Compiled by Kevin Medows (University of Illinois at Urbana)

Editor's note: in order to aid searching, names and terms that have been coded to display diacriticals have been appended to the entry in brackets without diacriticals.

General | Africa | Americas | Asia & Oceania | Europe

General

Ahlkvist, Jarl A. 2001. "Programming Philosophies and the Rationalization of Music Radio." Media, Culture & Society 23 (3): 339-358.

Alexander, Michael. 2001. "Mammy, Don't You Know Me?": Al Jolson and the Jews. In Jazz Age Jews, 131-179. Princeton: Princeton University Press.

Alleyne, Mike. 2000. "White Reggae: Cultural Dilution in the Record Industry." Popular Music & Society 24 (1): 15-30.

Baranowski, Ann. 1998. "A Psychological Comparison of Ritual and Musical Meaning." Method & Theory in the Study of Religion 10 (1): 3-29.

Bell, Robert H. 2000. "Double Dylan." Popular Music & Society 24 (2): 109-126.

Berger, Harris M., and Michael T. Carroll, issue eds. 2000. "Global Popular Music: The Politics and Aesthetics of Language Choice." Special issue of Popular Music & Society 24 (3). Contents:

• Just for Fun? Language Choice in German Popular Music / Edward Larkey (1-20)
• Reaching Out to the Core: On the Interactional Work of the MC in Drum & Bass Performance / Morgan Gerard and Jack Sidnell (21-39)
• Doin' Damage in My Native Language: The Use of 'Resistance Vernaculars' in Hip Hop in France, Italy, and Aotearoa/New Zealand / Tony Mitchell (41-54)
• Mucho loco for Ricky Martin: or the Politics of Chronology, Crossover, and Language with the Latin(o) Music 'Boom' / Marí Elena Cepeda (55-71)
• Language Choice and Hip Hop in Tanzania and Malawi / John Fenn and Alex Perullo (73-93)
• At the Crossroads of Languages, Musics, and Emotions in Kathmandu / Paul D. Greene and David R. Henderson (95-116)
• 'Chanter en yaourt': Pop Music and Language Choice in France / Cece Cutler (117-113) [ maria ]

Bradby, Barbara, and Dave Laing, issue eds. 2001. "Gender and Sexuality." Special issue of Popular Music 20 (3). Contents:

• Introduction / Barbara Bradby and Dave Laing (295-300)
• All Rock and Roll Is Homosocial: The Representation of Women in the British Rock Music Press / Helen Davies (301-320)
• The Gendered Carnival of Pop / Diane Railton (321-331)
• 'Believe'? Vocoders, Digitalised Female Identity and Camp / Kay Dickinson (333-347)
• Sampling (Hetero) Sexuality: Diva-ness and Discipline in Electronic Dance Music / Susana Loza (349-357)
• "I Want Muscles": House Music, Homosexuality and Masculine Signification / Stephen Amico (359-378)
• Glamour and Evasion: The Fabulous Ambivalence of the Pet Shop Boys / Fred E. Maus (379-393)
• Caught in a Trap? Beyond Pop Theory's "Butch" Construction of Male Elvis Fans / Mark Duffett (395-408)
• The Rise of Calypso Feminism: Gender and Musical Politics in the Calypso / Cynthia Mahabir (409-430)
• Revisiting the Wreck: PJ Harvey's Dry and the Drowned Virgin-Whore / Mark Mazullo (431-447)

Brett, Philip. 1999. "The Personal Politics of Scholarship: Keynote Address at the 1998 SEMSCC Meeting at UCLA." Pacific Review of Ethnomusicology 9 (1): 58-69.

Clayton, Martin, ed. 2001. "Music and Meaning." Special issue of British Journal of Ethnomusicology 10 (1). Contents:

• Introduction: Towards a Theory of Musical Meaning (in India and Elsewhere) / Martin Clayton (1-17)
• Reflections on Music and Meaning: Metaphor, Signification, and Control in the Bulgarian Case / Timothy Rice (19-38)
• Meaning and Structure--The Case of Chinese Qin (Zither) Music / Frank Kouwenhoven (39-62)
• An Understanding between Bollywood and Hollywood? The Meaning of Hollywood-Style Music in Hindu Films / Anna Morcom (63-84)
• Samba in Wales: Making Sense of Adopted Music / Jochen Eisentraut (85-105)
• Meaning in Benga Music of Western Kenya / Gregory F. Barz (107-115)

Emerson, Rana A. 2002. "'Where My Girls At?': Negotiating Black Womanhood in Music Videos." Gender & Society 16 (1): 115-135.

Duffett, Mark. 2000. "Transcending Audience Generalizations: Consumerism Reconsidered in the Case of Elvis Presley Fans." Popular Music & Society 24 (2): 75-91.

Gilbert, Jeremy, and Ewan Pearson. 1999. Discographies: Dance Music, Culture and the Politics of Sound. New York: Routledge, xii, 195 p., bibliog.

Hawkins, Stan. 2001. "Joy in Repetition!: Structures, Idiolects, and Concepts of Repetition in Club Music." Studie Musicologica Norvegica 27: 53-78.

Hesmondhalgh, David. 1999. "Indie: The Institutional Politics and Aesthetics of a Popular Music Genre." Cultural Studies 13 (1): 34-61.

Inglis, Ian. 2000. "'The Beatles Are Coming!' Conjecture and Conviction in the Myth of Kennedy, America, and the Beatles." Popular Music & Society 24 (2): 93-108.

Kerschbaumer, Franz. 2001. "Zur Entstehung des Swing-Begeitrhythmus' in der Folk Music, in der modernen Popularmusik und im Jazz." Jazzforschung/Jazz Research 33: 131-136.

Lott, Tommy Lee. 2001. "The 1960s Avant-Garde Movement in Jazz." Social Identities 7 (2): 165-177.

Negus, Keith. 1999. "The Music Business and Rap: Between the Street and the Executive Suite." Cultural Studies 13 (3): 488-508.

Pattacini, Melissa McCray. 2000. "Deadheads Yesterday and Today: An Audience Study." Popular Music & Society 24 (1): 1-14.

Potter, James. "The Distant Isle: The Scholarship and Music of Peter Crossley-Holland (28 Jan. 1916-27 April 2001)." Ethnomusicology 46 (2): 323-329.

Simonett, Helena. 2000. "Popular Music and the Politics of Identity: The Empowering Sound of Technobanda." Popular Music & Society 24 (2): 1-23.

Street, John. 2000. "Invisible Republics and Secret Histories: A Politics of Music." Cultural Values 4 (3): 298-313.

Truchly, V. Patricia. 1999. "Thinking Gender: Feminisms, Epistemologies, and Ethnomusicology." Pacific Review of Ethnomusicology 9 (1): 46-57.

Walser, Robert, ed. 2001. "Special Issue on Asian American Music." American Music 19 (4). Contents:

• Finding an Asian American Audience: The Problem of Listening / Deborah Wong (365-384)
• Orientalism and the Music of Asian Immigrant Communities in California, 1924-1945 / Mina Yang (1924-1945)
• "She's Really Become Japanese Now!": Taiko Drumming and Asian American Identifications / Paul Jong-Chul Yoon (417-438)
• Between the Notes: Finding Asian America in Popular Music / Oliver Wang (439-465)

Warwick, Jacqueline. 2000. "'Make Way for the Indian': Bhangra Music and South Asian Presence in Toronto." Popular Music & Society 24 (2): 25-44.

Williams, Sean. 2001. "Ethnomusicology as Interdisciplinary Musicology: A Case Study." Current Musicology 65: 82-96.

Africa

Emoff, Ron. 2002. "Phantom Nostalgia and Recollecting (from) the Colonial Past in Tamatave, Madagascar." Ethnomusicology 46 (2): 265-283.

Irele, Abiola, ed. 2001. "The Landscape of African Music." Special issue of Research in African Literatures 32 (2). Contents:

• Editorial: The Landscape of African Music / Abiola Irele (1-2)
• Introduction ; African Music as Text / Kofi Agawu (3-7; 8-16)
• "It's a Great Song!": Haló Performance as Literary Production / Daniel K. Avorgbedor (17-43)
• Poetry, Performance, and Art: Udje Dance Songs of Nigeria's Urhobo People / Tanure Ojaide (44-75)
• The Cosmopolitan Nativist: Fela Anikulapo-Kuti and the Antinomies of Postcolonial Modernity / Tejumola Olaniyan (76-89)
• Beyond Song Texts: The Lingual Fundamentals of African Drum Music / Meki Nzewi, Israel Anyahuru, and Tom Ohiaraumunna (90-104)
• African Musical Rhythm and Poetic Imagination: A Phono Stylistic Interpretation of Clark-Bekederemo's "Return of the Fishermen" / Luke Eyoh (105-118)
• Test Setting in African Composition / Akin Euba (119-132)
• Capturing the "Spirit of Africa" in the Jazz Singing of South African-Born Sathima Bea Benjamin / Carol Ann Muller (133-152)
• African Pianism as an Intercultural Compositional Framework: A Study of the Piano Works of Akin Euba / Bode Omojola (153-174)
• African Music, Ideology, and Utopia / Nick Nesbitt (175-186) [ halo ]

Lacerda, Marcos. 2000. "Yoruba Sacred Music and the Barform." Sonus 22 (2): 32-55.

Levy, Beth. 2001. "'The White Hope of American Music': or, How Roy Harris Became Western." American Music 19 (2): 131-167.

Ojo, Matthews A. 1998. "Indigenous Gospel Music and Social Reconstruction in Modern Nigeria." Missionalia 26: 210-231.

Omojola, Bode. 2001. "History and Social Identity in Yoruba Popular Music." Jazzforschung/Jazz Research 33: 189-210.

Rasmussen, Susan J. 2000. "Between Several Worlds: Images of Youth and Age in Tuareg Popular Performances." Anthropological Quarterly 73 (3): 133-143.

Salm, Steven J. and Toyin Falola. 2002. Music and Dance. In Culture and Customs of Ghana, 167-192. Westport, Conn.: Greenwood Press.

Americas

Abramson, Bram Dov. 2002. "Country Music and Cultural Industry: Mediating Structures in Transnational Media Flow." Media, Culture & Society 24 (2): 255-274.

Campbell, Gavin James. 2001. "'I'm Just a Louisiana Girl': The Southern World of Britney Spears." Southern Cultures 7 (4): 81-97.

Chan, Margaret. 2001. "East Meets West at Chinese Festivals in Toronto." The Canadian Journal for Traditional Music/La Revue de musique folklorique canadienne 28: 1-14.

Cruz, Jon. 1999. Culture on the Margins: The Black Spiritual and the Rise of American Cultural Interpretation. Princeton: Princeton University Press, x, 288 p., bibliog.

Dudley, Shannon. 2001. "Ray Holman and the Changing Role of the Steelband, 1957-72." Latin American Music Review 22 (2): 183-198.

Ethier, Glen. 2001. "Techniques of Hypermetric Manipulation in Canadian Blues." The Canadian Journal for Traditional Music/La Revue de musique folklorique canadienne 28: 33-53.

Foulkes, Julia L. 2000. "Angels 'Rewolt!': Jewish Women in Modern Dance in the 1930s." American Jewish History 88 (2): 233-252.

Gifford, Paul M. 2001. The Hammered Dulcimer: A History. American Folk Music and Musicians. Lanham, Md.: Scarecrow Press, xxiv, 439 p., bibliog.

Goshert, John Charles. 2000. "'Punk' after the Pistols: American Music, Economics, and Politics in the 1980s and 1990s." Popular Music & Society 24 (1): 85-106.

Gura, Philip F. 2000. "Southern Roots and Branches: Forty Years of the New Lost City Ramblers." Southern Cultures 6 (4): 58-81.

Guss, David M. 2000. The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance. Berkeley: University of California Press, xiii, 239 p., bibliog.

Habell-Pallan, Michelle. 1999. "El Vez is 'Taking Care of Business': The Inter/National Appeal of Chicano Popular Music." Cultural Studies 13 (2): 195-210.

Harvey, Todd. 2001. The Formative Dylan: Transmission and Stylistic Influences, 1961-1963. American Folk Music and Musicians. Lanham, Md.: Scarecrow Press, xxv, 211 p., bibliog, discog.

Hoefnagels, Anna. 2001. "Remembering Canada's Forgotten Soldiers at Contemporary Powwows." The Canadian Journal for Traditional Music/La Revue de musique folklorique canadienne 28: 24-32.

Jackson, Jason Baird, and Victoria Lindsay Levine. 2002. "Singing for Garfish: Music and Woodland Communities in Eastern Oklahoma." Ethnomusicology 46 (2): 284-306.

Jackson, Naomi M. 2000. Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y. Hanover: Wesleyan University Press, xii, 288 p., bibliog.

Kun, Josh. 1999. "The Yiddish Are Coming: Mickey Katz, Antic-Semitism, and the Sound of Jewish Difference." American Jewish History 87 (4): 343-374.

Lavitt, Pamela Brown. 1999. "First of the Red Hot Mamas: 'Coon Shouting' and the Jewish Ziegfeld Girl." American Jewish History 87 (4): 253-290.

Lima, Paulo Costa. 2001. "Composition in Bahia, Brazil: Ernst Widmer and His Octatonic Strategies." Latin American Music Review 22 (2): 157-182.

Mauriño, Gabriela. 2001. "Raíces tangueras de la obra de Astor Piazzolla." Latin American Music Review 22 (2): 240-254. [ maurino raices ]

Most, Andrea. 1999. "'Big Chief Izzy Horowitz': Theatricality and Jewish Identity in the Wild West." American Jewish History 87 (4): 313-341.

Regester, Charlene. 2000. "The Construction of an Image and the Deconstruction of a Star - Josephine Baker Racialized, Sexualized, and Politicized in the African-American Press, the Mainstream Press, and FBI Files." Popular Music & Society 24 (1): 31-84.

Reily, Suzel Ana. 2002. Voices of the Magi: Enchanted Journeys in Southeast Brazil. Chicago: University of Chicago Press, xvii, 266 p., bibliog.

Restrepo, Alejandro Tobón, and Marí Eugenia Londoño F. 2001. "'Barujo y La Pelotera': Encuentro de culturas en la obra musical y poética de tres músicos chocoanos." Latin American Music Review 22 (2): 214-239. [ tobon maria lodono poetica musicos ]

Reuss, Richard, with JoAnne C. Reuss. 2000. American Folk Music and Left-Wing Politics, 1927-1957. American Folk Music and Musicians. Lanham, Md.: Scarecrow Press, xviii, 297 p., bibliog.

Ritter, Johathan. 1999. "Agua Larga: Musical Tales in Northwest Ecuador." Pacific Review of Ethnomusicology 9 (1): 70-78.

Robinson, Earl, with Eric A. Gordon. 1998. Ballad of an American: The Autobiography of Earl Robinson. American Folk Music and Musicians. Lanham, Md.: Scarecrow Press, xxviii, 477 p., bibliog, discog.

San Miguel, Guadalupe. 1999. "The Rise of Recorded Tejano Music in the Post-World War II Years, 1946-1964." Journal of American Ethnic History 19 (1): 26-49.

Sexton, Rocky L., and Harry Oster. 2001. "Une 'Tite Poule Grasse ou la Fille Aînée [A Little Fat Chicken or The Eldest Daughter]: A Comparative Analysis of Cajun and Creole Mardi Gras Songs." Journal of American Folklore 114 (452): 204-224. [ ainee ]

Varney, John. 2001. "An Introduction to the Colombian Bambuco." Latin American Music Review 22 (2): 123-156.

Walker, John L. 2001. "The Younger Generation of Ecuadorian Composers." Latin American Music Review 22 (2): 199-213.

Whitfield, Stephen J. 2002. "Is It True What They Sing About Dixie?" Southern Cultures 8 (2): 9-37.

Yúdice, George. 2001. "Afro Reggae: Parlaying Culture into Social Justice." Social Text 19 (4): 53-65.

Asia & Oceania

Callen, Jeffrey. 1999. "Ram's Chariot: Popular Culture, Music, & the Hindu Nationalist Movement." Pacific Review of Ethnomusicology 9 (1): 27-45.

Capwell, Charles. 2002. "A Ragmala for the Empress." Ethnomusicology 46 (2): 197-225.

Chen, Pi-Yen. 2002. "The Contemporary Practice of the Chinese Buddhist Service: Two Case Studies of the Traditional in the Post-traditional World." Ethnomusicology 46 (2): 226-249.

Chou, Godwin. 2001. "A New Genre of Chinese Folk Music: The Bamboo Drum Song." Chinese Music [Part 1] 24 (2): 24-27; [Part 2] 24 (3): 51-55; [Part 3] 24 (4): 75-79.

Devy, Ritha. 2000. "My Dance-odyssey." Sangeet Natak 36 (1): 44-56.

Dowsey-Magog, Paul. 2002. "Popular Workers' Shadow Theatre in Thailand." Asian Theatre Journal 19 (1): 184-211.

Du, Yaxiong. 2001. "Russian Chinese and Their Folk Music." Chinese Music 24 (2): 30-35.

Dunbar-Hall, Peter. 2000. "Singing about Nations within Nations: Geopolitics and Identity in Australian Indigenous Rock Music." Popular Music & Society 24 (2): 45-73.

Fraleigh, Sondra Horton. 1999. Dancing into Darkness: Butoh, Zen, and Japan. Pittsburgh: University of Pittsburgh Press, xiii, 272 p., bibliog.

Gundecha, Ramakant, and Umakant Gundecha. 2000. "Notation in Hindustani Music: Where Has it Led Us?" Sangeet Natak 36 (1): 41-43.

Gupt, Somnath. 2001. "The Parsi Theatre: Its Origins and Development (1)." Trans./ed. by Kathryn Hansen.Sangeet Natak 36 (1): 3-31.

Hahn, Tomie. 2001/2002. "Singing a Dance: The Oral Transmission of Nihon Buyo." Asian Music 33 (1): 61-74.

Henry, Edward O. 2001/2002. "Melodic Structure of the Khari Biraha of North India: A Simple Mode." Asian Music 33 (1): 105-124.

Lancashire, Terrence. 2001/2002. "Kagura - A 'Shinto' Dance? Or Perhaps Not." Asian Music 33 (1): 25-59.

Lee, Yuan-yuan. 2000. "20th Century Milestones for Chinese Music: The Erhu as a Major Solo Instrument." Chinese Music 23 (4): 79.

Lee, Yuan-yuan. 2001. "Chang gu (long drum)." Chinese Music 24 (1): 18-19.

Lysloff, René T.A. 2001/2002. "Rural Javanese 'Tradition' and Erotic Subversion: Female Dance Performance in Banyumas." Asian Music 33 (1): 1-24. [ rene ]

Raja, Deepak S. 2000. "Architecture in Modern Hindustani Music." Sangeet Natak 36 (1): 32-40.

Roberson, James E. 2001. "Uchinaa Pop: Place and Identity in Contemporary Okinawan Popular Music." Critical Asian Studies 33 (2): 211-242.

Saxena, Sushil Kumar. 2001. "On Hindusthani Music: Some Basic-Aesthetic Reflections." Journal of the Indian Musicological Society 32: 47-83.

Schultz, Anna. 2002. "Hindu Nationalism, Music, and Embodiment in Marathi Rashtriya Kirtan." Ethnomusicology 46 (2): 307-322.

Shao, Ying. 2000. "Ren Guang and Fishermen's Song." Chinese Music 23 (3): 47-49.

Shao, Ying. 2000. "Wang Linan: The Shengguan Section Leader of the China Broadcasting Chinese Orchestra." Chinese Music 23 (4): 71.

Sharma, Premlata. 2001. "On Indian Concept of Time & the History of Indian Music." Journal of the Indian Musicological Society 32: 2-45.

Shen, Sin-yan. 2000. "The Artistic Pathways of the Chinese Music: On the A Bing System." Chinese Music 23 (2): 24-30.

Shen, Sin-yan. 2000. "A Concise History of Chinese Musical Instruments." Chinese Music 23 (3): 50-55.

Shen, Sin-yan. 2000. "The Erhu: 1900-2000. I." Chinese Music 23 (4): 64-68.

Shen, Sin-yan. 2001. "The Erhu: 1900-2000. II." Chinese Music 24 (1): 5-15.

Shen, Sin-yan. 2001. "Southern School Master of the Flute: Zhao Song-ting (1924-2000)." Chinese Music 24 (2): 28-30.

Shen, Sin-yan. 2001. "The Cultural Acoustics of Chinese Musical Instruments." Chinese Music 24 (3): 44-47.

Shen, Sin-yan. 2001. "Li Delun (1917-2001): The Founding Father of Symphony Orchestras of China." Chinese Music 24 (4): 73-74.

Shu, Xia. 2001. "Mouth Organ of the Southwest: The Lusheng." Chinese Music 24 (2): 38-40.

Su, Xiao. 2000. "The Silk & Bamboo Orchestra Program Notes." Chinese Music 23 (4): 72-78.

Sutton, R. Anderson. 2001/2002. "Individuality and 'Writing' in Javanese Music Learning." Asian Music 33 (1): 75-103.

Trasoff, David. 1999. "Researching the Evolution of a Musical Instrument in Modern India." Pacific Review of Ethnomusicology 9 (1): 4-26.

Vatsyayana, Kapila. 2001. "On Inter-relationship of the Indian Arts: Theory & Practice." Journal of the Indian Musicological Society 32: 85-110.

Walravens, Hartmut. 2002. "Popular Chinese Music a Century Ago." Fontes Artis Musicae 47 (4): 345-352.

Xiao, Jun. 2001. "Chinese Classical Orchestra and the Silk & Bamboo Ensemble of the Chinese Music Society. I." Chinese Music 24 (4): 64-69.

Zhao, Feng, and Sin-yan Shen. 2001. "Multi-Disciplinary Studies Not Found in Conventional Single Major Chinese Music Courses." Chinese Music 24 (3): 48-50.

Europe

Bakke, Reidar. 1999. "Innblikk i den finske læstadianske sangtradisjonen i Varangerdistriktet." Studie Musicologica Norvegica 25: 374-386. [ laestadianske ]

Bennett, Andy. 2002. "Music, Media and Urban Landscapes: A Study of the Canterbury Sound." Media, Culture & Society 24 (1): 87-100.

Bergheim, Irene. 2000. "'Varianter' eller nye melodier? Analyse av en samling Kingo-melodier fra Sunnmøre." Studie Musicologica Norvegica 26: 85-99. [ sunnmore ]

Bithell, Caroline. 2001. "Telling a Tree by its Blossom: Aspects of the Evolution of Musical Activity in Corsica and the Notion of a Traditional Music of the Twenty-First Century." Music & Anthropology 6. 17 April 2002 <http://www.research.umbc.edu/eol/MA/index/number6/bithell/bit_0.htm>.

Burgess, Paul. 2002. "The Mystery of the Whistling Sewermen: How Cecil Sharp Discovered Gloucestershire Morris Dancing." Folk Music Journal 8 (2): 178-194.

Caleta, Josko. 2001. "Trends and Processes in the Music Culture of the Dalmatian Hinterland." Music & Anthropology 6. 17 April 2002 <http://www.research.umbc.edu/eol/MA/index/number6/caleta/jos_0.htm>.

Dybo, Tor. 2001. "Plateselskapenes rolle for utviklingen av jazz i Europa." Studie Musicologica Norvegica 27: 185-210.

Ekgren, Jacqueline Pattison. 2001. "The Elusive Norwegian Nystev: Are Nystev from Springarstev?" Studie Musicologica Norvegica 27: 158-184.

Fabbri, Franco. 2001. "Nowhere Land: The Construction of a 'Mediterranean' Identity in Italian Popular Music." Music & Anthropology 6. 17 April 2002 <:http://www.research.umbc.edu/eol/MA/index/number6/fabbri/fab_0.htm>.

Gregory, E. David. 2002. "Lomax in London: Alan Lomax, the BBC and the Folk-Song Revival in England, 1950-1958." Folk Music Journal 8 (2): 136-169.

Judge, Roy. 2002. "Cecil Sharp and the Morris 1906-1909." Folk Music Journal 8 (2): 195-228.

Kvifte, Tellef. 1999. "Fenomenet 'asymmetrisk takt' i norsk og svensk folkemusikk." Studie Musicologica Norvegica 25: 387-430.

Marian-Balasa, Marin. 2002. "Birds in Cages Still Sing Well: An Introduction to the Musical Anthropology of Romanian Jails." Ethnomusicology 46 (2): 250-264.

Mason, Kaley. 2001. "Engaging Quests for Quintessential Traditional Music: An Irish Excursion." The Canadian Journal for Traditional Music/La Revue de musique folklorique canadienne 28: 15-23.

Peacock, Norman. 2002. "The Grenoside Calling-On Song." Folk Music Journal 8 (2): 170-177.

Pekkilä, Erkki, ed. 2001. Steel pan, mbalax ja gamelan: tutkielmia maahanmuuttajamusiikeista = [Steel pan, gamelan and mbalax: Essays on types of immigrant music in Finland]. Maailman musiikin keskuksen julkaisuja, 11. Helsinki: Maailman musiikin keskuk = [Global Music Centre]. Contents:

• Maailmanmusiikit ja musiikkimaailmat: Suomalainen maahanmuuttajamusiikki tutkimuskohteena / Erkki Pekkilä (9-26)
• Maahanmuuttajamusiikin näkymättömyys ja turkkilainen perinnemusiikin orkesteri Nefes / Yonca Ermutlu (27-38)
• Pukinmäki-projekti: Maailman musiikkeja koulumaailmaan / Ulla Pohjannoro (39-60)
• Steel panit kotiutuivat Karjaalle / Raija Kaljunen (61-72)
• Gamelan Suomessa / Anna Immonen, Juha Kujala ja Samppa Saarela (73-82)
• Nimo Abib: Somalilaulajatar vanhan ja uuden risteyksessä / Karoliina Kantelinen, Laura Karkinen ja Liisa Lipas (83-97)
• George Kings: Ghanalaisen siirtolaismuusikon yhteiseloa suomalaisten kanssa / Hanna-Mari Hieta ja Petri Home (99-124)
• Badu Ndjai: Senegalilaisen kitaristin vaiheita / Matti Mäkelä, Jussi Riikonen ja Antto Varilo (125-138)
• Suomalainen kitaristi ja senegalilainen mbalax / Antto Varilo (139-148)
• Latinalais-amerikkalaisten muusikkojen toiminta Suomessa / Alfonso Padilla (149-160)
• Espanjalaisena muusikkona Suomessa: Tapaustutkimus kolmesta maahanmuuttajasta / Mika Kauhanen ja Maiju Silvennoinen (161-176)
• Aflatuni Family Trio: Musisoiva iranilaisperhe / Päivi Komsi, Saija Nyyssönen ja Maini Tuominen (177-194)
• Immigrés: Maahanmuuttajamuusikot Internetissä / Mikko Saarela (195-204)
• Maahanmuuttajien musiikit ja korkeakoulupedagogiikka: Raportti konstruktivisesta opetuskokeilusta / Erkki Pekkilä (205-218)
• Contents and English summary (220-226)
  [ pekkila nakymattomyys pukinmaki risteyksessa makela paivi nyyssonen immigres internetissa ]

Szemere, Anna. 2001. Up from the Underground: The Culture of Rock Music in Postsocialist Hungary. University Park, Pa.: Pennsylvania State University Press, x, 253 p., bibliog.