Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe

General

Cohen, Selma Jeanne. 1998. International Encyclopedia of Dance. New York: Oxford University Press, Illus.

Erlmann, Veit. 1998. "How Beautiful is Small? Music, Globalisation, and the Aesthetics of the Local." Yearbook for Traditional Music 30: 12-21. Bibliog.

Fornas, Johan. 1997. "Text and Music Revisited." Theory, Culture and Society 14 (3): 109-23.

Gray, Judith. 1997. "Returning Music to the Makers: The Library of Congress, American Indians, and the Federal Cylinder Project." Cultural Survival 20 (4): 42-44.

Hakanen, Ernest A. 1998. "Counting Down to Number One: The Evolution of the Meaning of Popular Music Charts." Popular Music 17 (1): 95-111. Bibliog.

Iwanow, Victor. 1996. "Die Herstellung von Musikinstrumenten. Vom Streben nach gottlicher Volkommenheit auf dem Wege technischen Fortschritts." Mitteilungen fur Anthropologie und Religiongeschichte 11: 41-45. Musical instruments.

Jacobson, Mark. 1997. "Maestro of the Secret Museum." Natural History 106 ( 5): 64-7.

Jones, Stacey Holman. 1998. "Kaleidoscope Notes: Writing Women's Music and Organizational Culture." Qualitative Inquiry 4 (2): 148-77.

Larkin, Colin. 1998. The Encyclopedia of Popular Music. New York:: Muze UK, Earlier edition published under title: The Guinness Encyclopedia of Popular Music, 1992.

Livingston, Tamara. 1999. "Music Revivals: Toward a General Theory." Ethnomusicology 43 (1): 66-85. Bibliog.

Lundquist, Barbara Reeder and C. K. Szego. 1998. Musics of the World's Cultures: A Source Book for Music Educators . Nedlands, WA.: Callaway International Resource Centre for Music Education (CIRCME) for the International Society for Music Educatio n (ISME), 238 pp., illus.

Marian-Balasa, Marin. 1998. Music of the Youth and the Contemporary Society. Bucharesti: Romanian Society for Ethnomusicology, Bibliogs., discogs., illus., maps, music, photos. Contents: Clash of Cultures, Clash of Generations, Clash of Ideologies / Anna Czekanowska (3-9);The Relationship between the Traditional Folk Music and the Present Day Culture in the Activities of the St. Nicholas Orchestra / Marcin Skrzypek (11-15); Kyczera, the Lemkos folk song and dance group / Jerzy Starzynski (15-19); T he House of Dance in Warsaw / Janus Prusinowski (19-23); Situation among Traditional Musicians in Podhale (Polish Tatra Mountains) / Tomasz Nowak (23-26); Traditional Music between Gemeinschaft and Gesellschaft: Some rReflections on a Revival Phenomenon / Anders Hammarlund (27-34); Traditional Music in Contemporary Local Communities in Poland / Piotr Dahlig (35-44); Folk Music Revival in Poland and Northumberland / Ewa Dahlig (45-50); Changes of Certain Song Types as Exemplified by Folk Songs from Southwe st Bulgaria / Yana Leitner (51-59); Korean Music: Percussion, Power, History, and Youth / Robert C. Provine (61-71); 'You Can't Fuse Yourself': Contemporary British-Asian Music and the Musical Expression of Identity / Martin Clayton (73-87); Strange Instr uments, Strange Use: Late Political Craziness Haunting the Folk Creation / Felicia Diculescu (89-102); Manipulating the Sacred: Winter Folk Songs under Communist Pressures / Marin Marian-Balasa (103-129); 'Why am I studying the East?': An international i nquiry / Bruno Nettl et al (131-147).

Martinez, Theresa A. 1998. "Race and Popular Culture: Teaching African American Leadership Styles through Popular Music." Teaching Sociology 26 (3): 207-214.

Monson, Ingrid. 1999. "Riffs, Repetition, and Theories of Globalization." Ethnomusicology 43 (1): 31-65. Bibliog., music.

Nettl, Bruno. 1998. "Arrows and Circles: An Anniversary Talk About Fifty Years of ICTM and the Study of Traditional Music." Yearbook for Traditional Music 30: 1-11. Bibliog.

Nettl, Bruno, and Melinda Russell ed. 1998. In the Course of Performance: Studies in the World of Musical Improvisation . Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, viii, 413 pp., bibliog., music, photos, tables. Cont ents: An Art Neglected in Scholarship / Bruno Nettl (1-23); Recognizing Improvisation / Stephen Blum (27-45); Psychological Constraints on Improvisational Expertise and Communication / Jeff Pressing (47-67); Do Javanese Gamelan Musicians Really Improvise? / R. Anderson Sutton (69-92); Improvisation, Ecstasy, and Performance Dynamics in Arabic Music / Ali Jihad Racy (95-112); Go On, Girl!: Improvisation in African-American Girls' Singing Games / Eve Harwood (113-25); Improvisation in Latin American Dance M usic: History and Style / Peter Manuel (127-47); Oh Freedom: George Russel, John Coltrane, and Modal jazz / Ingrid Monson (149-68); Improvisation and Group Interaction in Italian Lyrical Singing / Tulla Magrini (169-98); Exploding the Belly: Improvisation in Cantonese Opera / Sau Y. Chan (199-218); Melodic Improvisation in Karnatak music: The Manifestations of Raga / T. Viswanathan and Jody Cormack (219-33); Setting the Stage: Clara Schumann's Preludes / Valerie Woodring Goertzen (237-60); A Sense of the Possible: Miles Davies and the Semiotics of Improvised Performance / Chris Smith (261-90); The Improvisation of Louis Armstrong / Lawrence Gushee (291-334); Keeping it Going: Terms, Practices, and Processes of Improvisation in Hindustani Instrumental Musi c / Stephen Slawek (335-68); Taqsim Nahawand Revisited: The Musicianship of Jihad Racy / Bruno Nettl and Ronald Riddle (369-92) .

Petersen, Hanne. 1998. "On Law and Music: From Song Duels to Rhythmic Legal Orders?" Journal of Legal Pluralism and Unofficial Law 41: 75-87.

Reid-Walsh, Jacqueline, and Ronald Reichertz. 1994. "Nursery Rhymes and Children's Songs." Children's Literature Association Quarterly 19 (3): 99-117.

Schwarz, David, Anahid Kassabian and Lawrence Siegel. 1997. Keeping Score: Music, Disciplinarity, Culture. Charlottesville, VA: University Press of Virginia, ix, 307 pp. Selected contents: We Won't Get Fooled Again: Rock Music and Musical Analysis / John Covach (75-89); Liverpool and the Beatles: Exploring Relations between Music and Place, Text and Context / Sarah Cohen (90-106); Out of Notes: Signification, Interpretation, and the Problem of Miles Davis / Robert Walser (147-68); Writing Ghost Notes: The Poetics and Politics of Transcription / Peter Winkler (169-203); Sisterhood: A Loving Lesbian Ear Listens to Progressive Heterosexual Women's Rock Music / Jennifer Rycenga (204-28) .

Seeger, Anthony. 1997. "Traditional Music in Community Life: Aspects of Performance, Recordings, and Preservation." Cultural Survival 20 (4): 20-22.

Shelemay, Kay Kaufman. 1998. Let Jasmine Rain Down: Song and Remembrance among Syrian Jews. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, xvi, 291 pp., bibliog., discog., illus., music + 1 sound disc.

Simone Jacqueline Waldren, and Donald V. L. Macleod. 1997. Tourists and Tourism: Identifying with People and Places. Oxford, England: Berg, xi, 245 pp. Selected contents: Whose New Orleans? Music's Place in the Packaging of New Orleans for Touris m / Connie Zeanah Atkinson (91-106); More than the Beatles: Popular Music, Tourism and Urban Regenerations / Sara Cohen (71-90).

Tagg, Philip. 1998. "The Göteborg Connection: Lessons in the History and Politics of Popular Music Education and Research." Popular Music 17 (2): 219-42. Bibliog.

Tunger, Albrecht. 1997. "Appenzeller Kuhreihen. Beobachtungen - Erkentnisse -Fragen." Schweizerisches Archiv fur Volkskunde 93 (2): 169-98.

Africa

Anku, Willie. 1997. "Principles of Rhythm Integration in African Drumming." Black Music Research Journal 17 (2): 211-38. Bibliog., music.

Diawara, Mamadou. 1996. "Le Griot mande a l'heure de la globalisation." Cahiers d'Etudes Africaines 36 (4): 591-612.

Gouja, Zouheir. 1996. "Une tradition musicale de transe afro-maghrebine: 'Stambali'." Cahiers des arts et traditions populaires 11: 71-99. Tunisia.

Green, Doris. 1998. "Resurrecting African Music and Dance." Cultural Survival Quarterly 21 (4): 18-19. Dance not., music .

Ikuenobe, Polycarp. 1994. "African Aesthetics and the Music of Fela A. Kuti: A Semiotic Analysis." Literary Griot 6 (2): 1-13.

Kapteijns, Lidwien and Mariam Omar Ali. 1996. " Sittaat: Somali Women's Songs for the 'Mothers of the Believers.'" In The Marabout & the Muse: New Approaches to Islam in African Literature, edited by Harrow, Kenneth W., 124-41. Portsmouth, NH: Heinemann.

Mukuna, Kazadi wa. 1997. "Creative Practice in African Music: New Perspectives in the Scrutiny of Africanisms in Diaspora." Black Music Research Journal 17 (2): 239-50. Bibliog., discog.

Novick, Adam. 1997. "Drumming in the Shadow of a Satellite Dish." Cultural Survival 20 (4): 33-37. Senegal. Gambia.

Ogede, Ode S. 1994. "Oral Performance as Instruction: Aesthetic Strategies in Children's Play Songs from a Nigerian Community." Children's Literature Association Quarterly 19 (3): 113-17.

Rovsing Olsen, Miriam. 1996. "Modalites d'organisation du chant berbere: paroles et musique." Journal of Mediterranean Studies 6 (1): 88-108. Berbers. English summary.

Tadasu Tsuruta. 1998. "Popular Music, Sports, and Politics in Dar es Salaam during the British Colonial Period ." Journal of Asian and African Studies 55: 93-118. Tanzania. In Japanese. English summary.

Tshonga Onyumbe . 1997. "Tabu Ley, un musicien congolais." Annales aequatoria 18: 435-69. Congo.

Zafrani, Haim. 1996. "Traditions poetiques et musicales juives au Maroc: centralite
religieuse et fonctions sociales ." Journal of Mediterranean studies 6 (1): 135-46. Morocco. English summary.

Americas

Aires, Mary Pimentel. 1993. "Musica e politica no Brasil: o movimento musical no Ceara dos anos sessenta." Revista de ciencias sociais 23-24 (1-2): 93-125. Brazil.

Akintunde, Omowale. 1998. "Rap, Race, and Ebonics: The Effect of EPD (European Paradigm Domination) and Visual Media on American Education and Formulation of Social Values." Griot 17 (1): 20-31.

Bahr, Donald, Lloyd Paul, and Vincent Joseph. 1997. Ants and Orioles: Showing the Art of Pima Poetry. Salt Lake City, UT: University of Utah Press, xiv, 205 pp.

Bodinger-deUriarte, Cristina, and David Askren. 1994. "The Importance of Reference Groups and Social Context in the Evolution of Jazz." California Sociologist 17-18 (1-2): 41-58.

Borchard, Kurt. 1998. "Between a Hard Rock and Postmodernism: Opening the Hard Rock Hotel and Casino." Journal of Contemporary Ethnography 27 (2): 242-69.

Brothers, Thomas. 1997. "Ideology and Aurality in the Vernacular Traditions of African-American Music (ca. 1890-1950)." Black Music Research Journal 17 (2): 169-209. Bibliog., music.

Burger, Simone. 1997. "'Keeping the tradition up-to-date': Die Lieder der heutigen Pennsylvaniadeutschen als Spiegel ihrer ethnischen Identitat [Keeping the tradition up-to-date: The songs of contemporary Pennsylvania Germans as a mirror of their ethnic identity]." Jahrbuch fur Volksliedforschung 42: 78-88. English summary.

Burns, Gary. 1998. "Visualising 1950s Hits on Your Hit Parade." Popular Music 17 (2): 139-52. Bibliog., photos.

Burston, Jonathan. 1998. "Theatre Space as Virtual Place: Audio Technology, the Reconfigured Singing Body, and the Megamusical." Popular Music 17 (2): 205-18. Bibliog.

Canzio, Riccardo. 1997. "Text and Music in Bororo Chanting." Bulletin de la Societe suisse des Americanistes 61: 63-70, 128. Brazil.

Dalphinis, Morgan. 1996. " Saint Lucian Lawoz and Lamagwit Songs within the Caribbean and African Tradition. " In Framing the Word: Gender and Genre in Caribbean Women's Writing, edited by Anim-Addo, Joan, 86-92. London: Whiting and Birch.

Danchin, Sebastian. 1998. Blues Boy: The Life and Music of B. B. King. Jackson, MS: University Press of Mississippi, xii, 156 pp.

Delgado, Angel Acuña. 1998. "Consideraciones teórico-methodológicas en el estudio semiológico y contextual de la danza Yu'pa." Latin American Music Review 19 (2): 244-66. Bibliog. Venezuela.

Dillon, Hope. 1997. "Cafe Tacuba: Forging a New Mexican Identity." Journal of American Culture 20 (2): 75-83.

DjeDje, Jacqueline Cogdell and Eddie S. Meadows ed. 1998. California Soul: Music of African Americans in the West. Music of the African Diaspora, 1. Berkeley: University of California Press, x, 507 pp. CONTENTS: Bakan, Michael, "Way Out West on Ce ntral: Jazz in the African-American Community of Los Angeles before 1930" (23-78); Eastman, Ralph, "'Pitchin' Up a Boogie': African-American Musicians, Nightlife, and Music Venues in Los Angeles, 1930-1945" (79-103); Hildebrand, Lee, "Oakland Blues" (104- 12); Moore, James C., "A Conversation with Bob Geddins" (112-23); DjeDje, Jacqueline Cogdell, "The California Black Gospel Music Tradition: A Confluence of Musical Styles and Cultures" (124-75); Person-Lynn, Kiwaku, "Insider Perspectives on the American A frikan Popular Music Industry and Black Radio" (179-212); Collins, Willie R., "California Rhythm and Blues Recordings, 1942-1972: A Diversity of Styles" (213-43); Kidula, Jean, "The Gospel of Andrae Crouch, a Black Angeleno" (294-320); Meadows, Eddie S. " African Americans and 'Lites Out Jazz' in San Diego: Marketing, Impact, and Criticism" (244-74); Stein, Danica L. "Clora Bryant: Gender Issues in the Career of a West Coast Jazz Musician" (277-93); Browne, Kimasi L., "Brenda Holloway: Los Angeles's Contri bution to Motown" (321-51); Martinelli, David, "Source Materials and Guide to African-American Music, Musicians, and Culture in California" (353-447).

Drew, Robert S. 1998. "Embracing the Role of Amateur: How Karaoke Bar Patrons become Regular Performers." Journal of Contemporary Ethnography 25 (4): 449-68.

Fernandez Juarez, Gerardo. 1997. "La 'mujer interprete'. Lo publico y lo privado en el altiplano aymara de Bolivia." Anthropologica del Departamento de Ciencias Sociales 15 (15): 173-94.

Fillingim, David. 1996. "The Gospel Songs and the Cheatin' Songs: Redneck Theological Discourse and the Problem of Suffering." Studies in Popular Culture 19 (2): 185-95.

Ford, Charles. 1998. "Robert Johnson's Rhythms." Popular Music 17 (1): 71-93. Bibliog., discog., tables.

García, Miguel A. 1998. "Conversación religiosa y cambio cultural." Latin American Music Review 19 (2): 203-217. Bibliog. Argentina.

Kike-Pinto, Arturo. 1995. "El waqra phuku." Boletin de Lima 17 (99): 10-14. Peru.

Levine, Victoria Lindsay. 1997. "Text and Context in Choctaw Social Dance Songs." Florida Anthropologist 50 (4): 183-87.

Mankin, Jim. 1997. "Sing to Me of Heaven: The Role of Eternal Life as Reflected in Gospel Songs." Hymn 48 (1): 18-22.

Manuel, Peter. 1998. "Chutney and Indo-Trinidadian Cultural Identity." Popular Music 17 (1): 21-43. Bibliog., music, photos.

Mattern, Mark. 1997. "Let the Good Times Unroll: Music and Race Relations in Southwest Louisiana." Black Music Research Journal 17 (2): 159-68. Bibliog.

Mattern, Mark. 1998. Acting in Concert: Music, Community, and Political Action. New Brunswick, NJ: Rutgers University Press, viii, 184 pp., bibliog.

McDaniel, Lorna. 1998. The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight. Gainesville: University Press of Florida, xiv, 198 pp., bibliog., illus. Grenada.

McGuire, Matthew D. and Jennifer Lambert. 1998. Music in Nova Scotia: The Oral Tradition . Curatorial report , no. 84 . Halifax: Museum Services Division, Nova Scotia Museum, ii, 78 pp., bibliog .

Mercer-Taylor, Peter. 1998. "Songs from the Bell Jar: Autonomy and Resistance in the Music of the Bangles." Popular Music 17 (2): 187-204. Bibliog., discog., photos.

Metzer, David. 1997. "Shadow Play: The Spiritual in Duke Ellington's 'Black and Tan Fantasy'." Black Music Research Journal 17 (2): 137-58. Bibliog., discog., music, photos.

Monjaras Ruiz, Jesus. 1996. "Soy el negro de la costa... Musica y poesia afromestiza de la Costa Chica. Homenaje a don Gonzalo Aguirre Beltran." Antropologia 43: 73-74. Mexico.

Morey, Carl. 1998. "Nationalism and commerce: Canadian folk music in the 1920s." In Canadian Identity: Region, Country, Nation: Selected Proceedings of the 24th Annual Conference of the Association for Canadian Studies, Held at Memorial University of N ewfoundland, June 6-8, 1997, edited by Andrew, Caroline, Will Straw, and J. Yvon Theriault, 34-44. Canadian issues: Thèmes canadiens, v. 20. Montréal: Association for Canadian Studies.

Newall, Alison. 1994. "Schoolyard Songs in Montreal: Violence as Response." Children's Literature Association Quarterly 19 (3): 109-12.

Ortiz, Manuel Antonio. 1997. "Un calendario lleno de musica, versos y danzas callejeras." Revista Bigott 44: 83-93. Venezuela.

Potter, Russell A. 1995. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. The SUNY Series in Postmodern Culture, Albany: State University of New York Press, x, 197 pp., bibliog.

Powell, Lucy A. 1995. "'Empty Nets': The Songs of Jim Payne as Reflections of Politics in Newfoundland." Culture & Tradition 17: 57-63.

Pugh, Ronnie. 1998. Ernest Tubb: The Texas Troubadour. Durham, NC: Duke University Press, xii, 457 pp.

Robichaud, Xavier. 1996. "La musique des andes a Montreal." Canadian Ethnic Studies 28 (2): 139-53. English summary.

Rosenbaum, Art, Margo Rosenbaum, and Johann S. Buis. 1998. Shout Because You're Free: The African American Ring Shout Tradition in Coastal Georgia. Athens, GA: University of Georgia Press, xvii, 190 pp.

Ruegg, Daniel K., and Gerhard Baer. 1997. "Zum Liedrepertoire der Matsigenka: Notizen und Analysen." Bulletin de la Societe suisse des Americanistes 61: 71-8, 128. Peru.

Ruiz, Irma. 1998. "Apropiaciones y estrategias políticas: una interpretación sobre la dinámica de cambio musical en contexto ritual." Latin American Music Review 19 (2): 186-202. Bibliog. Argentina.

Sánchez, C Wálter. 1998. "La Plaza Tomada: Proceso histórico y etnogénesis musical entre los Chiriguano de Bolivia." Latin American Music Review 19 (2): 218-43. Bibliog., photos., tables.

Sansone, Livio. 1997. "Funk in Bahia and in Rio: Local Versions of a Global Phenomenon?" Focaal: tijdschrift voor antropologie 30-31: 39-57. Brazil.

Schlottner, Michael. 1997. "'World Music' and Native Americans: How Ethnic are Indians?" European Review of Native American Studies 11 (2): 43-6.

Scruggs, T. M. 1998. "Nicaraguan State Cultural Initiative and the 'Unseen Made Manifest'." Yearbook for Traditional Music 30: 53-73. Bibliog.

Seeger, Anthony. 1997. "The Sound of Music: Suya Song Structure and Experience." Cultural Survival 20 (4): 23-28. Brazil.

Smitherman, Geneva. 1997. "'The Chain Remain the Same': Communicative Practices in the Hip Hop Nation." Journal of Black Studies 28 (1): 3-25.

Taffet, Jeffrey F. 1997. ""My Guitar Is Not for the Rich": The New Chilean Song Movement and the Politics of Culture." Journal of American Culture 20 (2): 91-103.

Taylor, Julie. 1998. Paper Tangos. Durham, NC: Duke University Press, xxi, 124 pp. Argentina.

Thompson, Chad L. 1996. "Yodeling of the Indiana Swiss Amish." Anthropological Linguistics 38 (3): 495-520.

Tichi, Cecelia ed. 1998. Reading Country Music: Steel Guitars, Opry Stars, and Honky-Tonk Bars. Durham, NC: Duke University Press, 408 pp.

Turner, Diana. 1998. "Black Music Traditions of Central Avenue." Practicing Anthropology 20 (1): 21-24. Florida.

Van der Lee, Pedro. 1998. "Sitars and Bossas: World Music Influences." Popular Music 17 (1): 45-70. Bibliog., discog.

Vernallis, Carol. 1998. "The Aesthetics of Music Video: An Analysis of Madonna's 'Cherish'." Popular Music 17 (2): 153-85. Bibliog., photos.

Wade, Peter. 1998. "Music, Blackness and National Identity: Three Moments in Colombian History." Popular Music 17 (1): 1-19. Bibliog.

Ward, Brian. 1998. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley, CA: University of California Press, xi, 600 pp.

Washburne, Christopher. 1998. "Play It Con Filin!: The Swing and Expression of Salsa." Latin American Music Review 19 (2): 160-85. Bibliog., graphs, music.

Wild, R. 1995. "The Ethnomusicologist as Cultural Broker: Natalie Curtis and Indian
Songs." European Review of Native American Studies 9 (1): 1-4.

Woodworth, Marc and Robert Boyers. 1998. "Rock Music and the Culture of Rock: An Interview with James Miller." Salmagundi 118-119: 206-23.

Asia and Oceania

Allen, Matthew Harp. 1998. "Tales Tunes Tell: Deepening the Dialogue between 'Classical' and 'Non-classical' in the Music of India." Yearbook for Traditional Music 30: 22-52. Bibliog., music.

Bar-Yosef, Amatzia. 1998. "Traditional Rural Style Under a Process of Change: The Singing Style of the Hadday, Palestinian Folk Poet-Singers." Asian Music 29 (2): 57-82. Bibliog., music.

Beller-Hann, Ildiko. 1995. "The 'Laz Songs' Revisited: Oral Tradition in North-East Turkey." Acta Orientalia Academiae Scientiarum Hungaricae 48 (3): 291-311.

Charter, Vernon, and Jean DeBernardi. 1998. "Towards a Chinese Christian Hymnody: Processes of Musical and Cultural Synthesis." Asian Music 29 (2): 83-113. Bibliog.

Crocker, Richard L. 1997. "Mesopotamian Tonal Systems." Iraq 59: 189-202.

Doubleday, Veronica. 1999. "The Frame Drum in the Middle East: Women, Musical Instruments and Power." Ethnomusicology 43 (1): 101-34. Bibliog., illus., photos.

Drake, Chris. 1996. "Okinawan Shaman Songs." Manoa 8 (1): 122-29. Japan.

Ellis, Catherine. 1997. "Understanding the Profound Structural Knowledge of Central Australian Performers from the Perspective of T.G.H. Strehlow." Strehlow Research Centre Occasional Papers 1: 57-78.

Groesbeck, Rolf. 1999. "Cultural Constructions of Improvisation in Tayampaka, a Genre of Temple Instrumental Music in Kerala, India." Ethnomusicology 43 (1): 1-30. Bibliog., tables.

Harding, James, and John Gullik. 1997. "The Music of Negara-ku." Journal of the Malaysian Branch of the Royal Asiatic Society 70 (2): 68-74. Malaysia.

Hensler, Ewald and Mayumi Adachi. 1998. "Nineteenth-century Japanese Hymnals: A Preliminary Study." Asian Music 29 (2): 115-27. Bibliog., music.

Hercus, Luise, and Grace Koch. 1996. "'A Native Died Sudden at Lake Allallina'." Aboriginal History 20: 133-50. Australia.

Hercus, Luise, and Grace Koch. 1997. "Old Yet Always New: Song Traditions of Southern Central Australia." Strehlow Research Centre Occasional Papers 1: 83-106.

Herman, Marilyn. 1996. "The Secular Music of the Yemenite Jews as an Expression of Cultural Demarcation between the Sexes." Journal of the Anthropological Society of Oxford 27 (2): 113-35.

Horowitz, Amy. 1997. "Overcoming Music Ghettos: An Interview with Avihu Medina, Mizrahi Musician in Israel." Cultural Survival 20 (4): 55-59. Israel.

Jacobson, Mark. 1997. "For Whom the Gong Tolls." Natural History 106 (7): 72-6. Cambodia.

Kannan, A R. 1995. "The Performing Artistes of Villupattu: A Folk Medium." Eastern Anthropologist 48 (3): 293-300. India.

Kartomi, Margaret. 1998. "The Pan-East/Southeast Asian and National Indonesian Song Bengawan Solo and its Javanese Composer." Yearbook for Traditional Music 30: 85-101. Bibliog., music, photo.

Kartomi, Margaret. 1998. "The Music-Culture of South-Coast West Sumatra: Backwater of the Minangkabau 'Heartland' of Home of the Sacred Mermaid and the Earth Goddess?" Asian Music 30 (1): 133-81. Bibliog., illus., map, music, tables.

Lawergren, Bo. 1998. "Distinctions among Canaanite, Philistine, and Israelite Lyres, and Their Global Lyrical Contexts." Bulletin of the American Schools of Oriental Research 309: 41-68.

Lindstrom, Lamont, and Geoffrey M. White. 1993. " Singing History: Island Songs from the Pacific War. " In Artistic Heritage in a Changing Pacific, edited by Dark, Philip J. C., 185-96. Honolulu: U of Hawaii Press. viii, 261 pp.

Lua, Norma N. 1994. "Male and Female in Kankanay Songs." Philippine Studies 42 (3): 321-35.

Maceda, Jose Monteserat. 1998. Gongs & Bamboo: A Panorama of Philippine Music Instruments . Diliman, Quezon City: University of the Philippines Press, xi, 326 pp. photos, maps, charts.

Malm, William P. 1998. "Yamada Shôtarô Japan's First Shamisen Professor." Asian Music 30 (1): 35-76. Bibliog., music, photos.

Meisig, Konrad. 1996. "Der Bodhisattva im Musikerwettstreit - Redefiguren in der singalesischen Guttila-Dichtung." Mitteilungen fur Anthropologie und Religiongeschichte 11: 57-74. Sri Lanka.

Niemi, Jarkko. 1998. "The Genres of the Nenets Songs." Asian Music 30 (1): 77-132. Bibliog., music.

Oki, Yasushi. 1997. " Women in Feng Menglong's 'Mountain Songs'. " In Writing Women in Late Imperial China, edited by Widmer, Ellen and Chang Kang-i Sun, 131-43. Stanford: Stanford University Press.

Perelson, Inbal. 1998. "Power Relations in the Israeli Popular Music System." Popular Music 17 (1): 113-28. Bibliog.

Ramnarine, Tina K. 1998. "Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts." Asian Music 30 (1): 1-33. Bibliog., music, photos.

Sasamori, T. 1995. "The Use of Music in the Ritual Practices of the Itako, a Japanese
Shaman." Shaman 3 (1): 41-54. Japan.

Shiloah, Amnon. 1996. "La creation populaire en proche et moyen orient." Journal of Mediterranean Studies 6 (1): 82-87. English summary.

Susumu Takonai. 1997. "[The formation and development of Dangdut: modern theatre and Orkes Melayu]." Southeast Asian Studies 35 (1): 136-55. Indonesia. In Japanese. English summary.

Sutton, R. Anderson. 1998. "From Ritual Enactment to Stage Entertainment: Andi Nurhani Sapada and the Aestheticization of South Sulawesi's Music and Dance: 1940s-1970s." Asian Music 29 (2): 1-30. Bibliog.

Tong Soon Lee. 1999. "Technology and the Production of Islamic Space: The Call to Prayer in Singapore." Ethnomusicology 43 (1): 86-100. Bibliog.

Uray-Kohalmi, Kathe. 1995. "Zwolf Lieder der Kamniganen." Acta Orientalia Academiae Scientiarum Hungaricae 48 (3): 473-78. Mongolia.

Wade, Bonnie C. 1998. Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India . Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, lvi, 276 pp., bibliog., illus., maps.

Williams, Sean. 1998. "Constructing Gender in Sundanese Music." Yearbook for Traditional Music 30: 74-84. Bibliog.

Wong, Deborah. 1998. "Mon Music for Thai Deaths: Ethnicity and Status in Thai Urban Funerals." Asian Folklore Studies 57 (1): 99-102.

Wu, Ben. 1998. "Music Scholarship, West and East: Tibetan Music as a Case Study." Asian Music 29 (2): 31-56. Bibliog.

Yoshitaka Terada. 1996. "Effects of Nostalgia: The Discourse of Decline in Periya Melam Music of South India." Bulletin of the National Museum of Ethnology 21 (4): 921-39.

Zhang, Boyu. 1997. "Chinese Music and Ethnomusicology." Etnomusikologian vuosikirja 9: 227-57. Illus., port., bibliog., charts, diagr.

Europe

Apostolakis, Stamatis. 1996. "The Rizitika Songs of Crete." Laographia 13 (3): 15-16.

Cassar Pullicino, Joseph. 1996. "Maltese Giana: Some Remarks on the Process of Invention." Journal of Mediterranean Studies 6 (1): 70-81. Malta.

D'Errico, Francesco Paola Villa Ana C. Pinto Llona and Rosa Ruiz Idarraga. 1998. "A Middle Palaeolithic Origin of Music? Using Cave-bear Bone Accumulations to Assess the Divje Babe I Bone 'Flute'." Antiquity 72 (275): 65-79. Slovenia.

Dimov, Ventsislav. 1997. "[The pub in cassette culture: studies on the pub theme in 100 songs) ." Bulgarski folklor 23 (1-2): 91-102. Bulgaria. In Bulgarian. English summary.

Elflein, Dietmar. 1998. "Some Aspects of Hip-Hop History in Germany." Popular Music 17 (3): 255-65. Bibliog., discog.

Garaj, Bernard. 1997. "[Folk instrumental music at the Slovak wedding]." Slovensky narodopis 45 (4): 403-15. Slovakia. In Slovak. English summary.

Gay, David E. 1997. "The creation of the Kalevala, 1833-1849." Jahrbuch fur Volksliedforschung 42: 63-77.

Gojkovic, Andrijana. 1995. "Linos-song - connection between the myth and music." Glasnik Etnografskog Instituta 44: 314-19. In Serbo-Croat. English summary.

Golemovic, Dimitrije O. 1995. "[Is the newly-composed folk music really folk music?]" Glasnik Etnografskog Instituta 44: 185-89. In Serbo-Croat. English summary.

Haidova, Gerlinde and Ursula Hemetekova. 1998. "[Urban music styles in Europe]." Slovensky narodopis 46 (1): 28-41. In Slovak. English and German summaries.

Holzapfel, Otto. 1997. ""Hier sang ich um mein Leben...": Von Herbert Wentscher (1900-1994) ." Jahrbuch fur Volksliedforschung 42: 126-128. English summary.

Howard, Skiles. 1998. The Politics of Courtly Dancing in Early Modern England. Massachusetts Studies in Early Modern Culture. Amherst: University of Massachusetts Press, xii, 222 pp.

Jacob, Andreas. 1998. "Volksmusik? Vier Beispiele fur die Auseinandersetzung mit alpenlandischer Musik [Folk music? Four examples for the engagement with the music of the Alpine lands]." Musik & Bildung: Praxis Musikunterricht 1: 16-19. Photos .

Jones, Dewi. 1998. Cynghanedd, cerdd a thelyn yn Arfon . Llyfrau llafar gwlad , 41. Llanrwst: Gwasg Carreg Gwalch, 124 pp., bibliog., illus., facsims, music . Wales.

Kopoczek, Alojzy. 1996. Ludowe instrumenty muzyczne polskiego obszaru karpackiego. Instrumenty de, te [Folk instruments in Polish Carpathian Mountains region -- Wind instruments]. Rzeszow: Muzeum Okre,gowe w Rzeszowie, 166 pp., bibliog., charts, il lus., maps, music, photos. English and German summaries.

Kozak, Jozsef. 1997. "[Broken bone pipe from the Avar period cemetery of Bielo Brdo]." Communicationes archaeologicae Hungariae: 195-203. In Hungarian. English summary. Hungary.

Kramer, Corinna, and Leo J. Plenckers. 1998. "The Structure of the Saeta Flamenca: An Analytical Study of its Music." Yearbook for Traditional Music 30: 102-32. Bibliog., music, tables.

Lockhart, G. W. 1998. Fiddles and Folk . Edinburgh: Luath Press, 139 pp., illus . Scotland.

Maas, Georg, and Hartmut Reszel. 1998. "'Whatever Happened To...?': The Decline and Renaissance of Rock in the Former GDR." Popular Music 17 (3): 267-77. Bibliog., discog.

Manley, James. 1998. "Reviving Experiences." Nordic Sounds 2: 21-25. discog. Nordic folk music.

Miloradovic, Dragana. 1995. "[Newly-composed musical messages.]" Glasnik Etnografskog Instituta 44: 190-96. In Serbo-Croat. English summary.

Nakamura, Julia Volpelleto. 1997. "Canzone Napoletane: The Stories behind the Songs." Italian Americana 15 (2): 143-56. Italy.

Niketta, Reiner. 1998. "Rock Musicians in Germany and Ideas for Their Promotion." Popular Music 17 (3): 311-25. Bibliog., tables.

Noll, Gunther. 1997. "Musikalische Volkskultur als Forschungsgegenstand [Musical folk culture as an object of research]." Jahrbuch fur Volksliedforschung 42: 118-24. English summary.

Oras, Janika. 1997. "Neuere Volksliedforschung in Estland [Recent research in traditional song in Estonia]." Jahrbuch fur Volksliedforschung 42: 131-34. English summary.

Pasqualino, Caterina. 1997. "Naissance d'un peuple. Les forgerons - chanteurs d'Andalousie." Social anthropology 5 (2): 177-95. Spain. Gypsies.

Pasqualino, Caterina. 1998. Dire le chant: les gitans flamencos d'Andalousie . Chemins de l'ethnologie, Paris: CNRS éditions: Editions de la Maison des sciences de l'homme de Paris, 293 pp., bibliog., illus. Andalusia.

Peicheva, Lozanka. 1997. "24 hours mohabet in Dzhurkovo: an approach to the culture in the pub and to the pub in the culture." Bulgarski folklor 23 (1-2): 78-90. Bulgaria. In Bulgarian. English summary.

Peicheva, Lozanka. 1997. "The media: death - life of Bulgarian music folklore." Bulgarski folklor 22 (5-6): 29-34. Bulgaria. In Bulgarian. English summary.

Petur, Stoianov. 1997. "[On the mode: a contribution to the methodology of music folkloristics)." Bulgarski folklor 22 (5-6): 46-60. Bulgaria. In Bulgarian. English summary.

Plastino, Goffredo. 1997. Suoni di carta: Un'antologia sulla musica tradizionale in Calabria. Lamenzia Terme: A.M.A. Calabria, 124 pp.

Preston, Cathy Lynn, and Michael J. Preston. 1995. The Other Print Tradition: Essays on Chapbooks, Broadsides, and Related Ephemera. Garland Reference Library of the Humanities, vol. 1470. New York: Garland, xx, 286 pp., bibliog., facsims., illus. Selected contents: Chapbook Publishing and the 'Lore' of 'the Folks / Diane Dugaw (3-18); 'My Thing Is My Own': Voices, Bodies, and Sexual Politics in Broadside, Drollery, and Oral Occupational Bawdy Songs / Cathy Lynn Preston (74-124).

Reidzane, Beatrise. 1995. "Latvian Jadinasana Songs in the Context of Other Nursing Songs." Arv: Nordic Yearbook of Folklore 51: 43-53.

Ricci, Antonello, and Roberta Tucci. 1997. I "canti" di Rafaele Lomardi Satriani: La poesia cantata nella tradizioe popolare calabrese. Lamezia Terme: A.M.A. Calabria, 232 pp., + 2 compact discs.

Rieuwerts, Sigrid. 1996. "The Folk-ballad: The Illegitimate Child of the Popular Ballad." Journal of Folklore Research 33 (3): 221-26. England. Scotland.

Ritzel, Fred. 1998. "'Was ist ause geworden...- Ein Häufchen Sand am Meer': Emotions of Post-war Germany as Extracted from Examples of Popular Song." Popular Music 17 (3): 293-309. Bibliog., music.

Sarr, Renate. 1997. "'Bett Bremner bett/Morgen kompt der Schued' [Bed, Bremen folk, bed/Tomorrow comes the Swede]." Jahrbuch fur Volksliedforschung 42: 125-26. English summary.

Symonds, Deborah A. 1997. Weep Not for Me: Women, Ballads, and Infanticide in Early Modern Scotland. University Park: Pennsylvania State University Press, xxi, 289 pp.

Thompson, William Forde and Murray Stainton. 1998. "Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals." Music Perception 15 (3): 231-52. Music, bibliog., charts, diagr.

Vargyas, Lajos. 1996. "The Significance of Our Stock of Folk Songs from the Time of the Hungarian Settlement." Acta ethnographica hungarica 41 (1-4): 143-48.

Vasile, Vasile. 1997. "Contributia lui Gheorghe Ciobanu la dezvoltarea folcloristicii romanesti." Revista de etnografie si folclor 42 (3-4): 305-16. Romania.

von Schoenebeck, Mechthild. 1998. "New German 'Folk-like' Song and Its Hidden Political Messages." Popular Music 17 (3): 279-92. Bibliog.

Zebec, Tvrtko. 1997. "Surviving through the Dance: Sung Round Dance as the Expression of Defiance and Croatian Pride." Cultural Survival 20 (4): 29-32. Croatia.

Zinn, Christopher. 1997. "Unser Lied ist immer dabei: Die Sammlung Kleye im Deutschen Volksliedarchiv [Our song is always with us: The Kleye collection in the Deutsches Volksliedarchiv]." Jahrbuch fur Volksliedforschung 42: 128-131. English summary.