Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Atkinson, David. 1998. "'Edward,' Incest, and Intertextuality: Problems of Authority and Indeterminacy in the Traditional Ballad." Southern Folklore 55 (2): 101-32. Bibliog.

Atkinson, David. 1999. "'Magical Corpses: Ballads, Intertextuality, and the Discovery of Murder." Journal of Folklore Research 36 (1): 1-29. Bibliog.

Bishop, Julia C. 1998. "'Dr. Carpenter from the Harvard Collection in America': An Introduction to James Madison Carpenter and His Collection." Folk Music Journal 7 (4): 402-20. Bibliog., facsims., photos.

Brandstetter, Gabriele. 1998. "Ritual as Scene and Discourse: Art and Science around 1900 as Exemplified in le Sacre du printemps." The World of Music 40 (1): 37-59. Bibliog., photos.

Bruin , Hanne M. de. 1999. "What Practice? Whose Practice?" Oideion: Performing Arts Online 3. Available: http://iias.leidenuniv.nl/oideion/issues/issue3/articles/hdebruin/frame-o.html. Bibliog.

Castelo-Branco, Salwa el-Shawan. 1997. Portugal e o mundo: o encontro de culturas na música; Portugal and the world: the encounter of cultures in music. Nova enciclopédia, 54. Lisboa: Publicações Dom Quixote, 605 pp., illus., m aps, music. Contents: Introduction: Five Centuries of Cross-Cultural Processes in Music / Salwa El-Shawan Castelo-Branco (31-42); Cross-Cultural Processes in Music: Directions of Research / Dieter Christensen (53-59); The Global Impact of Portuguese Music and Musical Institutions: A Preliminary Sketch / Gerard Béhague (71-80); Music in Portugal at the End of the Middle Ages / A. H. de Oliveira Marques (87-90); The Portuguese Seventeenth-Century Villancico: A Cross-Cultural Phenomenon / Rui Vieira N ery (103-13); Musical Interrelationships between Portugal and Italy during the Eighteenth Century / Manuel Carlos de Brito (125-34); Parsifal versus Siegfried: Aspects of the Reception of Wagner in Portugal / Mario Vieira de Carvalho (145-54); Musical Nat ionalism, or the Ambiguities of Portugueseness / Paulo Ferreira de Castro (163-70); Music in Fernão Mendes Pinto's Peregrinação / Maria de S. José Corte-Real (185-200); Presence and Absence of Portuguese Musical Elements in Ind onesia: An Essay on the Mechanisms of Music Acculturation / Tilman Seebass (227-51); A Malay-Portuguese Synthesis on the West Coast of North Sumatra / Margaret Kartomi (289-321); Southern Barbarian Music in Japan / David Waterhouse (351-77); Cultural Inte rchange between Angola and Portugal in the Domain of Music since the Sixteenth Century / Gerhard Kubik (407-37); Portuguese Musicians in Brazil: An Introduction to the Study of the Portuguese Contribution to the Development of Brazilian Musical Culture / Luiz Heitor Correa de Azevedo (439-45); The Portuguese Roots of the Brazilian Poetic-Musical Tradition / Dulce Martins Lamas (461-73); Singing the Stranger's Songs: Brazilian Indians and Music of Portuguese Derivation in the Twentieth Century / Anthony Se eger (485-93); Ethnic Manipulation and Music among the Kirifi Indians of Mirandela, Bahia, Brazil / Rafael José de Menezes Bastos (507-17); From modinha to aboio: The Luso-Brazilian Tradition in the Music of Bahia, Brazil / Gerard Béhague (5 27-34); Notes on Catitoria (Brazil) / Elisabeth Travassos (549-61); The pífano Bands of Brazil: Aspects of Organology, Repertory, and Function / Tiago de Oliveira Pinto (579-94).

Clawson, Mary Ann. 1999. "Masculinity and Skill Acquisition in the Adolescent Rock Band." Popular Music 18 (1): 99-114. Bibliog., tables.

Cooper, B. Lee. 1998. "Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches." Popular Music and Society 22 (1): 85-115. Bibliog., discog.

Cruces, Francisco. 1999. "'Con mucha marcha': El concierto pop-rock como contexto de participación." TRANS 4. Available: http://www2.uji.es/trans/trans4/Cruces.html. Bibliog.

Dixon, Lynda Dee, and Patricia W. Washington. 1999. "Rap Music Videos: The Voices of Organic Intellectuals." TRANS 4. Available: http://www2.uji.es/trans/trans4/Pat.html.

Farmelo, Allen. 1997. "The Unifying Consequences of Grooving: An Introductory Ethnographic Approach to Unity through Music." MUSE. Available: http://www.musekids.org/UCS.html. Bibliog.

Fichte, Tobias. 1998. "'...don't you think this could become a new kind of cantata?' Rituality, Authenticity and Staging in Mendelsohn's Walpurgisnacht." The World of Music 40 (1): 119-34. Bibliog.

Fink, Robert. 1998. "Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon." American Music 16 (2): 135-79. Bibliog., discog., music.

Floyd, Malcolm. 1996. World Musics in Education. Aldershot, England; Brookfield, VT: Scolar Press; Ashgate, viii, 279 pp., bibliog., illus.

Guilbault, Jocelyne. 1996. "Beyond the 'World Music' Label An Ethnography of Transnational Musical Practices." Available: http://www2.rz.hu-berlin.de/inside/fpm/guilbau.htm. Bibliog. Conference paper: Grounding Music, May 1996.

Hood, Ki Mantle. 1998. "The Musical River of Change and Innovation." Oideion: Performing Arts Online 2. Available: http://iias.leidenuniv.nl/oideion/issues/issue2/articles/hood/frame-o.html. Bibliog.

Horner, Bruce. 1998. "On the Study of Music as Material Social Practice." The Journal of Musicology 16 (2): 159-99.

Joiner, Shirley Marie. 1999. "A Naturalistic Study of Student's Perceptions of Conflict and Power in Son/Music Preferences: Informing Theory and Praxis in Conflict Management Education." TRANS 4. Available: http://www2.uji.es/trans/trans4/Joiner.html. Bi bliog., diagr.

Keil, Charles. "Paideia Con Salsa: Ancient Greek Education for Active Citizenship and the Role of Afro-Latin Dance-Music in Our Schools." MUSE. Available: http://www.musekids.org/consalsa.html. First published in Becoming Human through Music (David McAlli ster, ed., 1985).

Kirchert, Kay-Uwe. 1998. "Between Worlds: Reflections on Ritual in the Music of Giacinto Scelsi." The World of Music 40 (1): 79-100. Bibliog., music, tables.

Kopping, Hans-Peter. 1998. "Ritual Transgression between Primitivism and Surrealism: Tauromachia and the Ethnographic Imagination." The World of Music 40 (1): 17-35. Bibliog., facsims.

Llewellyn, Meic. 1998. "Beyond The Transatlantic Model: A Look at Popular
Music as if Small Societies Mattered." Critical Musicology Journal. Available: http://www.leeds.ac.uk/music/Info/CMJ/Articles/1998-02/01.html. Bibliog.

Marquis, Alice Goldfarb. 1998. "Jazz Goes to College: Has Academic Status Served the Art?" Popular Music and Society 22 (1): 17-24. Bibliog.

Middleton, Richard. 1996. "'Over and Over' Notes Towards A Politics of Repetition: Surveying the Gound, Charting Some Routes." Available: http://www2.rz.hu-berlin.de/inside/fpm/middle.htm. Bibliog. Conference paper: Grounding Music, May 1996.

Neuenfeld, Karl. 1998. "Notes on Old Instruments in New Contexts." The World of Music 40 (2): 5-8.

Neumann, Gerhard. 1998. "Iphigenia: Sacrifice and Ritual in Drama." The World of Music 40 (1): 101-117. Bibliog.

Perlman, Ken. 1997. "Traditional Music: Pentatonic Scales." Acoustic Musician 4 (8): 36-37.

Prévos, André J. M. 1998. "Hip-Hop, Rap, and Repression in France and the United States." Popular Music and Society 22 (1): 67-84. Bibliog.

Roberts, John Storm. 1998. Black Music of Two Worlds: African, Caribbean, Latin, and African-American Traditions. New York; London: Schirmer Books; Prentice Hall International, xxxvii, 330 pp., bibliog., discog., illus., music.

Rudy, Jill Terry. 1998. "Considering Rhetorics Wayard Child: Ballad Scholarship and Interdisciplinary Conflict." Journal of Folklore Research 35 (2): 1-29. Bibliog.

Rybacki, Karyn Charles and Donald Jay Rybacki. 1999. "Cultural Approaches to the Rhetorical Analysis of Selected Music Videos." TRANS 4. Available: http://www2.uji.es/trans/trans4/Rybacki.html. Bibliog.

Small, Christopher. 1999. "El Musicar: Un ritual en el espacio social." TRANS 4. Available: http://www2.uji.es/trans/trans4/Small.html.

Small, Christopher. 1995. "Musicking: A Ritual in Social Space." MUSE. Available: http://www.musekids.org/musicking.html. Lecture at the University of Melbourne June 1995.

Small, Christopher. 1990. "Whose Music Do We Teach, Anyway? " MUSE. Available: http://www.musekids.org/whose.html. for MENC, Washington DC, March 28 1990.

Temperley, David. 1999. "Syncopation in Rock: A Perceptual Perspective." Popular Music 18 (1): 19-40. Bibliog., music.

Turino, Thomas. 1998. "The Mbira, Worldbeat, and the International Imagination." The World of Music 40 (2): 85-106. Bibliog.

Zenck, Martin. 1998. "Ritual or Imaginary Ethnography in Stravinsky's Le sacre du printemps." The World of Music 40 (1): 61-78. Bibliog., tables.

Zenck, Martin. 1998. "Ritual Self-Staging in Everyday Life and in Music Theater. A Comparison of the Turning Points in History around the Years 1900 and 2000." The World of Music 40 (1): 7-16. Bibliog., table.

Africa

Ajayi, Omofolabo S. 1998. Yoruba Dance: The Semiotics of Movement and Yoruba Body Attitude in a Nigerian Culture. Trenton, NJ: Africa World Press, xvi, 251 pp., bibliog., illus.

Ballantine, Christopher. 1999. "Looking to the USA: The Politics of Male Close-Harmony Song Style in South Africa during the 1940s and 1950s." Popular Music 18 (1): 1-17. Bibliog., photos.

Barz, Gregory. 1996. "Kwayas, Kandas, Kiosks: Tanzanian Popular Choir Music." EOL 2. Available: http://www.research.umbc.edu/efhm/2/barz/index.html. Audio files (.au), bibliog., discog., gloss., photos.

De Lowerntal, Elizabeth. 1996. "Curricular Innovations in African Music History: A Zimbabwean Case Study." SAMUS: South African Journal of Musicology 16: 11-18.

Friedman, Steven M. 1996. Dancing Prophets: Musical Experience in Tumbuka Healing. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 239 pp., bibliog.

Grupe, Gerd. 1998. "Traditional Mbira Music of the Shona (Zimbabwe). Harmonic Progressions and their Cognitive Dimension." Iwalewa Forum 1(2): 5-23. Bibliog., music, photos.

Kasule, Samuel. 1998. "Popular Performance and the Construction of Social Reality in Post-Amin Uganda." Journal of Popular Culture 32 (2): 39-58. Bibliog.

Kruger, Jaco. 1996. "Wada: A sacred Venda drum." SAMUS: South African Journal of Musicology 16: 49-57. Bibliog., photos.

Langlois, Tony. 1998. "The Gnawa of Oujda: Music at the Margins in Morocco." The World of Music 40 (1): 135-56. Bibliog.

Nieuwkerk, Karin van. 1998. "'An Hour for God and an Hour for the Heart': Islam, Gender and Female Entertainment in Egypt ." Music & Anthropology 3. Available: http://MUSPE1.CIRFID.UNIBO.IT/M&A/index/number3/nieuwkerk/karin_0.htm. Bibliog., photos.

Polak, Rainer. 1998. "Jenbe Music in Bamako. Microtiming as Formal Model and Performance Practice." Iwalewa Forum 1 (2): 24-36. Bibliog.

Salamone, Frank A. 1998. "Nigerian and Ghanaian Popular Music: Two Varieties of Creolization." Journal of Popular Culture 32 (2): 11-25. Bibliog.

Yoko Kurokawa . 1996. "Hula Halau in Japan: A Case Study of Hula Schools in Tokyo." EOL 2. Available: http://www.research.umbc.edu/efhm/2/kurokawa/index.html. Audio files (.au), bibliog., photos., video files (.mov).

Americas

Anaya Arze, Franklin. 1994. La música en Latinoamérica y en Bolivia. Cochambamba, Bolivia: Editorial Serrano, 160 pp., bibliog., illus., music.

Baquero Bracho, Hernán. 1996. El vallenato en el tiempo: y las voces de siempre. Colombia: Editorial Antillas, 160 pp., illus.

Barlow, William. 1999. Voice Over: The Making of Black Radio. Philadelphia: Temple University Press, xiv, 334 pp., bibliog., illus.

Carlson, Thomas C. 1998. "The Comeback Corpse in Hollywood: Mystery Train, True Romance, and the Politics of Elvis in the '90s." Popular Music and Society 22 (1): 1-10. Bibliog.

Chang, Kevin O'Brien, and Wayne Chen. 1998. Reggae Routes: The Story of Jamaican Music. Philadelphia : Temple University Press, x, 246 pp, bibliog., illus., photos.

Conaster, Sandy. 1998. "Tennessee Music Box: History, Mystery, and Revival." Tennessee Folklore Society Bulletin 58 (4): 138-52.

Daniel, Wayne W. 1997. "Charlie D. Tillman: Christ Was the Conductor on His 'Life's Railway to Heaven'." Tennessee Folklore Society Bulletin 58 (2): 49-59.

Daniels, Edwin. 1998. Ghost Dancing: Sacred Medicine and the Art of JD Challenger . New York: Stewart, Tabori & Chang, 152 pp., bibliog., illus.

Echard, William. 1999. "An Analysis of Neil Young's 'Powderfinger' based on Mark Johnson's Image Schemata." Popular Music 18 (1): 133-44. Bibliog., discog., diagr., graphs.

Evora, Tony. 1997. Orígenes de la música cubana : los amores de las cuerdas y el tambor. Madrid: Alianza Editorial, 368 pp., bibliog., discog., facsims., illus., maps, photos.

Fanslow, Robert. 1998. "Voices from the Dust Bowl: The Charles L. Todd and Robert Sonkin Collection." Folklife Center News 20 (2): 3-9. Bibliog., photos.

Flandreau, Suzanne. 1998. "Black Music in the Academy: The Center for Black Music Research." Notes 55 (1): 26-36.

Gelo, Daniel J. 1999. "Powwow Patter: Indian Emcee Discourse on Power and Identity." Journal of American Folklore 112 (443): 40-57. Bibliog., diagr., photo.

Gooding, Erik D. 1998. "Songs of the People: Plains Indian Music and Recordings, 1968-1996." Notes 55 (1): 37-67.

Halpert, Herbert. 1995. " The Devil, the Fiddle, and Dancing. " In Fields of Folklore: Essays in Honor of Kenneth S. Goldstein, edited by Roger D. Abrahams et al, 44-54. Bloomington, IN: Trickster Press.

Jasen, David A. 1998. Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930. New York; London: Schirmer Books; Prentice Hall International, xxvi, 435 pp., bibliog., illus.

Johnson, Leola. 1996. "Rap, Misogyny, and Racism." Radical America 26 (3): 7-19.

Keillor, Elaine. 1995. " Indigenous Music as a Compositional Source: Parallels and Contrasts in Canadian and American Music. " In Taking a Stand: Essays in Honour of John Beckwith, edited by Timothy J. McGee, 185-218. Toronto: University of Toronto Press .

King, Richard H., and Helen Taylor. 1996. Dixie Debates: Perspectives on Southern Cultures. New York: New York University Press, xii, 242 pp., bibliog., illus. Partial contents: African and European Roots of Southern Culture: The 'Central Theme' Revisited / Charles Joyner (12-30); The Academic Elvis / Simon Frith (99-114); The Last Rebel: Southern Rock and Nostalgic Continuities / Paul Wells (115-29); 'Shakin' Your Butt for the Tourist': Music's Role in the Identification and Selling of New Orleans / Conn ie Atkinson (50-64); Negotiating Differences: Southern Culture(s) Now / Richard Gray (218-27).

Le Blanc, Barbara. 1997. " Changing Places: Dance, Society, and Gender in Cheticamp. " In Undisciplined Women: Tradition and Culture in Canada, edited by Pauline Greenhill and Diane Tye, 101-12. Montreal: McGill-Queen's University Press.

Long, Lucy. 1998. "Appalachian Plucked Dulcimer: Field Recordings in the Archive of Folk Culture." Folklife Center News 20 (3): 5-7. Bibliog., photos.

Magliocco, Sabina and Holly Tannen. 1998. "The Real Old-Time Religion: Towards an Aesthetics of Neo-Pagan Song." Ethnologies [formerly Canadian Folklore Canadien] 20 (1-2): 175-201. Bibliog., discog.

Manuel Peter. 1998. "Gender Politics in Caribbean Popular Music: Consumer Perspectives and Academic Interpretation." Popular Music and Society 22 (1): 11-29. Bibliog.

Masco, Joseph. 1995. "'It Is a Strict Law That Bids Us Dance': Cosmologies, Colonialism, Death, and Ritual Authority in the Kwakwaka'wakw Potlach." Comparative Studies in Society and History 37 (1): 41-75.

Mason, Peter. 1998. Bacchanal!: Carnival, Calypso and the Popular Culture of Trinidad. London; Philadelphia : Latin America Bureau; Temple University Press, 191 pp., bibliog., discog., photos.

Mattern, Mark. 1998. "Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music." Popular Music and Society 22 (1): 31-48. Bibliog.

McGowan, Chris. 1998. The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil . Philadelphia: Temple University Press, viii, 248 pp., bibliog., discog., illus.

Olsen, Dale A., and Daniel E. Sheehy. 1998. The Garland Encyclopedia of World Music: South America, Mexico, Central America, and the Caribbean. New York; London: Garland Publishing, xix, 1082 pp., bibliogs., discog., filmog., gloss., illus., maps, music, photos., videog. + 1 sound disc.

Panish, Jon. 1997. The Color of Jazz: Race and Representation in Postwar American Culture . Jackson: University Press of Mississippi, xxiii, 166 pp., bibliog.

Pena, Manuel. 1996. " From Ranchero to Jaiton: Ethnicity and Class in Texas-Mexican Music (Two Styles in the Form of a Pair). " In Between Two Worlds: Mexican Immigrants in the United States, edited by David G. Gutierrez, 149-74. Wilmington, DE: Scholarl y Resources.

Plasketes, George. 1998. "The Long Ryder: From Studio Sessions and Solo Artist to Score and Soundtrack Specialist: Ry Cooder's Musicological Quest." Popular Music and Society 22 (1): 49-65. Bibliog., discog.

Rice, Timothy, and Tammy Gutnick. 1995. " What's Canadian about Canadian Popular Music? The Case of Bruce Cockburn. " In Taking a Stand: Essays in Honour of John Beckwith, edited by Timothy J. McGee, 238-56. Toronto: University of Toronto Press.

Román-Velázquez, Patria. 1999. "The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity." Popular Music 18 (1): 115-31. Bibliog.

Sansone, Livio and Jocélio Teles dos Santos ed. 1998. Ritmos em trânsito : sócio-antropologia da música baiana. São Paulo: Dynamis Editorial ; Programa A Cor da Bahia e Projeto S.A.M.BA., 240 pp., bibliog. Contents: Dive rtimentos estrondoso : batuques e sambas no século XIX / Jocélio Teles dos Santos (15-38); Folguedos negros no carnaval de Salvador (1800-1930) / Raphael r. Vieira Filho (39-58); O compositor Mozart Camargo Guarnieri e o 2o Congresso afro-br asileiro em Salvador, 1937 (Homenagem póstuma / Angela E. Lühning (59-72); Música afro- carnavalesca : das multidões para o sucesso das massas elétricas / Antonio J.V. dos Santos Godi (73-96); Um mapa em preto e branco da música na Bahia : territorialização e mestiçagem no meio musical de Salvador (1987/1997) / Goli Guierreiro (97-122); O errante e apocalíptico Muzenza / Ericivaldo Veiga (123-43); Música negra nos tempos de globaliza&cced il;ão : produção musical e management da identidade étnica : o caso do Olodum / Petra Schaeber (145-60); O fenômeno Timbalada : cultura musical afro-pop e juventude baiana negro-mestiça / Ari Lima (161-80); "The so ngs of freedom" : notas etnográficas sobre cultura negra global e práticas contraculturais locais / Osmundo de A.. Pinho (181-200); O lúdico e e étnico no funk do "Black Bahia" / Suyland Midlej e Silva (201-18); Funk baiano : u ma versão local de um fenômeno global? / Lívio Sansone (219-40).

Schechter, John Mendell. 1999. Music in Latin American Culture: Regional Traditions. New York : Schirmer Books, xvi, 496 pp., bibliog., discog., illus., videog.

Shaw, Lisa. 1999. The Social History of the Brazilian Samba . Ashgate Studies in Ethnomusicology. Aldershot : Ashgate, 211 pp., bibliog.

Signell, Karl. 1997. "Mediterranean Musicians in America ." EOL 3. Available: http://www.research.umbc.edu/efhm/3/signell/index.html. Audio files (.au), bibliog., discog.

Smith, Gordon E. 1995. " The Genesis of Ernest Gagnon's Chansons Populaires du Canada. " In Taking a Stand: Essays in Honour of John Beckwith, edited by Timothy J. McGee, 221-37. Toronto: University of Toronto Press.

Stewart, Earl L. 1998. African American Music: An Introduction . New York; London: Schirmer Books; Prentice Hall International, xiii, 380 pp., bibliog., discog., illus.

Stillman, Amy K. 1998. Sacred Hula: The Historical hula ala apapa. Bishop Museum Bulletin in Anthropology. Honolulu: Bishop Museum Press, vii, 83 pp., bibliog., discog., illus.

Sudhalter, Richard M. 1999. Lost Chords: White Musicians and their Contribution to Jazz, 1915-1945. New York : Oxford University Press, xxii, 890 pp., bibliog., illus.., music.

Vianna, Hermano, and John Charles Chasteen. 1999. The Mystery of Samba: Popular Music & National Identity in Brazil. Chapel Hill: University of North Carolina Press, xx, 147 pp., bibliog.

Watts, Mark. 1996. "Electrifying Fragments: Madonna and Postmodern Performance." New Theatre Quarterly 12 (46): 99-107.

White, Miles. 1996. "The Phonograph Turntable and Performance Practice in Hip Hop Music." EOL 2. Available: http://www.research.umbc.edu/efhm/2/white/index.html. Audio files (.au), bibliog., music, video files (.mov).

Asia and Oceania

Amman, Raymond. 1998. "How Kanak is Kaneka Music? The Use of Traditional Percussion Instruments in the Modern Music of the Melanesians in new Caledonia." The World of Music 40 (2): 9-27. Bibliog., discog., music, photo.

Bruin, Hanne de, and Wim van Zanten. 1997. "Performance of South-Indian Kattaikkuttu Theatre Marks the Opening of the PAATI Research Programme." Oideion: Performing Arts Online 1. Available: http://iias.leidenuniv.nl/oideion/issues/issue1/articles/hdebru in/frame-o.html. Bibliog., photos., video files (.mov).

Chang, Heui-Yuan Belinda. 1997. "A theatre of Taiwaneseness: Politics, Ideologies, and Gezaixi." TDR 41 (2): 111-29. Bibliog., photos. Sumatra.

Cohen, Matthew Isaac. 1999. "Details, Details: Methodological Issues and Practical Considerations in a Study of Barikan, a Cirebonese Ritual Drama for Wayang Kulit." Oideion: Performing Arts Online 3. Available: http://iias.leidenuniv.nl/oideion/issues/i ssue3/articles/cohen/frame-o.html. Audio files (.au), bibliog., photos. Indonesia.

De Kloet, Jeroen. 1998. "To Seek Beautiful Dreams: Rock in China." Oideion: Performing Arts Online 2. Available: http://iias.leidenuniv.nl/oideion/issues/issue2/articles/dekloet/frame-o.html. Audio files (.au), bibliog., video file (.mov).

Faurot, Jeannette L. 1998. "Music and Nature in Ancient Chinese Thought." Chinese Music 21 (1): 6-9.

Hae-kyung Um . 1999. "Food for Body and Soul: Measuring the Dialectics of Performance." Oideion: Performing Arts Online 3. Available: http://iias.leidenuniv.nl/oideion/issues/issue3/articles/um/frame-o.html. Bibliog., diagr., video files (.mov). Korean p 'ansori.

Hamera, Judith. 1996. "Body, Memory and Wordless Stories: The Sam Women and Cambodian Classical Dance Training." Women and Language 19 (1): 64-68.

Hao Huang. 1998. "Border Crossings: ROCKing the Great Wall." Chinese Music 21 (1): 14-18.

Hesselink, Nathan. 1998. "Of Drums and Men in Chollabuk-do Province: Glimpses into the Making of a Human Cultural Asset." Korea Journal 38 (3): 293-326.

Huimin, Qi Limusishiden, and Kevin Stuart. 1998. "Huzhu Monguor Wedding Songs: Musical Characteristics." Chinese Music 20 (2): 32-37; 20 (3): 43-52; 2 (4): 68-71; 21 (1): 10-13.

Ishida Kazushi. 1997. "The Stuff of Legends." The Strad 108 (1288): 850-53. Japanese stringed instruments.

Kaeppler, Adrienne L., and J. W. Love. 1998. The Garland Encyclopedia of World Music: Australia and the Pacific Islands. New York; London: Garland Publishing, xxvii, 1088 pp., bibliogs., discog., filmog., gloss., maps, music, photos., videog. + 1 sound di sc.

Lee, Elsa. 1998. "The Function of Percussion in Chuanju ." Chinese Music 20 (3): 3-57; 20 (4): 64-67.

Neuenfeld, Karl. 1998. "Good Vibrations? The 'Curious' Cases of the Didjeridu in Spectacle and Therapy in Australia." The World of Music 40 (2): 29-51. Bibliog., photo.

Niles, Don. 1998. "The Conchshell Band as Preserver of German and Papua New Guinean Lutheran Traditions." The World of Music 40 (2): 53-68. Bibliog., map, music, photo.

Pauka, Kirstin. 1998. "The Daughters Take Over? Female Performers in Randai Theater." TDR 42 (1): 113-21. Bibliog., photos. Sumatra.

Qureshi, Regula Burckhardt. 1999. "His Master's Voice? Exploring Qawwali and 'Gramophone Culture' in South Asia." Popular Music 18 (1): 63-98. Bibliog., music.

Racy, Ali Jihad. 1996. "Heroes, Lovers, and Poet-Singers: The Bedouin Ethos in the Music of the Arab Near-East." Journal of American Folklore 109 (433): 404-24.

Ranade, Ashok D. 1998. Essays in Indian Ethnomusicology . New Delhi: Munshiram Manoharlal, 342 pp., bibliog., ill.

Reigle, Robert. 1998. "Cosmological Correlations in Chinese Music: The Source of Japanese Musical Symbolism." Chinese Music 20 (3): 58-60; 20 (4): 72-75.

Shao Ying. 1998. "Zhang Han-Hui and 'On the Songhua River'." Chinese Music 21 (1): 4-5.

Sharma, Sanjay, John Hutnyk, and Ashward Sharma. 1997. Dis-orienting Rhythms: The Politics of the New Asian Dance Music. Atlantic Highlands, NJ: Zed Books, 248 pp., bibliog., illus.

Sin-yan Shen. 1998. "Chang Tsuan-nien Musician & Man of Commitment." Chinese Music 20 (2): 38-40. Obituary.

Sutton, R. Anderson. 1997. "Humor, Mischief, and Aesthetics in Javanese Gamelan Music." The Journal of Musicology 15 (3): 390-415.

Tan Sooi Beng. 1993. Bangsawan: A Social and Stylistic History of Popular Malay Opera. Singapore; New York: Oxford University Press, xxiii, 261 pp., bibliog., illus., map.

Thomas, Allan. 1999. "Dance Costume in the Central Pacific Islands." Studia Choreologica 1 39-83. Bibliog., map, photos.

Toru Seyama. 1998. "The Recontextualisation of the Shakuhachi (Syakuhati) and its Music from Traditional/Classical into Modern/Popular." The World of Music 40 (2): 69-83. Bibliog., photo. Japan.

Turkka, S. A. K. 1998. Indian Music in the Context of Independence . Monograph series (Center for Ethnomusicology (Madras, India)) , no. 3. Chennai : Center for Ethnomusicology, 79 pp., bibliog.

van Belle, Jan. 1998. "Dafsâz in Tajik Badaxshân: Musical Genre and Rhythmic Pattern." Oideion: Performing Arts Online 2. Available: http://iias.leidenuniv.nl/oideion/issues/issue2/articles/vanbelle/frame-o.html. Audio files., bibliog., disc og., maps, photos.

Varley, Julia. 1998. "Sanjukta Panigrahi: Dancer for the Gods." New Theatre Quarterly 14 (55): 249-73. India.

Yeh, Nora. 1998. "The Tradition of Yüe Jü Cantonese Opera." Folklife Center News 20 (2): 10-12. Photos.

Europe

Abramovich-Gomon, Alla. 1999. The Nenet's Song: A Microcosm of a Vanishing Culture. Ashgate Studies in Ethnomusicology. Aldershot: Ashgate, 168 pp., bibliog., illus., music . Russia.

Alonso Ponga, José Luis. 1996. Teatro popular. Temas didácticos de cultura tradicional, 1. Valladolid: Castilla Ediciones, 109 pp., bibliog., illus., music. Spain.

Armistead, Samuel G. 1998. Cancioneiro tradicional de Trás-os- Montes. Madison: Hispanic Seminary of Medieval Studies, 360 pp., bibliog., music. Portugal.

Atkinson, David. 1998. "The Child Ballads from England and Wales in the James Madison Carpenter Collection." Folk Music Journal 7 (4): 434-49. Bibliog.

Barlow, Jeremy. 1997. "Eleven Nursery Songs from a Plymouth Family." English Dance & Song 59 (1): 2-4. Music.

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Beau, Marie-Agnès. 1996. "Hip Hop Rap in Europe." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/eight.html.

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Boele, Evert Bisschop. 1997. "Teaching in a Multimedia Soundscape: Nonwestern Music in Dutch Basic Education Teaching Materials." Oideion: Performing Arts Online 1. Available: http://iias.leidenuniv.nl/oideion/issues/issue1/articles/bisboele/frame-o.html . Bibliog., diagr., photo.

Bohlman, Philip. 1997. "Music, Myth, and History in the Mediterranean: Diaspora and the Return to Modernity." EOL 3. Available: http://www.research.umbc.edu/efhm/3/bohlman/index.html. Audio files (.au), facsim., gloss., map, music, photos.

Bohlman, Philip. 1998. "The Shechinah, or the Feminine Sacred in the Musics of the Jewish Mediterranean." Music & Anthropology 3. Available: http://MUSPE1.CIRFID.UNIBO.IT/M&A/index/number3/bohlman/bohl_0.htm. Audio files, bibliog., photos.

Cuisenier, Jean. 1998. Les noces de Marko. Le rite et le mythe en pays bulgare. Paris: Presses Universitaires de France, Bibliog., music, photos. Bulgaria.

Frith, Simon. 1996. "Popular Music Policy and the Articulation of Regional Identities: The Case of Scotland and Ireland." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/four.html.

Gardham, Chris. 1996. "The Wreck of the Industry." English Dance & Song 58 (3): 2-3. Bibliog.

Garnett, Liz. 1999. "Ethics and Aesthetics: The Social Theory of Barbershop Harmony." Popular Music 18 (1): 41-61. Bibliog., music, photos. Great Britain.

Hackl, Stefan. 1998. "Die Gitarre in der Alpenlandischen Volksmusik: Beruhrungspunkte zwischen Volksmusik und klassicher Gitarre [The guitar in the traditional music of the Alpine lands: Points of contact between folk music and classical guitar]." Gitarre & Laute 20 (6): 16-21. Facsims., music.

Hennion, Antoine. 1996. "Music Industry and Music Lovers, beyond Benjamin." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/six.html.

Laing, Dave. 1996. "The Economic Importance of Music in the European Union." European Music Symposium. Available: http://www.euromusic.com/EMO/eumusic/index.html.

Lange, Roderyk. 1999. "The Position of Dance in Contemporary European Culture: An Overview." Studia Choreologica 1: 9-37. Bibliog.

Larkey, Edward. 1997. "Cultural Policies toward Popular Music: The Orphanization of the Wienerlied in the 1950s." Modern Austrian Literature 30 (1): 69-87. Austria.

Magrini, Tullia. 1997. "Repertories and Identities of a Musician from Crete." EOL 3. Available: http://www.research.umbc.edu/efhm/3/magrini/index.html. Audio files (.wav), bibliog., gloss., map, music, photos.

Magrini, Tullia. 1998. "Women's 'Work of Pain' in Christian Mediterranean Europe ." Music & Anthropology 3. Available: http://MUSPE1.CIRFID.UNIBO.IT/M&A/index/number3/magrini/magr0.htm. Audio files (.wav), bibliog., photos., video file (mov).

Muikku, Jari. 1996. "The Non-profit Music Organisation in Partnership with the Commercial Field." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/ten.html.

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Nieminen, Pipsa. 1998. Four Dance Subcultures: Study of Non-professional Dancers' Socialization, Participation Motives, Attitudes and Atereotypes. Jyväskylä: University of Jyväskylä, 65 pp., bibliog., illus. Finland.

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Perna, Vicenzo. 1996. "Latin Lovers. Salsa Musicians and their Audience in London. A Small Dance Boom, or in Defence of the Trivial." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/five.html. Bibliog.

Pettan, Svanibor. 1997. "The Croats and the Question of Their Mediterranean Musical Identity ." EOL 3. Available: http://www.research.umbc.edu/efhm/3/pettan/index.html. Audio files (.au), bibliog., maps, music, photos, video files (.avi).

Potts, Sean Terry Moylan and Liam McNulty. The Man and His Music: An Anthology of the Writings of Breadán Breathnach. Na Piobairi Uilleann: 1996, x, 166 pp., illus.

Roe, Keith. 1996. "Music and Identity among European Youth." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/three.html. Bibliog.

Roud, Steve, and Paul Smith. 1998. "James Madison Carpenter and the Mummers' Play." Folk Music Journal 7 (4): 496-513. Bibliog.

Rouger, Jany, and Jean-François Dutertre. 1996. "The Traditional Musics in Europe; Traditional Music/Topical Music; For a Policy in Favor of Traditional Music." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/eleven.htm l.

Rutten, Paul. 1996. "The Charm of Activity as the Essence of Musical Expression. An Interview with Henk Hofstede." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/nine.html.

Rutten, Paul. 1996. "Global Sounds and Local Brews. Musical Developments and Music Industry in Europe." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/one.html. Bibliog., table.

Rutten, Paul, ed. 1996. "Music, Culture and Society in Europe." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/index.html.

Seroussi, Edwin. 1998. "De-gendering Jewish Music: The Survival of the Judeo-Spanish Folk Song Revisited ." Music & Anthropology 3. Available: http://MUSPE1.CIRFID.UNIBO.IT/M&A/index/number3/seroussi/ser_0.htm. Audio files (wav), bibliog., photos.

Shiloah, Amnon. 1997. "On Jewish and Muslim Musicians of the Mediterranean ." EOL 3. Available: http://www.research.umbc.edu/efhm/3/shiloah/index.html. Audio files (.au), bibliog.

Starita, Angela. 1997-1998. "'O Meu Samba': Embracing Rio Samba in Finland." Scandinavian Review 85 (3): 68-73.

Tammer, Anthony. 1998. "Kavals and Dzamares: End-blown Flutes of Greece and Macedonia." EOL 4. Available: http://www.research.umbc.edu/eol/4/tammer/index.html. Bibliog., illus., photos.

Tekaïa, Myriam. 1996. "La Friche Belle de Mai. (Marseille)." European Music Symposium. Available: http://www.euromusic.com/EMO/mcseurope/seven.html.

van Zanten, Wim. 1997. "Ethnomusicology in the Netherlands since 1960." Oideion: Performing Arts Online 1. Available: http://iias.leidenuniv.nl/oideion/issues/issue1/articles/1zanten/frame-o.html. Audio files (.au), bibliog., video files (.mov).

Velitchkina, Olga. 1996. "The Role of Movement in Russian Panpipe Playing." EOL 2. Available: http://www.research.umbc.edu/efhm/2/velitch/index.html. Audio files (.au), bibliog., graphs, illus., map, music, photos., tables, video files (.mov).

Vernon, Paul. 1998. A History of the Portuguese Fado. Aldershot, England; Brookfield, VT: Ashgate, xxii, 114 pp., bibliog., discog., illus. + 1 sound disc.

Wachtel, Andrew Baruch. 1998. Intersections and Transportations: Russian Music, Literature, and Society. Northwestern University Press Studies in Russian Literature and Theory, Evanston, IL: Northwestern University Press, xvi, 301 pp. Partial contents: Ep ic Melodies: An Examination of Folk Motifs in the Text and Music of Prince Igor / Jennifer Fuller (33-57); The Domestic Muse: Music at Home in the Twilight of Serfdom / Richard Stites (187-205); On the Peculiarities of Soviet Rock and Roll / Nicholas Glos sop (274-98).

Walser, Robert Young. 1998. "'Here We Come Home in a Leaky Ship!': The Shanty Collection in the James Madison Carpenter Collection." Folk Music Journal 7 (4): 471-95. Bibliog., music.

Wicke, Peter. 1997. "'Let the sun shine in your heart' Was die Musikwissenschaft mit der Love Parade zu tun hat oder Von der diskursiven Konstruktion des Musikalischen." Die Musikforschung 50 (4): 421-433. Bibliog. Available: http://www2.rz.hu-berlin.de/ inside/fpm/wicke4.htm.

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Wicke, Peter and Lothar Müller. 1996. Rockmusik und Politik: Analysen, Interviews und Dokumente. Forschungen zur DDR-Geschichte, Bd. 7. Berlin: C. Links Verlag, 277 pp., bibliog.

Acknowledgments

Salwa el-Shawan Castelo-Branco, Joseph C. Hickerson, Roderyk Lange, Rainer Polak.