance. Durham, NC: Duke University Press, vi, 398 pp., illus.

Desmond, Jane C. 1997. "Embodying Difference: Issues in Dance and Cultural Studies." In Meaning in Motion, edited by J. C. Desmond, 29-54.

Ewbank, Alison J. and Fouli T. Papageorgiou. 1997. Whose Master's Voice?: The Development of Popular Music in Thirteen Cultures. Contributions to the Study of Music and Dance, no. 41. Westport, CT: Greenwood Press, vii, 259 pp., bibliog.

Gibson, Gloria. 1997. "Ronald R. Smith: His Life and My Remembrances." Resound 16 (3): 7-8. Photo.

Giraldez, Andrea. 1997. "Educación musical desde una perspectiva multicultural: Diversas aproximaciones." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/trans/TRANSIberia1/Giraldez.html. Bibliog. Transcultural M usic Review is available at http:/ /www2.uji.es/trans.

Glazier, Stephen D. 1997. "Embedded Truths: Creativity and Context in Spiritual Baptist Music." Latin American Music Review 18 (1): 44-56. Bibliog.

Godwin, Joscelyn. 1995. Harmonies of Heaven: Mysticism in Music from Antiquity to the Avant-Garde. Rochester, VT: Inner Traditions International, viii, 200 pp., bibliog., illus.

Gunderson, Frank D. 1996. "Laura Boulton as Musical Raconteur, 1935-1941." Resound 15 (3): 1-9. Bibliog.

Harris, Michael W. 1997. "Historicism and the Quest for D/ divine Music." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 121-38. Cambridge, MA: Harvard University Center for the Study of World Religions. Music.

Hesmondhalgh, David. 1997. "Post-Punk's Attempt to Democratise the Music Industry: The Success and Failure of Rough Trade." Popular Music 16 (3): 255-74. Bibliog., discog.

Idel, Moshe. 1997. "Conceptualizations of Music in Jewish Mysticism." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 159-88. Cambridge, MA: Harvard University Center for the Study of World Religions.

Isaacs, Ronald H. 1997. Jewish Music: Its History, People, and Song. Northvale, NJ: Jason Aronson, xiv, 247 pp., bibliog., illus.

Järviluoma, Helmi, ed. 1994. Soundscapes: Essays on Vroom and Moo. Department of Folk Tradition, Publ. 19; Insitute of Rhythm Music, Publ. A2. Tampere: Department of Folk Tradition; Seindjoki: Institute of Rhythm Music, 138 pp., bibliog.

Kubik, Gerhard. 1996. "Emics and Etics: Theoretical Considerations." African Music 7 (3): 3-10. Bibliog.

Lems-Dworkin, Carol. 1996. Videos of African and African- related Performance: An Annotated Bibliography. Evanston, IL: C. Lems-Dworkin Publishers, xx, 331 pp., bibliog., illus.

Lewis, George H. 1996. "Beyond the Reef: Cultural Constructions of Hawaii in Mainland America, Australia, and Japan." Journal of Popular Culture 30 (2): 123-35.

Martin, Randy. 1997. "Dance Ethnography and the Limits of Representation." In Meaning in Motion, edited by J. C. Desmond, 321-43.

Méndez Rubio, Antonio. 1997. "Karaoke como metáfora política." TRANS 3: Transcultural Music Review 3 : Available: http://www2.uji.es/trans/trans3/Mendez.html. Bibliog. Transcultural Music Review is available at http:/ /w ww2.uji.es/trans.

Mitchell, Tony. 1996. Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania. London: Leicester University Press, viii, 276 pp., bibliog., discog.

Montagu, Jeremy. 1997. "The Forked Shawm: An Ingenious Invention." Yearbook for Traditional Music 29 : 74-79. Bibliog., illus.

Montagu, Jeremy. 1997. The Magpie in Ethnomusicology. John Blacking Memorial Lecture, 1997. Oxford: Montagu Collection of Musical Instruments, 12 pp.

Nasr, Seyyed Hossein. 1997. "Islam and Music: The Legal and Spiritual Dimensions." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 219-35. Cambridge, MA: Harvard University Center for the Study of World Religions. Bi bliog., music.

Negus, Keith. 1997. Popular Music in Theory: An Introduction. Hanover, NH: University Press of New England, 243 pp., bibliog.

Nettl, Bruno. 1996. "Ideas about Music and Musical Thought: Ethnomusicological Perspectives." Journal of Aesthetic Education 30 : 173-87. Bibliog.

Nettl, Bruno. 1996. "Relating the Present to the Past: Thoughts on the Study of Musical Change and Culture Change in Ethnomusicology." Music & Anthropology 1 : Available: http://muspe1.cirfid.unibo.it/period/ma/index/number1/ nettl1/ne1.htm. Bi bliog., photos + audio examples. Music & Anthropology is available at http://muspe1.cirfid.unibo.it/ period/ma/index/.

Pacanins, Federico. 1996. Jazzofilia. Joyas del patio, 1. Caracas: Grupo Editorial Ballgrub, 283 pp.

Pitarch, Carles. 1997. "En torno al Cant valenciá d'estil : investigaciones y proyectos." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/trans/ TRANSIberia1/Pitarch.html. Bibliog. Transcultural Music Review is available at http://www2.uji.es/trans.

Plasse, Marie A. 1996. "'Joy in Repetition?': Prince's 'Graffiti Bridge' and 'Sign o' the Times' as Sequels to 'Purple Rain'." Journal of Popular Culture 30 (3): 57-65. Qureshi, Regula Burckhardt. 1997. "Sounding the Word: Music in the Life of Isla m." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 263-98. Cambridge, MA: Harvard University Center for the Study of World Religions. Bibliog., photos, music.

Ramnarine, Tina Karina. 1996. "'Indian' Music in the Diaspora: Case Studies of 'Chutney' in Trinidad and in London." British Journal of Ethnomusicology 5 : 133-53.

Rust, E. Gardner. 1996. The Music and Dance of the World's Religions: A Comprehensive Annotated Bibliography of Materials in the English Language. Music Reference Collection, no. 54. Westport, CT: Greenwood Press, xx, 476 pp., bibliog.

Shelemay, Kay Kaufman. 1997. "Mythologies and Realities in the Study of Jewish Music." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 299-318. Cambridge, MA: Harvard University Center for the Study of World Religion s. Bibliog.

Shepherd, John, et al, ed. 1997. Popular Music Studies: A Select International Bibliography. London: Mansell, xxviii, 450 pp., bibliog.

Siciliano, Giancarlo. 1997. "Musique et posmodernité: Pratiques/Théorizations/Interférences." TRANS 3: Transcultural Music Review 3 : Available: http:// www2.uji.es/trans/trans3/Siciliano.html. Bibliog., discog. Transcultura l Music Review is available at http:// www2.uji.es/trans.

Siedler, Rolf. 1995. Feel It In Your Body: Sinnlichkeit, Legensgefühl und Moral in der Rockmusik. Mainz: M.- Grünewald-Verlag, 335 pp., bibliog.

Sullivan, Lawrence E. 1997. "Enchanting Powers: An Introduction." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 1-14. Cambridge, MA: Harvard University Center for the Study of World Religions. Bibliog.

Sullivan, Lawrence E., ed. 1997. Enchanting Powers: Music in the World's Religions. Cambridge, MA: Harvard University Center for the Study of World Religions, viii, 321 pp., bibliog., illus.

Taylor, Timothy Dean. 1997. Global Pop: World Music, World Markets. New York: Routledge, xxiii, 271 pp., bibliog., discog., filmog., illus., music.

Théberge, Paul. 1997. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover, NH: Wesleyan University Press, x, 293 pp., bibliog., illus., photos. [ Theberge ]

Tuohy, Sue. 1996. Guide to Programs in Ethnomusicology in the United States and Canada 1996. Bloomington, IN: Society for Ethnomusicology, 74 pp.

Vila, Pablo. 1996. "Identidades narrativas y música. Una primera propuesta teórica para entender sus relaciones." TRANS 2: Transcultural Music Review 2 : Available: http:// www2.uji.es/trans/trans2/Vila.html. Bibliog. Transcultural Music Review is available at http://www2.uji.es/trans.

Volk, Terese M. 1998. Music, Education, and Multiculturalism: Foundations and Principles. New York: Oxford University Press, xiv, 265 pp., bibliog., diagr., facsim., photos.

Africa

Allen, Lara. 1996. "'Drumbeats, Pennywhistles and All That Jazz': The Relationship between Urban South African Musical Styles and Musical Meaning." African Music 7 (3): 52-59. Diagr.

Arntson, Laura. 1998. "Praise Singing in Sierra Leone." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 488-514. Bibliog., music.

Arom, Simha, and Frédéric Voison. 1998. "Theory and Technology in African Music." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 254-70. Bibliog., photo.

Avorgbedor, Daniel. 1998. "Rural-Urban Interchange: The Anlo-Ewe." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 389-99. Bibliog.

Ballantine, Christopher. 1996. "Fact, Ideology and Paradox: African Elements in Early Black South African Jazz and Vaudeville." African Music 7 (3): 44-51. South Africa.

Ballantine, Christopher. 1996. "Joseph Shabalala: Chronicles of an African Composer." British Journal of Ethnomusicology 5 : 1-38. Bibliog., discog.

Besmer, Fremont. 1998. "Hausa Performance." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 515-29. Bibliog.

Brenner, Klaus-Peter. 1997. Chipendani und Mbira: Musikinstrumente, nicht-begriffliche Mathematik und die Evolution der harnonischen Progressionen in der Musik der Shona in Zimbabwe. Abhandlungen der Akademie der Wissenschaften in Gottingen: Philol ogisch-Historiche Klasse, 3. Gottingen: Vandenhoeck & Ruprecht, xxi, 559 pp., bibliog., illus. + 2 sound discs.

Brooks, Christopher. 1998. "Foreign-Indigenous Interchange: The Yoruba." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 400-14. Bibliog., music, photos.

Cerea, Roberto. 1997. "Danza, Zangbeto! E proteggici." Nigrizia 115 (10): 48-50. Benin.

Chernoff, John. 1997. "Music and Historical Consciousness among the Dagbamba of Ghana." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 91-120. Cambridge, MA: Harvard University Center for the Study of World Religion s.

Cooke, Peter. 1998. "East Africa: An Introduction." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 598-609. Bibliog.

Coplan, David. 1998. "Popular Music of South Africa." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 759-80. Bibliog., photos.

Dargie, David. 1996. "African Methods of Music Education: Some Reflections." African Music 7 (3): 30-43. Bibliog., illus., music. South Africa.

DjeDje, Jacqueline Cogdell. 1998. "West Africa: An Introduction." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 442-70. Bibliog., photos.

Djenbda, Maurice. 1996. "L'Importance de la fonction musicale pour la classification des instruments de musique en langue MpyEm." African Music 7 (3): 11-20. Bibliog., illus., photos. Central African Republic.

Dramé, Adama, and Arlette Senn-Borloz. 1992. Jéliya, être griot et musicien aujourd'hui. Paris: Editions L'Harmattan, 366 pp., bibliog.

Duran, Lucy. 1995. "Jelimusow: The Superwomen of Malian Music." In Power, Marginality and African Oral Literature, edited by G. Furniss and L. Gunner, 197-207. Cambridge: Cambridge University Press. Discog.

Eyre, Banning. 1997. "Oumou Sangare: Queen of Malian Music." Sing Out! 42 (1): 34-39. Discog., photos.

Fales, Cornelia. 1998. "Issues of Timbre: The Inanda Chuchotée." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 164-207. Bibliog., graph, illus.

Friedson, Steven. 1998. "Tumbuka Healing." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 271-84. Bibliog., photo.

Gunner, Liz. 1995. "Clashes of Interest: Gender, Status and Power in Zulu Praise Poetry." In Power, Marginality and African Oral Literature, edited by G. Furniss and L. Gunner, 185-96. Cambridge: Cambridge University Press.

Hampton, Barbara L. 1998. "Identities: Music and Other African Arts." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 102-23. Bibliog., photo.

Impey, Angela. 1998. "Popular Music in Africa." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 415-37. Bibliog., photos.

Johnson, John William. 1998. "Music and Poetry in Somalia." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 610-21. Bibliog., music.

Kaemmer, John E. 1998. "Music of the Shona of Zimbabwe." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 744-58. Bibliog., music, photos.

Kaemmer, John E. 1998. "Southern Africa: An Introduction." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 700-21. Bibliog., photos.

Kavyu, Paul N. 1998. "Music in Kenya." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 622-32. Bibliog., photos.

Kaye, Andrew L. 1998. "The Guitar in Africa." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 350-69. Bibliog., illus., music, photos. Kidula, Jean Ngoya. 1995. "The Appropriation of Western Derived Music Styles into Keny an Traditions: Case Study of Some Nairobi Christian Musics." Pacific Review of Ethnomusicology 7 : 1-16.

Kisliuk, Michelle. 1998. "Musical Life in the Central African Republic." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 681-97. Bibliog., music, photos.

Kubik, Gerhard. 1998. "Central Africa: An Introduction." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 650-80. Bibliog., illus., map, photos.

Kubik, Gerhard. 1998. "Intra-African Streams of Influence." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 293-326. Bibliog., photos.

Kwakwa, Patience A. 1998. "Dance in Communal Life." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 285-92. Bibliog.

Malamusi, Moya Aliya. 1996. "Stringed Instrument Traditions in Southern Malawi." African Music 7 (3): 52-59. Bibliog., photos.

Marain, Diego. 1997. "Musica per donne altre." Nigrizia 115 (11): 52-53. Oumou Sangare.

Martin, Stephen H. 1998. "Music in Tanzania." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 633-47. Bibliog., music, photos.

McCall, John. 1998. "The Representation of African Music in Early Documents." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 74-99. Bibliog., illus., music.

Mensah, Atta Annan. 1998. "Compositional Practices in African Music." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 208-31. Bibliog., music.

Monts, Lester P. 1998. "Islam in Liberia." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 327-49. Bibliog., music, photos.

Mukuna, Kazadi wa. 1998. "Latin American Musical Influences in Zaïre." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 383-88. Bibliog.

Njoku, Johnston Akuma-Kalu. 1998. "Art-Composed Music in Africa." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 232-53. Bibliog., music, tables.

Nketia, J. H. Kwabena. 1998. "The Scholarly Study of African Music: A Historical Review." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 13-73. Bibliog.

Ottenberg, Simon. 1997. Seeing with Music: The Lives of Three Blind African Musicians. Seattle: University of Washington Press, xv, 216 pp., bibliog., discog., maps, photos, tables.

Rakotomalala, Mireille. 1998. "Performance in Madagascar." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 781-92. Bibliog., photos.

Rasmussen, Susan. 1995. "Zarraf: A Tuareg Women's Wedding Dance." Ethnology 34 (1): 1-15.

Salamone, Frank A. 1997. "Crossing Artistic Symbolic Boundaries: Nigeria and Ghana." Africa: Rivista di Studi e Documentazione dell'Istituto Italo Africano 52 (1): 62-80.

Schlottner, Michael. 1996. Sehen - Hören - Verstehan: Musikinstrumente und Schallgeräte bei den Kusasi und Mamprusi in Nordost-Ghana. Kulturen im Wandel, Bd. 6. Pfaffenweiler: Centaurus -Verlagsgesellschaft, 411 pp., bibliog., diagr., ma ps, tables.

Schmidt, Cynthia. 1998. "Kru Mariners and Migrants of the West African Coast." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 370-82. Bibliog., photos.

Shelemay, Kay Kaufman. 1998. "Notation and Oral Tradition." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 146-63. Bibliog., illus., music.

Simon, Artur. 1998. "Music in Sudan." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 549-73. Bibliog., music, photos.

Stone, Ruth M. 1998. "African Music in a Constellation of Arts." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 7-12. Bibliog., photo.

Stone, Ruth M. 1998. "Profile of Africa." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 2-6. Bibliog., photo.

Stone, Ruth M. 1998. "Time in African Performance." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 124-45. Bibliog., photo.

Stone, Ruth M., ed. 1998. The Garland Encyclopedia of World Music: Africa. New York; London: Garland Publishing, xv, 850 pp., bibliog., discog., filmog., gloss., illus., maps, music, photos, videog. + 1 sound disc.

Tsukada, Kenichi. 1998. "Harmony in Luvale Music of Zambia." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 722-43. Bibliog., music, photos.

Waterman, Christopher. 1998. "Yoruba Popular Music." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 471-87. Bibliog.

Wells, Robin. 1996. "Sesotho Music: A Contemporary Perspective." African Music 7 (3): 67-75. Lesotho.

Wendt, Caroline Card. 1998. "North Africa: An Introduction." In The Garland Encyclopedia of World Music: Africa, edited by R. M. Stone, 523-48. Bibliog., photos. Wendt, Caroline Card. 1998. "Tuareg Music." In The Garland Encyclopedia of World Mu sic: Africa, edited by R. M. Stone, 574-95. Bibliog., music.

Americas

Aparicio, Frances R. 1998. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover, NH: University Press of New England, xxi, 290 pp., illus.

Aracena, Beth K. 1997. "Viewing the Ethnomusicological Past: Jesuit Influences on Araucanian Music in Colonial Chile." Latin American Music Review 18 (1): 1-29. Bibliog., illus., table.

Araujo, Samuel. 1996. "Louvor, Música popular e Modia evangélica no Rio do Janeiro: Utilizaçao de Músicas tradicionais em un determinado contexto de elaboraçao." TRANS 2: Transcultural Music Review 2 : Available: http:// www2.uji.es/trans/trans2/Araujo.html. Bibliog. Transcultural Music Review is available at http:// www2.uji.es/trans/.

Armstrong, Mary. 1996. "Los Pleneros de la 21: Bomba y Plena en Nueva York." Sing Out! 41 (3): 46-54. Discog., music, photos.

Backstein, Karen. 1995. "Keeping the Spirit Alive: The Jazz Dance Testament of Mura Dehn." In Representing Jazz, edited by K. Gabbard, 229-43. Durham: Duke University Press. Bibliog.

Baumann, Max Peter. 1996. "'Escuchando la voz de los pueblos indígenas...' La música tradicional como política del encuentro intercultural." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/ Ba umann.html. Bibliog. Transcultural Music Review is available at http://www2.uji.es/trans/.

Bayardo, Nelson. 1996. Informe sobre el tango. Montevideo, Uruguay: Ediciones de la Plaza, 110 pp., bibliog., illus.

Birth, Kevin K. 1994. "Bakrnal: Coup, Carnival, and Calypso in Trinidad." Ethnology 33 (2): 165-77.

Bolaños Garay, Miguel. 1996. Los días de la tortuga. Managua: Anama Ediciones Centroamericanas, 164 pp., bibliog., illus. Nicaragua.

Browning, Barbara. 1997. "Headspin: Capoeira's Ironic Inversions." In Everynight Life: Culture and Dance in Latin/ o America, edited by C. F. Delgado and J. E. Muñoz, 65-92. Bibliog.

Burns, Gary. 1996. "Popular Music, Television, and Generational Identity." Journal of Popular Culture 30 (3): 129-41.

Cabral, Sérgio. 1996. As escolas de samba do Rio de Janeiro. Rio de Janeiro: Lumiar Editora, 448 pp., illus.

Canzio, Ricardo. 1996. "Choro: la difusión de un género popular brasileño." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Canzio.html. Bibliog. Transcultural Music Review is available at http:/ /www2.uji.es/trans/.

Cassidy, Donna. 1997. Painting the Musical City: Jazz and Cultural Identity in American Art, 1910-1940. Washington, DC: Smithsonian Institution Press, xvi, 200 pp., bibliog., illus., photos.

Chambers, Leland H. 1995. "Improvising and Mythmaking in Eudora Welty's 'Powerhouse'." In Representing Jazz, edited by K. Gabbard, 54-69. Durham: Duke University Press. Bibliog.

Crease, Robert P. 1995. "Divine Frivolity: Hollywood Representations of the Lindy Hop." In Representing Jazz, edited by K. Gabbard, 207-284. Durham: Duke University Press. Bibliog., photos.

Cullen, Jim. 1997. Born in the U. S. A.: Bruce Springsteen and the American Tradition. New York: Harper Collins, xviii, 247 pp., bibliog., discog.

Deitz, Roger. 1997. "John McEuen: Nitty Gritty String Wizard." Sing Out! 42 (3): 46-57. Discog., music, photos.

Delgado, Celeste Fraser, and José Esteban Muñoz, ed. 1997. Everynight Life: Culture and Dance in Latin/o America. Durham; London: Duke University Press, x, 366 pp, bibliog., illus., photos.

Delgado, Celeste Fraser, and José Esteban Muñoz. 1997. "Rebellions of Everynight Life." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 9-32. Bibliog., illus.

Delgado Linares, Carlos. 1996. El movimiento de la Nueva Trova Cubana y la trova tradicional. Caracas, Venezuela: Ediciones NAMAR, 157 pp., bibliog.

Desmond, Jane C. 1997. "Embodying Difference: Issues in Dance and Cultural Studies." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 9-32. Bibliog.

Desroches, Monique. 1996. "Musical Tradition in Martinique: Between the Local and the Global." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/ Desroches.html. Bibliog., discog., table. Transcultural Music Revi ew is available at http://www2.uji.es/trans/.

DesRosiers, Mary. 1996. "Jean Ritchie: An Unbroken Circle." Sing Out! 41 (3): 56-64. Bibliog., discog., music, photos.

Dixon, Robert M. W., John Godrich, and Howard Rye. 1997. Blues & Gospel Records, 1890-1943. 4th ed. Oxford, UK: Oxford University Press, xliv, 1370 pp., bibliog.

Dodd, David G., and Robert G. Weiner. 1997. The Grateful Dead and the Deadheads: An Annotated Bibliography. Music Reference Collection, no. 60. Westport, CT: Greenwood Press, xvii, 423 pp., bibliog.

Durbin, Paula. 1996. "The First Lady of Caribbean Cadences." Americas 48 (1): 36-41. Katherine Dunham.

Early, Gerald. 1997. "Miles Davis as Ahab and the Whale." The American Poetry Review 26 (1): 31-32. Fleurant, Gerdès. 1996. Dancing Spirits: Rhythms and Rituals of Haitian Vodun, the Rada Rite. Contributions to the Study of Music and Dance, no. 42. Westport, CT: Greenwood Press, xii, 209 pp., bibliog., photos.

Gabbard, Krin, ed. 1995. Representing Jazz. Durham: Duke University Press, viii, 320 pp., bibliogs, discogs., photos, videog.

Gabbard, Krin. 1995. "Introduction: Writing the Other History." In Representing Jazz, edited by K. Gabbard, 1-10. Durham: Duke University Press.

Gabbard, Krin. 1995. "Signifyin(g) the Phallus: Mo' Better Blues and Representations of the Jazz Trumpet." In Representing Jazz, edited by K. Gabbard, 104-30. Durham: Duke University Press. Bibliog., discog., photos, videog.

Garber, Frederick. 1995. "Fabulating Jazz." In Representing Jazz, edited by K. Gabbard, 70-103. Durham: Duke University Press. Bibliog.

Giro, Radamés. 1996. Panorama de la música popular cubana. Havana: Editorial Letras de Cubanas, 399 pp., bibliog., illus.

Goldberg, Rita. 1997. "Nuevos datos sobre la historia de la música en Puerto Rico: Pedro Nuñez de Ortega, arcabucero y maestro de capilla." Latin American Music Review 18 (1): 57- 67. Bibliog.

González, Juan Pablo. 1997. "Cristalización genérica en la música popular chilena de los años sesenta." TRANS 3: Transcultural Music Review 3 : Available: http:// www2.uji.es/trans/trans3/Gonzalez.html. Bibliog. < I>Transcultural Music Review is available at http:// www2.uji.es/trans.

Gottschild, Brenda Dixon. 1996. Digging the Africanist Presence in American Performance: Dance and Other Contexts. Contributions to Afro-American and African Studies, no. 179. Westport, CT: Greenwood Press, xvi, 189 pp., bibliog., illus., photos.

Grant, Barry Keith. 1995. "Purple Passages or Fiestas in Blue? Notes Toward an Aesthetic of Vocalese." In Representing Jazz, edited by K. Gabbard, 285-303. Durham: Duke University Press. Bibliog., discog.

Grossberg, Lawrence. 1997. Dancing in Spite of Myself: Essays on Popular Culture. Durham, NC: Duke University Press, xi, 304 pp., bibliog.

Guilbault, Jocelyne. 1997. "The Politics of Labelling Popular Musics in English Caribbean." TRANS 3: Transcultural Music Review 3 : Available: http://www2.uji.es/trans/trans3/ Guilbault.html. Bibliog., discog. Transcultural Music Review is a vailable at http://www2.uji.es/trans.

Hadler, Mona. 1995. "Jazz and the New York School." In Representing Jazz, edited by K. Gabbard, 247-59. Durham: Duke University Press. Bibliog. Jazz in art.

Harlos, Christopher. 1995. "Jazz Autobiography: Theory, Practice, Politics." In Representing Jazz, edited by K. Gabbard, 131-66. Durham: Duke University Press. Bibliog.

Hernández Soto, Carlos, and Edis Sánchez. 1997. "Los Congos de Villa Mella, República Dominicana." Latin American Music Review 18 (2): 297-316. Bibliog., photos.

Herzhaft, Gérard. 1997. Encyclopedia of the Blues. 2nd ed. Fayetteville, AR: University of Arkansas Press, 300 pp., bibliog., discog., illus.

Hill, Jonathan D. 1997. "'Musicalizing' the Other: Shamanistic Approaches to Ethnic-Class Competition along the Upper Rio Negro." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 139-58. Cambridge, MA: Harvard Univers ity Center for the Study of World Religions. Bibliog. Venezuela and Colombia.

Hosokawa, Shuhei. 1997. "'Salsa no tiene frontera': Orquesta de la Luz or the Globalization and Japanization of Afro- Caribbean Music." TRANS 3: Transcultural Music Review 3 : Available: http://www2.uji.es/trans/trans3/Hosokawa.html. Bibliog., disc og. Transcultural Music Review is available at http://www2.uji.es/trans.

Hosokawa, Shuhei. 1995. Sanba no kuni ni enka wa nagareru: ongaku ni miru Nikkei Burajiru iminshi. Chuko shinsho, 1263. Tokyo: Chuo Koronsha, 228 pp., illus. Japanese music in Brazil.

Jarrett, Michael. 1995. "The Tenor's Vehicle: Reading Way Out West." In Representing Jazz, edited by K. Gabbard, 260- 82. Durham: Duke University Press. Bibliog., photo.

Kerstetter, Rich. 1997. "Alde Deutsche Lieder: The Pennsylvania Folk Music Tradition." Sing Out! 42 (1): 66-74. Bibliog., discog., music, photos.

Kerstetter, Rich. 1996. "Brooks Williams." Sing Out! 41 (3): 104-07. Discog., music, photo.

Kerstetter, Rich. 1997. "Cherish the Ladies." Sing Out! 42 (1): 16-19. Discog., music, photos.

Kerstetter, Rich. 1997. "Rory Block." Sing Out! 42 (3): 82- 85. Discog., music, photos.

Kerstetter, Rich. 1997. "Salamander Crossing." Sing Out! 42 (1): 80-83. Discog., music, photos.

Kilapán, Lonko. 1995. El origen araucano de la cueca. Santiago de Chile: s.n., 171 pp., illus.

Knee, Adam. 1995. "Doubling, Music, and Race in Cabin in the Sky." In Representing Jazz, edited by K. Gabbard, 193- 204. Durham: Duke University Press. Bibliog.

Knight, Arthur. 1995. "Jammin' the Blues, or the Sight of Jazz." In Representing Jazz, edited by K. Gabbard, 11-53. Durham: Duke University Press. Bibliog., photos.

Koegel, John. 1997. "Village Musical Life along the Rio Grande: Tomé, New Mexico, since 1739." Latin American Music Review 18 (2): 173-251. Bibliog., facsims., music, photos.

Kun, Josh. 1997. "Against East Listening: Audiotopic Readings and Transnational Soundings." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 288-309. Bibliog.

Levine, Victoria Lindsay. 1997. "Music, Myth, and Medicine in the Choctaw Indian Ballgame." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 189-218. Cambridge, MA: Harvard University Center for the Study of World Rel igions. Bibliog., music.

López, Ana M. 1997. "Of Rhythms and Borders." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 310-44. Bibliog., photo. Cinematic use of Latin American music and dance.

Lucas, Maria Elizabeth. 1996. "Wonderland Musical: notas sobre as representaçoes de música popular brasileira na midia americana." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Lucas.html. Bibliog. Transcultural Music Review is available at http:/ /www2.uji.es/trans.

Martí, Josep. 1996. "Música y Etnicidad: una introduccíon a la problemática." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Marti.html. Bibliog. Transcultural Music Review is a vailable at http:/ /www2.uji.es/trans.

McClary, Susan and Walser, Robert. 1997. "Theorizing the Body in African-American Music." TRANS 3: Transcultural Music Review 3 : Available: http://www2.uji.es/trans/trans3/ McClary_Walser.html. Bibliog. Originally published in 1994 in Black Mus ic Research Journal 14(1):75-84. Transcultural Music Review is available at http:// www2.uji.es/trans.

Mindel, Valerie. 1997. "Jay Ungar and Molly Mason: Connecting Community and Music." Sing Out! 42 (2): 42-55. Discog., music, photos.

Moore, Robin. 1997. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940. Pittsburgh: University of Pittsburgh Press, xii, 320 pp., bibliog., illus.

Moss, Mark D. 1997. "Artisan." Sing Out! 42 (3): 108-111. Discog., music, photo.

Moss, Mark D. 1997. "Dan Bern." Sing Out! 42 (2): 78-81. Discog., music, photo.

Moss, Mark D. 1997. "Jack Hardy." Sing Out! 42 (1): 24-27. Discog., music, photos.

Moss, Mark D. 1997. "The Whiteville Apparel Choir." Sing Out! 41 (4): 94-97. Discog., music, photo.

Murphy, John. 1997. "The Rabeca and Its Music, Old and New, in Pernambuca, Brazil." Latin American Music Review 18 (2): 147-72. Bibliog., music, photos.

Naremore, James. 1995. "Uptown Folk: Blackness and Entertainment in Cabin in the Sky." In Representing Jazz, edited by K. Gabbard, 169-92. Durham: Duke University Press. Bibliog., photos.

Ojeda Aguilar, José Guadalupe. 1996. Vidas paralelas: dos músicos populares. Colección Cultura contemporánea, núm. 1. Zacatecas, México: Fondo Estatal para la Cultura y las Artes de Zacatecas, 132 pp., bibl iog., discog., illus. + 1 audio tape.

Oliveira Pinto, Tiago de. 1996. "The Discourse about Others' Music: Reflecting on African-Brazilian Concepts." African Music 7 (3): 21-29. Bibliog., illus., photos. Brazil.

Oliven, Ruben George. 1997. "O Dinheiro na Música Popular Brasileira." Latin American Music Review 18 (1): 68-112. Bibliog.

Oliver, Paul. 1997. Conversation with the Blues. New York: Cambridge University Press, xiv, 208 pp., discog., illus., maps, photos.

Olsen, Dale. 1996. Music of the Warao of Venezuela: Song People of the Rain Forest. Gainsville: University Press of Florida, 478 pp., bibliog., graphs, maps, music, photos + 1 sound disc.

Palieri, Rik. 1997. "Swapping Songs and Tales with Jimmy and Cleda Driftwood." Sing Out! 41 (4): 54-62. Discog., music, photo.

Paris, Michael. 1996. "Country Blues on the Screen: The Leadbelly Films." Journal of American Studies 30 (1): 119- 25.

Pasmanick, Philip. 1997. "Décima and Rumba: Iberian Formalism in the Heart of Afro-Cuban Song." Latin American Music Review 18 (2): 252-77. Bibliog. [Decima]

Perlman, Ken. 1997. "Dwight Diller and the Music of Pocahontas County." Sing Out! 42 (1): 52-63. Discog., music, photos.

Pérez Firmat, Gustavo. 1997. "I Came, I Saw, I Conga'd: Contexts for a Cuban-American Culture." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 239-54. Bibliog., photo.

Piedra, José. 1997. "Hip Poetics." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 93-140. Bibliog.

Potash, Chris, ed. 1997. Reggae, Rasta, Revolution: Jamaican Music from Ska to Dub. New York: Schirmer Books, xxix, 290 pp., bibliog.

Puleo, Augusto C. 1997. "Una verdadera crónica del Norte: Una noche con la India." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 223-37. Bibliog., photo. Translated by Celeste Frase r Delgado.

Quintero Herencia, Juan Carlos. 1997. "Notes toward a Reading of Salsa." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 189-222. Bibliog., photos. Translated by Celeste Fraser Delgado.

Ramón y Rivera, Luis Felipe, and Isabel Aretz. 1996. La música típica del Táchira: el folklore tachirense. Biblioteca de Autores y Temas Tachirenses, 129. Caracas: Biblioteca de Autores y Temas Tachirenses, 147 pp., bibl iog., illus. Venezuela.

Ramsey, Kate. 1997. "Voudou, Nationalism, and Performance: The Staging of Folklore in Mid-Twentieth-Century Haiti." In Meaning in Motion, edited by J. C. Desmond, 345-78. Regenstreif, Mike. 1997. "Kate and Anne McGarrigle on Their Own Terms." Si ng Out! 41 (4): 42-53. Discog., music, photo.

Risetti, Ricardo. 1996. De corazón a corazón: memorias del bolero en la Argentina. Buenos Aires: Corregidor, 335 pp., bibliog., discog., illus.

Román, David, and Alberto Sandoval. 1997. "Caught in the Web: Latinidad, AIDS, and Allegory in Kiss of the Spider Woman, the Musical." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Mu&ntil de;oz, 255-87. Bibliog.

Ruiz, Irma. 1996. "Componentes simbólicos de la transregionalización del tango." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/ Ruiz.html. Bibliog. Transcultural Music Review is available at http://www2.uji.es/trans.

Salessi, Jorge. 1997. "Medics, Crooks, and Tango Queens: The National Appropriation of a Gay Tango." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 141-74. Bibliog. Translated by Celeste Fr aser Delgado.

Sandroni, Carlos. 1996. "Mudanças de padrao rítmico no samba carioca, 1917-1937." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Sandroni.html. Bibliog. Transcultural Music Review is availabl e at http:/ /www2.uji.es/trans.

Santos Febres, Mayra. 1997. "Salsa as Translocation." In Everynight Life: Culture and Dance in Latin/o America, edited by C. F. Delgado and J. E. Muñoz, 175-88. Bibliog., photos.

Schaffer, Barbara. 1997. "Hart-Rouge." Sing Out! 42 (3): 94- 98. Discog., music, photo.

Schaffer, Barbara. 1997. "Jerry Alfred." Sing Out! 41 (4): 20-23. Music, photo.

Schaffer, Barbara. 1997. "Kelly Joe Phelps." Sing Out! 42 (2): 24-27. Discog., music, photos.

Seymour, Chris. 1996. Bluegrass. New York: Friedman/Fairfax, 64 pp., bibliog., discog., illus.

Sharma, B. R. 1997. "Poetic Devices in the Songs of Robert Johnson, King of the Delta Blues." TRANS 3: Transcultural Music Review 3 : Available: http://www2.uji.es/trans/trans3/ Sharma.html. Bibliog. Transcultural Music Review is available a t http://www2.uji.es/trans/.

Signorelli, Cathy. 1997. "Piedmont Blueswoman Etta Baker: One-Diming It with the Hands of Time." Sing Out! 41 (4): 34- 42. Discog., music, photos, videog.

Smith, Ralph Lee. 1997. American Dulcimer Traditions. American Folk Music and Folk Musicians, no. 2. Lanham, MD: Scarecrow Press, ix, 167 pp., bibliog., discog., illus.

Smith, Steve. 1996. "Instruments of the Cuban National Folkloric Dance Ensemble." Experimental Musical Instruments 12 (2): 34-35.

Southern, Eileen. 1997. The Music of Black Americans: A History. 3rd ed. New York: Norton, xxii, 678 pp., bibliog., discog., illus.

Tanenbaum, Susie J. 1995. Underground Harmonies: Music and Politics in the Subways of New York. Ithaca: Cornell University Press, xiv, 270 pp., bibliog., photos.

Thompson, Chad L. 1996. "Yodeling of the Indiana Swiss Amish." Anthropological Linguistics 38 (3): 495-520.

Tomko, Linda J. 1996. "Fete Accompli: Gender, 'Folk Dance, ' and Progressive-era Political Ideals in New York City." In Corporealities: Dancing Knowledge, Culture and Power, edited by S. L. Foster, 155-76. New York: Routledge. Bibliog., illu s.

Tribe, Ivan M. 1996. Mountaineer Jamboree: Country Music in West Virginia. Reprint. Lexington: University Press of Kentucky, xiii, 243 pp., bibliog., discog., illus. Reprint of 1984 edition with new afterword.

Ward, James J. 1996. "'This is Germany! It's 1933!' Appropriations and Constructions of 'Fascism' in New York Punk/Hardcore in the 1980s." Journal of Popular Culture 30 (3): 155-82.

Weaver, Christian. 1996. "Rum & Rumba." Neue Zeitschrift für Musik 157 (6): 22-26.

Weich-Shahak, Susana. 1997. "Decoding Oral Musical Tradition: Yagua Women's Songs, A Case Study." Latin American Music Review 18 (1): 30-43. Bibliog., music. Peru.

Wild, Regine. 1996. Lieder der nordamerikanischen Indianer als kompositorische Vorlagen: in der Zeit von 1890 bis zum Ersten Weltkrieg. Berliner Musik Studien, Bd. 11. Köln: Studio, 244 pp., bibliog., illus., music.

Williams, Maria P. 1995. "The Wolf and Man/Bear: Public and Personal Symbols in a Tlingit Drum." Pacific Review of Ethnomusicology 7 : 79-92. Illus.

Wolfe, Charles K. 1997. The Devil's Box: Masters of Southern Fiddling. Nashville: Vanderbilt University Press, xxiv, 232 pp., bibliog., illus.

Wolfe, Charles K. 1996. In Close Harmony: The Story of the Louvin Brothers. Jackson, MS: University Press of Mississippi, xv, 146 pp., bibliog., discog., illus.

Wolfe, Charles K. 1996. Kentucky Country: Folk and County Music of Kentucky. Lexington: University Press of Kentucky, ix, 214 pp., bibliog., discog., illus.

Asia & Oceania

Alter, Andrew. 1997. "Garhwali Bagpipes: Syncretic Processes in a North Indian Regional Musical Tradition." Asian Music 29 (1): 1-16. Bibliog., discog., music, photo.

Bakan, Michael B. 1997. "From Oxymorom to Reality: Agendas of Gender and the Rise of Balinese Women's Gamelan Beleganjur in Bali, Indonesia." Asian Music 29 (1): 37-85. Bibliog., photos.

Becker, Judith. 1997. "Tantrism, Rasa, and Javanese Gamelan Music." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 15-59. Cambridge, MA: Harvard University Center for the Study of World Religions. Bibliog., m usic, photos.

Bolsokhoyeva, Natalia D., and Kalsang Tsering. 1995. Tibetan Songs from Dingri: Tibetan Text & Paraphrastic English Translation. Opuscula Tibetana, fasc. 24. Rikon: Tibet- Institut, 65 pp., bibliog., illus.

Boltz, Judith Magee. 1996. "Singing to the Spirits of the Dead: A Daoist Ritual of Salvation." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 177-225. Stanford: Stanford University P ress. Bibliog., photos, tables.

Caspi, Mishael. 1991. Weavers of the Songs: The Oral Poetry of Arab Women in Israel and the West Bank. Washington, DC: Three Continents Press, xi, 158 pp., bibliog.

Coaldrake, A. Kimi. 1996. Women's Gidayu and the Japanese Theatre Tradition. New York: Routledge, xxix, 262 pp., bibliog., illus. + 1 sound disc.

Crowe, Peter Russell. 1996. "Music in Vanuatu." In Arts of Vanuatu, edited by J. Bonnemaison, et al, 145-49, 154-57. Honolulu: University of Hawai'i Press. Photos.

Danielson, Virginia. 1997. "The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. Chicago Studies in Ethnomusicology, Chicago: University of Chicago Press, xiii, 273 pp., bibliog., illus.

de Ferranti, Hugh. 1996. "Licence to Laugh: Humour in the Practice of 'biwa' Recitation in Rural Hyushu." Musicology Australia 19 : 3-15.

Dean, Deirdre Marshall. 1996. "Churu--The Dance-Chants of Yap (Micronesia): A Contemporary Perspective." Musicology Australia 19 : 60-71.

During, Jean. 1997. "African Winds and Muslim Djinns. Trance, Healing and Devotion in Baluchistan." Yearbook for Traditional Music 29 : 39-56. Bibliog., photos.

Gaston, Anne-Marie. 1997. Krishna's Musicians: Musicians and Music-making in the Temples of Nathdvara, Rajasthan. New Delhi: Manohar, 358 pp., bibliog., illus.

Harnish, David. 1997. "Music, Myth, and Liturgy at the Lingsar Temple Festival in Lombok, Indonesia." Yearbook for Traditional Music 29 : 80-106. Bibliog., photos.

Ho, Edward. 1997. "Yangqin and its Music in China in the Period of 1949-1979." Chinese Music 20 (1): 17-20.

Huffman, Kirk W. 1996. "The Fieldworkers of the Vanuatu Cultural Centre and Their Contributions to the Audiovisual Collections." In Arts of Vanuatu, edited by J. Bonnemaison, et al, 290-93. Honolulu: University of Hawai'i Press. Photos.

Huffman, Kirk W. 1996. "History of Audiovisual Documents: Earliest 'European' Paintings, Photographs, Films and Recordings of Vanuatu." In Arts of Vanuatu, edited by J. Bonnemaison, et al, 278-87. Honolulu: University of Hawai'i Press. Photos.

Huffman, Kirk W. 1996. "Single Bamboo Flutes." In Arts of Vanuatu, edited by J. Bonnemaison, et al, 150-53. Honolulu: University of Hawai'i Press. Photos.

Huimin, Qi Limusishiden, and Kevin Stuart. 1997. "Huzhu Monguor Wedding Songs: Musical Characteristics." Chinese Music 20 (1): 6-12. Bibliog.

Inayat Khan. 1996. The Mysticism of Sound and Music. Rev. ed. Boston: Shambhala, ix, 322 pp. Revised and enlarged edition of vol. 2 of The Sufi Message of Hazarat.

Johnson, Henry M. 1996. "A Survey of Present-Day Japanese Concepts and Classification of Musical Instruments." Musicology Australia 19 : 16-39.

Judd, Ellen R. 1996. "Ritual Opera and the Bonds of Authority: Transformation and Transcendence." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 226-46. Stanford: Stanford University Press. Bibliog.

Keister, Jay D. 1995. "Japanese Mi-Kagura Ritual as Embodied Performance." Pacific Review of Ethnomusicology 7 : 17-29.

Kizildemir, Zülfü. 1995. Das ethnische Lied als Medium kultureller Selbstbehauptung: das kurdische (Volks-)lied in seinen sozialen, politischen und kommunikativen Funktionen. Agenda Medien, 7. Münster: Agenda Verlag, 207 pp., bibliog ., illus. Kurdistan.

Lam, Joseph S. C. 1996. "Ritual and Musical Politics in the Court of Ming Shizong." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 35-53. Stanford: Stanford University Press. Bibliog .

Lancashire, Terence. 1997. "Music for the Gods: Musical Transmission and Change in Iwami Kagura." Asian Music 29 (1): 87-123. Bibliog., music.

Lau, Frederick. 1996. "Forever Red: The Invention of Solo Dizi Music in Post-1949 China." British Journal of Ethnomusicology 5 : 113-31.

Lha Thvat', Canda ra. 1996. Mran ma gita re ci kron. Ran'kun: Ca khyac su Ca can, 345 pp., bibliog. Burma.

Lockard, Craig A. 1996. "From Folk to Computer Songs: The Evolution of Malaysian Popular Music, 1930-1990." Journal of Popular Culture 30 (3): 1-26.

Manuel, Peter. 1997. "Music, Identity, and Images of India in the Indo-Caribbean Diaspora." Asian Music 29 (1): 17-35. Bibliog.

Museum Negeri Propinsi Lampung "Ruwa Jurai". 1995. Instrumen musik tradisional Lampung koleksi Museum Negeri Provinsi Lampung "Ruwa Jurai". Bandar Lampung: Departmentem Pendidikan dan Kebudayaan, Kantor Wilayah Provinsi Lampung, Bagian Proyek Pembi naan Permuseuman Lampung, 54 pp., bibliog., illus. Indonesia.

Ness, Sally Ann. 1996. "Dancing in the Field: Notes from Memory." In Corporealities: Dancing Knowledge, Culture and Power, edited by S. L. Foster, 129-54. New York: Routledge. Bibliog. Bali and the Philippines.

Ness, Sally Ann. 1997. "Originality in the Postcolony: Choreographing the Neoethic Body of Philippine Ballet." Cultural Anthropology 12 (1): 64-108.

Obevamsa, Kalinga. 1996. Ruhunu natum siddhanta samiksanaya. Kolamba: Ruhunu Kala Kavaya saha As. Godage saha Sahodarayo, 173 pp., illus. Sri Lanka.

Paranavitana, Dhanapala. 1996. Bayila rasa vindanaya. Kolamba: As. Godage saha Sahodarayo, 152 pp. Sri Lanka.

Pian, Rulan Chao. 1997. "Music and the Confucian Sacrificial Ceremony." In Enchanting Powers: Music in the World's Religions, edited by L. E. Sullivan, 237-62. Cambridge, MA: Harvard University Center for the Study of World Religions. Gloss., music .

Ping-Hui Li. 1996. "Processional Music in Traditional Taiwanese Funerals." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 130-49. Stanford: Stanford University Press. Bibliog., music .

Provine, Robert C. 1996. "State Sacrificial Music and Korean Identity." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 54-75. Stanford: Stanford University Press. Bibliog., tables.

Qureshi, Regula Burckhart. 1997. "The Indian Sarangi: Sound of Affect, Site of Contest." Yearbook for Traditional Music 29 : 1-38. Bibliog., photos.

Rawski, Evelyn S. 1996. "The Creation of an Emporer in Eighteenth-Century China." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 150-74. Stanford: Stanford University Press. Bibliog. , diagr., music, tables.

Rees, Helen. 1996. "Musical Assertion of Status among the Naxi of Lijiang County, Yunnan." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 76-104. Stanford: Stanford University Press. Bibliog., maps.

Reimann, Michael. 1996. Das didgeridoo: Geschichte und Spielpraxis eines der altesten Instrumente der Welt. 2nd ed. Zurich: Pamedia, 67 pp., bibliog., discog., illus. + 1 sound cassette.

Rutherford, Daniel. 1996. "Of Birds and Gifts: Reviving Tradition on an Indonesian Frontier." Cultural Anthropology 11 (4): 577-616.

Sam, Jacob. 1996. "Audiovisual Documentation of Living Cultures as a Major Task for the Vanuatu Cultural Centre." In Arts of Vanuatu, edited by J. Bonnemaison, et al, 288-89. Honolulu: University of Hawai'i Press. Photos.

Sá, Mario Cabral e. 1997. Wind of Fire: The Music and Musicians of Goa. New Delhi: Promilla, 373 pp., bibliog., illus.

Schuyler, Philip D. 1997. "Qat, Conversation, and Song: A Musical View of Yemeni Social Life." Yearbook for Traditional Music 29 : 57-73. Bibliog., photos.

Sharvit, Uri. 1995. Chassidic Tunes from Galicia. Jerusalem: Renanot, xxxviii, 129 pp., bibliog., illus., music + 1 sound cassette. In English and Hebrew.

Soeharto, A. H, Achmad Soenardi, and Samidi Sunupratomo. 1995. Serba-serbi keroncong. Jakarta: s.n., xiv, 126 pp., bibliog., illus. Indonesia.

Stock, Jonathan P. J. 1996. Musical Creativity in Twentieth- Century China: Abing, His Music, and Its Changing Meanings. Rochester: University of Rochester Press, xii, 209 pp., bibliog., maps, photos. + 1 sound disc.

Stokes, Martin. 1996. "History, Memory and Nostalgia in Contemporary Turkish Musicology." Music & Anthropology 1 : Available: http://muspe1.cirfid.unibo.it/period/ma/index/ number1/stokes1/st1.htm. Bibliog. + audio examples. Music & Anth ropology is available at http://muspe1.cirfid.unibo.it/ period/ma/index/.

Subramaniam, L. and Viji Subramaniam. 1995. Euphony: Indian Classical Music. New Delhi: Affiliated East-West Press, 174 pp., illus.

Sundaram, B. M. 1996. M. Balamuralikrshna, Splendor of Swaras: An Authorised Biography. New Delhi: Siddhi Books, 163 pp., illus.

Thompson, Gordon. 1995. "On Music and Values in Gujarati Western India." Pacific Review of Ethnomusicology 7 : 57-58.

Turner, David H. 1997. Afterlife before Genesis: An Introduction : Accessing the Eternal through Australian Aboriginal Music. Toronto Studies in Religion, vol. 22. New York: Peter Lang, xxiv, 267 pp., bibliog., discog., illus.

Tyagi, Manjusree. 1997. Significance of Compositional Forms in Hindustani Classical Music. Delhi: Pratibha Prakashan, xiv, 208 pp., bibliog., illus.

Ueta, Jo. 1993. Ryukoka to manga ni miru Showa no shozo. Tokyo: Kindai Bungeisha, 142 pp., bibliog., illus. Japan.

Van Zile, Judy. 1996. "Non-Polynesian Dance in Hawai'i: Issues of Identity in a Multicultural Community." Dance Research Journal 28 (1): 28-50.

Watson, Rubie S. 1996. "Chinese Bridal Laments: The Claims of a Dutiful Daughter." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 107-29. Stanford: Stanford University Press. Bibliog ., maps.

Yano, Christine. 1997. "Charisma's Realm: Fandom in Japan." Ethnology 36 (4): 335-49.

Yung, Bell. 1996. "The Nature of Chinese Ritual Sound." In Harmony and Counterpoint: Ritual Music in Chinese Context, edited by B. Yung, E. S. Rawski, and R. S. Watson, 13-31. Stanford: Stanford University Press. Bibliog., table.

Yung, Bell, Evelyn S. Rawski, and Rubie S. Watson, ed. 1996. Harmony and Counterpoint: Ritual Music in Chinese Context. Stanford: Stanford University Press, xi, 323 pp., bibliog., gloss., maps, tables.

Europe

Alarik, Scott. 1997. "Solas: Innovative Traditions." Sing Out! 42 (2): 56-63. Discog., music, photo.

Beckerman, Michael. 1996. "Kundera's Musical Joke and 'Folk' Music in Czechoslovakia, 1948-?" In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 37-53. Durham: Duke University Press. Bibliog.

Bithell, Caroline. 1996. "Polyphonic Voices: National Identity, World Music, and the Recording of Traditional Music in Corsica." British Journal of Ethnomusicology 5 : 39-66.

Bohlman, Philip. 1996. "The Final Borderpost." Journal of Musicology 14 (4): 427-52. Music of pilgrimage in 20th century Europe.

Borgna, Gianni, and Luca Serianni. 1994. La Lingua Cantata: L'italiano nella canzone dagli anni Trenta ad oggi. Roma: Garamond, x, 221 pp., bibliog., discog.

Buchanan, Donna A. 1996. "Wedding Musicians, Political Transition, and National Consciousness in Bulgaria." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 200-30. Durham: Duke University Press. Bibliog., di scog.

Camara, Enrique. 1996. "Escándalos y condenas: Recepción del tango en Italia." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Camara.html. Transcultural Music Review is available at http:// w ww2.uji.es/trans/.

Cohen, Judith R. 1997. "" Ay! Ribadavia': Re-creating Sephardic Culture in a Galician Town." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/ trans/TRANSIberia1/%20Cohen.html. Bibliog. Transcultural Music Review is available at http://www2.uji.es/trans.

Czekanowska, Anna. 1996. "Continuity and Change in Eastern and Central European Traditional Music." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 92-98. Durham: Duke University Press. Bibliog.

Czekanowska, Anna, et al. 1995. Dziedzictwo europejskie a polska kultura muzyczna w dobie przemian: studia. Studia et dissertationes Instituti musicologiae Universitatis Varsoviensis, Seria B, t. 5. Kraków: Musica Iagellonica, 427 pp., bibli og, illus., music. Poland.

Dahlig, Piotr. 1993. Ludowa praktyka muzyczna w komentarzach i opiniach wykonawców w Polsce. Warsaw: Instytut Sztuki PAN, 309 pp., bibliog., illus., music. English summary.

Dawe, Kevin. 1996. "The Engendered 'Lyra': Music, Poetry, and Manhood in Crete." British Journal of Ethnomusicology 5 : 93-112.

Demas, Elias S., and Angelike Triantafyllou. 1997. "The Kanghelari Dance as a Means of Communication in the Village of Papadatai in Epeiros, Hellas." Dance Chronicle 20 (3): 275-94. Greece.

Elschekova, Alicia. 1996. "Slowakische Hochzeitslieder in ihre funktionellen und strukturellen Schichtung." Studia Musicologica 37 (2-4): 151-90. Bibliog., music.

Fenlon, Iain. 1996. "Music, Ceremony and Self-Identity in Renaissance Venice." Music & Anthropology 1 : Available: http://muspe1.cirfid.unibo.it/period/ma/index/number1/fenl1/ fe1.htm. Bibliog., illus., photos, tables + audio examples. Music & Anthropology is available at http:// muspe1.cirfid.unibo.it/period/ma/index/.

Fotheringham, Keith. 1997. "John Roberts & Tony Barrand: A Rare Breed." Sing Out! 42 (3): 34-45. Discog., music, photos.

------. 1997. "The Many Faces of Eliza Carthy." Sing Out! 42 (1): 40-51. Discog., music, photos.

Frigyesi, Judit. 1996. "The Aesthetic of the Hungarian Revival Movement." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 54-75. Durham: Duke University Press. Bibliog.

García Gallardo, Francisco. 1997. "El 'popurrí' en las murgas o chirigotas del carnaval de Huelva." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/ trans/TRANSIberia1/Fran.html. Bibliog. Andalusia. Transc ultural Music Review is available at http:// www2.uji.es/trans.

Hess, Carol A. 1997. "Silvestre Revueltas in Republican Spain: Music as Political Utterance." Latin American Music Review 18 (2): 278-96. Bibliog.

Hryca, Zofia, ed. 1995. Muzychnyj z Poliss'ja -- u zapisakh Kolessy ta Kazimira Moszynskoho. Kyjiv: Muzychna Ukrajina, 418 pp., music.

Hunt, Ken. 1997. "Folk Music in Germany: The Replenished Wellspring." Sing Out! 42 (3): 64-72. Discog., music, photos.

Ibarretxe, Gotzon. 1996. "Identidad étnica y la música vasca." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Ibarretxe.html. Bibliog. Transcultural Music Review is available at http:// www2. uji.es/trans.

Ivanova, Radost and Margarita Mladenova. 1995. Epos, ethos, etos: eposut vuv folklornata kultura na slavianskite i balkanskite narodi. Sofiia: Universitetsko izd-vo "Sv. Kliment Okhridski", 297 pp., bibliog.

Kerbelyte, Bronislava and Broné Stundziene. 1996. Lietuviu folkloro chrestomatija. Vilnius: Regnum fondas, 269 pp., bibliog., illus., music.

La Vena, Vincenzo. 1996. Strumenti giocattolo e strumenti da suono a Terranova da Sibari. Calabria: Rubbettino Editore, 378 pp., bibliog., illus., photos.

Labajo, Joaquina. 1997. "How Musicological and Ethnomusicological is Spanish Flamenco." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/ trans/TRANSIberia1/%20Labajo.html. Bibliog. Transcultural Music Review is avai lable at http://www2.uji.es/trans.

Labajo, Joaquina. 1997. "Musical Ethnography under Spanish Colonial Power in the Modern Age." Music & Anthropology 2 : Available: http://muspe1.cirfid.unibo.it/period/ma/index/ number2/labajo/joa0.htm. Bibliog., illus., + audio examples. Mu sic & Anthropology is available at http:// muspe1.cirfid.unibo.it/period/ma/index/.

Laborde, Denis. 1996. "Des Joutes poétiques au vélodrome. La Championnat des bertsulari en Pays Basque." TRANS 2: Transcultural Music Review 2 : Available: http:// www2.uji.es/trans/trans2/Laborde.html. Bibliog. Transcultural Music Review is available at http:// www2.uji.es/trans/.

Lange, Barbara Rose. 1996. "Lakodalmas Rock and the Rejection of Popular Culture in Post-Socialist Hungary." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 76-91. Durham: Duke University Press. Bibli og.

Lausevic, Mirjana. 1996. "The Ilahiya as a Symbol of Bosnian Muslim National Identity." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 117-35. Durham: Duke University Press. Bibliog.

Levin, Theodore. 1996. "Dmitry Pokrovsky and the Russian Folk Music Revival Movement." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 14-36. Durham: Duke University Press. Bibliog.

Ling, Jan. 1997. A History of European Folk Music. Rochester, NY: University of Rochester Press, 249 pp., bibliog., illus. Translated from the Swedish by Linda and Robert Schenk.

Lundberg, Dan, and Gunnar Ternhag. 1996. Folkmusik i Sverige. Stockholm: Gidlunds förlag, 192 pp., bibliog., illus.

Mac Donncha, Cóil Neaine Pháidín. 1993. Pluid dhorcha Leára: compánach don chaiséad CIC 017. Guth an ealaíontóra, 8. Indreabhán Conamara: Cló Iar-Chonnachta, 45 pp. Ireland.

Martí, Josep. 1997. "Folk Music Studies and Ethnomusicology in Spain." Yearbook for Traditional Music 29 : 107-40. Bibliog.

Mazo, Margarita. 1996. "Change as Confirmation of Continuity as Experienced by Russian Molokans." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 254-75. Durham: Duke University Press. Bibliog.

Midov, Khazhmusa Khazhmuratovich. 1995. Kabardino-Balkarskii gosudarstvennyi ansambl pesni i pliaski. Nal'chik: "El'brus", 110 pp., illus.

Mintz, Jerome R. 1997. Carnival Song and Society: Gossip, Sexuality, and Creativity in Andalusia. Oxford, UK: Berg, xxxv, 267 pp., bibliog., illus., maps.

Mirenzi, Francesco. 1997. Rock Progressivo Italiano. Vol. 1. Roma: Castelvecchi, ?? pp., bibliog., discog.

Mursic, Rajko. 1995. Centar za dehumanizacijo: etnoloski oris rock skupine. Pesnica: Frontier: ZKO Pesnica, 292 pp., bibliog., discog., illus. Slovenia.

Norman, Karin. 1993. "Celebrating Nikolaus Day: Ideology and Emotion in a German Children's Ritual." Ethnology 32 (4): 325-38.

Popa, Steluta. 1996. "The Romanian Revolution of December 1989 and Its Reflection in Musical Folklore." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 156-75. Durham: Duke University Press. Bibliog.

Prevos, Andre J. M. 1996. "The Evolution of French Rap Music and Hip Hop Culture in the 1980s and 1990s." The French Review 69 (5): 713-25.

Rasmussen, Ljerka Vidic. 1996. "The Southern Wind of Change: Style and the Politics of Identity in Prewar Yugoslavia." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 99-116. Durham: Duke University Press. B ibliog.

Raventos, Jordi. 1996. "La danza francesa en Barcelona durante el siglio XVIII: recepción y tranformación." TRANS 2: Transcultural Music Review 2 : Available: http:// www2.uji.es/trans/trans2/Raventos.html. Bibliog. Transcultural M usic Review is available at http:// www2.uji.es/trans.

Restani, Donatelli. 1997. "Music and Myth in Ancient Greece." Music & Anthropology 2 : Available: http:// muspe1.cirfid.unibo.it/period/ma/index/number2/restani/ dona0.htm. Bibliog., maps, photos. Music & Anthropology is available at http://muspe1.cirfid.unibo.it/period/ma/index/.

Rice, Timothy. 1996. "The Dialectic of Economics and Aesthetics in Bulgarian Music." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 176-99. Durham: Duke University Press. Bibliog., tables.

Sánchez Equiza, Carlos. 1997. "'Ondeski Dantzatzen': Ilustración y danza tradicional vasca." TRANSIberia 1: Transcultural Music Review : Available: http://www2.uji.es/ trans/TRANSIberia1/%20Sanchez.html. Bibliog. Transcultural Musi c Review is available at http://www2.uji.es/trans.

Schaub, Franz. 1995. Es dunkelt schon in der Heide: Dichter, Komponisten und Sammler der schönsten deutschen Volkslieder. Husum: Husum Druk- und Verlagsgesellschaft, 91 pp., illus. Germany.

Schäffer, Burkhard. 1996. Die Band: Still und ästhetische Praxis im Jugendalter. Opladen: Leska + Budrich, 285 pp., bibliog. Germany.

Segek, Joel. 1997. "Huun-Huur-Tu: Hooked on Polyphonics." Sing Out! 42 (2): 34-41. Discog., photo. Russia.

Selander, Inger. 1996. Folkrörelsesang. Sweden: Sober förlag, 351 pp., bibliog., illus. English summary.

Silverman, Carol. 1996. "Music and Marginality: Roma (Gypsies) of Bulgaria and Macedonia." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 231-53. Durham: Duke University Press. Bibliog.

Slobin, Mark, ed. 1996. Retuning Culture: Musical Changes in Central and Eastern Europe. Durham: Duke University Press, vi, 310 pp., bibliog., discog., tables.

Soeiro da Carvalho, Joao. 1996. "A Naçao Folclórica: projecçao nacional, política cultural e etnicidad em Portugal." TRANS 2: Transcultural Music Review 2 : Available: http://www2.uji.es/trans/trans2/Soeiro.html. Bibliog . Transcultural Music Review is available at http:/ /www2.uji.es/trans.

Staiti, Nico. 1997. "The Roma Khorakhané as Cultural Mediators: Nuptial Rites and Music." Music & Anthropology 2 : Available: http://muspe1.cirfid.unibo.it/period/ma/index/ number2/rom/rom.htm. Bibliog., photos + audio and video examples . Music & Anthropology is available at http:// muspe1.cirfid.unibo.it/period/ma/index/.

Suchoff, Benjamin ed. 1997. Béla Bartók Studies in Ethnomusicology. Lincoln: University of Nebraska Press, xxiii, 295 pp., bibliog., music.

Thornton, Sarah. 1997. Club Cultures: Music, Media, and Subcultural Capital. Hanover, NH: University Press of New England, x, 191 pp., bibliog., illus.

Vikar, Lazlo. 1996. "What is Old and What is New in the Traditional Music of the Volga-Kama Region." Studia Musicologica 37 (2-4): 137-49. Bibliog., music.

Waginska-Marzec, Maria. 1996. Protest-song w Republice Federalnej Niemiec w okresie kontestacji mlodziezowej. Studium niemcoznawcze Instytutu Zachodniego, nr. 70. Poznan: Instytut Zachodni, 331 pp., bibliog., illus. Germany.

Wanner, Catherine. 1996. "Nationalism on Stage: Music and Change in Soviet Ukraine." In Retuning Culture: Musical Changes in Central and Eastern Europe, edited by M. Slobin, 136-55. Durham: Duke University Press. Bibliog.

Weir, Rob. 1996. "Battlefield Band's Colorful Past and Present." Sing Out! 41 (3): 34-44. Discog., music, photos.

Zeranska-Kominek, Slawomira. 1996. "Guillaume Andre Villoteau i paradygmat pismiennosci w etnomuzyklogii." Muzyka 41 (1): 41-53. English summary.

Acknowledgements

Joseph C. Hickerson, Ramón Pelinski, Alan Waters.