Compiled by Jennifer C. Post

General | Africa | Americas | Asia & Oceania | Europe | Acknowledgements

General

Arom, Simha. 1999. "Trois brèves remarques sur l'ethnomusicologie et une conclusion." Cahiers de musiques traditionelles 12:173-74.

Baumann, Max Peter. 1999. "Listening to Nature, Noise and Music." The World of Music 41(1):97-111. Bibliog.

Becker, Tim, and Raphael Woebs. 1999. "'Back to the Future': Hearing, Rituality and Techno." The World of Music 41(1):59-71. Bibliog., diagrs., graphs.

Berger, Harris M. 1999. "Death Metal Tonality and the Act of Listening." Popular Music 18(2):161-78. Bibliog., music.

Brady, Erika. 1999. A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi. xiii, 156 pp., bibliog., illus.

Brandily, Monique. 1998. "Quand dire, c'est faire." Cahiers de musiques traditionelles 11:3-12.

Bruhn, Herbert, and Helmut Rösing. 1998. Musikwissenschaft: ein Grundkurs. Rowohlts Enzyklopädie Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag. 638 pp., bibliog., illus.

Chastagner, Claude. 1999. "The Parents' Music Resource Center: From Information to Censorship." Popular Music 18(2):179-92. Bibliog.

Chemillier, Marc. 1998. "Eric de Dampierre, un ethnologue passionné de musique. In Memoriam." Cahiers de musiques traditionelles 11:205-14.

Clawson, Mary Ann. 1999. "When Women Play the Bass: Instrument Specialization and Gender Interpretation in Alternative Rock Music." Gender & Society 13(2):193-210. Bibliog.

Cloonan, Martin. 1999. "Pop and the Nation State: Towards a Theorisation." Popular Music 18(2):193-207. Bibliog.

Crane, Frederick. 1999. "Papers from the 3rd International Congress, Molln 1998." Vierundzwanzigsteljahrschrift der Internationalen Maultrommelvirtuosengenossenschaft 8. 127 pp. Bibliogs., illus., photos. Articles and summaries by Trân Quang Hai, An gela Mohr, Frederick Crane, Tadagawa Leo, Panay Mulu, Ivan Alexeyev, Rimma Madvarova, Anon Egeland, Gerlinde Haid, Semyon Ivanov, Spiridon Shishigin, Iwasaki Kiyoshi, and Rudolf Henning. In English, German, and Russian.

Dampierre, Eric de. 1998. L'humanité des harpes. Nanterre: Société d'ethnologie. 47 pp.

Davis, Shelley G., and Karl Signell. 1998. Music: A Multicultural Experience. Dubuque: Kendall/Hunt. vi, 377 pp., bibliog., discog., illus., music.

Dibben, Nicola. 1999. "Representation of Femininity in Popular Music." Popular Music 18(3):331-55. Bibliog., discog., music, videog.

Frigyesi, Judit. 1999. "Transcription de la pulsation, de la métrique et du "rythme libre"." Cahiers de musiques traditionelles 12:55-74.

Giannattasio, Francesco. 1998. Il concetto di musica : contributi e prospettive della ricerca etnomusicologica. Etnomusicologia Roma: Bulzoni. 317 pp., bibliog., illus. First published in 1992 by Nuova Italia scientifica.

Gibson, John G. 1998. Traditional Gaelic Bagpiping, 1745-1945. Montreal: McGill-Queen's University Press. xii, 406 pp.

Greer, Taylor Aitken. 1998. A Question of Balance: Charles Seeger's Philosophy of Music. Berkeley; Los Angeles: University of California Press. 273 pp., bibliog., music.

Julien, Oliver. 1999. "The Diverting of Musical Technology by Rock Musicians: The Example of Double-tracking." Popular Music 18(3):357-65. Bibliog., diagr., discog., illus.

Katovich, Michael A., and Marya S. Makowski. 1999. "Music Periods in the Rock and Post Rock Eras: The Rise of Female Performers on a Provocative Stage." Studies in Symbolic Interaction 22:141-66. Bibliog., tables.

Kimberlin, Cynthia Tse. 1999. "The Scholarship and Art of Ashenafi Kebede (1938-1998)." Ethnomusicology. 43(2):322-34. Bibliog., discog., music.

Kimberlin, Cynthia Tse, and Akin Euba. 1999. Intercultural Music Volume 2. Point Richmond, CA : Music Research Institute (published for the Centre of Intercultural Music Arts). 254 pp. Contents: The Establishment of the Modern Chinese Orchestra and the I nterchange between Chinese and Western Musical Culture / Qiao Jianzhong and Xue Yibing (in Chinese with an English translation by Helen Rees) (15-30); Traditional and Folk Idioms in Modern Egyptian Composition since the Fifties / Samha El-Kholy (33-43); T ibetan and Ladakhi Popular Music in India / Mark Trewin (45-74); Composing Contemporary African Choral music: Problems and Prospects / Laz Edward Nnanyelu Ekwueme (77-88); The Ballets of Gamal Abdel-Rahim [Egypt]/ John O. Robison (89-106); The Judeo-Spani sh Ballad as Western Art-song: Problems in Harmonizing Modal Melodies / Alexander Knapp (107-140); The Composition of Pathways [United Kingdom] / Simon Emmerson (141-147); 'Whose "music"?' [United Kingdom] / Simon Emmerson (151-159); The USA Government: A rbiter or Catalyst for the Arts? / Cynthia Tse Kimberlin (161-190); Problems Involved in Teaching Music in a Nigerian Secondary School: A Case Study of the International School, University of Ibadan, Nigeria / Amorelle E. Inanga (191-199); Challenges for African Music and Musicians in the Modern World Music Context / Meki Nzewi (201-225) .

Lapedia, Hilary. 1999. "Popping the Question: The Function and Effect of Popular Music in Cinema." Popular Music 18(3):367-79. Bibliog.

Loopuyt, Marc. 1998. "L'eau et le feu. Propos croisés de deux maîtres de musique." Cahiers de musiques traditionelles 11:107-24.

Nattiez, Jean-Jacques. 1999. "Inuit Throat Games and Siberian Throat Singing: A Comparative, Historical, and Semiological Approach." Ethnomusicology. 43(3):399-418. Bibliog., discog., music, photos.

Nelson, Angela M. S.. 1999. This is How We Flow: Rhythm in Black Cultures. Columbia: University of South Carolina Press. vi, 160 pp., bibliog. Contents: Rap on Rhythm / Juliette Bowles (5-14); Jazz Time and Our Time: A View from the Outside In / Mark Sumn er Harvey (15-31); Some Aesthetic Suggestions for a Working Theory of the "Undeniable Groove": How Do We Speak about Black Rhythm, Setting Text, and Composition? / William Banfield (32-45); Rhythm and Rhyme in Rap / Angela M. S. Nelson (46-53); The Music of Martin Luther King, Jr. / Richard Lischer (54-62); Rhythm in Claude McKay's "Harlem Dancer" / Ronald Dorris (63-73) Chanting Down Babylon: Three Rastafarian Dub Poets / Darren J. N. Middleton (74-86) Rhythm as Modality and Discourse in Daughters of th e Dust / D. Soyini Madison (87-97) Rhythms of Resistance: the Role of Freedom Song in South Africa / Alton B. Pollard III (98-124) The Rhythm of Everyday Politics: Public Performance and Political Transitions in Mali / Zeric Kay Smith (125-36).

Picard, François. 1999. "Oralité et notations, de Chine en Europe." Cahiers de musiques traditionelles 12:35-54.

Scherzinger, Martin Rudolf. 1999. "Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations." Yearbook for Traditional Music 31:102-25. Bibliog.

Schulte-Tenckhoff, Isabelle. 1999. "L'ethnomusicologie: structuralisme ou culturalisme? Entretien avec Jean-Jacques Nattiez ." Cahiers de musiques traditionelles 12:153-72.

Sharma, Nitasha. 1998. " Down by Law: Responses and Effects of Sampling Restrictions on Rap." Polar: Political and Legal Anthropology Review 21(1):1-13.

Tourny, Olivier. 1999. "Le vertige de la page blanche." Cahiers de musiques traditionelles 12:3-8.

Turino, Thomas. 1999. "Signs of Imagination, Identity, and Experience: A Piercian Semiotic Theory for Music." Ethnomusicology. 43(2):221-55. Bibliog., diagrs., tables.

Will, Udo. 1999. "La baguette magique de l'ethnomusicologue. Considérations sur la notation et l'analyse de la musique." Cahiers de musiques traditionelles 12:9-34.

Will, Udo. 1998. "Et quand ils n'en disent rien?" Cahiers de musiques traditionelles 11:175-86.

Yung, Bell, and Helen Rees. 1999. Understanding Charles Seeger, Pioneer in American Musicology. Music in American life Urbana: University of Illinois Press. xi, 192 pp., bibliog., illus. Contents: Introduction / Bell Yung and Helen Rees (1-12); The Dynam ics of Dissonance in Seeger's Treatise and Crawford's Quartet / Taylor Greer (13-28); The American Composer in the 1930s: The Social Thought of Seeger and Ch·vez / Leonora Saavedra (29-63); Form, Content, and Value: Seeger and Criticism to 1940 / Robert R. Grimes (64-83); "Temporary Bypaths"?: Seeger and Folk Music Research / Helen Rees (84-108); Ruth Crawford, Charles Seeger, and The Music of American Folk Songs / Judith Tick (109-29); Seeger's Unitary Field Theory Reconsidered / Lawrence M. Zbikowski (130-49); Anthropology and Musicology: Seeger's Writings from 1933 to 1953 / Nimrod Baranovitch (150-71); From Modern Physics to Modern Musicology: Seeger and Beyond / Bell Yung (172-84).

Africa

Avorgbedor, Daniel. 1997-98. "Anlo-Ewe Music and Society in the Light of Urgent Anthropo-musicology." Bulletin of the International Committee on Urgent Anthropological and Ethnological Research 39:17-26.

Baldassarre, Antonio. 1999. "With the Daughters of the Houara (Morocco): From Fieldwork to World Music." Music & Anthropology 4. Bibliog., photos, sound files (.wav), movie files (.mov). Available: http://muspe1.cirfid.unibo.it/M&A/index/number4/baldassar re/baldae0.htm.

Buba, Malami. 1999. "Youth Culture, Bandiri, and the Continuing Legitimacy Debate in Sokoto Town." Journal of African Cultural Studies 12(1):27-46.

Cooke, Peter. 1999. "Was Ssempeke Just Being Kind? Listening to Instrumental Music in Africa South of the Sahara." The World of Music 41(1):73-83. Bibliog., photos.

Dolby, Nadine. 1999. "Youth and the Global Popular: The Politics and Practices of Race in South Africa." European Journal of Cultural Studies 2(3):291-309.

Floyd, Malcolm. 1999. Composing the Music of Africa: Composition, Interpretation, and Realisation. Ashgate Studies in Ethnomusicology. Aldershot, England; Brookfield, Vt: Ashgate. xiv, 366 pp., bibliog., illus., maps, music. Contents: Introduction: Comp osing the Music of Africa / Malcolm Floyd 1-6); Melodic and Rhythmic Aspects of African Music / Christopher James (7-18); Egyptian Folk Music / Adel Kamel (21-28); The Roots of Ghanaian Composers / James Flolu (29-43); Drumming in Ghana / Trevor Wiggins ( 45-65); The Xylophone Tradition of North-west Ghana / Trevor Wiggins (67-89); The Making of Karimojong' Cattle Songs / Kenneth Gourlay (91-105); Embaire Xylophone Music of Samusiri Babalanda / Gerhard Kubik (107-33); Warrior Composers: Maasai Boys and Me n / Malcolm Floyd (136-64); New Lyres in Northern Kenya: The Enchamunge of the Samburu and the Kilumba of the Turkana / Malcolm Floyd (165-92); Consumer-led Creation: Taarab Music Composition in Zanzibar / Janet Topp Fargion (195-226); Kwela: The Structu re and Sound of Pennywhistle Music / Lara Allen (227-63); Keeping our Ears to the Ground: Cross-culturalism and the Composer in South Africa, 'Old' and 'New' / Hanns Roosenschoon (265-90); Timbila / Hanns Roosenschoon (291-93); Black - White - Rainbow: A Personal View on What African Music Means to the Contemporary Western Composer / Geoffrey Poole (295-334); Egyptian Composition in the Twentieth Century / Adel Kamel (335-51).

Hale, Thomas A. 1998. Griots and Griottes: Masters of Words and Music. Bloomington: Indiana University Press. xiv, 410 pp., bibliog., illus., maps.

Kubik, Gerhard. 1999. Africa and the Blues. Jackson: University Press of Mississippi. xviii, 240 pp., bibliog., maps, music, photos.

Langlois, Tony. 1999. "Heard But Not Seen: Music among the Aissawa Women of Oujda Morocco." Music & Anthropology 4. Bibliog., photos, audio files (.wav). Available: http://muspe1.cirfid.unibo.it/M&A/index/number4/langlois/lang0.htm.

Olivier, Emmanuelle. 1998. "Nommer, narrer, commenter. Manières de dire la musique selon les Bochimans Ju|'hoansi." Cahiers de musiques traditionelles 11:13-28 Namibia.

Omojoloa, Bode. 1997-98. "Traditional Ekiti Music in a Changing Nigerian Environment: Participant Observation or Passive Spectatorship?" Bulletin of the International Committee on Urgent Anthropological and Ethnological Research 39:27-40.

Razafindrakoto, Jobonina. 1999. "Le timbre dans le répertoire de la valiha, cithare tubulaire de Madagascar." Cahiers de musiques traditionelles 12:123-42.

Reily, Suzel Ana. 1998. "The Ethnographic Enterprise: Venda Girls' Initiation Schools Revisited." British Journal of Ethnomusicology 7:45-68.

Remes, Pieter. 1999. "Global Popular Musics and Changing Awareness of Urban Tanzanian Youth." Yearbook for Traditional Music 31:1-26. Bibliog.

Virolle, Marie. 1999. "The Role of Women in Raî Music." Music & Anthropology 4. Bibliog., discog., photos, audio files (.wav). Algeria. Available: http://muspe1.cirfid.unibo.it/M&A/index/number4/virolle/vir0.htm.

Wiggins, Trevor. 1998. "Techniques of Variation and Concepts of Musical Understanding in Northern Ghana." British Journal of Ethnomusicology 7:117-42.

Zanetti, Vincent. 1999. "Les maîtres du jembe. Entretiens avec Fadouba Oularé, Famoudou Konaté, Mamady Keïta et Soungalo Coulibaly." Cahiers de musiques traditionelles 12:175-98.

Americas

Allen, Ray, and Lois Wilcken. 1998. Island Sounds in the Global City: Caribbean Popular Music and Identity in New York . New York: New York Folklore Society : Institute for Studies in American Music, Brooklyn . 185 pp., bibliog., discog., illus. Contents: Buscando ambiente: Puerto Rican Musicians in New York City, 1917-1940 / Ruth Glasser (7-22); Representations of New York City in Latin Music / Peter Manuel (23-43); From Transplant to Transnational Circuit: Merengue in New York / Paul Austerlitz (44-60); Recapturing History: The Puerto Rican Roots of Hip Hop Culture / Juan Flores (61-73); "I am Happy Just to Be in This Sweet Land of Liberty": The New York City Calypso Craze of the 1930s and 1940s / Donald Hill (74-92); Community Dramatized, Community Con tested: The Politics of Celebration in the Brooklyn Carnival / Philip Kasinitz (93-113); Steel Pan Grows in Brooklyn: Trinidadian Music and Cultural Identity / Ray Allen and Les Slater (114-37); Moving the Big Apple: Tabou Combo's Diasporic Dreams / Gage Averill (138-61); The Changing Hats of Haitian Staged Folklore in New York City / Lois Wilcken (162-83).

Araújo, Samuel. 1999. "The Politics of Passion: The Impact of Bolero on Brazilian Musical Expressions." Yearbook for Traditional Music 31:42-56. Bibliog., music.

Averill, Gage. 1999. "Bell Tones and Ringing Chords: Sense and Sensation in Barbershop Harmony." The World of Music 41(1):37-51. Bibliog., diagr., graphs.

Béjar, Ana María, and Raúl R. Romero. 1998. Música, danzas y máscaras en los Andes. Lima: Pontificia Universidad Católica del Perú, Instituto Riva-Aguero, Proyecto de Preservación de la Música Tradicional Andina. 411 pp., bibliog., illus., music.

Bigenho, Michelle. 1998. "Coca as a Musical Trope of Bolivian Nation-ness ." Polar: Political and Legal Anthropology Review 21(1):114-22.

Bilby, Kenneth. 1999. "'Roots Explosion': Indigenization and Cosmopolitanism in Contemporary Surinamese Popular Music." Ethnomusicology. 43(2):256-96. Bibliog., photos.

Campo Miranda, Rafael. 1999. Cronicas didacticas sobre el folclor musical de Colombia. Barranquilla, Colombia: Editorial Mejoras. 177 pp., bibliog.

Cochran, Robert. 1999. Singing in Zion: Music and Song in the Life of an Arkansas Family. Fayetteville: University Of Arkansas Press. xiv, 274 pp., bibliog., illus., maps, music.

Côté, Gérald. 1998. Processus de création et musique populaire: un exemple de métissage à la québécoise. Série Musiques et champ social. Collection Logiques sociales Logiques sociales. Sé ;rie Musiques et champ social Paris: L'Harmattan. 189 pp.

Curtis, Wardon Alan. 1998."'The Light Fantastic' in the Central West: Country Dances of Many Nationalities in Wisconsin [1907]." In Wisconsin Folklore, edited by James P. Leary, 251-58. Madison, WI: University of Wisconsin. Reprint of 1991 edition.

Deyhle, Donna. 1998. "From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity." Youth and Society 30(1):3-31.

Filmer, Paul Val Rimmer, and Dave Walsh. 1999. "Oklahoma!: Ideology and Politics in the Vernacular Tradition of the American Musical." Popular Music 18(3):381-95. Bibliog.

Floyd, Samuel A. Jr. 1999. "Black Music in the Circum-Caribbean." American Music 17(1):1-37. Bibliog., music, tables.

Fryer, Peter. 1999. Rhythms of Resistance: African Musical Heritage in Brazil. London: Pluto. 224 pp., bibliog., illus., maps.

Garibay Mora, Ernesto. 1998. Crónica de una tradición mexicana: la historia del Mariachi. San José, Calif: Editorial Nuevo Milenio. 57 pp., illus. Mexico.

Gay, Leslie C. Jr. 1999. "Hearing is Seeing: Listening for New York Rock Musicians." The World of Music 41(1):9-17. Bibliog., music.

Glazer, Joe. 1998. "Singing the Gospel of Brotherhood and Sisterhood: Reflections of Labor's Troubadour." Labor's Heritage 9(3):22-37. Photos.

Goertzen, Chris, and María Susana Azzi. 1999. "Globalization and the Tango." Yearbook for Traditional Music 31:67-76. Bibliog.

Goff, James R. Jr. 1998. "The Rise of Southern Gospel Music." Church History 67(4):722-44.

Green, Archie. 1999. Spirit of Steel: Music of the Mines, Railroads, and Mills of the Birmingham District: An Educational Resource. Birmingham, Ala: Sloss Furnaces National Historic Landmark: Crane Hill Publishers. xiv, 82 pp., bibliog., photos. + 1 sound disc. Contents: Gandy Dancing / Maggie Holtzberg; Notes on the Early Recorded Blues of Birmingham / Gayle Dean Wardlow; Birmingham Quartets Celebrate the Union Movement / Ray Funk; Fiddle Tunes for Mining Towns; The Ballad of John Catchings / Joyce Cauth en.

Guerreiro, Goli. 1999. "As trilhas do Samba-Reggae: a invenção de um ritmo." Latin American Music Review 20(1):105-40. Bibliog.

Gura, Philip F., and James F. Bollman. 1999. America's Instrument: The Banjo in the Nineteenth-century. Chapel Hill; London: The University of North Carolina Press. xvi, 303 pp., bibliog., illus., photos.

Ives, Edward D. 1999. Drive Dull Care Away: Folksongs from Prince Edward Island . Charlottetown, P.E.I.: Institute of Island Studies. xiii, 270 pp., bibliog., maps, music, photos + 1 sound disc.

Joyner, Charles W. 1999. Shared Traditions: Southern History and Folk Culture. Urbana: University of Illinois Press. xiii, 361 pp., bibliog., illus.

Kozak, David L., and David I. Lopez. 1999. Devil Sickness and Devil Songs: Tohono O'odham Poetics. Smithsonian series in ethnographic inquiry Washington: Smithsonian Institution. ix, 190 pp., bibliog., map.

Kurath, Gertrude P. 1998."Menomini Indian Dance Songs in a Changing Culture [1959]." In Wisconsin Folklore, edited by James P. Leary, 191-99. Madison, WI: University of Wisconsin.

Lassiter, Luke E. 1997. "Charlie Brown: Not Just Another Essay on the Gourd Dance." American Indian Culture and Research Journal 25(4):75-103.

Lassiter, Luke E. 1998. The Power of Kiowa Song: A Collaborative Ethnography. Tucson: University of Arizona Press.

Lassiter, Luke E. 1999."Southwestern Oklahoma, the Gourd Dance, and Charlie Brown ." In Contemporary Native American Cultural Issues, edited by Duane Champagne, 145-66. Walnut Creek, CA: AltaMira Press.

Lassiter, Luke E., and Clyde Ellis. (1998. "Applying Communitas to Kiowa Powwows." American Indian Quarterly 22(4):485-91.

Leary, James P. 1998."Polka Music in a Polka State [1991]." In Wisconsin Folklore, edited by James P. Leary, 268-83. Madison, WI: University of Wisconsin.

Lesh, Nancy. 1999. "Dhrupad in the United States." Journal of the Indian Musicological Society 30:98-104.

Levine, Victoria Lindsay, and Amanda Chace. 1999. Music in the Ruben Cobos Collection of Spanish New Mexican Folklore: A Descriptive Catalogue. Colorado Springs: The Hulbert Center Press of the Colorado College. xiv, 199 pp., bibliog., illus.

Lilly, John. 1999. Mountains of Music: West Virginia Traditional Music from Goldenseal. Music in American life. Urbana: University of Illinois Press. 231 pp., discog., illus., map.

Loeffler, Jack, and Enrique R. Lamadrid.1999. La musica de los viejitos: Hispano folk music of the Rio Grande del Norte. Albuquerque: University of New Mexico Press. 223 pp., bibliog.

Loza, Steven Joseph. 1999. Tito Puente and the Making of Latin Music. Urbana: University of Illinois Press. xvi, 260 pp., bibliog., discog., illus.

Magaldi, Cristina. 1999. "Adopting Imports: New Images and Alliances in Brazilian Popular Music of the 1990s." Popular Music 18(3):309-29. Bibliog., discog.

Martin, Philip. 1998."Hoppwaltzes and Homebrew: Traditional Norwegian American Music from Wisconsin [1985]." In Wisconsin Folklore, edited by James P. Leary, 259-67. Madison, WI: University of Wisconsin. Reprint of 1991 ed.

Matthews, Donald Henry. 1998. Honoring the Ancestors: An African Cultural Interpretation of Black Religion and Literature. New York: Oxford University Press. xiii, 171 pp., bibliog.

McMichael, Robert K. 1998. "'We Insist--Freedom Now!': Black Moral Authority, Jazz, and the Changeable Shape of Whiteness." American Music 16(4):375-416. Bibliog.

Melnick, Jeffrey Paul. 1999. A Right to Sing the Blues: African Americans, Jews, and American Popular Song. Cambridge: Harvard University Press. ix, 277 pp., bibliog.

Menezes Bastos, Rafael José de. 1999. "Apùap World Hearing: On the Kamayurá Phono-Auditory System and the Anthropological Concept of Culture." The World of Music 41(1):85-96. Bibliog., diagr. Brazil.

Meyer, Andreas. 1999. "Kenny Cooper -- The Mighty Bomber: A Music Career in Trinidad (West Indies)." Popular Music 18(2):277-90. Bibliog., music, photo.

Milnes, Gerald. 1999. Play of a Fiddle: Traditional Music, Dance, and Folklore in West Virginia. Lexington, Ky: University Press of Kentucky. 211 pp., bibliog., discog., illus.

Minks, Amanda. 1999. "Growing and Grooving to a Steady Beat: Pop Music in Fifth Graders' Social Lives." Yearbook for Traditional Music 31:77-101. Bibliog.

Moloney, Mick. 1998. "Irish Dance Bands in America." New Hibernia Review 2(3):127-37.

Morey, Carl. 1998. "Nationalism and Commerce: Canadian Folk Music in the 1920s." Canadian Issues/Themes Canadiens 20:34-44.

Oliven, Ruben George. 1999. "Money in Brazilian Popular Music." Studies in Latin American Popular Culture 18:115-37.

Ortiz, Fernando. 1998. La africanía de la música folklórica de Cuba. Madrid, Spain: Editorial M&uactte;sica Mundana Maqueda. 266 pp., bibliog., illus., music.

Ortiz, Fernando. 1998. Los bailes y el teatro de los negros en el folklore de Cuba. Madrid, Spain: Editorial Música Mundana Maqueda. 238 pp., bibliog. Previous edition: Habana: Ministerio de Educación, Dirección de Cultura, 1951.

Pedelty, Mark. 1999. "The Bolero: The Birth, Life, and Decline of Mexican Modernity." Latin American Music Review 20(1):30-58. Bibliog.

Prout, Ryan. 1999. "Jail-house rock: Cuba, AIDS, and the Incorporation of Dissent in Bengt Norborg's Socialism or Death." Bulletin of Latin American Research 18(4):423-36.

Ramnarine, Tina K. 1998. "'Brotherhood of the Boat': Musical Dialogues in a Caribbean Context." British Journal of Ethnomusicology 7:1-22.

Romero, Ra™l. 1999. "Aesthetics of Sound and Listening in the Andes: The Case of the Mantaro Valley." The World of Music 41(1):53-58. Bibliog., photos.

Schwartz-Kates, Deborah. 1999. "Argentine Art Music and the Search for National Identity Mediated through a Symbolic Native Heritage: The tradición gauchesca and Felipe Boera's El Matrero (1929)." Latin American Music Review 20(1):1-29. Bibliog., music.

Scruggs, T. M. 1999. "'Let's Enjoy As Nicaraguans': The Use of Music in the Construction of a Nicaraguan National Consciousness." Ethnomusicology. 43(2):297-321. Bibliog., photos.

Simonett, Helena. 1999. "Strike Up the Tambora: A Social History of Sinaloan Band Music." Latin American Music Review 20(1):59-104. Bibliog., discog., photos.

Smyth, Willie, and Esmé Ryan. 1999. Spirit of the First People: Native American Music Traditions of Washington State . Seattle: Published for Jack Straw Productions, Seattle, Northwest Folklife, Seattle, [and] Washington State Arts Commission, Olym pia by the University of Washington Press. xv, 201 pp., bibliog., illus., map, photos. + 1 sound disc. Contents: Singers, Dancers, Dreamers, Travelers: Native American Song Traditions, Musical Instruments, and Dance Regalia in Washington State / Roberta H aines (6-24); Seeds of Our Ancestors: Growing Up in the Skokomish Song Tradition / Bruce-Subiyay Miller (25-44); The Circle of Song / Cliff Sijohn (45-50); Native Songs and Seasonal Food-Gathering Traditions / Jeanette Timentwa & Rebecca Chamberlain (51-6 1) Native Songs Taught by Ellen W. Saluskin (Hoptonix Sawyalilx) / Virginia R. Beavert-Martin (62-71); Song Traditions of the Yakama / Brycene A. Neaman (72-80); Makah Music: Preserving the Traditions / Linda J. Goodman & Helma Swan (81-105); Native Music of the Pacific Northwest: A Washington State Perspective / Loran Olsen (106-16) Song Traditions of the Indian Shaker Church / James Everett Cunningham & Pamela Amoss (117-33); Songs from the Coast, Sound, and Plateau: Native American Music Traditions in Washington Today / Willie Smyth (134-47); Appendixes: Ten Early Ethnographers in the Northwest: Recordings from Washington State / Laurel Sercombe (148-68); Creating and Disseminating Ethnographic Recordings: Washington State Materials in Washington, D.C. / Judith A. Gray (169-80); Melville Jacobs and Early Ethnographic Recordings in the Northwest / William R. Seaburg (181-85).

Townsend, Henry. 1999. A Blues Life. Urbana: University of Illinois. 200 pp., bibliog., photos.

Tsitsos, William. 1999. "Rules and Rebellion: Slamdancing, Moshing, and the American Alternative Scene." Popular Music 18(3):397-414. Bibliog.

Tucker, Sherrie. 1998. "Nobody's Sweethearts: Gender, Race, Jazz, and the Darlings of Rhythm." American Music 16(3):255-88. Bibliog., photos.

Wachovsky, Lyle. 1999. "Dhrupad: A View from New York." Journal of the Indian Musicological Society 30:91-97.

Whidden, Lynn. 1998. "Rethinking Native Music Scholarship." Canadian Journal of Native Studies 18(1):135-40. French summary.

Asia & Oceania

Arnold, Alison ed. 2000. The Garland Encyclopedia of World Music: South Asia: The Subcontinent. The Garland Encyclopedia of World Music, Vol. 5. New York; London: Garland. xxv, 1077 pp., bibliog., discog., filmog., gloss., maps, music, photos, videog. + 1 sound disc.

Asai, Susan. 1999. Nomai Dance Drama: A Surviving Spirit in Medieval Japan. Westport, CT: Greenwood. 280 pp.,, bibliog.

Aubert, Laurent. 1998. "L'art du maqâm. Entretien avec Munir Bashir." Cahiers de musiques traditionelles 11:215-20.

Baily, John. 1998. "Discours sur la musique à Hérat (Afghanistan)." Cahiers de musiques traditionelles 11:125-40 .

Baily, John. 1997. "The Naghma-ye kashal of Afghanistan." British Journal of Ethnomusicology 6:117-.

Bakan, Michael. 1999. Music of Death and New Creation: Experiences in the World of Balinese Gamelan Beleganjur. Chicago: University of Chicago Press. xxii, 384 pp., bibliog., discog., gloss., music, photos + 1 audio disc.

Bellman, Jonathan. 1998."Indian Resonances in the British Invasion, 1965-1968." In The Exotic in Western Music, edited by Jonathan Bellman, 292-306. Boston: Northeastern University Press.

Brasor, Philip, and Masako Tsubuku Masako. 1997. "Idol chatter: the evolution of J-pop." Japan Quarterly 44(2):55-65.

Brinner, Ben. 1999. "Cognitive and Interpersonal Dimensions of Listening in Javanese Gamelan Performance." The World of Music 41(1):18-35. Bibliog., music, tables.

Chong, Pyong-uk. 1999. Han'guk ui p'ansori. Paegyong Chong Pyong-uk chojak chonjip ; 6 Chong, Pyong-uk Soul T'ukpyolsi: Sin'gu Munhwasa. 478 pp., bibliog. P'ansori; Korea.

Cook, Scott. 1997. "Xun Zi on Ritual and Music." Monumenta Serica 45:1-38.

Cooke, Mervyn. 1998. "The East in the West: Evocations of the Gamelan in Western Music." In The Exotic in Western Music, edited by Jonathan Bellman, 258-80. Boston: Northeastern University Press.

Dai Yanjing, Keith Dede, Qi Huimin Zhu Yongzhong, and Kevin Stuart. 1999. "'Laughing on the Beacon Tower': Spring Festival Songs from Qinghai." Asian Folklore Studies 58(1):121-87. Bibliog., music. China.

Dasgupta, Subhashree. 1999. "Dhrupad and the Music of Bengal." Journal of the Indian Musicological Society 30:58-65. Bibliog.

Devaux, Pierre. 1997. "La chanson, la shanson: sur l'identite musicale du Japon depuis l'ere Meiji." Daruma: Revue d'etudes japonaises 2:63-79.

Diethrich, Gregory. 1999-2000. "Desi Music Vibes: The Performance of Indian Youth Culture in Chicago." Asian Music 31(1):35-61. Bibliog., music, photos.

Egan, Ronald. 1997. "The Controversy Over Music and 'Sadness' and Changing Conceptions of the Qin in Middle Period China." Harvard Journal of Asiatic Studies 57(1): 5-66.

Emnalar, Atinç. 1998. Tüm yönleriyle Türk halk müzigi ve nazariyati : tanim, tarihçe, çalgilar, usûller, Türk halk edebiyati, türler, ezgisel ve makamsal yapi, agizlar ve tavirlar, kültür ve folklor kavramlari, anonimlik, beste ve çokseslilik konulari, derlemecilik, egitimdeki yeri, kaynak kisi ve derlemeciler, arastirmaci yazarlar, Türk halk oyunlarinda türler. Izmir: Ege Üniversitesi Basimevi. xviii, 940 pp., biblio g., illus., music. Turkey.

Etchepareborda, Mariano. 1999. "Le projet TaalWizard: transmission électronique du patrimoine rythmique de l'Inde ." Cahiers de musiques traditionelles 12:143-52 .

Feldman, Walter. 1996. Music of the Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire. International Institute for Traditional Music. Berlin: Verlag fur Wissenschaft und Bildung. 503 pp., bibliog., music.

Gisela Pieper, and Selena Thielemann. 1998. "Bibliography of publications of Prof. Dr. Josef Kuckertz." Journal of the Indian Musicological Society 29: 182-98.

Goormaghtigh, Georges. 1998. "Propos de quatre auteurs chinois sur le qin." Cahiers de musiques traditionelles 11:163-74.

Greene, Paul D. 1999. "Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance." Ethnomusicology 43(3):459-89. Bibliog., diagr., music. India.

Groemer, Gerald. 1999. The Spirit of Tsugaru: Blind Musicians, Tsugaru-jamisen, and the Folk Music of Northern Japan, With the Autobiography of Takahashi Chikuzan. Warren, Mich: Harmonie Park Press. xxi, 321 pp., bibliog., discog., illus.

Groesbeck, Rolf. 1999. "'Classical Music,' 'Folk Music,' and the Brahmanical Temple in Kerela, India." Asian Music 30(2):87-112. Bibliog., photos.

Guy, Nancy. 1999. "Governing the Arts, Governing the State: Peking Opera and Political Authority in Taiwan." Ethnomusicology 43(3):508-26. Bibliog., photo.

Hayward, Philip ed. 1998. Sound Alliances: Indigenous Peoples, Cultural Politics and Popular Music in the Pacific. London; New York: Cassell. 220 pp., bibliog. Contents: Tjungaringanyi: Aboriginal Rock (1971-91) / John Castles (11-25); He Waiata Na Aotear oa: Maori and Pacific Islander Music in Aotearoa/New Zealand / Tony Mitchell (26-44); Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia / David Goldsworthy (45-61); Koori Music in Melbourne: Culture, Politics and Certainty / Robin Ryan (62-77); Jawaiian Music and Local Cultural Indentity in Hawai'i / Andrew N. Weintraub (78-88); Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music / Amy Ku'uleialoha Stillman (89-103); Developments in Papua New Gui nea's Popular Music Industry / Malcolm Philpott (107-22); Questions of Music Copyright in Papua New Guinea / Don Niles (123-26); Ta Wa Whakapaoho i te Reo Irirangi: Some Directions in Maori Radio / Helen Wilson (127-41); A New Tradition: Titus Tilly and t he Development of Music Video in Papua New Guinea / Philip Hayward (142-57); The Proud Project and the 'Otara Sound': Maori and Polynesian Pop in the Mid-1990s / Tony Mitchell (158-72); Yothu Yindi: Context and Significance / Philip Hayward and Karl Neuen feldt (175-80); Culture, Custom and Collaboration: The Production of Yothu Yindi's 'Treaty' Videos / Lisa Nicol (181-89); Safe, Exotic and Somewhere Else: Yothu Yindi, 'Treaty' and the Mediation of Aboriginality / Philip Hayward (190-98); Yothu Yindi: Age ndas and Aspirations / Karl Neuenfeldt (199-208).

Helffer, Mireille. 1998. "Du son au chant vocalisé. La terminologie tibétaine à travers les âges (VIIIe-XXe siècle)." Cahiers de musiques traditionelles 11:141-62.

Hesselink, Nathan. 1999-2000. "Kim Inu's 'P'ungmulgut and Communal Spirit': Edited and Translated, with an Introduction and Commentary." Asian Music 31(1):1-34. Bibliog., graph, tables.

Ho, Edward. 1997. "Aesthetic Considerations in Understanding Chinese Literati Behaviour." British Journal of Ethnomusicology 6:35-50.

Howard, Keith. 1999. "Minyo in Korea: Songs of the People and Songs for the People." Asian Music 30(2):1-37. Bibliog.

Jargy, Simon. 1998. "'Le musicien de la sagesse' ou le magicien du Ξd. Autour d'une autobiographie." Cahiers de musiques traditionelles 11:227-42 Munir Bashir.

Johnson, Henry. 1999. "The Sounds of Myujikku: An Exploration of Concepts and Classifications in Japanese Sound Aesthetics." Journal of Musicological Research. 18(4):291-306.

Khaznadar, Chérif. 1998. "Munir Bashir, l'homme." Cahiers de musiques traditionelles 11:221-26.

Kim Young-woon. 1998. "The Origin and Structure of the Kayagum." Korea Journal 38(2):287-317.

Kollender, Rachel. 1999. "Patterns of Social Organization in the Sabbath and Holy Day Servies of the Karaite Community in Israel." Asian Music 30(2):113-33. Bibliog., music.

Kuckertz, Josef. 1998. "Essays on Indian music." Journal of the Indian Musicological Society 29: 1-141 A Special Issue with the following essays by Josef Kuckertz: From Field Trip to Lecture (1-9); Music in Hindu Faith and in Islam: Two Contradictory Conc epts (26-36); Religious Singing between Folk Song and Raga Melodics in Karnataka, South India (37-49); On Textual Understanding in the Songs of Tyagaraja (50-61); Words and Melody in South Indian Bhajana Songs (62-70); Women's Songs from Badami in Karnata ka, South India (71-80); Daf Songs from Central India (81-93); Songs of the Santals (94-102); Songs of the Todas (103-122); Polyphony in India (123-29); The Oboe in the Artistic, Folk, and Tribal Music of India (130-35); Constant Factors and Components in the Oral Transmission of Indian Music (136-41).

Kuipers, Joel C. 1999. "Ululations from the Weyewa Highlands (Sumba): Simultaneity, Audience Response, and Models of Cooperation." Ethnomusicology 43(3):490-507. Bibliog., tables. Indonesia.

Kyo, Nobuko. 1998. Nikkan ongaku noto: ekkyosuru tabibito no uta o otte. Iwanami shinsho. Shin akaban, 542 Tokyo: Iwanami Shoten. iii, 231 p. Korea and Japan.

Lam, Joseph S. C. 1998. State Sacrifices and Music in Ming China: Orthodoxy, Creativity, and Expressiveness. Albany: State University of New York. xvi, 203 pp., bibliog., gloss., illus., music.

Lawrence, Helen Reeves. 1998. "'Bethlehem' in Torres Strait: Music, Dance and Christianity in Erub (Darnley island)." Australian Aboriginal studies 2:51-63.

Lesh, Nancy, and Selina Thielemann. 1999. "Dhrupad Discography." Journal of the Indian Musicological Society 30:127-31.

Lewisohn, Leonard. 1997. "The Sacred Music of Islam: Sama' in the Persian Sufi Tradition." British Journal of Ethnomusicology 6:1-34.

Ma Wei, Ma Jianzhong, and Kevin Stuart. 1999. "The Xunhua Salar Wedding." Asian Folklore Studies 58(1):31-76. Bibliog., tables. China.

McGraw, Andrew C. 1999-2000. "The Development of the Gamelan Semara Dana and the Expansion of the Modal System in Bali." Asian Music 31(1):63-93. Bibliog., music, photos, tables.

McLean, Mervyn. Weavers of Song: Polynesian Music and Dance. Auckland: Auckland University Press; University of Hawaii Press. x, 543pp. + 1 compact disc.

Naficy, Hamid. 1998. "Identity Politics and Iranian Exile Music Videos." Iranian Studies 31(1):51-64.

Narasimhan, Sakuntala. 1999. "Dhrupad and Carnatic Music." Journal of the Indian Musicological Society 30:51-57. Bibliog.

Nooshin, Laudan. 1998. "The Song of the Nightingale: Processes of Improvisation in Dastgah Segah (Iranian Classical Music)." British Journal of Ethnomusicology 7:69-116.

Palackal, Joseph J. 1999. "Problems and Issues in the Study of the Syriac Chant Traditions in South India." Christian Orient 20(3):176-81.

Palackal, Joseph J. 1999. "Sangeethavum sabhacharitravum gaveshana veekshanathil [Music and Church history: research perspectives]." Sathyadeepam 73(2):5-11.

Palmer, Anthony J. 1998."Music." In Multicultural Hawai'i: The Fabric of a Multiethnic Society, edited by Michael Haas, 83-106. New York; London: Garland. Asian Americans in Hawaii.

Park, Jeong-hye. 1997. " The Court Music and Dance in the Royal Banquet Paintings of the Choson Dynasty." Korea Journal 37(3):123-44.

Qi Huimiin, Zhu Yongzhong, and Kevin Stuart. 1999. "Manhe Mangghuer Wedding Songs: Musical Characteristics." Asian Folklore Studies 58(1):77-120. Bibliog., music, tables. China.

Raja, Deepak. 1999. "The Bhopal Initiative." Journal of the Indian Musicological Society 30:66-79. Dhrupad Kendra in Bhopal, India.

Raja, Deepak. 1999. "Dhrupad: An Introduction." Journal of the Indian Musicological Society 30:4-15.

Raja, Deepak and Suvernalata Rao. 1999. "Epilogue." Journal of the Indian Musicological Society 30:120-26. History of dhrupad.

Ranade, Ashok. 1999. "Perspectives on Dhrupad." Journal of the Indian Musicological Society 30:16-23.

Reyes, Adelaida. 1999. "From Urban Area to Refugee Camp: How One Thing Leads to Another." Ethnomusicology. 43(2):201-20. Bibliog. Vietnamese music.

Reyes, Adelaida. 1999. Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience . Philadelphia: Temple University Press. xix, 218 pp., bibliog., illus., music .

Schimmelpenninck, Antoinet. 1997. Chinese Folk Songs and Folk Singers: Shang'ge Traditions in Southern Jiangsu. Leiden: CHIME Foundation. xvi, 442 pp., bibliog., gloss., photos + 1 sound disc.

Sharma, Manorma. 1998. Tribal Melodies of Himachal Pradesh. Gaddi Folk Music. New Delhi: APH Pub. Corp. x, 133 pp., illus.

Srinivasan Buonomo, Pia, and S. A. Srinivasan. 1999. The Goddess Mariyamman in Music and in Sociology of Religion. Reinbek (Germany): Dr. Inge Wezler. 137 pp., bibliog. illus., music + 1 audio cassette.

Stillman, Amy Ku'uleialoha. 1999. "Globalizing Hula." Yearbook for Traditional Music 31:57-66. Bibliog.

Suda, Naoyuki Kazuo Daijo, and Anthony Rausch. 1998. The Birth of Tsugaru Shamisen Music: The Origin and Development of a Japanese Folk Performing Art = Tsugaru shamisen no tanjo : minztoku geino no seisei to ryusei. Aomori, Japan: Aomori University Press . ix, 219 pp., bibliog., illus., map.

Takemoto Hiroo. 1999. Taueuta kenkyu no tenkai. Tokyo: Ofu. 687 pp., bibliog. Rice planting rites in Japan.

Tewari, Laxmi G. 1997. Svar Sadhana: Ragas and Compositions of Indian Classical Music. Vol. I. Santa Rosa, California: Svar Sadhana. xv, 172 pp.

Tewari, Laxmi G.. 1998. Svar Sadhana: Ragas and Compositions of Indian Classical Music. Vol. II. Santa Rosa, California: Svar Sadhana. xvi, 173 pp.

Thielemann, Selina. 1999. "Classical Dhrupada: The Principal Gharanas." Journal of the Indian Musicological Society 30:24-41. Bibliog.

Thielemann, Selina. 1999. "Dhrupad: A Selected Bibliography." Journal of the Indian Musicological Society 30:132-34.

Thielemann, Selina. 1999. "Dhrupad in the Vaisnava Temples." Journal of the Indian Musicological Society 30:42-50. Bibliog.

Thielemann, Selina. 1998. "Rhythm and Meter in Sinhalese vannama Dances: A Living Representation of Early Indian Tala?" Journal of the Indian Musicological Society 29: 142-81.

Thielemann, Selina. 1999. "The Vrindavan Movement." Journal of the Indian Musicological Society 30:80-90.

Thompson, John. 1998. Music Beyond Sound: Transcription of Music for the Chinese Silk-String Zither. Hong Kong: John Thompson. xxvi, 118 pp., illus., music, tables.

Tuohy, Sue. 1999. "The Social Life of Genre: The Dynamics of Folksong in China." Asian Music 30(2):39-86. Bibliog.

Witzleben, J. Lawrence. 1999. "Cantopop and Mandapop in Pre-post-colonial Hong Kong: Identity Negotiation in the Performance of Anita Mui Yim-Fong." Popular Music 18(2):241-57. Bibliog., discog., videog.

Wolfe, Arnold S., Chuck Miller, and Heather O'Donnell. 1999. "On the Enduring Popularity of Cream's 'Sunshine of Your Love': Sonic Synecdoche of the 'Psychedelic 60s'." Popular Music 18(2):259-76. Bibliog., discog.

Yamada, Yoichi. 1997. Songs of Spirits: An Ethnography of Sounds in a Papua New Guinea Society. Studies in Papua New Guinea Musics, number 5. Boroko, PNG: Institute of Papua New Guinea Studies. xxxvi, 307 pp., music, photos + 1 sound disc.

Yammine, Habib. 1999. "L'évolution de la notation rythmique dans la musique arabe, du IXe à la fin du XXe siècle." Cahiers de musiques traditionelles 12:95-122.

Yi Sung-chun. 1997. "The Identity of Traditional Korean Music." Korea Journal 37(3):110-22.

Zheng Su. 1997. "Female Heroes and Moonish Lovers: Women's Paradoxical Identities in Modern Chinese Songs." Journal of Women's History 8(4):91-125. Bibliog.

Europe

Asensio Llamas, Susanna. 1999. "Etnomusicologia i emigracio: marroquins a Barcelona." Revista d'etnologia de Catalunya 14 :132-39. English summary.

Bakalov, Todor, and Vanya Petkova. 1998. Anthology of Bulgarian Folk Musicians. Sofia, Bulgaria: "St. Kliment Ohrisdski" University Press. 303 pp., illus., photos., music.

Barbier, Aurélia Domaradzka. 1998. "Propos des musiciens montagnards du Beskide silésien (Pologne)." Cahiers de musiques traditionelles 11:87-106.

Bearman, C. J. 1999. "Kate Lee and the Foundation of the Folk-Song Society." Folk Music Journal 7(5):627-43. Facsims.

Blazekovic, Zdravko. 1998. "A Bibliography of Writings on Music and Music Research in Croatia Published in Languages Other than Croatian." The World of Music 40(3):113-79. Annotated bibliography.

Brailoiu, Constantin. 1999. "A Problem of Tonality (The Pentatonic Metabole)." East European Meetings in Ethnomusicology 6:123-37.

Breathnach, Breandán. 1998. The Man and His Music: An Anthology of the Writings of Breandán Breathnach. Dublin: Na Píobairí Uilleann. x, 163 pp., facsims., illus., music, photos. Ireland.

Ceribasic, Naila. 1998. "Folklore Festivals in Croatia: Contemporary Controversies." The World of Music 40(3):25-50. Bibliog., photos.

Costea, Constantin. 1999. "Rhythmical Aspects of the Transylvanian Young Men Dance." East European Meetings in Ethnomusicology 6:87-95.

Cuni, Amelia. 1999. "Confessions of a European Dhrupadiya." Journal of the Indian Musicological Society 30:105-14.

Dawe, Kevin. 1998. "Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy." British Journal of Ethnomusicology 7:23-44.

Dawe, Kevin. 1999. "Minotaurs or Musonauts?: 'World Music' and Cretan Music." Popular Music 18(2):209-25. Bibliog., discog., music, photos. Greece.

Durif, Olivier. 1998. Musiques des monts d'Auvergne et du Limousin. Musiques du monde. Arles; Paris: Actes Sud; Cité de la musique. 156 pp., bibliog., discog., illus. + 1 sound disc. France.

Edström, K. Olle. 1999. "From Schottis to Bonnjazz -- Some Remarks on the Construction of Swedishness." Yearbook for Traditional Music 31:27-41. Bibliog., facsims., music.

Eydmann, Stuard. 1999. "As Common as Blackberries: The First Hundred Years of the Accordion in Scotland, 1830-1930." Folk Music Journal 7(5):595-608. Facsim., photo, table.

Focht, Josef. 1999. "Denominational Roots of Swabian Amateur Music-making." The World of Music 41(2):123-36. Bibliog., facsims. Musical examples available at: http://www.uni-bamberg.de/~ba2fm3/wom992.htm.

Francis, David. 1999. Traditional Music in Scotland: Education, Information, Advocacy. Edinburgh: The Scottish Arts Council. 82 pp., bibliog.

Frey, Heike. 1999. "Traditional Urban Entertainment in Bavaria: The Volkssänger as Exemplified by Bally Prell." The World of Music 41(2):99-122. Bibliog., photos.

Gligo, Niksa. 1998. "Why Do We Like Symphonic Kolo? National Coloring and Its Articulation through Folklore-based Idioms." The World of Music 40(3):99-111. Bibliog., music.

Grant, Bob. 1999. "When Punch Met Merry." Folk Music Journal 7(5):644-55. Facsims., map, photo.

Griebel, Armin. 1999. "The Discovery of Franconian Folk Song." The World of Music 41(2):159-67. Bibliog., facsims. Musical examples available at: http://www.uni-bamberg.de/~ba2fm3/wom992.htm.

Harvey, Jane. 1999. "Dhrupad: Dateline Amsterdam." Journal of the Indian Musicological Society 30:115-19.

James, Elizabeth. 1999. "The Captain's Apprentice and the Death of Young Robert Eastick of King's Lynn: A Study in the Development of Folk Song." Folk Music Journal 7(5):579-94. Facsim., music, photos.

Jonsson, Bengt R. 1996. Sveriges Medeltida Ballader . Stockholm: Almqvist & Wiksell International.

Judge, Roy. 1999. "The 'Country Dancers' in the Cambridge Comus of 1908." Folklore 110:25-38. Bibliog., photos.

Koczanowicz, Leszek. 1999. "Post-Communism and Pop Music: Annihilation or Restoration of Memory in Disco-polo." Focaal: tijdschrift voor antropologie 33:115-22.

Komitas, Vardapet, Edward Gulbekian, and Vrej Nersessian. 1998. Armenian Sacred and Folk Music. Richmond, Surrey: Curzon Press. 192 pp., bibliog., illus., music.

Kurkela, Vesa. 1999. "Is Folk Music Youth Music and What is the Eastern Influence? Two Debates on Contemporary Folk Music." East European Meetings in Ethnomusicology 6:11-23.

Kurti, Laszlo. 1999. "Symbolism and Meaning in Dance: Toward a Critical Anthropological Approach." East European Meetings in Ethnomusicology 6:97-112.

Lange, Barbara Rose. 1999. "Political Consciousness in the Vernacular: Versions and Variants of the Hungarian Ciganyhimnusz (Gyspy anthem)." Journal of the Gypsy Lore Society 9(1):29-54.

Lenk, Carsten. 1999. "'Cultivated' Folk Music: More Invention Than Discovery? Appropriation and Mediation of Songs in East Bavaria." The World of Music 41(2):63-97. Bibliog., illus., photos.

Londarize, Et'er. 1998. Balada k'art'ul xalxur da prop'esiul musika_i. T'bilisi: Gamomc'emloba "Sam_oblo". 82 pp., bibliog., illus., music. Georgia Republic.

Lortat-Jacob, Bernard. 1998. "Le chant et ses raisons. Pratiques passionnelles à Castelsardo (Sardaigne)." Cahiers de musiques traditionelles 11:73-86.

Losseff, Nicky. 1999. "Cathy's Homecoming and the Other World: Kate Bush's 'Wuthering Heights'." Popular Music 18(2):227-40. Bibliog., discog., music.

Marian-Balasa, Marin. 1995. "Street Art and Urban Environment: Introductory Draft." East European Meetings in Ethnomusicology 2:122-35.

Marosevic, Grozdana. 1998. "The Encounter between Folklore Studies and Anthropology in Croatian Ethnomusicology." The World of Music 40(3):51-81. Bibliog., photos.

Mishalow, Victor. 1999. "A Short History of the Bandura." East European Meetings in Ethnomusicology 6:69-85.

Mora, Miguel, and Juan Verdu. 1998. "Enrique Morente: Lorca y la invencion del flamenco." Revista de Occidente 211:211-18. Spain.

Nielsen, Svend. 1998. Den gode vise, den sand vise : 15 traditionelle viser sunget og kommenteret af sangerne. København: Kragen. 53 pp., illus.

Nixon, Paul. 1998. Sociality, Music, Dance: Human Figurations in a Transylvanian Valley. Skrifter från Institutionen för Musikvetenskap, Göteborgs universitet, nr. 34 Göteborg: Göteborg University, Dept. of Musicology. xxvii, 63 6 pp., bibliog., illus., maps. Romania and Hungary.

Onderdonk, Julian. 1999. "Vaughan Williams and the Modes." Folk Music Journal 7(5):609-26. Tables.

Papana, Ovidiu. 1999. "Drimba's Acoustic and Performing Secrets." East European Meetings in Ethnomusicology 6:33-59.

Parejo, Raphaël. 1998. "Des Andes au Pays Basque. Discours de musiciens et chanteurs sur leur pratique." Cahiers de musiques traditionelles 11:29-56.

Patrat, Gilles. 1999. "Essay on the Original Symbolism of the Panpipe." East European Meetings in Ethnomusicology 6:11-23.

Pennanen, Risto Pekka. 1997. "The Development of Chordal Harmony in Greek Rebetika and Laika Music, 1930s to 1960s." British Journal of Ethnomusicology 6:65-116.

Pietsch, Rudolf. 1999. "Between Romas and Jews: an Ethnomusicological Field Expedition to Romania." East European Meetings in Ethnomusicology 6:3-10.

Plemmenos, John G. 1997. "The Active Listener: Greek Attitudes toward Music Listening in the Age of the Enlightenment." British Journal of Ethnomusicology 6:51-64.

Radulescu, Speranta. 1999. "The Peasant Brass Band in Romania." East European Meetings in Ethnomusicology 6:61-68.

Rice, Timothy, James Porter, and Chris Goertzen ed. 2000. The Garland Encyclopedia of World Music: Europe. The Garland Encyclopedia of World Music, Vol. 8. New York; London: Garland. xxix, 1144 pp., bibliog., discog., filmog., gloss., maps, music, photos, videog. + 1 sound disc.

Rivière, Hervé. 1998. "Terminologie vernaculaire du chant et discours de spécialité en Basse-Bretagne (XIXe-XXe siècles)." Cahiers de musiques traditionelles 11:57-72.

Schötz, Franz. 1999. "'Cultivated' and 'Non-cultivated' Folk Music: On Music-making among Traditional Dance Musicians in Bavaria." The World of Music 41(2):41-61. Bibliog., music. Musical examples available at: http://www.uni-bamberg.de/~ba2fm3/wom9 92.htm.

Seifert, Manfred. 1999. "Functionality and Aesthetic: On the Structural Principles of Traditional Folk Music and Their Transformation in the Bavarian 'Cultivation' Movement." The World of Music 41(2):13-39. Bibliog., photos.

Sokolova, Alla Nikolaevna. 1998. Diskografiia adygskoi narodnoi muzyki : spravochnoe nauchnoe posobie. Maikop: In-t povysheniia kvalifikatsii pri Adygeiskom gos. universitete. 75 pp. Russia.

Stipcevic, Ennio. 1998. "The Presence of the Past. The Earliest Musical Notations of Folk Music in Croatia." The World of Music 40(3):9-24. Bibliog., facsims.

Sugarman, Jane C. 1999. "Imagining the Homeland: Poetry, Songs, and the Discourses of Albanian Nationalism." Ethnomusicology. 43(3):419-58. Bibliog., table.

Van de Port, Mattijs. 1999. "The Articulation of Soul: Gypsy Musician and the Serbian Other." Popular Music 18(3):291-308. Bibliog.

Vikar, Laszlo and Gabor Bereczki. 1999. Tatar Folksongs. Budapest: Akademiai Kiado. 516 pp., bibliog., music, photos.

Viret, Jacques. 1999. "La notation du chant grégorien: écriture et oralité, des rapports problématiques." Cahiers de musiques traditionelles 12:75-94.

Wax, Johannes. 1999. "On Current Urban Dance Life in and Around Regensburg." The World of Music 41(2):137-58. Bibliog., photos.

White, Harry. 1998. The Keeper's Recital: Music and Cultural History in Ireland, 770-1970. Critical Conditions: Field Day Essays and Monographs, 6 Cork: Cork University Press. xi, 227 pp., bibliog.

Whitlock, Keith. 1999. "John Playford's The English Dancing Master 1650/51 as Cultural Politics." Folk Music Journal 7(5):548-78. Facsim., photos.

Zebec, Tvrtko. 1998. "Glagolitic Priests as Leaders of Chain-Round Dances on the Island of Krk." The World of Music 40(3):83-97. Bibliog., diagr., photos.

Acknowledgements

Laurent Aubert, Frederick Crane, Cynthia Tse Kimberlin, Marin B. Marian, Mervyn McLean, R. C. Mehta, Joseph J. Palackal, Willie Smyth, Laxmi G.